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High Fidelity
Housed in a gatefold sleeve with a 36-page catalogue. The first LP is John Cage Speaks MUREAU by John Cage, its title assembled from the first syllable of the word "music" and the author's name "Thoreau." Malte Hubrig writes "The performance of Mureau -- its letters, syllables and words read by John Cage in a uniform intonation of the voice -- frees language of its meaning and opens it to sound." The second LP is Terry Fox's Culvert, a performance that took place at the University of Montana in …
Vier Stücke
Four pieces from arguably the most cited sound-sculpt of our time, recently fêted via an exposé in The Wire (October 2001). 'Vocrolls II' (1988) consists of recordings of a glass sphere coming to rest in a Tibetan metal bowl, processed in physics-defying fashion through an early desktop port of the now-prevalent phase vocoder algorithm. 'Mouse Ware' (1998) is the soundtrack to an installation (10 different makes and models of computer mouse are preserved in alcohol, accompanied by 10 user-friend…
The Complete Liberty Recordings
Formed in London in 1969, High Tide featured the intense guitar playing of Tony Hill (formerly with The Misunderstood), the violin and keyboard skills of Simon House, bassist Peter Pavli and drummer Roger Hadden. The band was managed by Clearwater, also home to Hawkwind, Skin Alley and Cochise and were signed to Liberty Records soon after their formation. Their debut album, the stunning ‘Sea Shanties’ was recorded at Olympic studios and some of the heaviest gothic psychedelic rock record ever re…
Mixed to Unit Structures Revisited
Temporary Super Offer! Cecil Taylor was quickly saddled with a reputation for being unswinging. He often danced before a recital to prove that you could indeed express the music physically. Indeed, almost the only way to appreciate this music is to dance to it, as I invariably do. It isn't a spectacle that needs to be shared with others, but in Taylor's absence can I invite you to find his remarkable essay and let it enter your head before you take the floor. Don't think about this music. Feel i…
Thelonious Monk With John Coltrane 1957 (Revisited)
“Working with Monk brought me close to a musical architect of the highest order. I felt I learned from him in every way – through the senses, theoretically, technically. I would talk to Monk about musical problems and he would sit at the piano and show me the answers just by playing them.“ – John Coltrane
Mephistopheles To Orgasm (Revisited)
“He was nomadic. The strongest and most lasting thing you can say about Alan is that he was
an original, as original as you can get. He didn’t want any academic guidelines to equip him to
reinvent the wheel. If he saw something like that, he’d go the other way.” – Wayne Shorter
The Legendary Trio At Birdland 1960 „Revisited"
"This Revisited disc chronicles the trio in transition. Formed in autumn 1959, the group recorded its debut album in December. Following a coast-to-coast tour, it opened at Birdland in March 1960, when the first five tracks here were recorded on two separate dates. Already cooking, by the time of the April and May recordings the trio was touching on the interactive magic heard on ezz-thetics’ At The Village." – Chis May
At The Golden Circle Stockholm (Revisited)
"For the followers of Ornette Coleman’s music, 1963 and 1964 were the lost years. His final session for Atlantic Records, Ornette on Tenor, was in March 1961, and though he played sporadic club dates in ’62, his self-produced Town Hall concert in December was to be his last significant appearance until he accepted a Village Vanguard gig in January 1965. The reasons for this hiatus, apparently, were personal, economic, philosophical, pragmatic, and artistic, all at the same time to varying degree…
At Antibes 1960, Revisited
"Mingus the visionary composer. Mingus the virtuoso bassist. Mingus the volcanic bandleader. As the 1960s began, with the new decade bringing a radically expansive new view of the possibilities of jazz expression, Charles Mingus, by virtue of his brilliantly nonconformist creative imagination, willingness to take risks along experimental paths, and (because of, or in spite of) an oft-times confrontational rebellious nature, had established himself among those in the forefront of the music's mode…
With Archie Shepp, 7-Tette & Orchestra - Revisited
While his recordings with Archie Shepp and 7-Tette established Bill Dixon as a distinctive jazz modernist, ahead of the curve, creating a niche within a crowded field of emerging artists, it is Intents and Purposes (Orchestra) that established his singularity. Together, they constitute the first chapter of a recorded legacy that continues to grow in status and influence. – Bill Shoemaker
Quartet to At Judson Hall "Revisited"
By 1966, the first wave of free jazz had established the foundation upon which this radically generated music could be understood and personalized, shared as a communal activity and still invested with significant singular characteristics. Noah Howard and his bandmates represented a second generation, as creative attitudes were expanding.
