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Spatiodynamisme
Original 1963 copies of this legendary reference monograph, with the musical piece Spatiodynamisme by Pierre Henry on a 45RPM vinyl record. English edition. Based on 1954 recordings of a Nicolas Schöffer‘s sculpture, this music was elaborated in Pierre Henry‘s first private studio APSOM, active around 1954-58, while Henry was still a member of Pierre Schaeffer’s Groupe de Recherche de Musique Concrète. The music was intended as the soundtrack to the first Tour Spatiodynamique Cybernétique et Son…
Heads Together – Weed and the Underground Press Syndicate, 1965–73 (Book)
A glorious design herbarium of marijuana ads from the great underground magazines of the 1960s and '70s.
Kalengra
German ambient musician. He was briefly a member of the krautrock band Popol Vuh in the early 1970s where he played on the albums Hosianna Mantra and Seligpreisung. Comes in jewel case with slipcase.
Time Machine
Originally released in 1973, Dzyan’s second album "Time Machine" marked a shift from vocal prog-rock to a unique blend of jazz, ethnic, and acid-rock influences. Showcasing virtuosic musicianship, it stands as a pioneering work in German rock, ahead of its time.
Live
2026 stock "Live" is a renowned double live album by the influential German rock band Frumpy, originally released in 1973. Capturing their final performances before disbanding, it showcases powerhouse vocals from Inga Rumpf, Jean-Jacques Kravetz's signature Hammond organ, and the original lineup's bluesy prog-rock energy during 1971-1972 shows in Germany.
From Books and Dreams
On From Books and Dreams, Message twist hard-rocking kraut-prog into a delirious, book‑strange suite of nightmares and visions, where riffs, sax and Mellotron bleed into long-form songs that feel equal parts acid hangover, cosmic sermon and waking dream.
Magic Lady
*In process of stocking* Spriguns Of Tolgus (later shortened to just Spriguns) were a British folk-rock group formed in 1972, who have long been admired by connoisseurs of that era. Having made two self-funded albums, they attracted a major label deal with Decca for two further LPs, which demonstrated their growing originality, and caught the attention of some significant figures in that world.
After two Decca albums Mandy decided to form her own label and rebranded as Mandy Morton and Spriguns …
Epsilon
The self‑titled Epsilon introduces Epsilon as one of those early‑70s outfits that understood rock not as a fixed style but as a volatile intersection of impulses: hard rock muscle, blues phrasing, progressive ambition, and a lingering psychedelic afterglow. The album moves with the confidence of a band that has internalised late‑60s British rock grammar - heavy guitar, insistent Hammond, a rhythm section that can punch and pivot - yet refuses to collapse into pure riff worship. Instead, the grou…
The Darker Side Of Rising Sun (Japan March 6 & 7, 1972)
2026 stock A famous Pink Floyd bootleg is back in circulation as a limited-edition collector's item of just 350 copies, all hand-numbered, containing three 180-gram colored LPs, a 20-page booklet, a poster, and a reproduction of the concert ticket. The tracklist draws from the shows on March 6 and 7, 1972, in Tokyo, the first dates of a Japanese tour during which Roger Waters, David Gilmour, Richard Wright, and Nick Mason performed a live, not-yet-final version of “The Dark Side of the Moon” (wi…
Rainbow
2026 stock Rainbow, originally released in 1968 and reissued by the Italian label Akarma, is a psychedelic masterpiece blending raga, jazz, soul, R&B, and spoken-word meditations into a spiritually charged suite of nine tracks. Produced by Alan Lorber, the album evokes the colors of the rainbow through poetic lyrics by the enigmatic Bobby Callender, who composed most pieces and delivered recitations amid complex rhythms and improvisational flair. It features elite session musicians like Bernard …
Live At Henie Onstad Art Centre 1971
*2026 repress* Recorded on February 28, 1971, at the Henie Onstad Art Centre in Høvikodden, Norway, this remarkable document captures Soft Machine at the height of their creative powers—performing two continuous sets that blur the boundaries between composition and improvisation.
