We use cookies on our website to provide you with the best experience. Most of these are essential and already present.
We do require your explicit consent to save your cart and browsing history between visits. Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.

Back in stock

Ou
2015 release ** “OU” is the result of the collaboration of two atypical creators. Electronic composer Bob Meanza (“Cicadas”, 2013) meets sitar player Filipe Dias De in a cycle of musical performances in which they fearless blend improvisation, experimental electronics, drones and beats. In Berlin, city of electronic music, the two musicians are moving through different languages: Mediterranean background and Indian roots, with a Mitteleuropean perspective. Their music is the sound of a hypotheti…
Tone Redust
2006 release ** "There are a lot of spontaneous and “fortuitous” sounds from casual urban life in that music on the face of it. But it is impossible to be sure that these sounds are on the background of other elements or these sounds serve themselves as a background for something main… There are also some naive and unaffected chords played on acoustic guitar as well as some clinking and iridescent synth waves & gentle drones. Generally speaking, any tunes, any beats. But, on the whole the struct…
Accords Perdus
1996 release ** a.k.a. La Nomenklatur
Nadelöhr
1994 release ** "
Herbstimprovisationen
1995 release (RARE) ** Swiss Volksmusik band from region Appenzell, performing a crossover of folklore music and jazz improvisation.
?Who Stole The Polka?
1991 release ** Guy Klucevsek plays music by William Obrecht, David Garland, John King, Fred Frith, Peter Zummo, Bill Ruyle, Lois V. Vierk, Phillip Johnston, Thomas Albert, Carl Stone, Mary Jane Leach, David Mahler, Elliott Sharp, A. Leroy. ?Who Stole the Polka? is the second volume of pieces that accordionist Guy Klucevsek commissioned from composers ranging widely over the contemporary new music scene in the mid-'80s. For pure wicked fun, it probably exceeds its companion, Polka Dots and Laser…
Polka Dots & Laser Beams
1992 release ** Guy Klucevsek plays music by Steve Elson, Tom Cora, Guy Klucevsek, Joseph Kasinskas, Anthony Coleman, Daniel Goode, Nicolas Collins, Guy De Bievre, Robin Holcomb, Duke Ellington, Peter Garland, William Duckworth, Bobby Previte, Carl Finch. "Accordionist Guy Klucevsek was listening to a radio interview with Charles Mingus one day in the '70s. The interviewer asked Mingus about the racial divide in jazz and whether or not whites could create great, innovative jazz music. "Let the w…
Snow Beneath the Belly of a White Swan: The Lost Live Recordings
"It has been said that Robbie Basho's art was strongest in concert. To what extent the experience can be reconstituted is uncertain. Whatever the case, Snow Beneath the Belly of a White Swan is the mother lode of Basho live recordings. On these five discs we are treated to some remarkable pieces that have never been published, as well as surprising renditions of old favourites. Compiled from Basho’s sprawling personal collection of master tapes (discovered during the production of Voice of the E…
Sy
2009 release ** Weltraum play and record music since 2003. Their Traum/Trauma ep has been released by Lona Records in 2006. In 2008 Weltraum became a trio (electronics, guitar, drums) and shifted their musical research towards rythmical blocks, prefering dry and sharp timbers. No melody, no meaning. They actively move in Napoli, collaborating with A Spirale, Ne travaillez jamais, One starving day, (etre)..., giving life to several impro projects (Asp/SEC_, Aspec(t), Strongly imploded, endorgan) …
The thing like us
2008 release ** This CD is a realisation of the music written for the 2002 Veenstudio production Spinoza : I am not where i think myself to be. It is in two parts: Affectio and Epistola, based respectively on the definitions of the emotions from the third part of Spinoza's Ethics, and on a letter about free will Spinoza wrote to G. H. Schaller. Ayelet Harpaz - alto, Tatiana Koleva - percussion, Anne Falbourn - harpsichord, Carola Arons & Bert Luppes - voices, Paul Koek - director, Yannis Kyriaki…
Flute XX
1990 release **  Syrinx – Claude DebussyDensity 21.5 – Edgard VarèseMusica Su Due Dimensioni – Bruno MadernaSequenza I – Luciano BerioDas Atmende Klarsein (Fragment)– Luigi NonoCarceri D'Invenzione II/b – Brian FerneyhoughCome Vengono Prodotti Gli Incantesimi? – Salvatore SciarrinoCanzona Di Ringraziamento – Salvatore Sciarrino
Variations Pour Une Porte Et Un Soupir / Voile D'Orphée
1994 release ** "A beautiful batch of spare electronics from this mad French genius! Titled "Variations Between A Door & A Sigh" – the piece is exactly that. One track will evoke strange creaking door sounds, the next will have a breathy, sigh-like quality – and then the whole thing starts all over again. Maddening, but wonderful in its own way! "
Return To Street Level
1994 release ** Featuring as guest Elliot Sharp, Christian Marclay, Tom Cora, Nick Didkovsky and Paul Hoskin.
