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2013 release ** "This is the second release from Maurizio Bianchi for Red Light sound. It begins explores the world of tubolar percussion while track two takes a completely different turn using modular synth treatments with Pharmakustik."
2006 release ** "After the "A M.B. Iehn Tale" release (CD - SmallVoices 2005) for the first time Maurizio Bianchi meets TH26, historical Italian project in dark electronics. After their first official release ("La Haine" CD - SmallVoices 2002) they are now back with this amazing cooperation. For this release TH26 leaves their usual rhythmical attitude, in perfect symbiosis with Maurizio Bianchi, the "father" of Italian industrial music. This work presents deep obscure minimal soundscapes, moving…
* Yellow vinyl. Holographic cover * Giuliano Sorgini is one of the most mysterious composers of soundtracks and sonorizations, the latter being a particular line of music compositions created specifically for the accompaniment of audiovisual productions such as television programs, advertisements, documentaries and films; these are works made in total artistic freedom, without limits imposed by a specific musical genre.Sorgini's name is linked to a wide series of records and music works, among w…
**Edition of 300 copies, black vinyl 180gr. Comes with Obi, and original liner notes by Jonny Trunk** Originally released in 1971 as LR15 on Leo Records label. Oronzo De Filippi is known not only for his library music works, but also for having taken part, together with Alessandro Alessandroni, in the project The Braen’s Machine. “Meccanizzazione” is a completely instrumental record - like practically all LP's in this genre - literally dominated by the sound of the harpsichord, and it substanti…
A much anticipated and perhaps at least partially dreaded follow-up to the first volume released back in 2021. Compositions for synthesizer & turntable recorded winter 2023 at Studio Malign in Gothenburg. The 'brutish and cold minimalism that resembles Nord or a David Tudor on benzos' still kind of rings true, but Vol II is more than just mere repetition. Psychedelic electronics indeed, including a haunting ode to Swedish goddess Marie Fredriksson, and another massive and innovative slow burner …
**CD version** "A primal force of something... real. I have listened back and forth to the new album of Anna Högberg's “Attack” numerous times now and it hit me like a split axe in a split second: this music is for real! Wham Bam! This is liberating music. Allowing music. It hits me just as the split axe hits the wood. Without hesitation, but still very sensitive. Pure power does not cut the wood automatically. No fancy flirts with post-this and post-that. Just the force. Of itself. This music i…
Five year anniversary compilation from Discreet Music featuring new or unreleased music from Facit, Eftergift, Demeters Döttrar, Sewer Election, Juho Toivonen, Leda, Shadow Pattern, Livskraft, Arv & Miljö and Franciska. As stated in the extensive liner notes, a little bit of everything and something for everyone, capturing the very essence of Discreet Music while at the same time looking forward rather than back.
**Edition of 300** Konstrukt has made contact with both Alexander Hawkins and Alan Wilkinson during their presence at Konfrontationen Festival in Nickelsdorf in 2013 where the band performed for the second time in Austria after Saalfelden Jazz Festival with Marshall Allen in 2011. All three parts were excited and have agreed to get together sometime in the future.The result was a night of music with high energy and a wide musical perspective. From drum&bass to ethnic funk vibes, from straight fr…
Listening to Thomas E. Frank’s debut solo album for the first time, I’m amazed at how recognizable and familiar it sounds. Not in the heard-it-a-thousand-times-before kind of way, but more in how direct and self-evident every single one of the 12 tracks is. Genuinely timeless stuff with songs that should have been written some 40 years ago but weren’t. It’s hard to avoid mention the mothership Den Stora Vilan, the band that Frank is more known from, but while there may be sonic similarities this…
Edition of 100. This debut-LP is structured like a long-form piece split up into smaller parts, constructed with manipulated field recordings, synthesis experimentations, layered harmonies and textured sound design. One gets the sense the material journeys through a narrative in disarray, depicted through numerous undisclosed, ambiguous perspectives — there are parts that are melodic, radiant and vaguely warm, like suddenly having tuned in to an imprint of some long-forgotten person’s experience…
