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Years later, revisiting this performance through the album still leaves me gasping in awe—she reads minds, she hypnotises, a celestial sprite blessed by the heavens. Her solid grounding in classical and folk music, extraordinary technique and control, boundless stage presence, and our own beautiful yet bittersweet memories all converge to create this timeless recording.
Time rewinds to a May evening in 2014, as the inaugural Tomorrow Music Festival unfolded. Czech musician Iva Bittová stood alon…
Huge Tip! Deluxe CD edition, in tri-fold gatefold sleeve with outer case. This is a live recording of the Peter Brötzmann Trio (Peter Brötzmann, Sabu Toyozumi, and Jason Adasiewicz) from their performance at the 5th OCT-LOFT Jazz Festival at B10 Live, Shenzhen, in 2015. After the performance, the B10 Live team conducted a warm and friendly interview with the three musicians. The transcribed conversation has been edited and included in the liner notes of this vinyl album.Liu Ying Studio delivered…
Tip! The Sahaja Veena is a stunning stringed instrument with a unique and beautiful design reminiscent of the Vichitra Veena and Chitra Veena. With a wider range than the traditional Indian veena and a deep, warm sound, the instrument can produce compelling melodies and delicate ornamentation, often evoking deep emotions, and is therefore also known as the “Sagar” (‘Sagar’ meaning “sea” in Hindi). “(Sagar means ”ocean" in Hindi).
Noor Zehra Kazim is the world's only Sagar Vina player. Her father…
Mamer first became known as a dombra virtuoso and a modern master of Kazakh folk music. Over the years, he has evolved into a prolific and versatile artist, working across the boundaries of both tranditional and contemporary music. Mamer leads seven band projects: IZ, Bande, Mekrop, TAT, Mask, 51-Rayon, and Kunakar. He has released over 30 records, presenting a diversity of distinct styles including folk, ambient, industrial, noise, improvisation, and drone music.
“Every Mamer is brand new”. On…
This series of reel-to-reel tape recordings, to be jointly released by Old Heaven Books and Liu Ying Studio, aims to offer to our listeners the best quality of sound we can achieve so far. Whilst a small part of these releases come from historical archives, the majority are freshly made by musicians we invite to our studio. We record these studio sessions − some of which free-improvised, others more composition-based − on reel-to-reel tapes. With high-quality studio equipment, we make a small nu…
"The antennas that grow in your ears and hide in my head. In 2019, Dan and Li's live performance at the OCT-LOFT International Jazz Festival of their album "Mutually Chanting Cipher" was a stroke of genius, and the two of them put together a memorable performance with little advance communication.
In November 2021, Dan traveled to Yunnan to meet Li with Tang. In Dali, they experimented with a wide range of compositions, from acoustic to plugged-in instruments, from Chinese to Western, from ethni…
Tip! *In process of stocking. 2022 stock* Peter Evans believes that his music is closely related to the philosophical concept of "Wu Wei (literally means "doing nothing" or "inaction")" from China. He has also been studying how it reflects in different academic and cultural contexts. As a composer and improviser, Peter Evans talks about "Wu Wei" with his superb trumpet playing, and named his first album released in China "Into the Silence". It's worth mentioning that the artwork on the front cov…
Keiji Haino considers this live album as an integral work that cannot be separated. We suggest that you enjoy the whole album without interruption and turn the volume up to the maximum.
2025 stock In 2014, Tatsuya Yoshida participated in the first Tomorrow Music Festival, and his improvisation with Mamoru on the night of the performance was the first time the two musicians collided, and the improvisation, which lasted less than 30 minutes, brought the audience's perception of “improvisation” to a new level. The last two improvisations in Ruins Alone: Tomorrow's Ruins were recorded live at that time.
Tip!
David Murray - Saxophone Kahil El'Zabar - Percussion / Kalimba / Voice
Recorded at the 10th OCT-LOFT International Jazz Festival, B10 Live, Shenzhen October 27th, 2023
2025 stock “Regarding the title of the album what I found by looking further is ‘Inside Out’. To explain in a few words from Hungarian: at the base, there is ‘itt’ = ‘here’, and ‘ott’ = ‘there’. From ‘itt’ derives ‘ide’ = ‘from there to here’, from ‘ott’ follows ‘oda’ = ‘from here to there’, so there is a dynamic in ‘ide’, which there is not in ‘itt’, which is stable. ‘Kint’ is ‘outside’. ‘Idekint' therefore means, that we are outside and we invite to be outside (while ‘Odakint’ would mean that …
**2nd pressing, screen printed cover, risoprinted obi edition of 250** “Peace is not the word to play” rapped Large Professor on Main Source’s 1991 debut album. His plea to stop abusing the word “peace” simply for rhetoric flair sounds just as valid in today’s genocidal world as it did in the streets of New York over 30 years ago. For Oiro Pena to name this album Béke, meaning peace in Hungarian – or white people in French Caribbean creole – it seems like they finally have something to say. With…
** Silk-screen printed (blue color) recycled sleeve. 200 copies ** Much-needed repress of this spiritual flute jazz artifact by the mastermind Antti Vauhkonen. Originally released as a limited edition lathe-cut 10'' in a handful of copies. Cover art silkscreened on recycled cardboard-sleeves. Artwork by Arsi Keva. Mastered by Samuli Tanner. The first person to create something one may classify as instrumental music was probably alone. The mind tingles when imagining the prehistoric moment when, …
Eighth Tower Records unveils Nihil Impvlse’s The Great Filter, the third release by the industrial project on the label. A dark post-industrial exploration of humanity’s collision course with its own tools, the album reframes the titular cosmic theory as a metaphor for our self-engineered existential sieve where accelerationism’s fervent dogma and apocalyptic fatalism fuse into a nihilistic liturgy. Through seven corrosive movements, Nihil Impvlse conjures the dissonance of a species intoxicated…
Laetitia Sonami's Dangerous Women: Early Works 1985-2005 traces twenty years of fearless electronic innovation. From her studies with Eliane Radigue in France to mentorship under Robert Ashley and David Behrman at Mills College, this 2CD collection captures her evolution from analog experimentation to pioneering digital performance with her legendary "lady's glove" interface.
2019 repress on CD; 1990 release. Commissioned by Mabou Mines, the experimental theater group from New York, for their interpretation of King Lear, Pauline Oliveros's Crone Music is a subtle and haunting electronic music endeavor. Interfacing an abundance of digital delay processors, reverb effects, and foot pedals to bend pitches from piercing to twisted, sonorous tones, with her one-of-a-kind expanded accordion, Oliveros produces rich, eerie textures. Personnel: Pauline Oliveros -solo accordio…
2025 stock 1992 release. Flutist Barbara Held presents works by Alvin Lucier, Nils Vigeland, and Yasunao Tone and a composition of her own. Known for her collaborations with composers, Held has beautifully chosen and performed this wide-ranging sampling of contemporary musical styles. Vara features Joseph Kubera on piano.
Joan La Barbara begins Sound Paintings with a scream that pushes you into an unusual world of vocal sound. Her virtuoso singing style, developed over a 20-year period, can be heard on this disc, which combines some of her earlier works with more recent compositions. She takes her extended techniques, which include multiphonics, overtone singing, and glottal clicks, and orchestrates them in layered soundscape compositions using from 8 to 16 tracks of material.