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Siri Aurdal by Eline Mugaas is an artist book produced on the occasion of a two-person exhibition by the artists at Kunstnernes Hus (Norway). The publication features Eline Mugaas collaging together decades of drawings, documentation, collages, and ephemera by Siri Aurdal with a lyrical approach reminiscent of Mugaas’ work with the magazine ALBUM. This method unfolds the traditional logic of an exhibition catalog, replacing its typical organizational structure (chronology, installation views, th…
The very latest from Ramleh's Anthony Di Franco, whose long-running solo JFK project has been dedicated to the kind of concrete-mixed rhythmic pummel countless others would almost kill for since the cassette network culture of the 1980s. It's an immersive sound that, naturally, shares a little common ground with Ramleh yet emphasizes the monstrous chasms that can be drawn from a sturdy combo of bass-churn and galvanized beats. Whilst the labyrinthine textures beamed in from steelworks remain ver…
Face Disappears After Interrogation is the first vinyl release from Mick Travis, a wandering noise deconstructionist based in the UK who was previously responsible for cassette transgressions issued by his own Medusa label and Aaron Dilloway’s Hanson Records. An occasional member of Dilloway’s rotating extreme ensemble The Nevari Butchers, Travis loosely orbits the Michigan <-> Ohio underground circuits that spawned the dense network of projects branching out of the Bulb/Wolf Eyes/Hanson family …
An extended voice/ radical vocality album, Songline was recorded during one evening in the rooms of a former Swisscom telephone relay station in Zürich. I decided to use the main room, which was entirely empty. Its linoleum floors, bare walls and many windows made for a very resonant space. Double glass windows sealed off the world outside but many sounds still emanated from somewhere deep in the bowels of the building.My vocal work goes back a few years now, appearing here and there on various…
2013 release. Boris Hegenbart takes a dub-like approach to musique concrète. Rich contrasts, drawn between synthetic and recorded sounds, allow texture and space to flourish in place of melody. First / Dewbranches away from the very beginnings of Hegenbart's [#/TAU] series. It takes his debut album, Hikuioto (a self-published CD released in 1996), and reimagines it on vinyl.
Peter Jefferies, a living legend of New Zealand underground music, from his seminal bands Nocturnal Projections and This Kind Of Punishment, to his collaborative efforts in bands such as Plagal Grind and Two Foot Flame, is perhaps best known for his solo work on masterpieces such as The Last Great Challenge in a Dull World (1990) and Electricity (1994), as well as numerous other albums of his singular songcraft. Grapefruit is releasing Jefferies’ latest, Last Ticket Home, which leaves the statio…
MIE unveils, after long gestation, Panisperna, the first long player by Jantar, an outer-borough ensemble historically known for their creeping strain of easy-listening, most often heard in empty lots and abandoned diners. Chad Laird and Tianna Kennedy have grown an experimental cover crop since 2009, gently cultivating a soil rich in ambient leaf rot and organic art-world chemical compounds. With the addition of Kirsten Nordine, Jantar began to run it through with speculative roots and melodic …
Bilharzia is 15 minutes of electronic nausea, adding layers of bleeping LFO nastiness to a relentlessly repetitive base. You should know you'll get what's coming to you with a song called Make a Joyful Sound, and I don't feel it disappoints. Pounding brutality you could bury your dad to, and a bad time guaranteed to be had by all. There is a kind of tune in there somewhere though, lurking dimly in the background...' Stefan Jaworzyn
"Wary the Mind is the long awaited second LP by Hobo Sonn following the self-released debut - The Thundering Nature of Reality. Constructed using electronics, effects, piano, sampler, mixer, field recordings, etc., this album presents an audible voyage that meticulously weaves together seemingly random reference points into a cohesive yet perplexing whole. Side one begins with processed feedback shifting amongst tape hiss/static and muted drones where intermittent signals of disintegrate…
**200 copies** After his last release got Aphex Twin’s seal of approval with tracks featured in his-majesty’s DJ-sets last year, Holy Similaun debuts on OOH-sounds with the new EP Hegenrax. The work (to be read He-gen-rax) attempts to explore the fascination for contradiction and the opposites in a conceptual framework by ideally contrasting a motor disorder (Apraxia) caused by damage to the brain and a controlled chemical reaction (Heterogeneous Catalysis), and places its music where the bounda…
Hox is Edvard Graham Lewis (Wire/Dome/He Said/He Said Omala/Ocsid) and Andreas Karperyd (Omala/He Said Omala/Woodwork). Duke of York is their second release following 1999's highly acclaimed it-ness. Duke of York is a bittersweet contemporary electronic pop record that could only exist as a result of the unison of these particular peculiar souls. At once tender, skewered, sophisticated, and unsettling, Duke of York is a both a journey through the collective minds of Lewis and Karperyd and …
‘My machines’ is inverz’s (Savvas Metaxas), fourth release to date. The LP’s six tracks were recorded between autumn and winter of 2010. The album was mastered by Giuseppe Ielasi in Milan and cut by Rashad Becker at Dubplates and Mastering in Berlin. In ‘My machines’ inverz focuses on the collection, process and reproduction of old vinyl records wich are then combined with sound samples from musical and non-musical sources, resulting to a dark-ambient soundscape.
