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"David Behrman has been active as a composer and artist since the 1960s. Over the years he has made sound and multimedia installations for gallery spaces as well as musical compositions. Sam Behrman and Siegfried Sassoon met in 1920, when Behrman, then a young writer working at The New York Times, was sent to interview Sassoon at the start of the English poet's postwar American lecture tour. In that tour Sassoon was billed as 'England's Soldier-Poet.' He had a reputation both as a war hero and …
Among the most remarkable documents to emerge from the early 1990s convergence of acoustic performance and computer music, David Behrman's Unforeseen Events stands as a testament to the profound possibilities unlocked when human creativity collaborates with artificial intelligence. Originally released in 1991 on XI Records, this stunning album represents the culmination of decades of pioneering work by one of America's most visionary experimental composers - a figure whose influence extends far …
Thousand Year Dreaming (1990) was commissioned by Essential Music and was written with the musicians on this recording, their particular strengths and inclinations, very much in mind. It grew out of an improvisatory piece, Nautilus, which Art Baron, Scott Robinson and Annea Lockwood realised in 1989. They found that the sound of conch shell trumpets, didjeridu and frame drums really flowered in the resonant spaces they were using for the piece. Lockwood started imagining the sonorities possible …
2024 stock. "My intention … was to explore those situations in which a loss of orientation leads us more deeply into the moment itself. There is a certain aquatic feel to the music, in which the performers are joined with a complex and sonorous fabric of computer generated sound. […] The work is twenty minutes long, divided into three roughly equal sections. In the first, the primary aim of the performers is to match, submit to and intensify the taped sounds. The second, in which the synthesized…
2024 stock. This is a recording that explores the "extra"- ordinary potential of the CD not only as a carrier of traditionally recorded instrumental sound (CD 1), but also offering a different view through binaural encoding of the same materials spatialized (CD 2). - Please note: the binaural recording is only available as part of the 2 cd set. not as a downloadFirst you are presented with two solo compositions-Kokoro and Focus a beam, emptied of thinking, outward…-and the duo Process and Passio…
Equus is a collaborative work of musique concrète recorded in 2001-02 on a commission from the INA GRM It is truly a delight for Pogus to add this title to our catalog. As Capparos notes: Equus guides us through human memory and history. It may sound a bit strange that sound & music would appear as a vehicle, or as we had cast a lead into a labyrinth. This brings us to the question of whether we are alive or not; travelling the path throughout these soundings would drive us down and up our consc…
This CD has pieces with an auctioneer, a Kentucky farm with birds & clover, a jazz dancer, a quivering, vibrating, sexually tinged piece full of women saying supplication, a saint dying in flames, a drum piece about frustration, mother/daughter miscommunication, a pipe organ, and punk rap with overtones of yoga. Many of Beth Anderson's compositions from 1973-1979 use words or parts of words to make either all or part of the music. Sometimes the music is derived from the words. Some of it is cons…
1996 release ** "In deference to this age of “environmental consciousness”, “Breathing”, says the insert, is “recycled and/or scavenged” pieces that once inhabited another form. The composer is Al Margolis, who appears on electronics, tapes, effects, piano, sampled flute, vocals, wind, cello and strings. He is joined by didjeridu, oboe and organ. The album beds itself in deep wind or breath like sounds, with an electronic, industrial, and dark edge."
