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Being Below (LP)
* 150 copies * Celer's ‘Being Below’ is a collaborative release between Past Inside the Present (US) and Two Acorns (JP). This is a mini-album of short songs created with digital and analogue instruments. Written with a structure that reflects shifting states, overlooking the past and future as a split pathway with the present endlessly fluctuating between. The pangs of rumination.
An exercise in loop-less writing.
Absence Presence
**Limited edition of 300 copies. ClearVinyl** Pages torn from an imaginary sketchbook. Beneath the waves of noise, within the swarm on the senses, visions held in absence presence. Despite decades of magical acoustic evenings performed across the globe, this is the first release of this kind from The Telescopes. A rare document of the songs behind the noise. A penetrating glimpse into the eye of an all embracing maelstrom. The Telescopes house has many rooms. Absence Presence opens another doorw…
Ubok Aka Inua
*In process of stocking* Originally released in 1976, Ubok Aka Inua is the fifth album by legendary Nigerian saxophonist and band leader, Etubom Rex Williams. The album features Psychedelic Shoes and One Woman Is Enough Trouble, both heard on countless funk and soul compilations. The album was restored from the original tapes by Noah Mintz and artwork restored and recreated by Steve Lewin.
"Etubom Rex Williams occupies the genuine space of legend of Nigerian Highlife. His incredible professional…
La Vie Electronique 3
The third in Klaus Schulze's series of three-disc compilations of live and rare material (all of it previously released in his 50-disc Ultimate Edition box from 2000) is pure bliss for fans of early-'70s analog synthesizer music. The melodies swoop and whoosh like comets passing by a slowly drifting space station manned by dudes and ladies in unisex jumpsuits with long, perfectly coiffed hair, and beards on the men. Close your eyes and you're there. Many of these tracks are grouped into half-hou…
La Vie Electronique 1
In 2009, Klaus D. Mueller and Schulze began releasing La Vie Electronique ("The Electronic Life"), a series of three-CD sets that reissued all the material previously released in these long-deleted box sets, plus a few unreleased tracks, with all the material put back in chronological sequence (the Edition sets mixed things up, time line-wise). Volume 1 covers the years 1968-1972 and is mainly very interesting. One highlight is "I Was Dreaming I Was Awake and Then I Woke Up and Found Myself Asle…
La Vie Electronique 6
The sixth part of the out-of-print series offers recordings from the second half of the 70s. La Vie Electronique Vol. 6 contains three CDs. The first disc features numbers that Klaus Schulze played at a concert in Oberhausen in 1976, including "Schwanensee". The whole thing is supplemented by two solo pieces that Klaus Schulze recorded in the same year in the then newly established studio in Hambühren. The finale is the title “Fear At Madame Tussaud’s”, recorded in April 1977 in the London Plane…
La Vie Electronique 5
The rarities of the electronic pioneer Klaus Schulze were previously released in a strictly limited edition, called "The Ultimate Edition" and document the history and the rich diversity of this exceptional musician, even more impressive than on his official releases. Now these recordings - completely remastered and for the first time in chronological order - are available in elaborate editions: Every episode contains 3 CDs in high-quality "vinyl look" with digipack including booklet with detail…
Issue 80: Drive - Inside the Untimate Synthwave Soundtrack (Magazine)
This month's Electronic Sound cover feature tells the fascinating story of the soundtrack to 'Drive', one of the greatest movies of recent times.