In a rain forest of moments. the eye hears what the ear sees. through each moment of Karin Johansson’s and Finn Loxbo’s music runs the firm conviction that all points and layers of sound – in true democratic spirit, carry the same weight. Or lightness. as precise as scattered bird calls may be crucial to the totality and the outcome of the drama as a whole, as cautiously do they take care of the phrased line by being extremely exact with the gaps and the charged rest, where that very thing appea…
**2025 stock** Heavyweight Vinyl,Vinyl Only / Black Vinyl / 400 mcn paper / Original poster insert printed on 250 mcn.Danish jazz band founded in 1969. Band line up: Henrik Hove on bass, Ole Mathiessen on piano, Jesper Nehammer (later Thors Hammer, Alrune Rod and Entrance) on tenorsax, and Jon Finsen on drums. Played for a while every Monday in the famous Jazzhouse Montmatre in Copenhagen. Tordenskjolds Soldater only made this record (1970). The small record label Spectator Records was founde…
*90 copies limited edition* "28/4/23" captures the atmospheric live performance of Swedish composer Mats Erlandsson at Fylkingen, Stockholm on the 28th of April, 2023. With exceptional delicacy, Erlandsson guides the audience through his signature electro-gothic soundscape of continuous tension; 40 minutes of processed field recordings, zither, feedback and Serge modular synthesizer.
Continuing the twisted pop explorations of Here Come the Warm Jets, Brian Eno's follow up album, Taking Tiger Mountain (By Strategy), is more subdued and cerebral, and a bit darker when he does cut loose, but it's no less thrilling once the music reveals itself. It's a loose concept album about espionage, the Chinese Communist revolution, and dream associations, with the more stream-of-consciousness lyrics beginning to resemble the sorts of random connections made in dream states. Eno's richly l…
Completing the essential quartet of Brian Eno's early vocal albums is 1977's Before and After Science. The first half is vibrant, rhythmically complex songs (No One Receiving, Kings Lead Hat etc) before slipping into gentle relective moods for the second half. Cluster's Moebius and Roedelius, Can's Jaki Liebezeit, Phil Collins, Robert Fripp, Fred Frith, Fairport's Dave Mattacks, Phil Manzanera etc are amongst the players.
The second in Brian Eno's ambient series, The Plateaux of Mirrors fuses the fragile piano melodies of Harold Budd and the atmospheric electronics of Eno to create a lovely, evocative work. In sharp contrast to the exaggerated pieces found on his debut, The Pavilion of Dreams, this record finds Budd delivering sharp shards of piano notes pregnant with meaning and minimal in the best sense of the word. Eno's unobtrusive electronics add a resonance and atmosphere that draw from the ambient textures…
Brian Eno's pioneering Ambient album from 1978. Music for Airports is so delicate, lovely, and aesthetically moving, that it has been known to give rise to sensations of flying, being enfolded in warm blankets, or watching a vision take place in the heavens. If this sounds like an overstatement, you haven't heard the album. A four part 'piece' performed entirely on synthesizer and piano, Eno's composition finds a referent more in abstract painting (one visualizes bold blocks of colour in warm hu…
By the time Brian Eno left Roxy Music and came to record this masterpiece of a debut in 1973, he already held in his grasp the raw tools to revolutionize popular music. Here Come The Warm Jets is bathed in his singular pop-with-a-wink aesthetic and free-associative imagination. Whether on the four-on-the-floor pre-punk stomp of Needles in the Camel's Eye' or the Spector / Velvet Underground trad-rock-ism of Cindy Tells Me,' the album displays an unabashed love of quirky, catchy pop. Savage guita…
* This release comes in a 2×digipack format in a slipcase with new sleeve notes by Robert Fripp & King Crimson biographer Sid Smith along with rare photos and archive material. * One of the most powerful and influential albums in the band's remarkable career. King Crimson fell apart once more, seemingly for the last time, as David Cross walked away during the making of this album. It became Robert Fripp's last thoughts on this version of the band, a bit noiser overall but with some surprising so…