We use cookies on our website to provide you with the best experience. Most of these are essential and already present.
We do require your explicit consent to save your cart and browsing history between visits. Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.
Massive discount on a large selection of items from the God Records catalogue. 🔥

Back in stock

Nel cuore della bestia (Book)
*Please note that this book is available in Italian language only.* "The authors are one of the founders of Franti, the other since the early 1980s a fanzinista and then a reporter for A/Rivista Anarchica from the trenches of punk and self-production. Our names are Stefano Giaccone and Marco Pandin. Each of us, in his or her own way, dreamed of a revolution in the 1970s and 1980s: sure, we were young and these were things that were nice to do and needed to be done. Almost thirty years ago we col…
ANOK4U2 (Book)
"As you may know if you move in certain circles, Crass was a collective of English punks active between the late 1970s and 1984. Some of them had long been involved in certain creative fringes of the hippie movement in the previous decade. Anarchists and pacifists, they didn't have an easy life: from the very beginning, they had to fight hard to avoid being silenced. In 1985, they were labeled "an association operating on the fringes of the law" and convicted in court for producing "material con…
Afternoon-Dusk
Ned Collette's last album, the 2LP set Old Chestnut (FTR 362-2LP), was hailed as a masterpiece by 'most everyone who heard it. Part of this was due to the darkly delicate lyrics and vocals of Ned himself (akin to the work of Graeme Jefferies, ca. This Kind of Punishment), but much was also due to the elegant lyricism of the music, which had a fantastic prog/folk heft as impossible to peg as it was to ignore. With this new LP, Collette (an Australian ex-pat, now based in Berlin) goes all-instrume…
Orphic Resonance
Near the end of his days, John Fahey told me he was sick and tired of solo guitar records. This statement was partly designed to take me aback (as was often his tact), but it was also true. He seemed genuinely bored by most guitar players, especially those who were traveling in the shoes he'd first worn on his own early records. That said, I'm pretty sure he would have loved Eric Arn's Orphic Resonance. The first time I ever saw Eric play was as part of the classic second line-up of Crystalized …
The Heliocentric Worlds Of Sun Ra
2023 reprint. Together for the first time, ESP-Disk' is proud to present all three volumes of The Heliocentric Worlds of Sun Ra in a gorgeous fold out digipack. Originally released as two volumes in 1966, and with a third volume uncovered in 2005, the landmark sessions recorded by Richard Alderson on April 20th and November 16, 1965, have been hailed as a ?...masterpiece of free jazz.? To further delve into the Heliocentric Worlds of Sun Ra and his Orkestra, each enhanced disc in the set contain…
Sleeping Beauty
Strut proudly presents a new edition of one of Sun Ra's most celebrated albums, Sleeping Beauty, reissued in its original artwork for the first time. Originally released in 1979 on his independent Saturn label, Sleeping Beauty captures Sun Ra and his Arkestra at their most soulful and serene. A masterclass in cosmic jazz, the album blends lush grooves, celestial soul, and meditative funk with Ra’s singular spiritual vision — a sound both grounded and otherworldly. The album emerged during an ext…
Core To The Brave
Hits w/ a shock & never lets up. Composed of what appears to be blown out bass & spastic drum rhythms, these tracks cascade into shimmering loops of distortion, their weight reaching a critical mass that often feels like it's on the verge of ecstatic collapse. Everything is elevated further in & up by that one & only voice, floating over top like a lush wind come down from the mountains.
Ein Klein Nein
** 2021 Stock ** Mysterious and minimal instrumental album by Richard Youngs, dreamt at home and recorded quickly in Glasgow's Green Door Studio. Centered on a single piano chord and bare snare strikes, Richard builds a haunting atmosphere in 4 episodes, featuring his guitar, organ, harmonica, and voice. Another essential work from the prolific and truly unique musician.
Trio
Timeless Pulse Trio is Pauline Oliveros, accordion, with percussionists George Marsh and Jennifer Wilsey. Released in honor of the 20th annual Deep Listening Retreats held this year in Camallera, Spain and Petaluma, California, this is the third Timeless Pulse album. Formed in 1991 during a residency at the Deep Listening Institute, the full ensemble, including Thomas Buckner and David Wessel, has released two live recordings on CD: Live at CNMAT and Quintet. This is the first time this entity h…
Free Form Suite
Temporary super offer!  Masayuki 'Jojo' Takayanagi (1932 - 1991) was a Japanese jazz / free improvisational musician. He was active in the Japanese jazz scene from the late 1950s. He was one of the earliest noise guitar improvisers, and the first (with Keith Rowe) to use the table-top guitar.
