Back in stock
Vertigo
*300 copies limited edition* Stars align and Oli Heffernan brings his ever-(d)evolving Ivan The Tolerable to Riot Season for two LPs of sublime entropic drift. Having this time recruited Christian Alderson (The Unit Ama) on drums, John Pope (Ponyland) on double bass, Kevin Nickles (Ecstatic Vision) on flute and saxophone and Ben Hopkinson on electric paino - both works were recorded as a quintet almost instantaneously, the players barely brushing or breathing a note before the whole thing was do…
Water Music
*300 copies limited edition* Stars align and Oli Heffernan brings his ever-(d)evolving Ivan The Tolerable to Riot Season for two LPs of sublime entropic drift. Having this time recruited Christian Alderson (The Unit Ama) on drums, John Pope (Ponyland) on double bass, Kevin Nickles (Ecstatic Vision) on flute and saxophone and Ben Hopkinson on electric paino - both works were recorded as a quintet almost instantaneously, the players barely brushing or breathing a note before the whole thing was do…
The Long Year
*2024 stock* After the release of last years album Out Of Season (feat Mike Watt) we are delighted to release the follow up The Long Year on November 29th. With sounds reminiscent of Can and Neu with spoken word provided by Karen Schoemer (who provided the lyrics to Out Of Season as well). Elements of Krautrock, free form jazz and even afro beat bring this immersive album all together. The Long Year is an album, a journey, which is best listened to as a whole. “…when the eye can’t see, the mind …
Coldwater basin
* 180 copies * Anticipating Fluxus celebrations in 2012, alga marghen proudly presents one of the masterpieces from the glorious 60s, by master of ecstatic music Philip Corner. “Remember? When you made these things at home, on the best equipment you or your other poor friends could find? And you had that Japanese tape recorder with built-in mike; indeed that was the only piece of furniture on your tatami floor on the Lower East Side that summer of 1961”.A home recording of water running from a f…
Mc Gub Gub, Ode to Skt. John, Pladepip
* Edition of 300 copies. High thickness cardboard with opaque laminated cover. Comes with a printed insert. * John Tchicai (1936 – 2012) was one of the most important free improvising saxophonists of the 20th Century: an artist of rare vision and aptitude whose lines soared and stood out even in the most hallowed company, and whose body of work as a leader / composer is among the most singular and distinct within the entire canon of that music. But Tchicai’s importance doesn’t end there. Born in…
Red Hot Ice
Dunmall continues his run of very special releases on Discus Music. Working with a nine piece group centered around his Birmingham based colleagues, and which includes double keys and electronics, Dunmall delivers a swirling mix of spacey big band music which breaks down into atmospheric and exciting open ended improvisations from time to time. Paul considers this to be a milestone release, and one which is unlike anything else in his extensive discography. Edited and produced with respect, love…
This Is the Right Path
“ Dec. 2015: I received an invitation from Old Heaven to participate with FaUSt to the 3rd edition of “Tomorrow Festival” at B10 Live, Shenzhen, China! A few months later, May 2016, we were on our way to the most exciting concert experience. A loooong flight-haul and then, such a warm welcome, such a perfect organization… the most charming, dedicated, competent crew around us… the largest cement mixer I ever used on stage, and an audience so vibrant, so focused. I was and still am in memory, ove…
Region, Music, and Practice Vol.1
"It is not only an album, but also a complete documentary of an event. We combine cassette and CD into one album so that one may review the unusual art project from different aspects. It also includes a precious booklet about everything said on the talks. Each track in the album is heard for the first time. For the project, Lao Dan and Mamer created brand new works. Mamer even began a new band named Mask. One remarkable song that didn’t be recorded is Water Flows sang by Wu Tiao Ren’s Mao Tao in…
Encore 72 Hours
"Encore 72 Hours is a special project including some remarkable Chinese domestic musicians. This release is a live recording compilation of the project. All mixing and mastering are done by famous mixing engineer Liu Ying’s studio thus possess extraordinary quality. The album is not only a recording and a reproduction but also a necessary supplement to a live performance, even an artistic reinvention of acoustic. We hope to strike resonance among some listeners." - Tu Fei
Zhuizi Selections
This studio album is recorded after Guo Yongzhang performing on the 5th Tomorrow Festival stage.
The Meaning Of Blackness (More Decorous Than Duty Having Become Faster Than Everything A Smile That Was Never Birthed Into The Light)
Keiji Haino considers this live album as an integral work that cannot be separated. We suggest that you enjoy the whole album without interruption and turn the volume up to the maximum.
