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Instant Composers Pool presents East Of The Sun, a series of live sessions performed ICP Orchestra. Recorded March 18th, 19th, 20th 2014 by Kasper Frenkel, Electric Monkey Studio, Amsterdam. Mastered by Frank van der Weij. Artwork by Han Bennink. Photographs by Francesca Patella. Graphic design by Piet Gerards Ontwerpers. Thanks to: Cherry Duyns, Emma Fischer, Huub van Riel. Michael Moore clarinet, alto sax; Ab Baars clarinet tenor sax; Tobias Delius clarinet tenor sax; Wolter Wierbos trombone; …
'Sukram Gurk' was the title chosen for the Siloah second LP. It was the name of Markus Krug spelled backwards. Markus' name was chosen because it was the one that sounded better phonetically to the ears of the trio. The sound of the album takes it all one step further, turning into an electric storm, yet retaining the free psychedelic improvisation feel of its predecessor. The Wah Wah reissue is made in cooperation with Thom Argauer family, it has been cut from the original master tapes, has ori…
Coming out of the boiling Munich scene of the sixties that also gave us the original Amon Düül (Thom Argauer had played in a dixieland band with Chris Karrer in the late 60s, actually), Siloah are one of the best kept secrets of the krautrock production. Siloah had a hard core including Thom Argauer, Manuela von Perfall, Heinrich 'Tiny' Stricker and Wolfgang Görner, plus a host of guests coming and going, everybody was free to join and play at any time, guest members often joining from the Baums…
Band Of Nowhere is a new constellation project by Juanjo Sánchez, together with other collaborators with whom he had previously worked. It is worth mentioning Bob Drake on drums, former member of the legendary formation Thinking Plague (also on Hail, 5UU's, The Science Group) who has also mastered the project from their studio in the Midi-Pyrénées and also to mention the guitarist Jordi Cabayol (Camino al Desván) both Juanjo and Jordi began their career in a significant band of Barcelona of the…
Mexican rock had a strong renaissance in the eighties, when most bands, majorly coming from the prog scene, turned to Spanish language again. One of the big acts from that era was Jorge Reyes' led Chac Mool. Chac Mool counted on its ranks with Carlos Alvarado, who was an accomplished musician on its own and who would record one of the most interesting electronic prog albums of the era, on which Reyes also collaborated. Originally released on mexican private label Momia in 1980. "Carlos Alvarado'…
** First ever vinyl reissue. Remastered Sound. Original artwork, including the original lyrics insert. 4 page full colour booklet with notes by David Rea himself and cool photos. Featuring 2 bonus tracks from their first single from 1968 ** Although this amazing U.S. popsike gem seems to have remained under the radar since it was first released in 1969, copies of an original pressing of this LP fetch several hundreds of dollars among the small circle of collectors that have managed to discover …
At last, in stock now!! Urban Sax's third LP was recorded in 1982 & 1985, and released in 1985 on Celluloid, and it is an absolute diamond - sharing Julian Cope words "Everything starts with this massive (and I mean it...we're basically talking about something the size of an orchestra here) wash of sound, like something dropped wholesale out of the trippier parts of Ligeti's material in the "2001" soundtrack. Then we get swept into the primal repetition of a simple motif...very Magma-like, save …
Much-needed reissue of these incredible LPs. Urban Sax's debut LP was issued in 1977 on Cobra, recalling the best Terry Riley, stunningly psychedelic, it’s the perfect combination of hazy, fluttering psychedelia and tough, tactile reed work. Urban Sax was created in 1973. Gilbert Artman, the mastermind behind Lard Free -who has also participated in dozens of recordings by other artists of the French experimental scene that included Delired Chameleon Family, Clear Light, Komintern, etc.- develope…
At last, in stock now!! 1991's Spiral makes its first ever appearance on vinyl format here. Previously it had only been available on a impossible to find CD, consisting of eight short to mid-length pieces, the major change being the prominence of the twenty-two piece choir, which shares the spotlight equally with the saxes, and three vibraphones, all which results in a far more ethereal and majestic sound than its predecessors. Urban Sax was created in 1973. Gilbert Artman, the mastermind behind…
