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Perception & Association
Consisting of two side-long pieces, Perception & Association was composed over a period from 2012-2018. Opening side A is Time and Again, a startling work for tape and electronics which pulses over waves of interlocking spatial relationships. These elements are at once distant, even static, yet Christoph Heemann gradually propels the listener along chapters of an unexpected and further revealing sonic narrative. While the deliberate frames and events offer a specific path, even the most active l…
Playing It Cool & Playing It Right
Keith Hudson, who temporarily worked as a dentist in the ghettos of Kingston, emigrated to New York City in 1976 and died there prematurely in 1984. He is best known for his work as a producer for artists such as U-Roy, Big Youth, Ken Boothe and Horace Andy and within short order Hudson brought his all-round talent to full fruition. In 1974, he produced two ground-breaking albums. "Pick A Dub" was one of the first official dub albums ever, and is still considered to be one of the greatest mom…
Dispersion
Black Editions is pleased to present the definitive edition of Dispersion, remixed and remastered from the original master tapes by Asahito Nanjo and released in a deluxe gatefold double LP edition housed in a die-cut slipcase printed entirely with spot colors and featuring spot UV gloss and soft touch finishes.
Lace Heart
Already sold out, few copis available. Gorgeous double vinyl reissue of what still stands as one of Christina Carter’s finest moments, originally issued in an edition of 300 copies on her own Many Breaths Press. Six love songs comprised of elliptical bell like guitar phrases, barely there, sometimes even coaxing silence, set behind the extended vowel sounds of voice. Soft gentle performances here, like this whole record was cut very very late at night or in the early hours of the morning. An unh…
Lifetime of a Flower
*Limited edition of 500 copies.* Eiko Ishibashi and Jim O‘Rourke created the installation Lifetime of a Flower for the Dortmund exhibition Flowers in 20th and 21st Century Art. In it they set parameters, but allowed the process itself to literally grow uncontrollably: they planted seeds in the garden of their Japanese house and filmed as the plants grew for the duration of the exhibition. Visitors were able to watch the stream in real time, while listening to a composition that reflected the org…
In Quest Of Tense
"Back in '94 there was little sense that a new scene was on the horizon, but there was. Indeed, things were beginning to break out all over. All they needed was a little push. In Quest of Tense was released on CD in '94 (FE 038) and was just what a lot of people needed, even if they didn't know it yet, or didn't quite realize what it was when they heard it. Dredd Foole(aka Dan Ireton) had been roving through the Boston music underground since the early '80s, with a series of bands using the name…
Ma Délire — Songs Of Love, Lost & Found
* US Import from Feeding Tube * Myriam Gendron Ma Délire - Songs of Love Lost & Found It has been a while since the release Myriam's acclaimed 2014 debut album, Not So Deep As a Well. The intervening years have brought a smattering of live performances, a bouquet of children, Trump's Pandemic, and much more. For someone who likes to read and ponder as much as Ms. Gendron does, there has been plenty to mull over. Different concepts for a new album were broached, but the seed of Ma Delire was pla…
Fote
Following the short-lived Truth Club with Trefor Goronwy (who later went on to work with This Heat and The Camberwell Now), Fote was formed in 1981 with the trio of Robert Haigh, Deborah Harding, and Trevor Reidy. Releasing two 12" EP's along with one track featured on a split 7" with Truth Club, Fote's entire studio recordings consisted of just 8 tracks. With angular constructs of post-punk, free-form improvisations, and wicked time signatures, these tracks shredded boundaries one can still hea…
L'Epaisseur De L'Air
*2022 stock.* After more than three decades with the alto, heavyweight French artist and multi-instrumentalist Jean-Luc Guionnet arrives with his debut solo saxophone recording, a double-LP masterpiece, “l’épaisseur de l'air” (the thickness of air). Recorded in a barn in Brittany, the album merges texture, repetition, gesturality and architectural acoustics to create a definitive statement on the profound physical relationship between improviser and instrument. A student of Xenakis’ at the Sorbo…
April Is Passing
2025 stock Second VHF solo LP from the Pelt/Black Twigs mainstay, following 2022’s acclaimed “Evening Measures.” “April is Passing” builds on the striking solo Hardanger-style fiddle performances on the previous LP to take the music even further out, with deep drones and extended techniques defining a vocabulary that is Americana-adjacent, but a unique and special sound that Mike Gangloff is pursuing almost alone. Joined on selected tracks by Cara Gangloff’s Sruti and Kaily Shenker’s sonorous Ce…
The Hated Music
2025 stock "Hard to believe it has been 18 years since this set was first issued, but that’s what the calendar says. Paul Flaherty and Chris Corsano had been playing together for a while before this. I seem to recall rehearsals outdoors in Hartford beneath stretches of raised highway under construction. But that may have been Chris and Pete Nolan, back when Pete played guitar. Who can remember exactly? It’s been a long time. But I do remember we put this set together because it seemed essential …
What Is It That Ever Was?
