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Ike Yard remain a legendary band of early '80s New York City – at once immensely influential, yet obscured by a far-too-brief initial phase. Their debut EP, the dark and absorbing Night After Night, sounds almost like a different group, so rapidly would Ike Yard evolve towards the calmly menacing electro throb of their self-titled LP. Originally released on Factory in 1982, the album put Ike Yard's indelible mark on the synth-driven experimental rock scene then emerging all over the planet. Whi…
Francesco Messina is perhaps best known for his collaboration with fellow composer Raul Lovisoni on the album Prati Bagnati Del Monte Analogo, originally released on seminal Italian label Cramps in 1979. Along with contemporaries Franco Battiato, Juri Camisasca and Giusto Pio, Messina would help reshape the world of modern composition with an organic rawness and haunting beauty.In 1979, Messina was asked to perform at the Teatro Quartiere in Milan. As the composer writes in the liner notes, "Due…
David Cunningham was born in Ireland in 1954. His work ranges from pop music to gallery installations including several collaborations with visual artists. His first significant commercial success came with The Flying Lizards' single "Money," an international hit in 1979.
Originally released in 1976, Cunningham's first solo album Grey Scale has become a landmark statement of DIY minimalist composition – continuing in the vein of the wild explosion of arthouse experimentation from the early '70s.…
In the early 90s there were a few like minded friends making a unique style of lo-fi pop music. At the core of this non-scene were Sukpatch, Land of the Loops and The Ah Club, who all tended to play on each other's recordings. As the decade went on each of them learned how to use their instruments better, smoothing over the edges, but in typical fashion, the early home recordings had a special feeling that couldn’t be replicated with cleaner fidelity and nicer equipment. Sukpatch especially were…
In 1969 both Anthony Moore and David Larcher were at the start of their respective careers and both were inspired by the ideas of the avant garde and the new technologies becoming available to them. David experimented with the various techniques being explored in the medium of film making and Anthony tested the limits of what could be done with tape recorders. It was an open and co-operative exploration. The results of their first collaboration was the film Mare’s Tail - an unusually long 2:30 h…
Huge Tip! A true exploration in spiritual jazz that follows Work Money Death's acclaimed previous albums, with pianist Richard Ormrod, bassist Neil Innes and drummer Sam Hobbs creating a powerful trio foundation for Tony Burkill's soulful tenor saxophone. Blending influences from Indian ragas to African rhythms, its intricate layersiharmonium, congas, trilling fluteibring warmth and depth to tracks like 'Headwaters Of The Soul' and 'The Fast Flowing River.' Spiritual jazz at its most immersive a…
Black Vinyl Edition. Wümme, Lower Saxony. 1972. A converted schoolhouse. Inside: a tangle of cables, reel-to-reel machines, custom electronics soldered together by hands that refused manuals. This was not a professional recording studio. This was Faust's laboratory—and So Far was the experiment that proved you could rewire rock music's circuitry without killing the patient. Six months earlier, Faust had released their self-titled debut—a savage dismantling of what a rock album could be. Tape edi…
Light Sounds Dark proudly presents Construction of a Planet, a visionary sonic journey that challenges the boundaries of experimental sound and ambient exploration. Conceived as a transmission from otherworldly dimensions, this release unfolds like the blueprint of an imagined cosmos—layer by layer, texture by texture. Drawing upon an eclectic range of influences, Construction of a Planet is not merely an album—it is an immersive experience. Across its evolving structures, listeners are invited …
"This is special for me. Evan Parker and Paul Rogers have given their permission for this release. I asked Evan if he would write some notes but he wants me to do it – my memory of the gig. That was 33 years ago (1992), so I don’t remember much. It was at the old Vortex on Stoke Newington Church Street; I must have been sitting with Candy on a little table in front of the low stage. A Marantz cassette recorder in front of me and a cheap mic stand with a single stereo mic in front of that. The ma…
In 1980 Bobby Wellins was commissioned to write a suite of music, which he called ‘The Endangered Species’ because, in his words: “Some years ago there was an oil spillage which washed ashore in Bognar Regis where I live. The guillemots were being pulled out in a dreadful state. One reads about such things, but to see for oneself a bird's life being taken away from it is quite horrific. Their lives are short enough anyway. It brought home to me very directly the damage we are inflicting on ourse…
For the first time ever, the complete recording sessions for the Spotlite vinyl album ‘Fingers Remember Mingus’ expanded with bonus tracks. The original album sessions, and the extra tracks, were all recorded between 1979 and 1983. Co-produced by Jazz In Britain with Dave Green, who formed and led the Fingers quartet and who provided most of the recordings from his own tape archive and wrote new notes to complement the 24 page booklet which compiles contemporary reviews and articles about Finger…
Limited edition album by Tony Coe’s Axel featuring Tony, Gordon Beck, Phil Lee, Chris Laurence and Bryan Spring. Recorded during the Camden Jazz Festival at the Shaw Theatre in Euston, London in 1977. Featuring wonderful compositions from Tony, Phil Lee and Gordon Beck, who contributed the brilliant title track. The single CD comes in a 4-panel digisleeve, with a 20 page booklet containing notes from Dave Gelly, John Wickes, Chris Laurence and Chris Searle.
In 1975, Tony Coe formed a co-operativ…
An artistic research project led between 2019 and 2022, investigating how 3-D electroacoustic composition and sound-art can evoke and provoke a new awareness of our outdoor sound environment. The integration of art and technology was central to the investigation that focused on sound, space, time and the utility of outdoor areas. The ideas were tested in artistic creations, and during a three-year period Natasha Barrett created a series of site-specific, outdoor sound installations. These works …
We have not had a physical release by composer and ecologist Michael Prime since the release of Borneo in 2007. This new 3CD set brings us up to date with a series of recordings from across the years. It also sees a new refinement in his working practice as well as a new extension to his original name. Bioelectrical Music by Michael Allen Z Prime consists of recordings that fall into 3 defined categories - Bioelectrical Compositions, Bioelectrical Field Recordings and Bioelectrical Installations…
Formed in Cambridge in 1969 by Tim Souster and Roger Smalley, Intermodulation started out as a 4 piece group with the addition of Robin Thompson and Andrew Powell (who soon moved on to other Cambridge projects, including a pre Chris Cutler Henry Cow). Powell was replaced by Peter Britton, and this incarnation of the group remained for the duration of their existence.
Having releasing a box set of works by Gentle Fire it felt necessary to do the same with Intermodulation and thus complete the ot…
Although Machine was completed in 1971 it was not released until 1973, shortly after the release of Journey Into Space. Machine is therefore the first major composition by Trevor Wishart. It was composed at York University and was originally issued on vinyl as 3 sides of a highly adventurous 3LP box set called Electronic Music From York, released by the University’s own record label. In common with Journey Into Space (also on Paradigm Discs), Machine makes use of a large number of volunteer cont…
This CD represents a 25-year collaboration between renowned British avant-garde improviser Peter Cusack and instrument builder and sculptor Max Eastley. Cusack and Eastley have made these short episodes together between busy careers recording experimental music alongside artists such as Nicolas Collins, Steve Beresford, and David Toop). With numerous releases on ReR and Incus, the two musicians are mainstays of the British improvised music world, and Eastley is particularly prominent for his wor…
As a member of British experimental group Morphogenesis, Adam Bohman was no stranger to wayward sound experiments when recording this solo CD. Favoring acoustic sounds over electronic he explores the minute tendrils of sounds coaxed from any number of non-musical instruments. The standout on this Paradigm CD is a cassette piece which the artist made of candid recordings of mundane experiences and conversations, using the stop-start technique to construct a collage of text and environmental sound…