**2022 stock** Davani's solo 1960s album (billed to "the Dave Davani Four) was a very respectable instrumental soul-jazz effort, with Davani's Hammond organ backed by the sort of sleek electric guitar and sturdy rhythm section one would have expected from mid-'60s Prestige soul-jazz sessions. Davani was a little (but not much) more pop-slanted than the average such Prestige act, particularly on the cover of "Big Boss Man," which with its harmonica and tambourine shows the influence of mid-'60s B…
*In process of stocking* After Patrick Campbell-Lyons and Alex Spyropoulos dissolved their partnership, they both went separate ways in the music scene. Campbell-Lyons began work on the Local Anaesthetic songs while going through a series of personal matters which ended up being reflected in the tone of the album. He did release it under the Nirvana name in 1971, but what we have here is a totally different thing. He decided to break with what had been doing up to that moment, and came up with a…
Under the alias of Zanov we find the works of French electronic pioneer Pierre Salkazanov, who had started playing guitar in the 1960s in a Shadows styled band, Les Ambassadors. Instrumental rock was not enough for Salkazanov, he was always looking for evolution, so when a meeting with French synth player Serge Ramses (of "Secret" fame) got him into the world of synthesizers he just dived deep into the bourgeoning world of electronic music. He got himself his first syths and started producing wo…
Again under the influence of both first and second generation of Berlin school musicians the LP will appeal to fans of Klaus Schulze or Tangerine Dream, but they will also find a big deal of Zanov's own personal sound on it, since as the musician himself reckons he had little contact with other peers of his generation, so besides a general love for the electronic gear used and the sounds you could make out of them the creative ideas behind his works were all his own. On his second album a richer…
**original warehouse find** In Course Of Time, his third LP was originally issued in Canada in 1982 and in France in 1983, although it contains works that he had began working in 1979. The material was originally shelved due to legal matters, although he continued to add some changes even after that. The Canadian edition came out in Les Disques Solaris, a recently created label that wanted to specialise in "cosmic" music. Zanov used the same equipment he had used on Moebius 256 301, albeit this …
Buoyed by the success of Endless, their 2015 primer on forgotten electronic explorer Dimitris Petsetakis, Into The Light Records has worked with the Greek composer to compile a follow-up album that takes an even deeper dive into his archive of previously unreleased material. Like its predecessor, On Shores draws on music recorded in the '80s and early '90s. It contains just two previous released tracks, the humid Clearance (Part 2) and poignant On Endless Shores, both of which first featured on …
New Jersey's Omnibus formed from the ashes of garage bands from the New Milford area: The Cliffhangers, The Forerunners and The Vandals. Original members came from these three local bands and consisted of Jay Polt, Al Raimondi, Bob Wegrzyn, Bobby Marcinczack and Jerry Garino. They soon hit the local scene and got in touch with brothers Steve and Eric Nathanson who would become their managers and finance their first recordings. A United Artists recording deal was the next step, through wich the b…
A long-lost Japanese acid folk gem, Niningashi’s 1974 private press debut Heavy Way shimmers with originality, deft song writing and a dream-like groove.
* 2020 Stock * Bob Rutman's life could be compared to the life of Odysseus, although we're not here to write his biography. Putojefe is happy to present his phenomenal Noise In The Library, recorded with the U.S. Steel Cello Ensemble, an all-steel string quartet established by himself in Boston in 1976.
The Ensemble consists of one Steel Cello and three Bow Chimes, played by Rutman and a rotating cast of guest musicians: in this instance, Daniel Orlansky –one of Rutman’s closest collaborators an…
* 2021 Stock * Wreaths Of Life is an essential and magnificent release in Internazionale’s vast discography, a mature full-length album of infinite beauty. The ultimate vinyl version is finally available after an impeccable remastering work that results in a truly significant improvement on the quality of the out-of-print cassette edition. The sound of this record is created by a sublime combination of countless immersive textures which embody sonic landscapes of dreamlike ambient music. Eleg…
The Maciunas Ensemble was founded in 1968 by Dutch musicians and sound artists Paul Panhuysen, Remko Scha and Jan van Riet. It has existed ever since, though having gone through a number of membership changes until today. The group's intention was to realize the piece "Music for Everyman" by Fluxus initiator George Maciunas which they interpreted as allowing boundless freedom in the sounds being produced. The group met at a regular basis, usually improvising on a number of instruments that were …