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Dale Gorfinkel is a multi-instrumentalist, improvisor, instrument creator, installation artist, educator, and community builder. His work aims to reflect an awareness of the dynamic nature of culture & the value of listening as a mode of knowing people & places. He is interested in finding fresh ways of presenting and making music, bringing creative communities together & shifting perceived boundaries of scenes, styles & artforms.
His first solo release reflects this diversity of interest…
Organism is the debut album from Copenhagen Clarinet Choir. With track titles like ’Flocking’, ‘Hive Mind’ and ‘Water Piece’, the work is situated at the intersection of composition and improvisation, and at the nexus of nature and music. Led by Irish woodwind player and composer Carolyn Goodwin, the clarinet sextet takes an egalitarian approach in the way it assembles its players. In the music of Organism, interdependent parts find an overall shape as organically as a living entity. Much like a…
**200 copies** "Assemblée, Relâche, Réjouissance, Parade or another long, unspeakable, French, title (that would somehow translate as " Assembly, Pause, Rejoicing, Parade"). Words that conjure ideas of music used in public, and social rituals. The two distinct pieces experiment with the "bringing back" (re-injection?) of music into the experimental area. Do not see anything pretentious about it, it is rather a very personal path, in the sense, among others, to not forbid certain aspects of music…
With this work Gagi Petrovic chooses to explore beyond abstraction, dwell within it, to find an inner celebration of what it means to let go of expectations and let music ring free. Free from arbitrary expectations, emotional manipulations and conservative evasions regarding what music "should" be. For this purpose he created his own musical instrument. The custom-built Gest allows the performer to design and play electronic music in an intuitive way, turning hand gestures and light sensors into…
Over the course of two nights, a few weeks before the pandemic arrived in Portugal, André Gonçalves (ADDAC System) and Casper Clausen (Efterklang) recorded music from another realm, dreamy and scary at the same time, sounds complete but it seems to be falling apart at any moment. It is like an alien language or a way to process sound that sounds foreign because it is different from everything else, formally, and aesthetically. This is “Aether”, 37 minutes of constant take-off. A departure from w…
* 2022 Stock. Vinyl in “Angel Shock” color wax. Never before released in any format. Includes 20-page book with rare archive photos and liner notes Q&A with writer/director David Weisman * Edie Sedgwick was the true “It Girl” of the Pop Art age; a woman who famously said she wanted “to turn the world on just for a moment”. Part of Andy Warhol’s Factory for a year in the mid-‘60s, she is widely believed to have inspired The Velvet Underground’s “Femme Fatale” as well as Bob Dylan’s “Leopard-Skin …
(180gr pressing) Polysom official reissue of this monster rarity. Originally custom pressed in 1980, ‘Rosa de Sangue’ is the closing chapter of the amazing Recife psychedelic movement that flourished and centred around the work of Lula Côrtes, beginning in 1973 with the release of Satwa, and the creation of ‘abracadabra’, Lula’s loose art/music/design collective. “I want to close all of this with a golden key”… and a golden key it is.Entering a small local studio with a head full of songs and hi…
**300 copies, to be released in mid June** "To complete the Orgasmo / Paranoia soundtrack set, Four Flies adds two songs to the cake (both not included in the LP version). An alternate take of Lydia MacDonald's Fate Had Planned So, more rhythmical and dynamic than the one used for the titles sequence, and the soul hit Just Tell Me, sung by the American Wess, and performed by his Airedales. The song is heard repeatedly in Orgasmo, but it’s also used in the following film, A Quiet Place to Kill, w…
Motoring up to Norwich from London, it would be difficult to miss Thetford Forest, the vast wooded wilderness that follows a large section of the A11. Planted between the world wars to ensure a plentiful timber stock, today it's a managed park attracting picnickers and hikers. But there's another side to this wood that most day trippers would probably be unaware of...