"Vinylization of a tour CDR, Josephine recorded at home around the time of A Wolf in Sheep's Clothing (2006). Accompanying herself on guitar and piano, with some drum and vocal help from Brian Goodman, the album is a glorious once-lost-now-found piece of the fascinating musical puzzle that is the music of Josephine Foster. While Foster's music is clearly consonant with the current trends in avant-völk music (here, especially, on her wild readings from the Tibetan Book of Dzyan), another large po…
The Red Valley
Debut standalone VHF LP by the Elkhorn duo of Drew Gardner and Jesse Sheppard, a tight set of six studio recordings in a variety of moods and featuring a lot of new sound textures. Elkhorn’s prolific stream of releases since 2016 has highlighted their mastery of sprawling long-form, acoustic-driven hypno-jams, with an emphasis on live performance (including on their collaboration with Pelt’s Mike Gangloff on the Shackamaxon Concert LP). The Red Valley is a more layered and composed-sounding set,…
The Electric Prunes
Formed in 1966, The Electric Prunes had a novel approach to being a band: deciding to be a recording unit rather than a live performance band. They discovered their signature sound -- reverb-drenched, beautifully chaotic garage pop -- and released one of the most fantastic, fuzzed-out singles of all time, 'I Had Too Much To Dream Last Night.' Guitar effects drip and splatter throughout (the band had landed an endorsement deal with Vox, who were the leaders in wild effects pedals at that time), a…
Mass In F Minor
In 1968, The Electric Prunes collaborated with classically-trained musician David Axelrod to create Mass in F Minor, a religious-based rock opera. Even though the album is a head-scratcher side by side with their previous records, this has become one of the era's most bizarre and hypnotic releases. Sung in Latin with the band hanging onto Axelrod's ambitious arrangements; you've never heard anything like it. It created enough of a cultural mark that the lead track 'Kyrie Eleison' was even used i…
Exotic Percussion
Now joining the Jackpot Record’s ever-expanding collection of Martin Denny re-issues is the hypnotic “visual sound” of Exotic Percussion, which has not been on vinyl since its original release in 1961. His production on Exotic Percussion is ambitious, adventurous, and fascinatingly futuristic, especially when a tumbler with ice was still the preferred way to let loose. Xylophones and chimes swim from ear to ear; traditional jazz instrumentation collides with such musical oddities as boo bas, sha…
Forbidden Island
There’s a reason why Martin Denny remains a cultural touchstone—his records are as earthly as they are from outer space. Forbidden Island was Denny’s third record, recorded after a nine-month residency in Hawaii. This era finds Denny just on the cusp of being a household name, a period where his records would shortly become certified Gold. Forbidden Island is a solidification of Denny being the King of the Exotica sound, where his recordings could illuminate just enough darkness across the Tiki …
Underground
Due to their successful debut, the band's producer was in demand, leaving little time to devote to the Prunes. The band took full advantage of the adults not being in the room and created an incredible follow-up of original material on 1968's Underground. Here is where the band really leaned heavily into their knack for challenging pop. This album came to define what later gravediggers of the garage genre came to devour: Iggy Pop, The Ramones, and Patti Smith all took a riff here; an attitude th…
The Enchanted Sea
Long before Martin Denny started heading into outer space with his Moog work, he was keeping us just floating slightly above the ground with the sounds of the earth—and The Enchanted Sea is one of his most grounded and beautiful works. Unlike many of his other exotica records (which are filled with the sounds of the jungle, its wildlife, and the smell of tiki bar smoke) this one has the feeling of a tumbler full of ice, walking barefoot on a sandy beach in the twilight, while breathing in the sa…