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** 2021 Stock ** An American who came of age in the late 1980s, Jason Eckardt’s music captures the essences of the genres that led him first to performance (as a guitarist), and then to composition: heavy metal and art rock, jazz, gagaku and p’ansori, the Second Viennese School, American post-serialism, and the new complexity. It evokes the power of inspired, virtuosic improvisation, the incisiveness of classical ensemble playing, and the raw expressivity of ethnic music. The first complete CD o…
During May and June 2002, Italian guitarist Marco Cappelli spent time in New York City. While there, Cappelli became involved with the NYC avant-garde scene - internationally known as Downtown Music - in which composers / improvisers coming from avant-garde jazz, experimental rock, as well as from academic music, created a common musical language. These experiences and influences inspired Cappelli to a new idea and concept: to make a "musical photograph" of the Downtown musical scene thro…
Tanzprocesz presents Matt by Contumace. Lionel Fernandez temporarily abandons his Sister Iodine power trio to engage in a static bullfight with himself. Synthetic miniatures & frequency lacerations. Austere concatenations & petrified movements. 666 pairs of sunglasses in the country of eternal night.
*In process of stocking* Tanzprocesz presents the new Rirette self titled EP. Baroque electricity & laser gregorian chants, sound surveillance & futuristic raised fists. The dream soundtrack of a dystopian fiction.
How does music happen, and why does it happen sometimes? In June 2010, the TOT1.0 festival took place in Athens, small steps towards a greater affirmation of the small music community that has been blossoming in the hell-hole that is Greece’s capital. As part of the festival, two foreign improvisers (Ferran Fages and Grundik Kasyansky) were invited to take part in the proceedings. While we were at it, we got notice that Robin Hayward also happened to be in town during those days, for unre…
**200 copies** "Farol is the sound portrait of a monumental architecture : the 25 Abril bridge in Lisbon. The 25 Abril bridge is a symbol for the Portuguese capital. Visible to tens kilometers around, it serves as a visual and noisy landmark. As we come closer, the buzz becomes stronger until it gets blatant, like the light from a lighthouse which becomes blinding when the coast is near. Farol est le portrait sonore d’une architecture monumentale. Ce field recording nous emmène au cœur du pont d…
 The mysterious pseudonym remains, in this, the second release in the Taste of Ra trilogy. The accompanying information describes the music as such: "When your ears are gates and they're wide open. Levels of sound will chase you down, collide, kiss and fight. In the yard that you now found; The past will meet the present, you're paying past with present. When you finally hear her voice that makes you leave your body behind and meet as gods...Sound will evolve and something that was once heard…
Born and raised in Argentina, Morita Vargas is an experimental artist and producer based in Buenos Aires. She manipulates her voice through reverbs, delays and whispers, singing in a self-invented 'language'. The sound of Morita’s voice is a portal into her thriving, dreamlike world brimming, shimmering and beating with unrefined natural sensations which stimulate something primordial yet strangely contemporary.
As far back as 2014 she began work on her first productions - early sketches which l…
Breach dives into chaotic systems and reflects on the recent events of protests and riots in the world, exploring the build up and release of tension and energy in a new form of pitch black metal electronics and polyrhythmic structures.Zeno van den Broek is a Dutch-born, Copenhagen-based composer and artist. Van den Broek works in a multi-sensory way to research and express physical, social and acoustic notions. He utilises audiovisual means to create site and concept specific works. This trans-…
Vomit Heat and International Music are artistic relatives. Both come from the Ruhr area in Germany, both love psychedelic rock music and at the same time are also involved in avant-garde projects. Heute is something like a concept single, a multi-layered journey full of hints, references and danceable psychedelia. The title track is taken from the upcoming Vomit Heat album Second Skin, to be released spring 2022.