Otomo Yoshihide Live in Shenzhen
Over the years, Otomo’s music has spanned across Free Jazz, Noise, Free Improvisation, Sound Art, popular music, film scores, and compositions for large amateur ensembles. Carrying the lineage of the Japanese Free Jazz movement that developed in the 1960’s, Otomo has exploited the sonic possibilities of both the electric guitar and turntable. He is one of the key figures who defined a now internationally recognized genre of Japanoise. His band Ground Zero, which was active throughout the 1990’s,…
Nikhil Banerjee in California 1967
*2023 stock* These are live recordings of Nikhil Banerjee at KPFA Radio in Berkeley, California, on the 9th of July, 1967. It is for the first time they are made into vinyl record and published in China. The original recordings were on two reel-to-reel tapes. In 1988, American record label Raga Records released the recordings on both CD and cassette. Until a few years ago, it was by chance that producer Tu Fei got hold of these reel-to-reel tapes and decided to release this vinyl version, hoping…
The Equatorial Stars
CD Edition. Re-release for the first collaboration between Robert Fripp and Brian Eno in over 30 years, that nearly equals the effuse beauty of their celebrated 70s works. "Ambient is a spacious, electronic music that is concerned with sonic texture, not songwriting or composing," says the All-Music Guide. That seems reasonable, although I suspect Brian Eno might take issue with the notion that his music is somehow unconcerned with composition. As with most musical definitions (and music itself)…
Dombra Solo
"This album has its genesis in a precious reel-to-reel tape recording which we discovered in a radio station. It is unfortunate that the tape itself does not contain information on the date of recording, which we roughly speculate to be around the late-1980s to the early-1990s. The recording in this album has two parts. The first is Daulet Halek’s interpretation of folk tunes from other ethnic minority groups, including the Tatars, the Mongols, the Sibe, and the Kyrgyz. The second part document…
Volume One
Before Om, there was Sleep and ‘Volume One’ was their debut album release, on Californian label Tupelo (probably best known for releasing Nirvana’s ‘Bleach’ in Europe). It hit the shelves in 1991 to great acclaim and the band were eventually signed by metal dons Earache, but ‘Volume One’ has been unavailable for some time now, and with the renewed interest in Hakius and Cisneros it makes perfect sense to have the album available once again.
Sleep were quite clearly indebted to Black Sabbath at t…
EVOL
"EVOL" was Sonic Youth's fourth album, significant for one fairly obvious reason: the addition of Steve Shelley behind the kit. Steve joined the band in mid 1985, and this is the first album he plays on. EVOL also features the first real "guest appearance" on a Sonic Youth album -- Mike Watt, who contributes bass to "In The Kingdom #19" and the non-LP bonus track "Bubblegum". "Shadow Of A Doubt" became their second music video. At some point circa June 1985, after the first European Bad Moon Ris…
The Futuristic Sounds Of Sun Ra
Sun Ra stated that he wanted to create otherworldly emotions on this album. These emotions are “disguised as jazz,” to quote one of Ra’s poems. The Futuristic Sounds of Sun Ra, recorded in 1961, consists of a range of simmering, swinging, riffing tunes full of deft counterpoint. On the surface, these tunes show a rather restrained side of Sun Ra and his Arkestra, yet below that surface lurk some unsettling emotions. Some might mistake those unsettling feelings for detachment, or worse, emotional…
The Nubians of Plutonia
In the late '50s, Sun Ra emerged from big band to modern/progressive big band status, began to employ electronics, and used a more Afro-Centric percussive focus. This recording perfecly demonstrates those qualities, and more. There are several definitive themes from The Arkestra included, such as "Plutonian Nights," "Nubia," "Africa," "Watusa" and "Aethiopia." Dig for this one on vinyl if you can (the cover art is stunning,) but it is nigh impossible to find on Saturn Research. (AMG)
The Parable of Arable Land
Milestone! The Texan Psych legends push boundaries on their 1967 debut album. The first and finest album by The Red Crayola – the band feted in psychedelia circles for producing some of the weirdest and most inventive music ever – which sounded unlike anything else from the 60s. At the cutting edge of psychedelic music, The Parable Of Arable Land defies boundaries and unleashes a free-form anti-rock noise on audiences. A precursor to avant-garde/noise & industrial rock, this recording is a conti…