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Palladium
*2022 stock.* Re-edition of this historical cult album first out in 1991.Autopsia is a legendary band, they are among the pioneers of "Industrial". This re-edition was completely remasterd using the modern sound standards and is coming with 4 additional bonus, rare and unreleased tracks.
"Music of Autopsia oscillates from romanticism to avantgarde, from bizarre to sublime simplicity, from coldness to warmth, from exclusiveness to popularity. Songs of Autopsia are wanderer songs. Palladium leads …
The Berlin Requiem
*In process of stocking. 2022 stock.* Truly monumental in scale, a huge electroacoustic fresco. Symphonic orchestration bring forth a barrage of colossal sorrow. This is electronic music of exquiste tension and ecstatic release, moving from drones to explosive classicaly orchestrated peaks. The album symbolically resurrected, though perhaps simultaneously burried, Breht and Weill's Das Berliner Requiem.In the context of 'The Berlin Reqiem', Brecht's 'Berliner Requiem' might be seen as a quotatio…
Illegal Occupation Of Ears
*2022 stock.* The Japanese master of recycled ambient-sounds! Two long sound-sculptures, sensual and sexual sounds mixed to real old school industrial. Contagious Orgasm will surprise you with his unique way to re-work & assembling broken sounds. Best ambient industrial from Far East. The cover presents some collages by "Ryuta Nogouchi" a very interesting Japanese designer.
Music For Film And Exhibition II
*2022 stock.* Like baking a sweet cake or cooking an indian dish you need good ingredients and spices to get the right mouthfeel and the splendid flavor of your desire. 'Music for Film and Exhibition II' is just like that: a levelled declitre of Raison D'être, a brimful tablespoon of Atomine Elektrine, a couple of teaspoons of Necrophorus and a little bit of this and little bit of that, mixed into a perfect blend of many tastes. Peter Andersson, well-known from projects like Raison d'être, Strat…
Tokyo Hallucination
*300 copies limited edition* Tokyo Hallucination was first released in 2021 and sold-out immediately. Hence: here we go with a second print of such masterpiece for all who missed it. A Psychadelic journey through Tokyo between ecstasy & hallucination... Best Experimental-Industrial by the Japanese master. Sounds are rumbling and beating with far rhythms, sampled voices of city ghosts & spirits. Cut-ups by deformed animals, blinking lights, fast moving geisha’s, blood and drugs…Like a Japanese Bu…
Forget To Remember: Live Vol.2 1970
**Beautifully packaged lacquer-press 180g vinyl. Flip-back sleeve. Strictly limited pressing run of 500 copies worldwide. Extensive liner notes by legendary British music broadcaster and journalist Richard Williams** Jazz in Britain presents Forget To Remember: Live Vol.2 1970 by The Ray Russell Sextet featuring Harry Beckett. Previously unreleased live session recorded at the Aeolian Hall 2, New Bond Street, London on the 2nd January 1970. All tracks from the Ray Russell tape archive.
Saigon Supersound Volume Three
Saigon Supersound is delighted to present the 3rd and final volume of its pre-1975 Southern Vietnamese music collection. A curated collection of music from Saigon during the 1960s and early 1970s. The music has been restored and remastered in order to present listeners with audio quality on par with its original quality upon release more than half a century ago.
The first few songs in this Volume are songs Vietnamese people used to call “Stimulus Music” or “Action Music”. These are songs that bo…
Revolve
*Limited edition of 555 copies.* "Revolve" is the fourth collaborative project between DiN label boss Ian Boddy and the acclaimed Norwegian composer and guitarist Erik Wøllo. Their previous two studio albums "Frontiers" and "Meridian" were both very well received. They also played live together at the Electronic Circus Festival V and released this performance as the digital album "EC12". As with their other work together "Revolve" is a continuous sonic journey, with the tracks joined together by…
Cybotron
*300 copies limited edition. In process of stocking* Cybotron was one of the first, if not the first, electronic rock bands in Australia. Cybotron released their self- titled debut in 1976. The group draws heavily on synthesisers (as would be expected), electronic and acoustic percussion, plus saxophone and played minimalist, repetitive progressive-style electronica in a style that emulated the direction of the 1970's German cosmic sounds.
