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Who Says Birds Don't Do Things Just For Fun?
Wow, just wow. One of the dynamics at play in the C.P. program that has been all but absent in the recent catalogue is the "one man against the world" spec. These politically-charged times make me hesitant to use the catch-all "outsider", although, in the case of upstate-New York Composer Glenn Williams, it's clear that a palpable distance from the greater world was, indeed, in effect. Let's first focus on the music; the A-side's side-length title piece works a long-form take of the exact sort o…
Dimensione Sogno
Despite being something of a self-professed “Enthusiast” of exactly this kind of thing - privately-released LPs of minimal, experimental electronic music from the 1970s - I had literally never heard head nor hide of the storied Italian actor - he was in Roger Vadim’s wonderful Barbarella, Tinto Brass’ Attraction, and Vittorio de Sica’s Sunflower, something of a holy trifecta right there - Umberto di Grazia’s lone musical outing, featuring a series of minimal, experimental electronic etudes real…
Electronique Et Stereophonie, Musique Spatiale
Amazing Early Electronic / Experimental Instrument / Tape-Manipulation work from these two Composer / Performers, with Sala perhaps the better known of the two due to his innumerable contributions to film-sound design - he did all of the bird-sounds in Hitchcock’s “The Birds” via the “Trautonium,” Dr. Friedrich Trautwein’s 1929 electronic instrument and Sala’s “axe” - Sala == Trautonium / Clara Rockmore == Theremin. Several facets of the Trautonium’s design lend to an otherworldly timbral palle…
Turn On Arabic American Radio
Gatefold sleeve, edition of 1000 copies , incl. download The relationship between Bryn Jones's music as Muslimgauze and the track/album titles he would provide (sometimes right on the tapes he would send in for release, but often determined later, sometimes even giving two different pieces months apart the same title, accidentally or not) has always been a little mysterious. Jones himself can no longer be asked, and as you continue to investigate the swathes of material he provided, you hit sou…
Fmp 0130
* Very last copies * Pressed on 180-gram vinyl; presented in gatefold sleeve. Cien Fuegos presents a reissue of an untitled LP by Peter Brötzmann, Fred van Hove, and Han Bennink, originally released on FMP in 1973. Peter Brötzmann: clarinet; alto, tenor, baritone, bass saxophones. Fred van Hove: celesta, piano. Han Bennink: drums, khene, rhythm-box, selfmade clarinet, gachi, oe-oe, voice, tins, homemade junk, elong, dhung, kaffir piano, dhung-dkar. Recorded by Dietram Köster on February 25, 1973…
Story Of Wind Behind Left
** Black Vinyl edition ** Recorded in September 1975 at Columbia Studio, “Story Of Wind Behind Left” is a symphonic poem in the shape of a suite. On the album, Masahiko Togashi uses music to communicate the same feelings evoked by nature. The drummer demonstrates unique composition and performance skills in the way he imitates the sounds of nature or takes inspiration from nature itself to make music. With “Story Of Wind Behind Left” Masahiko Togashi revolutionized the Japanese free jazz scene,…
Psicoerotica
Remember that period at the turn of the century when people were talking about Lounge, Exotica and Easy Listening? It was the so-called Cocktail Generation phenomenon, of which VIP 200, a quartet formed in Italy in 1999, was the ultimate expression as a band. The most important input came from the reissues and compilations of Italian soundtracks that debuted with great success at the time, and VIP 200's interpretations of them were genuine, rustic and rich in atmospheres that led back precisely …
Conviene Far Bene L'Amore
Cinedelic Records present a reissue of Fred Bongusto's soundtrack for Conviene Far Bene L'Amore, originally released by Fonit Cetra International in 1975. In the future, the world's oil supply has finally been exhausted, causing a massive energy crisis. In a search for alternative sources of energy, a scientist invents a machine that can harness the energy expended during sexual intercourse and transfer it into electrical power. Conviene Far Bene L'Amore is a 1975 film written and directed by Pa…
Woodstock Generation
Black Vinyl. For more than 20 years, Cinedelic has gained a remarkable reputation for illuminating unexpected trajectories within the world of avant-garde sound. While the primary body of their efforts has been dedicated to reissuing unconventional soundtracks and Italian library music, increasingly they’ve been casting their eye abroad. This was partially noteworthy with the launch of their Orient Series in 2021, which endeavors to make seminal gestures of historic Japanese music available to a…
Rituals
‘Rituals’ is the new album of spiralling drone & ambient formations by Italian artist Danilo Betti aka April Clocks (Union Editions / Mixed Up); a masterwork of sublime disorientation by the Rimini-based outlier, arising from a period of reinvigorated artistic practice. Emerging just over a year after the project’s second album ‘It Takes Time’, ‘Rituals’ heads deeper into spheres of consuming, hypnagogic haze, coursing through nine coalescent compositions of amorphous yet absorbing electronics. …
Reflection
*180 gram Gatefold Vinyl* One of the most exciting bands of the British Blues Boom era, Steamhammer was powered up by guitarist Martin Pugh and vocalist Kieran White. After gaining a reputation for steaming ‘live’ performances they were signed to CBS and released this debut album in 1969.