On this evening, the British avant-garde ensemble unleashed an unbroken flow of sound—dynamic, exploratory, and charged with the band’s signature blend of jazz, rock, and experimental electronics. All instruments—exce…
Investigation No.1
Originally released in the early 1970s, Investigation No. 1 by Carl Sherlock Holmes Investigation stands as an obscure but compelling chapter in the story of experimental jazz-funk. Blending the spiritual depth of jazz with the rhythmic pulse of funk and a distinctly Afrocentric consciousness, the album reflects a transformative period when musicians used groove and improvisation as tools for both artistic discovery and social expression.
Musically, Investigation No. 1 sits at the crossroads o…
Bandolero
Originally released in 1970 on the short-lived Truth Records label, Bandolero by Bandolero emerges once again as one of the most unbridled and mysterious artifacts of Puerto Rico’s underground rock scene. Long out of circulation and shrouded in legend, the album is finally making a triumphant return—restored and ready to ignite a new generation of listeners.
Across eleven original tracks, Bandolero fuses searing fuzz guitars, swirling organ lines, and a propulsive Latin rhythmic core to create…
Delitto sull'Autostrada
By 1982, the partnership between director Bruno Corbucci and actor Tomas Milian had produced one of Italian popular cinema's most beloved characters: Nico Giraldi, the fast-talking, slang-hurling Roman inspector whose misadventures anchored the so-called "delitti" series. Delitto Sull'Autostrada was its third chapter - and Franco Micalizzi, who had been the series' musical voice from the start, returned to take it somewhere new. Musica Per Immagini's reissue is its first ever appearance on vinyl…
O Africanto Dos Tincoas
The third album by the legendary Bahian trio, originally released in 1975 on Odeon and finally back on vinyl. One of the most spiritually charged records to emerge from Brazil during the military dictatorship years. Hold on to your hats. Os Tincoãs - Mateus Aleluia, Heraldo and Dadinho - came from Cachoeira, in the Recôncavo Baiano, a region steeped in Afro-Brazilian traditions where Candomblé terreiros and Catholic chapels existed side by side, where sacred rhythms passed from generation to gen…
Os Tincoãs
Creatively visionary and groundbreaking on numerous terms, 1973 'Os Tincoãs' revolutionized Brazilian music by harmonizing Afro-religious singing, heavenly vocal harmonies, and frawing on Yoruba mythology, Samba, Capoeira chants and spiritual songs.
Luna Cinese
At long last, after decades out of print, the Milan based imprint, Dialogo, dives into the legendary catalog of Cramps, bringing forth the first ever vinyl reissue of Costin Miereanu's "Luna Cinese", part of an ongoing initiative dedicated to bring the imprint’s seminal output back into the light. Easily one of the most singular and important experimental albums of the 1970s that remains as engrossing, creatively riveting, and as ahead of its time today as it was in 1975, this is as exciting as …
Strands of Lunar Light
"I envision this music as emanating from a moon inhabited by otherworldly life forms and ecosystems; these sounds as evoking the moon’s topographies, beings, lunar rivers, and strands of light — as if this moon’s essence were itself sonic, vibrational matter. Musically and acoustically, strands of lunar light departs from a set of tones corresponding to a confined harmonic series segment of a very low fundamental frequency: 5.15 hertz. Through twelve continuous sections, each employing various m…
The Ictus Archives Vol. 1
Tip! The final two LPs in the latest Ictus batch, “The Ictus Archives Vol. 1” and “The Ictus Archives Vol. 2”, both draw on the same period that the veteran saxophonist produced “Clangs” and “Trio Live”, both recorded in 1976 during of two weeks that he was touring Italy with Andrea Centazzo, released in 1976 and 77 respectively, and reissued in 2021’s batch. Gathering four sides of material, issued as two individual LPs, we are offered an incredible insight into that moment’s striking collabo…
Seti Non Tael Tene
Tip! *50 copies limited edition* Tocca Il Futuro is pleased and proud to announce “Seti non tael tene”, its tenth cassette release: a unique project by Maurizio Bianchi and Ramona Ponzini, blending industrial, concrete noise, and sound poetry. The unprecedented encounter between Ramona Ponzini and Maurizio Bianchi for Tocca Il Futuro yields a work poised on the threshold between evocation and vertigo: a sonic device unfolding through stratifications, resonances, and semantic as well as acoustic …