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*2022 stock* Recorded at the 26th Festival International de Musique Actuelle de Victoriaville, May 22, 2010. “This set was my favorite one of the entire Festival. It was most magical and flowed organically. For me, this was the perfect trio, with Malcolm on the high end, Barre on the low end and Catherine somewhere in the middle with her immensely charming voice & presence. I kept thinking that this trio is perfect, communicating on a high level and taking us with them on an inner journey that o…
*2022 stock* Live recording of Anthony Braxton's Echo Echo Mirror House Music, where all the musicians use iPods in addition to their instruments, which took place during 2011 Tri-Centric Festival at Roulette.
In Echo Echo Mirror House musical system, all the musicians wield iPods in addition to their instruments, while navigating scores that combine cartography and evocative graphic notation, creating a musical tapestry combining live performance and sampled sounds from Braxton’s extensive reco…
Frederic Rzewski’s work “The People United Will Never Be Defeated” is based on the Chilean protest song, “¡El pueblo unido jamás será vencido!,” written by Sergio Ortega a few months before Pinochet’s military coup in September of 1973.Frederic Rzewski came to Europe as a young man, lived in Cologne and Rome, and created a sensation as an avant-garde pianist with his premiere of Karlheinz Stockhausen’s “Klavierstück X”. He worked with the leading composers of the time and was himself a composer.…
"Operating at an extremely high level, Smyth and Corsano share a special connection. One can almost see their thoughts syncing together and their bodies merging into one four-armed monster. Several moments are reminiscent of the best work from Cecil Taylor and Tony Oxley, while still managing to sound like Smyth and Corsano." — Burning Ambulance
“With the energy and focus on display, it is tempting to compare the meeting to two heavyweights coming toe-to-toe, prepared to slug it out… but that wo…
Love CD by Fusiller allows an intimate exploration of his very own musical language presented through his crafted electronic instruments, skills coming form his engineering background. This coupled material and theoretic control, leads to unique meaning structures where haunting evocations join spectral contrasts in a very pure form, evenly poor and massive, inherited from industrial and electroacoustic music.
*2022 stock* Kurt Schwitters’ “Sonate in Urlauten” [Sonata in Primal Sounds] is the prototypical work at the border between speech and music. The concise title of the work alone forges a suggestive link between language material and the musical form of the sonata; the "Ursonate" almost proverbially stands for sound poetry. For Schwitters, who was actively involved in promoting his sound-poetical opus magnum, even as his own interpreter, it was difficult to imagine that his work could survive wit…
Hidden but not forgotten, hinted at through piecemeal reference after the fact, the creative efforts of the members of this West-Coast-centric cadre of art mutants first took shape in the early 1980s in Chico, California, home to a state university infamous for its alcohol-embracing student body. Twenty-five years later, in 2009 to be exact, Induced Music Spasticity, the 4xLP boxest of unheard home-made four-track recordings of tape experiments, electronic improv, spoken word, live recordings, p…
Foamola is an underground musical group from New York City, consisting of Sparrow and his wife, who went by the cyber alias Violet Snow. Also in the group is artist Lawrence Fishberg and Sparrow's daughter, poet Sylvia Gorelick. Their music has been described as "folk-minimalist", and as "anti-Plutarch pop"
“Foamola is the only anti-rock band named after an herbal arthritis remedy. All our music is original, with tunes by Lawrence Fishberg (keyboard, vocals) and lyrics by Sparrow (ocarina, item…
**Edition of 300 copies, numbered** Group Show is a project and installation that shows an extensive collection of ‘vernacular’ vinyl records with large groups of people on the cover. The awkward impossibility of photographing these choirs, regional ensembles and folklore bands and the typology of photographs that has comes out of it, is a longtime fascination for Erik Kessels. It even made him create a multi-media project out of this. The enormous volume and collection of records resulted in an…
Released on occasion of the 50th anniversary of the Maciunas Ensemble. Tracks recorded between 1982 and 2012. The Maciunas Ensemble was founded in Eindhoven, The Netherlands, in 1968 as a free improvisational music group that set out to realize the score "Music for Everyman" by Fluxus initiator George Maciunas, which they interpreted as allowing total freedom in the sounds being produced. In the mid-1980s, after a number of personnel changes, the group settled on the line-up of artists Paul Panh…
