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"The Light Is Leaving Us All is one of the C93 albums that haunts me the most. I was OverMoon and Blessed to work on it with the astonishing aeonic beautiful talents of Reinier Van Houdt, Alasdair Roberts, Ossian Brown, Rita Knuistingh Neven, Andrew Liles, Aloma Ruiz Boada, Michael York, Davide Pepe, Ania Goszczyńska, and Giulio Di Mauro. Once again, the voice in the mask of one of my favorite authors, and longest colleagues, Thomas Ligotti, also joined C93. The album's title was given to me in …
Benjamin Finger, James Plotkin, and Mia Zabelka craft a mesmerizing sonic world that buzzes and drones, glitches, and slithers, eventually careening into unexplored musical territory. Pleasure-Voltage was born in the mind (and studio) of Benjamin Finger -- a composer, electronic music producer, DJ, photographer, and film-maker based in Oslo, Norway who in recent years has become quite a prolific artist, expanding his stylistic palette from piano miniatures and off-kilter pop experiments to lyser…
Lucrecia Dalt’s A Danger to Ourselves is a fearless reflection on the unfiltered complexities of human connection. Stripping away fictional narratives present on the artist’s last several album endeavors, A Danger to Ourselves arrives from a place of emotional sincerity. Sonically unraveling like a deeply personal conversation,Dalt’s voice is foregrounded and formidable, supported by a lush array of acoustic orchestration and processing, collaged percussive patterns, and an esteemed cast of coll…
Over the years, Pat Metheny Group's Grammy-winning double live album Travels has earned a singular reputation among jazz aficionados as one of the most distinctive and impeccably recorded live jazz albums of all time. Upon its initial release, it appeared on numerous year-end best-of lists, with The Wire hailing it as simply "remarkable" and "superbly recorded."
The album captures the Pat Metheny Group during their 1982 US tour, a period when Brazilian percussionist Nana Vasconcelos had become a…
Following three studio albums (Stoa, 2006; Holon, 2008; and Lyria, 2010) plus a double live album (2012) with his electric band Ronin, Swiss pianist and composer Nik Bärtsch now unveils a new release with his original ensemble, Mobile – whose lineup partially overlaps with the current Ronin formation.
Originally formed in 1997, Mobile (here enhanced on three tracks by a string quintet) represents the foundation of Bärtsch's ritualistic approach to music-making. This distinctive style has been sh…
2025 stock On Once Around The Room ECM recording artists and key jazz musicians from several generations unite in a small ensemble to celebrate the musical legacy of drum icon Paul Motian in a big way. Joe Lovano and Jakob Bro lead a party of seven through fiery originals that recall the idioms and idiosyncrasies which Motian brought to light over six influential decades behind the drums. Lovano and Motian had been intimate colleagues for many years with their most notable collaboration being th…
The Bobo Stenson Trio’s ability of covering far-reaching idioms and wide-ranging repertoire within the scope of their personal diction has become both hallmark and custom, inspiring the New York Times to say the pianist “makes sublime piano-trio records without over-playing. It’s pulsating, with long improvised phrases; it’s alive.” Sphere is primarily comprised of works by 20th and 21st century composers including Per Nørgård, Sven-Erik Bäck, and Jean Sibelius and offers two originals by Jormin…
Eight years after Blue Maqams, Anouar Brahem returns with a poignant project, titled after a line of verse by poet Mahmoud Darwish, which asks “Where should the birds fly, after the last sky?” Graceful chamber pieces for oud, cello, piano and bass subtly address the metaphysical question and its broad resonances in a troubled time. While drawing upon the traditional modes of Arab music, Brahem has consistently sought to engage with the wider world, too, and found inspiration in many sources from…
Iannis Xenakis's early electroacoustic works define already the compositional space he is using later in his mature, almost one-hour long works like Persepolis or La Légende d'Er. After arriving in Paris as a Greek refuge in 1947, Xenakis quickly found a work as construction engineer with the architect Le Corbusier. He tried in vain for several years to become a member of the Groupe De Musique Concrète (GRM) and thus to gain access to the electroacoustic studios at the French radio. Pierre Schae…
zeitkratzer director Reinhold and his ensemble present new compositions, grounded on Domenico Scarlatti's piano sonata F-minor K.466. Commissioned by the dance company Rubato and dedicated to Mario Bertoncini (1932-2019).