Concretism's Chris Sharp can often be found walking in Norfolk's Thetford Forest as he has family over that way. It was on one su…
"Sometimes I wonder why it takes years for something to find its way to a release, but in this case, you could think: wow, that's really fast. The concert that we find on these recordings dates from September 4. I must assume the CD went into production the day after the concert. I believe I had not yet the pleasure to hear music as part of a duo (in some bigger groups, yes), and he teams up with recent improvised music convert Dirk Serries. The latter is on guitar. I would think this CD covers …
*In process of stocking* Semantics was a jazz supergroup consisting of Elliott Sharp, Ned Rothenberg and Samm Bennett. Elliott Sharp, born in Ohio in 1951, began playing the piano at the age of six and started to perform concerts two years later. He soon gave up the piano, first in favour of the clarinet and later for the guitar. Sharp became intrigued with all types of experimental music, from contemporary classical to free jazz and sophisticated rock. He studied anthropology at Cornell Univers…
The fifth issue of We Jazz Magazine, "Amaryllis" for Mary Halvorson. 128 pages 174 x 250 mm in size and printed on 140g Edixion paper with laminated 300g Invercote covers. All articles presented in Eglish. Stories include Mary Halvorson by Peter Margasak, Pi Recordings by Will Layman, Tyshawn Sorey by Marc Medwin, Women On the Syllabus by Tina Edwards, A Love Supreme Festival by Gareth Allen, Odysseus Festival by Dave Waller, Bob Rutman by Marialuisa Bonometti, Sarathy Korwar & Joanna Duda in co…
Advancing the post-punk infused concoction of blazing garage and art-driven destructs-rock, as established on Hand & Leg's grinding self-titled debut from 2017, the bass and drums are here cranked to new heights of molten activity. Murky shades of sexual negativity plough forth with the help of obsidian distortion, careering bass dirges so scuzzed they can clog arteries, ungodly squalls of paint-stripping noise, and a tendency towards playful rhythmic rituals themselves only offering brief respi…
*In process of stocking. Limited edition of 400 copies.* We haven’t found them yet, the words to talk to each other about the worrying signs of climate change. Feeling worried when walking on autumn leaves in the beginning of August should be completely normal. But how do we communicate about it? We don’t want to be just the next hysterical doomer. With this music I try to focus on the climate pain itself, gently inviting the listener to investigate their latent feelings of unease and growing co…
Section 25 formed in Blackpool,UK in November 1977. Initially they were a duo, consisting of brothers Larry Cassidy and Vincent Cassidy. In June 1978 they made their live debut with Phil Denton on guitar. Their first 7", "Girls Don't Count", was released in July 1980 on Factory Records, produced by Ian Curtis and Rob Gretton of Joy Division fame.
Joined by percussionist Lee Shallcross, Section 25 gradually evolved with a more electronic-dance direction from 1983 onwards, a process which culminat…
* Edition of 300 * Arbitrary presents the 2020 remaster & vinyl reissue of PM016 by Danish musician Mads Emil Nielsen, re-mastered and cut by Kassian Troyer, with cover artwork by visual artist Dane Patterson. Originally released as limited edition C30 tape on Plant Migration Records in 2014, the four pieces on Nielsen’s first solo release are based on short orchestral and percussive samples manipulated by various synthesizer modules and effects processors. Variations are created by emphasizing …
Debut album of this band led by skilled master-guitarist Peter Bursch, which went to record this magical piece of psychedelic folk for the Pilz label in 1971. Guitars, flute, mellotron, congas, tabla, sitar & the magical voice of Jenni Schaecker make the ingredients for a very special record, recorded & mixed by Dieter Dierks in his unique fashion. Full of Eastern promise, this is regarded by many as the best German folk-rock album ever! 'The ideal companion to Emtidi's Saat and Hoelderlin's Tra…
*2022 stock.* The series of OEC re-releases by Peter Andersson's (Raison D'Etre) projects continues. And here we go with the re-release of Atomine Elektrine's much acclaimed debut album first out in 1995.
Labelled as 'new-age-sacro-trance' at the time, 'Elemental Severance' actually shows a wide spectrum of electronic styles resulting in a hybrid, yet cohesive masterwork. From trancey rhythms and dreamy, sacral ambiences to occasional male/female choirs, melancholic melodies and well inserted sa…
Tip! In the 1970s, Kazuki Tomokawa catapulted into Tokyo’s avant-garde scene with his cathartic and utterly electrifying performances. Straight from the Throat, Tomokawa’s second album, released in July 1976 by Harvest Records, finds the musician in his truest form: as the “screaming philosopher” he would come to be called—cynical but fair, cheeky and melancholic, and looking at the world with truth-seeking eyes.
In Straight from the Throat, Tomokawa shrieks and shouts and wallows with ritualis…