A 65-minute electroacoustic composition featuring Dafne Vicente-Sandoval, bassoon. NuDaf (2020) is the second longest piece in Phill Niblock's repertoire of recorded audio works. NuDaf is a departure from his previous pieces in that he makes extensive use of multiphonics and constructed the work with fewer tracks than usual, creating uniquely transparent and ephemeral textures. The piece is the result of a collaboration between Niblock and the stellar bassoonist Dafne Vicente-Sandoval. Her music…
** 2021 Stock ** The 8th House is a disc of solo clarinet and saxophone improvisations with a few duets with Juma Santos thrown in. Wendell Harrison and the Tribe were pioneers along with BAG in St. Louis and the AACM in Chicago. Here Wendell recalls some of the freedom and soul from his early work with the Tribe in Detroit. He is joined by percussionist Juma Santos on a few tracks. You may recall Juma from his work with Miles Davis on the Bitches Brew record, or some of his work with Marion Bro…
* Repress, on color vinyl* Apparently it's been over a decade since avant jazz deity Pharoah Sanders recorded any new music, it took Sam Shephard aka Floating Points to coax the 80 year old out of near-retirement. Anyone familiar with Sanders' work will know how life-affirming his music can be, from his early work with John Coltrane, through 1967's mind-altering "Tauhid" to his spiritual pairing with Alice Coltrane on "Journey in Satchidananda". Here, he takes a more restrained role, offering bu…
It Was Always Time, the debut duo release from Berke Can Özcan & Jonah Parzen-Johnson out November 1 on We Jazz Records, is a refreshing and full-throated expression of joy and curiosity. In a year when 76 countries hold national elections and we find ourselves in an existential battle against apathy and cynicism, this effortlessly authentic album offers an innocent reminder that the antidote to stagnation is curiosity and the fuel for change is the joy of building something transformative toget…
Edition of 200 copies. Jean-Jacques Lebel lives and works mainly in Paris. The artist and political activist was chief editor as early as 1955 for the Florence-based art, politics, and poetry magazine Front Unique. In 1960, he staged the first Happening in Europe with "L'Enterrement de la Chose" and published one of the first French essays on the genre of Happenings. He personally continues to create Happenings, performances, and actions on all continents and simultaneously remains active in the…
**Regular edition of 350 copies, gatefold sleeve** John Driscoll is a composer who is a founding member of Composers Inside Electronics (CIE) and collaborated on David Tudor’s Rainforest V starting in 1973. He has toured extensively in the U.S. and Europe with CIE, David Tudor, Phil Edelstein, Douglas Dunn & Dancers, Maida Withers & the Dance Construction Co. and as a solo performer. His work has focused on robotic instruments, music for dance and compositions and sound installations for unique …
The eleventh issue of We Jazz Magazine, "Oni Puladi" for Carla Bley. 128 pages, 170 x 240 mm in size and printed on 140g Edixion paper with laminated 300g Invercote covers. All articles presented in English. Carla Bley by Stewart Smith, Gondwana Records by Debra Richards, [Ahmed] by Seymour Wright, Amirtha Kidambi by Ayana Contreras, Ruth Goller by Daryl Worthington, Abdul Wadud by Pierre Crépon / David Neil Lee, François Jeanneau by Bret Sjerven, Mette Henriette by Debra Richards, Nduduzo Makha…
Andrew Cyrille’s title Lebroba is a contraction of Leland, Brooklyn and Baltimore, birthplaces of the protagonists of an album bringing together three of creative music’s independent thinkers. Each of them made his first ECM appearance long ago: drummer Andrew Cyrille on Marion Brown’s Afternoon of a Georgia Faun (1970), trumpeter Wadada Leo Smith on his own classic Divine Love (1978), and guitarist Bill Frisell on Eberhard Weber’s Fluid Rustle (1979); these are, of course, players of enduring …
Bordeaux Concert is a special document from Keith Jarrett’s last European tour. Each of Jarrett’s 2016 solo piano concerts had its own strikingly distinct character, and in Bordeaux the lyrical impulse is to the fore. In the course of this improvised suite, many quiet discoveries are made, and there is a touching freshness to the music as a whole, a feeling of intimate communication. Reviewing the July 2016 performance, the French press spoke of hints of the Köln Concert and Bremen-Lausanne in t…
*2023 stock* "This album marks the beginning of an ongoing and fruitful relationship between Tunisian oud master/composer Anouar Brahem and the ECM label. From the exhilarating solo “Raf Raf,” we know we are in the presence of someone whose sense of touch, rhythm, melody, and atmosphere speaks straight to the heart from the mind of a visionary. This first track puts us into a time and place where only melody speaks, and the sands of time flow like blood in an infinitely chambered heart. The titl…
On the top of the list of Kraut uderground artifacts, a definite oddity plenty of abstract execution of psychedelic soundscapes, dark Classical textures and Jazz/Fusion, as cohesion is completely absent, however there is a certain charm coming out of this. There are more in the vein of Egg and Amos Key, creating atmospheric soundscapes complemented with powerful jams, featuring organ and clavinet in evidence and swirling around jazzy workouts, light improvisations and mellow Kraut Rock experimen…
Siloah were a German progressive psych / folk band in the vein of Kalacakra, Langsyne and others "curiosities". Siloah are one of the best kept secrets of the krautrock production. Siloah had a hard core including Thom Argauer, Manuela von Perfall, Heinrich 'Tiny' Stricker and Wolfgang Görner, plus a host of guests coming and going, everybody was free to join and play at any time, guest members often joining from the Baumstassen commune around which the band was living before they eventually mov…