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Edition of 200 copies. Jean-Jacques Lebel lives and works mainly in Paris. The artist and political activist was chief editor as early as 1955 for the Florence-based art, politics, and poetry magazine Front Unique. In 1960, he staged the first Happening in Europe with "L'Enterrement de la Chose" and published one of the first French essays on the genre of Happenings. He personally continues to create Happenings, performances, and actions on all continents and simultaneously remains active in the…
**Regular edition of 350 copies, gatefold sleeve** John Driscoll is a composer who is a founding member of Composers Inside Electronics (CIE) and collaborated on David Tudor’s Rainforest V starting in 1973. He has toured extensively in the U.S. and Europe with CIE, David Tudor, Phil Edelstein, Douglas Dunn & Dancers, Maida Withers & the Dance Construction Co. and as a solo performer. His work has focused on robotic instruments, music for dance and compositions and sound installations for unique …
** 2021 Stock. High quality vinyl, with original insert and new liner notes on printed innersleeve ** More than 40 years after its original release, the recording of the Marc Levin Ensemble’s Songs Dances and Prayers will be reissued, both on vinyl and digitally. Until now it has only existed in the original vinyl form, making it difficult to obtain, which is why we decided to make this magnificent recording easily available again. Though Marc Levin is often characterized as a Free Jazz musician…
The eleventh issue of We Jazz Magazine, "Oni Puladi" for Carla Bley. 128 pages, 170 x 240 mm in size and printed on 140g Edixion paper with laminated 300g Invercote covers. All articles presented in English. Carla Bley by Stewart Smith, Gondwana Records by Debra Richards, [Ahmed] by Seymour Wright, Amirtha Kidambi by Ayana Contreras, Ruth Goller by Daryl Worthington, Abdul Wadud by Pierre Crépon / David Neil Lee, François Jeanneau by Bret Sjerven, Mette Henriette by Debra Richards, Nduduzo Makha…
Andrew Cyrille’s title Lebroba is a contraction of Leland, Brooklyn and Baltimore, birthplaces of the protagonists of an album bringing together three of creative music’s independent thinkers. Each of them made his first ECM appearance long ago: drummer Andrew Cyrille on Marion Brown’s Afternoon of a Georgia Faun (1970), trumpeter Wadada Leo Smith on his own classic Divine Love (1978), and guitarist Bill Frisell on Eberhard Weber’s Fluid Rustle (1979); these are, of course, players of enduring …
Bordeaux Concert is a special document from Keith Jarrett’s last European tour. Each of Jarrett’s 2016 solo piano concerts had its own strikingly distinct character, and in Bordeaux the lyrical impulse is to the fore. In the course of this improvised suite, many quiet discoveries are made, and there is a touching freshness to the music as a whole, a feeling of intimate communication. Reviewing the July 2016 performance, the French press spoke of hints of the Köln Concert and Bremen-Lausanne in t…
*2023 stock* "This album marks the beginning of an ongoing and fruitful relationship between Tunisian oud master/composer Anouar Brahem and the ECM label. From the exhilarating solo “Raf Raf,” we know we are in the presence of someone whose sense of touch, rhythm, melody, and atmosphere speaks straight to the heart from the mind of a visionary. This first track puts us into a time and place where only melody speaks, and the sands of time flow like blood in an infinitely chambered heart. The titl…
On the top of the list of Kraut uderground artifacts, a definite oddity plenty of abstract execution of psychedelic soundscapes, dark Classical textures and Jazz/Fusion, as cohesion is completely absent, however there is a certain charm coming out of this. There are more in the vein of Egg and Amos Key, creating atmospheric soundscapes complemented with powerful jams, featuring organ and clavinet in evidence and swirling around jazzy workouts, light improvisations and mellow Kraut Rock experimen…
Siloah were a German progressive psych / folk band in the vein of Kalacakra, Langsyne and others "curiosities". Siloah are one of the best kept secrets of the krautrock production. Siloah had a hard core including Thom Argauer, Manuela von Perfall, Heinrich 'Tiny' Stricker and Wolfgang Görner, plus a host of guests coming and going, everybody was free to join and play at any time, guest members often joining from the Baumstassen commune around which the band was living before they eventually mov…
This was Missus Beastly's third studio album released in 1976. If you'll notice on the cover art they have the album's title as such as to look like it's the band's name, and the title of the album looks like it would be "For Missus Beastly". A trick by the band really so that they wouldn't have to release this album with Dieter Dierks and Venus Music to which their contract stipulated that they had to.They had had a falling out with Producer Dierks over the cover art of their last album and fel…