Rhizosphere/Live, Paris 1982
Rhizosphere, originally released in 1976, was Pinhas' first solo album. It consists of four solo pieces for synthesizer, plus a extended fifth synthesizer piece which is a duet with Heldon drummer Francois Auguer. I have always found it to be a mesmerizing work, on par with its influences of Terry Riley and Philip Glass, but completely different from them due to the usage of only Moog and ARP synthesizers. For this CD release, an additional 38' was added of a previously unheard, professio…
Metrodora
Mere words can’t describe the impact of an album where the only instrument is the voice of Demetrio Stratos (actually, there are few synthesizer inserts played by Paolo Tofani). Originally released in 1976: a unique work where Demetrio Stratos makes any kind of experiments and sounds with his voice, reaching and going over the limit of human capabilities. Beautiful digipack
Travelon Gamelon: Music For Bicycles
2024 stock. This early (1982) project from Arizona “Audio Artist” Richard Lerman presents musical composition performed with bicycles. Lerman explains: “A gamelan orchestra is a large group of percussive instruments, usually metallic, from SE Asia. In fact, the sound of such a group is not unlike the timbre of amplified bicycles.” With such an idea, he embarks on a project that captures the amplified sounds of moving bicycles in harmonious rhythms creating songs. Liner notes include detailed inf…
Navajo Dedications
**2020 stock** This 1976 Folkways release by David Cope presents modern music based on Cope’s intensive research into—and respect for—Navajo ceremonies, and Navajo music in particular. Ranging from pieces for large chamber ensemble to a work scored for a single performer, the four compositions are unique interpretations of Native American Indian myths and culture. The liner notes include detailed explanations of the inspiration, organization, and arrangement of each of these complex works.
This …
To Kill a Sunrise and La Ruche
**2020 stock** Turkish-born musician and composer Ilhan Mimaroglu worked extensively with electronic (tape) music. The two programmatic pieces paired here are "To Kill a Sunrise," a dirge subtitled "Requiem for Those Shot in the Back" with words borrowed from a poem by Guatemalan guerilla poet Marco Antonio Flores, composed in Columbia-Princeton Electronic Music Center (New-York, N.Y., 1974). And "La Ruche" composed at Groupe de Recherches Musicales (Paris, France, 1968) an experiment of reminis…
Visions - Music for Orchestra, 2 Pianos and Computer-Generated Tape
**2020 stock** This 1979 record is a five-movement composition for large chamber orchestra by David Cope. First presented by the Santa Cruz Chamber Symphony in 1978, the work attempts to demonstrate the relationships between sound and physical space and to translate them to recorded sound as well as performance. The tapes in the piece were composed at Stanford’s Artificial Intelligence Laboratory and were “spliced” digitally rather than physically. Liner notes contain drawings of the way that Co…
The World Music Theatre of Jon Appleton
**2020 stock** This 1974 recording by electro-acoustic music composer Jon Appleton is designed to take the listener to different musical landscapes. Appleton notes differences in context that will make the music more and less effective (“not everything I intended will be heard by the listener because no two listeners share the same aural experiences…because we are continually expanding our aural vocabulary, the sounds used assume a different significance as time passes”). Liner notes contain a b…
Eight electronic pieces
**2020 stock** Chance combinations, accidental themes, chaos in general—these are the musical modes that Tod Dockstader uses in composing electronic pieces. Blending oscillating electronic sounds with natural sounds is like being "confronted with a potential orchestra of thousands of instruments," he says, and the task becomes one of "improvising."
This CD is a custom made copy from Smithsonian Folkways collection. Every effort has been made to preserve its historical and aural integrity. The or…
Mushroom Ceremony of the Mazatec Indians of Mexico
**2020 stock** Recorded on the night of July 21/22, 1956 by V.P. & R. Gordon Wasson, these are rough and ready field recordings featuring the voice of Maria Sabina (1894-1985) a Mexican curandera who would perform healing vigils known as veladas in Huautla de Jimenez, Oaxaca where all participants would ingest psilocybin mushrooms (Maria's holy children), as a sacrament to open the gates of the mind and communicate with the sacred. María Sabina (July 22, 1894, Huautla de Jiménez, Oaxaca, Mexico …
Computer Music
*2024 stock* Computer Music serves as the official musical documentation of the November 1981 International Computer Music Conference, held at North Texas State University in Denton, Texas. The album features five compositions with music that ranges from electronic sounds to female vocals, flute and horns, stringed instruments, and percussion. The composers include Larry Austin, whose early works were recorded with the help of Leonard Bernstein; Bruce Pennycook, who now teaches music at the Butl…
Des Jeunes Gens Mödernes (Post Punk, Cold Wave Et Culture Novö En France 1978 - 1983)
2024 stock. This compilation, originally released in 2008, explores the French vaults of French post-punk, electro-pop and French no wave. Between the late '70s and mid-'80s, in the wake of the punk wave and in parallel to other types of music like disco, funk, ska and reggae, a prolific and chaotic music scene began to develop in France, combining the energy of rock and the nihilism of punk with electronic experimentation. The period was not, on the whole, one of optimism and joy, played out as…