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Wonderful limited 444 Collaboration-Release between VOD and Blowpipe to celebrate one of the most exciting dutch 80’s Tape-Labels. Musical harvest of Studio 12, the postpunk cassette label of the Haarlem Dutch Ultra movement. Beginning of the 80's artists and musicians mingled in squatted places to create, in the true DIY-Vain, an unique blend of minimal- electronics, drones, soundscapes and tribal music.
Bands like Nexda, Smalts, Vitaal, Die Krü Blødt, Cargo-Cultus still sound fresh and exci…
"Triangles offers you more of the powerbook electronics sounds we're all digging on so much, and from speaking comparatively from the field as it stands today, Triangles sounds quite good, really amazing, in fact. Despite falling into the, dammit, start saying it -- 'melancholy electronics,' hole that you clearly need filled, Triangles stands on it's own. Need more? Try this -- Triangles occupies the space between powerbook extrapolations (quite reminiscent of the sole person in America w…
Recorded, composed, mixed between Paris & Oslo, the Janus LP is a collaboration started in 2008 and finished in 2013. Experimental mouth music duet, free interlaced vocal noises, sonic poetry and free electronics. A convergent formal meeting of two complementary paths between poetry and music. Mastered by Frédéric Alstadt. Master cutting and vinyl manufactoring : magnetic.fr. Cover : Janus bust of Silenus and a Satyr, A.D. 120-150 Roman Marbel, Chrysler collection. Artwork by Joachim Montessuis.
Xing presents the first release of the XONG series: the artist record Once More by Kinkaleri performance group and the photographer and artist Jacopo Benassi.
The release is on white vinyl, in a limited and numbered edition, and it comes with a 24-page booklet with photos by Jacopo Benassi.
**200 copies** "Francisco Meirino's work in my humble opinion speaks for itself. I'm just incredibly honored to be able to put this out for him and help promote it. If you really need a description to go on though, here is my brief thoughts on it. Masterful pacing and layering of eurorack textures, vertigo inducing frequencies, immersive field recordings, broken electronics and reel-to-reel tape. Francisco has a technique that I like to call "slow cuts" where he will make you zone out on a certa…
CD version. The album Premonition is a masterpiece of spiritual jazz, and reflects the spiritual awakening of a natural musical genius, Umlah Sadau Holt. In the 1970s, Holt was involved in all kinds of jazz, reggae, and world music projects in the San Francisco Bay Area. Over time he absorbed the global rhythms that can only come from extensive involvement with a variety of international musicians, and he integrated them into his own developing ideas of jazz. When his friend Emmanuel Nado return…
2009 reprint, originally published in 2000. The publication of How Bluegrass Music Destroyed My Life did a great deal to spread the word of John Fahey's literary talents, though sadly only a year before he died. Vampire Vultures is an unexpected gift and should ease the grief of those who thought they would never hear anything from John Fahey again. Originally a project of his own conception, it was to be an epic work that would expand on many of the characters and experiences he introduced in B…
Neuma presents the complete recordings of Roger Reynolds’s "imAgE" series (2007-2015). The series features six pairs of comparatively short, related works that showcase several solo instruments: flute; viola; cello; contrabass; piano; and guitar. Each pair, composed for the same instrument, represents opposing ideas- the first is evocative, and the second is more articulate and punctuated. All works were composed for the performers on the album.