New York Art Quartet "Revisited"
"If we just could have hung on for another year,” Rudd said of both NYAQ and the Jazz Composers Guild, “things could have turned out much differently. Things were about to flip, in a good way. A lot of government programs were starting up that we could have gotten
grants from. There was a change in perception about the music that was happening. People were starting to consider it as art. The music was moving out of the bars and coffee houses and into museums and concert halls. But, the Guild l…
Ornette At 12 Crisis To Man On The Moon Revisited
"The title Ornette at 12 is something of a misnomer. Although Ornette is Denardo’s middle name, why wasn’t the album called Denardo at 12, his age at the time of the concert? Is there a hidden meaning related to Ornette’s own childhood? According to John Litweiler’s book A Harmolodic Life, he was either 13 or 14 when he received his first horn. If the year 1956 is meant to represent a significant event in Ornette’s musical life, it does mark his meeting with Don Cherry and Billy Higgins, and their…
Live in Paris (1974) Lost ORTF Recordings - LP
Another absolutely mind-blowing gem from Transversales Disques, Archie Shepp's "Live in Paris (1974) Lost ORTF Recordings" is some of the best jazz of the era that almost no one ever heard. Fully mastered from the original tapes and capturing one of the great giants of free jazz in a crucial moment of change - tracing toward funkier, fusion tinged compositions, and more straight ahead bop at the boundaries of spiritual jazz - the historical importance and raw beauty of these never before release…
In Electric Time
*2024 stock* On June 29th, 2023, Jeremiah Chiu walked into the Vintage Synthesizer Museum (VSM) in Highland Park, Los Angeles, with no plan more specific than “let’s fire this stuff up and see what happens.” Exploring the VSM’s vast collection of classic, rare and staple synthesizers, he would sequence, trigger, and layer the machines together with help from VSM founder/curator Lance Hill. Hill recalls: "Jeremiah arrived before the engineer showed up. We talked for maybe 5 minutes before he star…
Kiosque d'Orphee - Une Epopee de l'Autoproducion en France 1973/1991
The French equivalent of the English "Derby Service," the Kiosque d'Orphée, formerly at 7 Rue Grégoire de Tours in the 6th arrondissement, was taken over by Georges Batard in 1967 and moved to 20 Rue des Tournelles in the 4th arrondissement of Paris. The adventure lasted until 1991. Georges Batard was a sound engineer who used a Neumann tube engraver to engrave acetates from the tapes he received, before printing the precious vinyls in the press factories of the day, where he was able to produce…
Magnetic Stencil/ 3
Tip! The third installment in an ongoing series of albums produced by John Wiese using an expanded ensemble of recorded sound contributions. Audio collage and experimental sonics featuring input from Mitchell Brown, James Fella, Nathan Howdeshell, Tim Kinsella, John Collins McCormick, Sigtryggur Berg Sigmarsson, Howard Stelzer, Dennis Tyfus, Katie Vonderheide, and C. Spencer Yeh.
Magnetic Stencil/ 1
Tip! The first installment in a series of albums produced by John Wiese using an expanded ensemble of recorded sound contributions. Musique concrète and collaged aural expanse featuring input from a collection of international collaborators, including Aaron Dilloway, James Fella, Hair Stylistics, Aaron Hemphill, C. Lavender, Charmaine Lee, Lasse Marhaug, Katsura Mouri, and C. Spencer Yeh.
Journey to the Centre of the Eye
Missing Vinyls presents Journey to the Centre of the Eye by Nektar. Special collector’s re-issue of this classic, sci-fi themed psychedelic mindtrip, the 1972 debut album by British progressive rock legends, Nektar!
“Their first album is a incredible piece of spacey–progressive with great space–sound on both guitar and organ. The album has a concept, and all the songs floats into each other. There’s not much meaning in pointing out highlights, cause this is one of those albums that works best in…
Ray Collector
"Ray Collector" features recordings sourced from tapes produced by Carsten Nicolai for his 2023 solo exhibition Strahlen/Raggi at Fondazione Modena Arti Visive. In February 2022, Carsten Nicolai dispatched ten parcels from Berlin to various destinations. Each package contained a blank magnetic tape cassette, an Ilford Delta 3200 ISO 1000 black-and-white film, and a Kodak ISO 800 color negative film. All parcels were addressed to the same recipient, Mr. Nemo, the unforgettable captain of the subm…