La Vie Electronique 4
The third in Klaus Schulze's series of three-disc compilations of live and rare material (all of it previously released in his 50-disc Ultimate Edition box from 2000) is pure bliss for fans of early-'70s analog synthesizer music. The melodies swoop and whoosh like comets passing by a slowly drifting space station manned by dudes and ladies in unisex jumpsuits with long, perfectly coiffed hair, and beards on the men. Close your eyes and you're there. Many of these tracks are grouped into half-hou…
Smells Like Teen Spirit
Smells Like Teen Spirit is premised in a haptic interrogation of each of the label's previous editions. Berlin-based and Mexico City-born multi-disciplinary artist Mario de Vega occupied the gallery space of Rumpsti Pumsti (Musik) for three consecutive days in October 2016 with a hitherto complete Tochnit Aleph catalog, sanding machine, hammer, and recording equipment. Conflating acts of "playing" with destruction, de Vega took to the recorded works and assorted media with his Spartan too…
Yesterday + Today, A Music Of Time
"Vincent Wrenn works with a microtonal system of seven octaves and each octave being divided into 360 notes, with Saturn being the lowest and the sun being the highest octave. That may sound also pretty esoteric, but the six pieces here are excellent studies in what seems to be sine wave like sounds. Each of these pieces appears to have very few variations and when played very loud may burst an eardrum, or destroy your relationship with your neighbour. I would think these pieces are best enjoyed…
Exploratorium
Swedish experimental outfit White Stains created five highly influential albums. Band members Carl Abrahamsson and Thomas Tibert later on went on to form the equally influential act Cotton Ferox. Their improvisational approach and dark musical atmospheres created a following which remains to this day, and which even led to a one-off reunion gig in Gothenburg in 2013 together with long time collaborator Genesis P-Orridge (Throbbing Gristle, Psychic TV). The album Exploratorium is a compilation of…
Defragmental
Cotton Ferox key members Carl Abrahamsson and Thomas Tibert have composed, performed and produced groundbreaking music since the late 1980s. After their time in White Stains and several solo projects, Cotton Ferox have been their main mothership. Always producing cutting edge stuff, they have also always made an issue out of collaborating with other interesting artists. In both White Stains and Cotton Ferox, they’ve worked together with industrial pioneer/legend Genesis Breyer P-Orridge. Some ex…
Solo Etudes I
"We begin with the flickering, fire-like erraticism of the first track. Despite bearing the title of “Snow”, I’m drawn to imagine the very opposite: an intense heat that billows and dwindles across the stereo frame, suddenly erupting from left to right as if devouring an oil slick, promptly receding through oxygen exhaustion. To what extent are these fizzing, crackling chords – presumably electronics, but ultimately too distorted to accurately identify – under Hahn’s control? To what extent does…
Fragen
Kluster - Cluster - and now Qluster - an extraordinary shedding of skin of one of the most important german electronic groups. Hans-joachim roedelius was there from the beginning (kluster from 1969 on with conrad schnitzler and dieter moebius; cluster from 1971 on with dieter moebius; qluster with onnen bock since 2010). Little need be said about roedelius, whose collaborations with conrad schnitzler, cluster and harmonia earned him a worldwide reputation as a pioneer of electronic music. Onnen …
358 Oblique
Baltimore’s PJ Dorsey has traversed a lifelong journey delving into psychoactive music which can alter one’s cognitive and conscious state. He harnesses his experiences to create music as Tarotplane. Using guitar, effects and processing he produces time suspending soundscapes - immersive music for merging the mind and body. 358 Oblique is the follow up to First which was released on Aguirre Records in 2015. Find yourself adrift in the lapping waters of a slow unraveling sea of sound, a sp…
Roananax 1999 / Obliq 2014
Roananax 1999 (Axel Dörner, Robin Hayward, Annette Krebs, Andrea Neumann) and Obliq 2014 (Hannes Lingens, Pierre Borel, Derek Shirley). Powerful archive recordings from the legendary group Roananax at the very start of 'Berlin reductionism'. Combined on a split disc with a beautiful example of reductionism 15 years on played by Obliq, a group of younger Berlin-based musicians.
Sometimes we all disappear
A restrained electronic improvisation from the duo of Jamie Drouin on suitcase modular & portable radio, and Lance Austin Olsen on amplified objects and audio cassettes, utlitizing space, isolated and connected events, and the listener's own environment.
The Harmonics of Real Strings
Four realisations of John Lely's simple but brilliant composition 'The Harmonics of Real Strings', which is basically a very slow glissando along the full length of one bowed string. Anton Lukoszevieze plays one realisation on each string of the cello, following the harmonic transformations as they occur and producing an extraordinary example of 'the virtuosity of restraint'. John Lely originally composed the piece in 2006, and it was recorded in April 2014. "When I'm composing I'm learning, ask…
Spinet and Violin
Recorded At Christoph Schiller's Atelier, Basel. Painting by Andrew Lutz. Recorded By – Christoph Schiller, Morgan Evans-WeilerSpinet – Christoph Schiller, Violin – Morgan Evans-Weiler