Endgame Of The Anthropocene
2025 stock “Antarctica shall be used for peaceful purposes only (Art. I).” “No acts or activities taking place while the present Treaty is in force shall constitute a basis for asserting, supporting or denying a claim to territorial sovereignty in Antarctica or create any rights of sovereignty in Antarctica. No new claim, or enlargement of an existing claim to territorial sovereignty in Antarctica shall be asserted while the present Treaty is in force (Art. IV ).” - The Antarctic Treaty Talibam!…
Drape
Tom James Scott's two previous CD releases for Bo'Weavil Recordings both featured acoustic guitar as primary voice. His first LP -- while maintaining similar melodic sensibilities and a feeling of hushed expanse -- sees piano become the main focus, with the title "Drape" (defined in literature documenting past and present dialect native to what is now Cumbria, as, "to speak slowly") determining pace and durations across the four pieces presented. Strings of single notes become humming, shadowy r…
Circular Temple
"On a good day it is strenuous to stay current with pianist Matthew Shipp's imposing and voluminous output. On an even better day it is a fool's hardy errand to say the least. Now with the planned re-issuing of some of his great early deconstructions of musical thought and theory, starting here with 1990's daringly incongruous yet hypnotically accessible, Circular Temple, keeping up just got a whole lot harder. With William Parker on bass and Whit Dickey on drums, this four-movement suite for pi…
Always I Gnaw
Heavy Tip-On jacket with large tri-panel insert, gloss film laminate and uncoated paper finishes. Over the past decade Sult has created a thrillingly dynamic and visceral sound world, forging a musical unity while also asserting the radically unique languages of its three core members, Guro Skumsnes Moe (contrabass) and Håvard Skaset (acoustic guitar) from Norway along with Jacob Felix Heule (percussion) based in California. Their raw acoustic improvisations crackle with an energy that makes ind…
Paper Jays
While their name may conjure images of avian origami, rolled cannabis, or cut-up 10th letters, Paper Jays are an instrumental music body from Rhode Island that became fully formed during the session for their forthcoming eponymous release on ESP-disk. Prior, Jesse Cohen and Justin Hubbard’s guitar duo (a trio, only if counting the unmanned feedback drone of a hollow-bodied Gibson) had been contentedly performing and apartment taping for a solid five years. But after witnessing drummer and percus…
Visceral Realists
Debut LP by the New Zealand duo of Bruce Russell (Dead C, Handful of Dust, etc) and Luke Wood. Visceral Realists is a high-concept commentary on the state of vinyl, analogue recording, music culture, art, etc. A 45-rpm bullet of short bursts of free electric sound, the music here is tactile and rough but not “noise music.” Russell and Wood play over loops of scratchy records, with their guitars and electronics surging to get over the wall. Russell’s guitar sound from his vintage transistor amp a…
Lebenserinnerungen Eines Lepidopterologen
2010 expanded reissue of the 1999 compilation Lebenserinnerungen Eines Lepidopterologen ("Memoirs of a Lepidopterist"), collecting the collaborative and early solo works of Andreas Martin and Christoph Heemann as an extensive two-CD retrospective. Moving between minimalist guitar compositions, tape-music narratives, and an array of cascading electronics, each of Martin and Heemann's solo recordings blends seamlessly within the milieu of their collaborative work. While one can hear how this forge…
Crash
Crash was Robert Ashley's last opera. It premiered at the Whitney Biennial weeks after his death in 2014, and presented again in 2015 at Roulette, where this recording was made. Featuring the original cast: Gelsey Bell, Amirtha Kidambi, Brian McCorkle, Paul Pinto, Dave Ruder, and Aliza Simons. Music Director: Tom Hamilton. "What I have appreciated most about previous reconceptions of Ashley's operas was the extent to which newcomers found fresh possibilities. Already in Crash, broadened horizons…
Live At Cafe Montmartre 1966 Volume Two
"Don Cherry, more than any other artist in the jazz of his era, pioneered the music's internationalist nature that has now come to be commonly accepted as an integral part of its character. The individuality of Cherry's contribution to the history of jazz has often been unfairly obscured by his admittedly important association with the music ofOrnette Coleman. While the (pocket) trumpeter's position as Coleman's front line partner in the altoist's first revolutionary quartet was indeed a major o…
The Hilversum Session
A legendary recording by tenor saxophonist Albert Ayler with his amazing working band, recorded in Holland for radio play, here digitally remastered with new artwork. Personnel Albert Ayler: tenor saxophoneDon Cherry: cornetGary Peacock: bassSunny Murray: drums