Now
1989 release ** Marubatoo (13:05) John Wyre Fauna (13:17) William CahnCymbal (11:55) Bob BeckerRain Tree (11:10) Toru TakemitsuRemembrance (9:36) Robin Engelman "This is a fine collection of pieces performed by one of the premier percussion ensembles in the world. The Canadian quintet Nexus approaches the notion of the percussion ensemble with an ear for innovation and a discipline for virtuosity. Nowhere is this clearer in this disc than on the album's centerpiece, "Cymbal," by group leader Bob…
Orbits • Western Springs • Hieroglyphics 3
1999 release ** "In 1950 Henry Brant began to write spatial music of a particular kind in which the planned positioning of the performers throughout the hall, as well as on stage, is an essential factor in the composing scheme. This procedure, which limits and defines the contrasted music assigned to each performing group, takes as its point of departure the ideas of Charles Ives. Brant's principal works since 1950 are all spatial; his catalogue now comprises nearly 100 such works, each for a di…
Lunz
2011 release ** "Lunz was the second collaboration of the German electronic music legend Hans-Joachim Roedelius (Cluster, Harmonia) and Grammy-nominated American composer/producer Tim Story. Lunz was the culmination of the composers’ 25-year mutual admiration and friendship, and the beginning of a prolific partnership that spawned six acclaimed albums, audio art installations and live concerts across Europe and the US. When Lunz originally hit the record shop shelves of London, listeners knew of…
Maamme Laulu
2005 release ** "Braspyreet is a Helsinki-based improv/free jazz band. “Aquatic visions of spacetime bending, this quartet chants its way through the fanciful forested heavens of the north. Bathed in blankets of shimmering white snow, Braspyreet’s manic compositions will melt the surrounding ice into a swimming hole. So many things find their way into the collective psyche, but Braspyreet will destroy them all and send you off in a jewel-encrusted golden gondola to the pastures beyond.”"
Icaros
1992 release ** "Icaros was a project of the last line-up of Saxioma. A longplayer was planned but this was never realised. This recording of Icaros is based on a tape from a show in Waregem, April 1987. The variations (tracks 7 & 8) are probably recordings of rehearsals for the textile fair Made in Belgium, October 1987 (as maybe also track 9). The 'Sketchbook' are small pieces from Frits De Cauter meant as basis for compositions. The last track 'N.V. Verdriet' is the last part of an Aroma di A…
Ritual
2001 release ** "This is a reissue of the Finnish lp-only first release by this great rock/avant/fusion guitarist and his band, and includes two bonus tracks. The record features a unique blend of heavy guitarwork combined with dual, wailing Coleman and Ayler-influenced saxes and a rhythm section of bass/electric bass and two drummers. The music is quite original, but has certain musical ties to the harmolodic school ala The Decoding Society and Prime Time."