NY-based multi-instrumentalist Colby Nathan delivers a debut that contains a jumpy and highly neurotic form of outsiderpop combining bebopdrenched rants and surrealistic torchsongs with lush arrangements that constantly test the limits of self-control and good reason. “Outside, The Great Drought” offers baroque exuberance and teenage angst through sixties inspired craftsmanship that keeps spiraling out of this worldly realm. Think Jonathan Richman, Brian Wilson and Van Dyke Parks.
Edition of 300. Second Editions presents In The Forest by Karl Fousek. Serving as a score for David Hartt's film of the same name about the Habitat Puerto Rico project by Moshe Safdie, In The Forest finds Fousek at his most focused and controlled. These five pieces/chapters move with precision and intent. With subtlety and curiosity. Shrouded in ambiguity. And while Fousek works much more restrained here than on previous releases, by paying attention to every detail, he creates an intriguing wor…
RESTOCKED Asheville, North Carolina resident Ross Gentry performs and records under the guise of Villages. With dense layers and glacial droning, he creates engaging narrative soundscapes that evoke the shifting fragility of the early ambient movement as well as the elegance of symphonic composition. The Last Whole Earth is engagingly contemplative and meticulously well-crafted drone. With washes of guitar and synthesizer, subdued vocals, field recordings and minimal noise, Villages devise…
'Al-Bashariyya’, the latest vessel from Vindicatrix, is an island of menacing political detritus sitting low in claret waters, drifting with intent…slate stenographers annotate proceedings without the need for an internet connection, their elongated taps and scrapes emitting coded cries for clemency…colloidal conservatives ruminate heartlessly as anchors feel hopelessly for anchorage in ‘designated zones’…both these wideband travelogues sift and navigate for answers in the desolate fug with pene…
Recorded between 2012-2014, Jared Blum's (of GiganteSound, The Talking Book, Blanketship, Vulcanus 68, et al.) Vision Heat project is a laser guided, hyper vintage conflation of early to mid 80's centric production, montage and style. Recalling such luminaries as Tangerine Dream, John Carpenter, Harold Faltemeyer, Craig Safan and such lofty houses as KPM, Bruton and Parry with nods to oddballs from Russia and the Eastern Bloc, Blum still manages to be forcefully yet effortlessly unique. I…
Ring Mining unites a psychedelic dream team comprising Brooklynites Heavy Winged and Portland's Inca Ore. On the first side its down to the epic fudge-filled grooves of Heavy Winged to dominate the horizon, blistering through their hallmark freeform avant-metal with an extra fathom or two of depth supplied by the wandering ambience of Inca Ore's toils. Flipping over, Ms. Ore takes to the mic - and it's as if Heavy Winged suddenly turn into a fully fledged rock combo with an actual lead singer. I…
**300 copies**. Kiev-based label Muscut opens 2018 with an LP from St. Petersburg musician Eugenii Fadeev (Flaty). Raising the attention of the musical community with his work for the 12th Isle and GOST ZVUK labels as AEM Rhythm Cascade, he's also recently released on Udacha and his own label ANWO as Dada Ques. In addition to the aforementioned, Flaty also adopts such aliases as Ocurob and Wrong Water. Under the name Wrong Water, he presents this current release of a dozen tracks, most of which …