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A veteran of the great Malian orchestra, the Super Biton de Ségou, Mama Sissoko is an accomplished musician. His music traverses Mandingo, Bambara, Sarakolé, Songhai, Bobo, Peul, Malinke and Bozo traditions, all while flirting with jazz. On stage, Mama Sissoko is a purist who engages with the audience bringing his energy, urgent vocals and truly inspired guitar solos throughout the concert. ‘Live' brings together recordings from a concert given in Paris at La Villette in 1998 and takes us back t…
In Spring 2010, Sonic Youth gathered at their Echo Canyon West studio in Hoboken, New Jersey, to watch the rushes of a new film, Simon Werner a Disparu, by French director Fabrice Gobert. They spent the following few weeks recording music which was then shaped as needed to fit the various scenes. For this release, rather than present the small clips of music as used in the film, the band went back in the autumn to the original tapes and re-organized the various pieces for this original soundtrac…
For the third of Sonic Youth's sound experiment series, they teamed up with legendary nosie-nik Jim O'Rourke. Building on the ideas from the brilliant extended version of "The Diamond Sea" (from Washing Machine); the series explores the (mostly) instrumental side of the band. Though sold as an EP, the three tracks on the CD version of clock in at just over 56 minutes, and can sit quite comfortably with any of SY's best work.
The title track opens the record with over 20 minutes of drenching feed…
*2022 stock * 'Suicide took mid-70's NYC underground attitudes to extreme, but logical, ends. Singer Alan Vega's often terrifyingly apocalyptic vision was perfectly complimented by keyboardist Martin Rev's pulsating, sizzling accompaniment on rhythm box and synthesizer. Their psychotic electronic blues was the sound of American culture sliding towards destruction. On stage, they were routinely heckled by audiences unappreciative of their minimalist explorations (they actually incited riots while…
“Lester Bangs liner notes place Suicide in its proper historical context: A document of a force of nature – the filthy loud subway station heart of NYC. Suicide pioneered everything from synth-pop to industrial disco – low rent electronic angst-fest. Vega runs rough shod over the whirring blast of Rev’s homemade synth.” – Rolling Stone Record Guide
Ben Chasny's last ultra-indie label release before moving onto greener pastures with Drag City is finally available once more on vinyl thanks to Hermit Hut. Originally released in 2003 on the fabulous Time Lag label, we are now safe to bask in it's psych-folk sunlight again and let me assure you it's worth it. Ditching the voice almost altogether (save for a few wails), For Octavio Paz sees Chasny focussing on his primary skill - the guitar. This is a collection of some of his best solo guitar w…
Tip! ** Edition of 300. Limited Edition Blue Smoke Vinyl. ** Tai Chi Tommy steps out of the crypt to deliver his sultry crooner tones in a collection of Halloween themed doo-wop and garage psych songs live from the Sad Souls Social Club. drawing from the likes of Roy Orbison and The Platters, mixing lush and pleasing melodies with voodoo lure and a 50’s twang.
Love songs for Zombies, Vampires, freaks, geeks and the Strange & Unusual
Terre Thaemlitz’s precious 1994 debut album finally makes a vinyl appearance of sorts 30 years later, hailing its sublime downbeat highlight in three different versions that come with highest recommendations if you’re into classic Mo’ Wax, The KLF’s Chill Out, Urban Tribe, Blue Lines-era Massive Attack, DJ Sprinkles!