*Printed inner sleeve and an additional lyric sheet. A download card via Bandcamp is also included.* This is the second album by Cologne-based musician Vomit Heat. The sound and structure of this ten-part masterpiece reveal themselves abstractly in an exceedingly dense surface, in dynamic rhythms, in driving bass runs, flat guitars and synthesizers, combined with a confident and multi-faceted voice. They resound with a density that Vomit Heat created from the countless layers of layered sound he…
Ghédalia Tazartès left us in February 2021 when we had just finalized the editing and the cover art of his new album with him. Unfortunately he will never see the finished object. This record is therefore particularly important for us. He opened his archives to us so that we could select unpublished pieces with him and organize them in two long suites. This work took almost two years (finding the pieces among dozens of sometimes very old CD-Rs, checking that these pieces had not already been pub…
Via Lattea is the new recording project of the music and performance research ensemble Enten Hitti. The work takes inspiration from research on the “feminine” and from the matrilineal transmission of life. It is the result of various research trips to the places where the culture of the “sacred female” took shape over 4000 years ago: Cyprus, Crete, Turkey, Ireland, South Africa, Indonesia … The historical and geographical suggestions have been freely reinterpreted and transformed into musical pi…
They say that judging in one’s own cause is complicated, however, in this specific case, the sentence was swift and appropriate. I, Tam, in an effort to save the judicial system some time, pleaded guilty to all charges, concerning the contents of this work. These “Six Elegies For The Northern Hemisphere” were composed between 2019 and 2021, in a kind of creative retreat in Alto Minho, near Molêdo. The influences were the Atlantic Ocean at the tip of the nose, Santa Tecla’s hill in the corner …
CD Edition. 2014 release. Originally released in 1973 on famous German label Bacillus, Dzyan’s 2nd album “Time Machine” showed a “new” Dzyan line-up consisting of guitar player Eddy Marron (also playing a lot of other string instruments), bass genius, band founder and “mastermind” Reinhard Karwatky and drummer Peter Giger. Produced by Peter Hauke and recorded and mixed by great engineer Dieter Dierks the trio performed on Time Machine a new sound mutating away from vocal-prog-rock of the first a…
Texturally detailed ambient-electronic study on the relationships between man made and natural environments in the Cromarty Firth, Scotland. File somewhere between Cindytalk and Richard Skelton
Steve Peters's from Shelter is music written in 1997 for choreographer Lane Lucas’s dance/theater work Shelter, which deals with “the concept of metamorphosis, and the way connections between people can bring us to a greater awareness of our place in life.” The gently undulating three-section Three Short Stories and the beautifully insistent My Burning Skin to Sleep form a suite that very successfully stands apart from the theater/dance work for which they were composed. Three violas calmly stro…
The Weaver is the debut solo album by the multidisciplinary artist and Discipula collective member Marco Paltrinieri. Merging spoken words with field recordings, electro-acoustic textures and relics of found melodies, The Weaver brings to life, across 6 movements, the memories and thoughts of a creature living in a world in which the distinction between reality and simulation, as well as between psychic space and external environment seems to have definitely collapsed. The album stems from Palt…
** CD housed in a 4-panel digipak. Comes with 12-page booklet ** Tone Glow Records is proud to present a special archival recording of Paragraph 1 and Paragraph 7 from Cornelius Cardew's The Great Learning. Conducted and formed by American composer Dean Rosenthal, the Montréal Scratch Orchestra featured 14 or so like-minded experimental music enthusiasts who performed the pieces at Redpath Hall on the McGill University campus in 1996. This release arrives on Cardew's 85th birthday and follows Ro…
Coming out of the boiling Munich scene of the sixties that also gave us the original Amon Düül (Thom Argauer had played in a dixieland band with Chris Karrer in the late 60s, actually), Siloah are one of the best kept secrets of the krautrock production. Siloah had a hard core including Thom Argauer, Manuela von Perfall, Heinrich 'Tiny' Stricker and Wolfgang Görner, plus a host of guests coming and going, everybody was free to join and play at any time, guest members often joining from the Baums…