Instrumental jazz-rock, recorded perfectly in the Stuttgart sound studio Zuckerfabrik in April 1978. Its style resembles that of its predecessor, 'Dr. Aftershave And The Mixed Pickles', but with distinctive jazz-rock/Embryo alike touch. 'Space Guerilla' (originally out on Schneeball) was the fourth and last LP by Missus Beastly. All of the eight tracks were written by the band members themselves. The 24-page booklet in LP size contains a detailed band history in German and in English language, a…
Missus Beastly regroups and blasts into some very dynamic fusion territory with this exceptional album. The usual apparitions of the house-hold names of the mid-seventies jazz apologists can be traced here, but the eventual output will always sound only as original as Missus Beastly. One of the biggest strengths these guys possesed was their vibrant rhytm section, from the opening track i can make a parallel to Passport's or Embryo's more dynamic tracks, wherein Curt Cress/ Christian Burc…
This album contains three instrumental jazz rock jams recorded by Radio Bremen in September 1974 shortly after the band had produced the second LP. Keyboarder Dieter Miekautsch had left the band towards Embryo and Eddy Maron, also known from contributions for Vita Nova and Dzyan, brings new aspects to the music - it's quite a new impression of the band. The sound quality leaves nothing to be desired by the way. A very good show documenting a new facet of the Missus Beastly band and a highlight f…
CD Edition. of Dauner's famous release 'Rischka's Soul'! Recorded in November, 1969 and first released as a so called private pressing the recordings had a second release nearly three years later on famous German label Brain (1016, 1972). Dauner with his strong sidemen Sigi Schwab, guitar and Eberhard Weber, bass and cello with two drummers (Braceful and Wittich) played cool jazz fusion with fluiding organ play from Dauner, sometimes heavy, sometimes dreamy and psychedelic guitar eruptions from …
1994 release ** "Ivo Janssen recorded these works more than 30 years ago. The album presents music by Dutch composers written between 1964 and 1991. Janssen plays these pieces with great authority. "Men Go Their Ways", by Ton de Leeuw,consists of 5 movements and is inspired by a Haiku poem. It is dedicated to Xenakis. I think the piece would be best heard in a resonant, small concert hall in which the delicate reverberated effects could come alive more effectively than over speakers. The movemen…
August & November are two albums by Mike Majkowski. One acoustic and one electronic, both with their own distinctive atmosphere. Each album contains pieces which are closely linked in terms of approach and structure. Listeners are invited to delve into the pieces and explore the details and subtleties. The titles of the two albums refer to the cover art, by Łukasz Rychlicki. Two photos taken from the same place at different times. One in August, and one in November.
Mike Majkowski is a double ba…
Although introduced as a protégé of John Coltrane and touted by many as his heir apparent, reedman Pharoah Sanders quickly proved his own man. His shared interest in the "cosmic" music of Coltrane's final period belies the fact that Sanders frequently plays with an unhurried sense of peace and satisfaction rarely found in his mentor's music. His use of space, African and Asian motifs and instruments, and simple, repetitive melodies also pointed the way for jazz, rock, and new age musicians in th…
Alain Goraguer's all-time classic psychedelic funk soundtrack to René Laloux's 1973 animated masterpiece 'La Planète Sauvage' here on an expanded Digipack CD
* 400 copies, White Vinyl * Shortwave Encounters is Walter Maioli’s research on extraterrestrial sounds and radio communications started in Amsterdam during the orbital passage of the Comet Halley in 1986. This record is an imaginary interaction between a sender and a receiver, an attempt to create a logged communication between earth and space, combining radio eavesdropping and field-recordings as well as acoustic and electronic instruments, spanning from shells to bat calls, and from the ney f…
Sun Ra's Angels & Demons at Play is a diptych created by merging two recording sessions. The first is a laid-back introspective affair ("angels?") recorded in 1960. Even frolicsome, these bouncy melodies follow the percolating rhythms with a gently leading reed, as Marshall Allen exemplifies on flute in "Tiny Pyramids." Also dating from before the truly experimental Sun Ra period, the last three tracks were recorded at RCA Studios in Chicago in 1956. Still very accessible, here several horns, am…