*In process of stocking* Outstanding!!! Ideologic Organ presents the complete version of electro-acoustic composer Ákos Rózmann's epic masterpiece 12 Stations presented for the first time in its entirety as a deluxe 7CD set, packaged in a hardcover slipcase with a pull ribbon, a 20-page booklet containing an extensive essay on the composition by the scholar Gergely Loch, photos from the process and of scores and the composer. "In 2012 Ideologic Organ released the 2LP set 12 Stationer VI (SOMA 00…
An astonishing album, Lion's Eye for Gamelan was commissioned in 1985 by Barbara Benary for Gamelan Son of Lion. Lion's Eye for Synthesizer was commissioned concurrently by Neil Rolnick for iEAR Presents at Rensselaer Polytechnic Institute. Both versions were performed in 1985. The intention to combine both pieces in order to expand the tempo range of the Gamelan was first realized in May of 1989 in performances by the Berkeley Gamelan in Oakland and San Francisco, California under the direction…
Michael Pisaro (b. 1961) is a member of the Wandelweiser collective, an international organization of musicians which he has defined as 'a particular group of people who have been committed, over the long term, to sharing their work and working together.' Its members have shared an interest in John Cage and experimental music, and extended durations, indeterminacy, and silence have featured in many works they have made; but Michael Pisaro is quick to point out that the members of the colle…
This historic collection gathers together the four seminal solo albums recorded by Alvin Curran (b. 1938) in the 1970s. Two, Fiori Chiari Fiori Oscuri and The Works, are making their first appearance on CD. Author-critic Tim Page, an early advocate of these works, writes, 'Curran weaves electronic technology, an occasional acoustic instrument, voices and musique concrète ('found' music) into a multi-hued tapestry of sound. He holds these dissimilar elements together with a compelling subliminal …
At the onset, we hear a single, heavily distorted power chord. The chord fades, and then we hear three more iterations of the chord in regular, pulsed attacks. To some, especially fans of metal and its many subgenres, this sound is welcoming and familiar. To others, this sound is surprising, perhaps arresting—an unexpected opening from a composer known for music of quiet, prolonged stillness. This chord and its four attacks signal the opening of The Complexity of Distance, a 58-minute collabora…
The music on these CDs takes us into a new realm of music making, one that Alvin Lucier has defined for us and one that demands that we start to listen anew. His work has been more often described in terms of science than of art as if it were a series of quasi-scientific experiments, but to put the emphasis here is to miss the point, for its purpose is never “explanatory” (the goal of science) but, like all art, “revelatory.” This is not to suggest that the composer has some spiritual agenda in …
Pioneering American electronic music composer Annea Lockwood presents "In Our Name", based upon two of the many poems written in Guantánamo by detainees, with no expectation that they could ever be heard "outside the wire". Many poems were confiscated by the Pentagon before the writers' lawyers could read them and remain locked away, the Pentagon "arguing that poetry 'presents a special risk' to national security because of its 'content and format.'" Marc Falkoff writes, in his introduction to t…
Chemistry for Gamelan and String Quartet is the culmination of a long-term collaboration between the JACK Quartet and composer and instrument builder Brian Baumbusch (b. 1987). Over the past ten years, Baumbusch has designed and built two separate sets of “American gamelan” instruments. Based on various instruments from the Balinese gamelan tradition, these instruments depart in innovative ways from Indonesian traditions based on their unique tuning, inspired in part by the tuning theories publi…
This newly remastered reissue marks a welcome return to the catalog of the first volume of the classic 4-CD collection that was formerly available on the CRI label. The works recorded on this disc span the first six years of what Harry Partch (1901–1974), slightly tongue-in-cheek, called the “third period” of his creative life. They show him moving away from the obsession with “the intrinsic music of spoken words” that had characterized his earlier output (the vocal works of 1930–33 and 1941–45)…
The four works on this newly remastered CD are eloquent testimony to Harry Partch’s aesthetic of corporeality. The music he composed for The Dreamer That Remains, for Rotate the Body in All Its Planes, for Windsong, and for Water! Water!, was intended as only one component in the total artistic experience. In these works music joins with drama, with film, with dance, even with gymnastics, as integral parts of the composer’s vision..New World's The Harry Partch Collection, Vol. 3, as was the CRI …
Harry Partch’s compositions of the 1940s have remained until recently an unwritten chapter in the history of American music. And yet it was these very pieces—the collection of four works he would later collectively entitle The Wayward—that brought him to the attention of the New York musical world. His concert of these pieces for the League of Composers established for him a small but permanent reputation as a musical maverick who had wandered off well-worn tracks and had developed a sort of lat…
Just when you think you are grasping the breadth and quality of the music of Julius Eastman (1940 - 1990), a recording such as Julius Eastman: The Zürich Concert shows up, and you have to go back and reassess his work and wonder what will show up next. This recording is from a 1980 solo seventy-minute improvisatory concert in Zürich, a cherished cassette made by a friend of Eastman's, who recently realized its uniqueness and decided that he should share it.The Zürich Concert was performed on Oct…