Sachiko M and Ami Yoshida, both from Tokyo, met in 1997 and formed the duo of Cosmos the following year. Sachiko M has developed a unique style utilizing a memory-free sampler, creating pure, piercing sine waves with the device's built-in test tones and noise. She has also recently begun exploring the use of contact microphones, as documented on the second track of Tears. Sachiko has worked extensively as a solo artist, in groups such as Filament, I.S.O., and Hoahio, and in duo with Toshimaru Na…
This is the first reissue of the third Kebnekajse album, originally issued by Silence in 1975. Kebnekajse's music ignored traditional musical boundaries (which must be a hallmark of the term "progressive music"). III continued very much in the same vein, but this time with a more sharply honed politicized edge. This was programmatic, instrumental music with a message. Here you'll find mostly folk tunes but also an instrumental country tune by Kenny called "S:t John" and Ingemar's instrumental ba…
Visions Congo is yet another moniker from Discrepant's head honcho, Gonçalo F Cardoso, taking Africa as a starting point to evoke the memories and re-imagined experiences of his six-month stay there in 2015. Most of the recordings and compositions were done in the great lakes of the African regions of Uganda, Congo (DRC), Tanzania, and the island of Zanzibar. Mulago Sound Studio is a series of surreal and augmented field recordings that try to brace the listener with fresh alien authentici…
**Double 200gm vinyl LP pressing.**After an absence of over 40 years, the first edition of Exposure - Robert Fripp’s startling 1979 solo debut - is available on vinyl again. The term ‘Classic album’ has been devalued somewhat through overuse, but if ever an album has proved worthy of the term it’s Exposure. An invitation from David Bowie and Brian Eno in July 1977 resulted in his appearance as lead guitarist on Heroes, David Bowie’s 2nd 1977 album from his own golden year and marked Fripp’s ret…
Death Is Not The End presents London Pirate Radio Adverts 1984-1993, Vol. 1. The first volume in a two-part collection of pirate radio adverts & idents, taken from recordings of London stations between 1984 & 1993. Many thanks to Wayne Anthony, Simon Reynolds, Stephen Hebditch & The Pirate Radio Archive.
Duelling blues, simultaneously piquant and distorted, from one of Death Is Not The End’s few extant acts, following the label string of compilation pearls Back for third servings after an eponymous debut and ‘Fayet’ in 2017, Torontonian siblings Kevin and Patrick Cahill pick out bittersweet, wayward blues on these 2020 recordings made in their home city and out by the lakes in Kirkfield. We’re not sure if they’re twins, but the Cahills appear to work at near subconscious, telepathic levels of fa…
The music on this recording was initiated when Grazia and Gianni Bolongaro, owners of La Marrana di Montemarcello asked me to record the sounds of Jannis Kounellis’ installation and make a piece in response. Kounellis’ untitled installation comprises 23 large church bells that appear to spiral out from a cylindrical chamber rooted in the Earth’s core. I was struck by the intensity of this chorus of silent tongues, facing the sky and projecting a colossal resonance that is felt but is not heard. …
three lobed recordings is extremely excited to be involved with divide by zero records in the release of tennessee & other stories…, Hans Chew’s debut solo album. while chew is best known as the honky-tonk pianist and auxiliary vocalist behind brooklyn’s psychedelic americana outfit d. charles speer & the helix (including his lead vocal turns on both “life insurance” off distillation, and “bar-abbas blues” off the “in madagascar” 7”), his skill as a piano player has also previously been on promi…
LP version with CD. The two authorized recordings presented on Konzerte 1972/1977 vividly conjure up the atmosphere, perhaps even the magic, of a Cluster performance back in the day. One took place in 1977 during a science fiction festival in Metz (France). The other dates back to an earlier show in Hamburg's Fabrik venue. Cluster played three gigs in the city in 1971/1972, including the one partially included on 1972's Cluster II (LR 335LP). Cluster shows routinely lasted six hours or more, …
2012 release ** Limited hand-numbered edition of 500 copies in cardboard sleeve. "Dead Country (Sevket Akinci, electric guitar. Umut Çaglar, electric guitar, monophonic synth, tape delay. Murat Çopur, electric bass. Kerem Öktem, drums, percussion) + Alfred 23 Harth, alto sax, clarinet, vocal, electronics. Recorded at Deneyevi, Maslak by Ergin Ozler on the 21st of november 2011, artwork and design by Mazen Kerbaj.
'Stephen CORNFORD is better known for his work in sound sculptures and installations than as an improvising musician. But on ÔTurned Moment, weighting' (at-b07) he uses the piano as a source for feedback patterns, which he blends with the gentle Feldmanesque playing of pianist Samuel RODGERS to produce three extended improvisations of astonishingly delicacy. Samuel RODGERS has said that 'though being aware of and struggling with the tradition and limitations of the instrument, I have found the…
Mini album, CD, self released by Machinefabriek, November 20, 2015. 200 copies. The Dutch word 'deining' (pronounced 'dining') translates to 'heave' and also 'commotion'. For 'Deining', I asked violinist Anne Bakker to bow each string of her instrument while sliding slowly from the lowest note to the highest, for exactly five minutes, as fluently as possible. Obviously, it turned out nearly impossible to do this really smoothly, but the unavoidable irregularities are a welcomed bonus. Anne also…