Huge Tip! The New York based duo of Che Chen and Rick Brown, 75 Dollar Bill, return with Power Failures, their first full length since 2020. Issued as a beautiful double LP by Karlrecords, and possibly their best record to date - taking on expanded explorations and a greater sense of abstraction - across its four sides we encounter Chen and Brown interweaving hypnotic polyrhythms and complex tonal collisions, with occasional (and brilliant) contributions from "Little Big Band" mainstays Steve Ma…
* 300 copies, deluxe edition with two booklets, perfect replica of the original. * Joining their rapidly growing catalog of radical gestures of creative sound, Holidays Records returns with one of their most important releases to date, the first ever vinyl reissue of Pygmy Unit’s “Signals From Earth”, a towering private press obscurity, originally released by the band in 1974. Blending Native American references into a body of sonority that draws on free improvisation, experimental electronic mu…
Gustav Horneij’s Organic Pulse Ensemble blends jazz tradition with modern groove, inspiring unity & protest, uplifting listeners in the fight for freedom and justice for all.
Henry Kawahara has been called “the Jon Hassell of Japan”, but upon closer inspection one finds that his work operates on very different terms. Like Hosono's forays into computerized Ryukyu folk “sightseeing music” or Tsutomu Ōhashi's Ecophony trilogy, Kawahara's world projected ancient musical traditions and notions of cultural identity onto the modern digital plane through a fusion of cybernetic thinking and pan-asian cultural introspection that makes Western attempts to do the same seem quain…
Huuuuge Tip! Edition of 200. Where the bells begin, everything else follows. Long before Charlemagne Palestine discovered the thick molasses sonority of the Bösendorfer piano, before the strumming technique that would define his maximalist-minimalist vision, there were bells. Colossal carillon bells in the tower of St. Thomas Church on Fifth Avenue in New York, where a teenage Palestine hammered hymns into the Manhattan sky before spending hours lost in spectral improvisations that drew Moondog,…
From 2008 until 2017 Danai Simou has been working on the project WORMS. WORMS is a study on how inflictive memories can affect the present time. A research on sexuality, the human body, fears and desires, either through the use of her own body or over her close surroundings. Shot from the time she was seventeen years old until now. She has used DSLR, mirrorless, compact cameras and smartphones. A hand crafted xerox-printed photo zine with screen printed cover including the same titled project. A…
I.A. Maastunnel' A handmade art object of the work has been published in a limited edition of 50 copies by label Aloardi. It is a wooden pack made with the laser cutting technique, in a design based on the maps of the Maastunnel. It contains an USB pendrive with the documentary, including a bonus audio track, and an audio tape with the soundtrack.
“Eighty minutes of trumpet/electronics and alto sax. Here, the length works in its favor. An advantage, oddly, to listening at home (and reading the back of the sleeve): You know it's 80 minutes long so you "read" it as such, as it's happening, sitting back a bit, seeking a wider focus. Wright gets nicely strident here and there, Coleman generally staying with breath tones early on, getting more vociferous later, Kasyansky hither and yon, doing a fine job integrating and coloring. There's a brea…
2008 release ** Limited edition of 250 hand-numbered copies. Comes in a folded A2-poster sleeve. "HBK is an ephemeric project held among musicians behind Genetic Transmission. Moan and Nojsens. Three minds. three individualities. tree artists sharing one inspired vision. These are people we know for years so it became somehow natural to invite their bastard child to our NN therapy group finally. starting the "Harsh Kontakt" series of relases from now on. The sound sculpture presented hereby has …