I’d Rather Be Lucky Than Good is a new recording collaboration of Sam Ashley and Werner Durand. Sam Ashley’s mystic parables imbued with benevolent humor are drawn from a lifelong pursuit of a present-day shamanism. Werner Durand’s wind work on invented and traditional instruments stems from the minimalist tradition, routed through his unique study of obscure world musics. The two artists first met in Berlin in 1984 while Sam was touring Atalanta with Robert Ashley’s opera company, with whom he …
*175 copies on Orange vinyl.* I've known Fabio Orsi for almost fifteen years now, artistically and humanly. Since the days of "Osci" his first album released by SmallVoices, my label at that time, up to some essential records published by A Silent Place, another label that I managed, in a period that seems almost unrepeatable. Each of his work, whether in music or photography, is always a certainty for me, but lately also a surprise; in fact Fabio Orsi has learned to surprise himself and surpris…
**Edition of 200 copies** Pentiments is honored to present the first vinyl-format offering of the work of long-time film, theater and sound art figure Arsenije Jovanović, born in Belgrade, Serbia in 1932, has been working in experimental media since the 1960s, beginning his career as a producer and director of theater and TV and eventually going on to produce several award-winning radio dramas in the 1970s whose approach to the use of sound as experiential narrative material has since become a …
Tip! As part of Ann Eysermans's For Trainspotters Only project, a vinyl record of the same name was produced on which various locomotives can be heard in different constellations.On the A-side are Prelude and Fugue for 4 diesel locomotives and harp. These compositions consist solely of locomotive and harp sounds. Both instruments were explored from top to bottom to extract their sonic qualities according to (often very strange) rules of counterpoint. Macro and micro sounds blend into melodies, h…
** 2021 Stock ** This is the first solo release by Swiss drummer Peter Conradin Zumthor. "Another good example of the consistently high-quality musical output and the vitality of the scene in the supposedly oldest city in Switzerland. On his solo debut, released on the label of the highly esteemed Swiss percussionist Christian Wolfarth, the self-taught drummer from Chur presents a refreshing musical potpourri of his sound repertoire, developed over the years, in the form of seven interwoven comp…
** 2021 Stock ** A typical modern drum set consists of a bass drum, a snare drum, hi-hats, a few toms, and a couple of cymbals. When played as a drum set, the characteristics of each sound combine to create what many people recognize as a single instrument. Yet each of the pieces within that instrument has particular qualities that are often different from each other, especially between drums and cymbals. From a player's standpoint, shifting focus from the sonic options available with a drum set…
Much of Frances White's music is inspired by her love of nature, and her electronic works frequently include natural sound recorded near her home in central New Jersey. This is the first complete disc of White's electroacoustic works, both with or without instruments. This disc is titled Centre Bridge because it has inspired two of the works contained on it. But beyond this, it is because the role that the bridge has played in White's work is so characteristic of her music. Her music is about li…
** 2021 Stock ** “The double-bass – the paradox of its large size and basically quiet sound, and its low registral grounding – has long attracted me. I’ve also been fortunate in knowing outstanding double-bass players.” – Christian Wolff This disc collects all of Wolff’s large body of works for the bass, including a piece for solo electric bass guitar. Two of the works were written specifically for Robert Black, who prepared these pieces with Wolff. The composer attended all of the recordings se…
Here, collected for the first time, are all of Morton Feldman's compositions for violin and piano. It is also a kind of walk through his compositional development, from the Webernesque early Piece for Violin and Piano (1950); through the experiments with graphic notation in Projection 4 (1951); followed by an excursion into the jungle-like density of David Tudor's energy in Extensions 1 (1951); to the cryptic notational riddles of Vertical Thoughts 2 (1963); from the dry carpet-dusting Spring …