It is packed with dynamic performances, including ‘Junior’s Wailing’ - a track released as a single that became a hit in Germany (and was also successfully covered by Status Quo). Also among the tracks on the L…
Morton Feldman
Beautiful collection of Morton Feldman's earliest, shorter piano works from the early 50s, going through the late 70s
L'oiseau
"A beautiful solo album by experimental electronician/multiinstrumentalist Jean-Marc Foussat. The album is clearly dedicated to his son Victor Foussat, a young poet and painter who died this year. One of his paintings his reproduced on the inner sleeve, and Jean-Marc recites a poem of his in-between the two 20-minute tracks that make up the album. I rarely cross paths with Foussat’s music, but each opportunity is a delight. The two pieces here are powerful amalgams of synths and objects. Foussat…
True & Whole Tones In Rhythms
Concert recorded at 28 rue Dunois, 9th May 1982, ... Text d'Antonin Artaud, extrait de la prèface du Théatre et son double, 1938. (Text by Antonin Artaud, extract from the preface to Le Théatre et son double, 1938).
Résume Of A Century
Fou has struck again. Jean-Marc Foussat has volunteered so much of his time to collect all this free improvised music in its most explosive, confusing and emotionally charged moments that his litany becomes infinite! Summary of A Century (in Memoriam Annick et Fred). The musicians: the career of Antwerp pianist Fred Van Hove is so special (and ultimately little known to cognoscenti) that it seems to me to be a symbol of openness, a quality intrinsic to this “kind of musical practice. In the mid-…
Quartet Un Peu Tendre
Improvised music from Sophie Agnel, Kristoff K. Roll, Daunik Lazro.
Ecstatic Jazz (Crypte Des Franciscains Béziers 12 Février 1982)
"A newly discovered, enthusiastically received 1982 concert from three avatars of French Free Jazz captures the triumphs and the trajectories of improvised music at the time. Veterans, even at that time, saxophonist Daunik Lazro, now 78, and known for this work with Michel Doneda and many others; bassist Jean-Jacques Avenel (1948-2014), a Steve Lacy associate for years; and pianist Siegfried Kessler (1935-2007) who had a similar relationship with Archie Shepp; are as usual expressive and explora…
Off Course !
"There is a landscape of sonic ideas, of banging, of entity, of new forms of stimulating the body and of prehension moved by our human, urban, maybe even cubist surroundings, or by the big wild country where, we say, music does what it wants. Unless, we misread and “music knows what it wants.” Both! With one stroke, knowing and doing unanimously converge into one. A point of intersection - there are so many - between the desiredl iberties and sublime agitation provoked by the embrasure of paths …
Noyau de Lune
A tour-de-force of solo improvisation from French trombonist Christiane Bopp, flawlessly captured by sound engineer Jean Marc Foussat, as Bopp transforms her instrument through technical skill, lyrical ability, and unusual technique, creating virtual duets, furtive expression, and thundering emotion, an absolutely impressive example of modern trombone language.