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Night Songs
*Limited edition of 200 copies.* Night Songs is the latest record from Awakened Souls, the Los Angeles based husband and wife duo- James and Cynthia Bernard (Marine Eyes).
In the Spring of 2021, they found a good night’s rest was more important than ever to help them through pandemic days of schooling kids from home and balancing work and life. After going on an evening walk, James and Cynthia would write in their bedroom studio and test the evening's songs out for sleep.
Even prior to being tog…
La Oprika
Faun Tempol is an avante-garde psych-pop studio project based in Raleigh, North Carolina. Their work embodies the ongoing collaborative collision between multi-instrumentalists Thomas Simpson and Carter Gaj. Their debut double album, La Oprika, represents the sum total of a year spent tinkering with studio textures, rhythmic improvisations, unexpected compositional structures, and dream-bound excursions to fanciful locales. This album takes you on a psychedelic musical journey from start to fini…
The Way Out of Easy
January 2nd, 2023. Aside from being the second of a new year, it was a pretty ordinary night at ETA in Los Angeles, where guitarist Jeff Parker - alongside his ETA IVtet with saxophonist Josh Johnson, bassist Anna Butterss, and drummer Jay Bellerose - had been holding down a regular Monday gig since 2016. At the time, nobody knew it was the first gig of the last year that ETA would be open for business.
Over seven years of holding down that residency, Parker’s ETA ensemble evolved from a band th…
Locust Abortion Technician
The second part of Matador’s reissues of the essential early records by Texas’s Butthole Surfers continues with three of their most insane slabs -- 1985’s ‘Cream Corn from the Socket of Davis,’ 1987’s ‘Locust Abortion Technician’ and 1988’s ‘Hairway to Steven.’ The period during which these records were first issued parallels the Buttholes’ transition from being weirdo Texas outcasts to becoming internationally recognized smut-kings of the American underground. In 1985 they were still the sole p…
Hairway To Steven
The second part of Matador’s reissues of the essential early records by Texas’s Butthole Surfers continues with three of their most insane slabs -- 1985’s ‘Cream Corn from the Socket of Davis,’ 1987’s ‘Locust Abortion Technician’ and 1988’s ‘Hairway to Steven.’ The period during which these records were first issued parallels the Buttholes’ transition from being weirdo Texas outcasts to becoming internationally recognized smut-kings of the American underground. In 1985 they were still the sole p…
Dead Can Dance
The uncompromising eponymous debut, Dead Can Dance, harnessed a bewitching barrage of sounds (including the distinct sound of the yangqin) with the then five-piece interchanging instruments to leave the vocals of Lisa Gerrard and Brendan Perry as the only constant. The album’s cover was important as an introduction too, a Papua New Guinean mask that some believe when worn, a life force can be put into the inanimate wood - the dead can dance.
The Willisau Concert
Joe McPhee's first international release, Black Magic Man, was issued on the newly formed Hat Hut imprint in 1975. It was a watershed moment for the 35-year-old musician. Based in Poughkeepsie, New York, he was too far away from Manhattan to have participated extensively in the Loft Jazz happenings of the decade. European exposure, however, would give McPhee an alternative circuit, something of an escape route from the trappings of American cultural myopia.
" In support of the new record for thi…
Carol Of Harvest
The holy grail of German psych-folk. Carol of Harvest were founded in the Middle-Franconian town of Fürth in 1976 and played folk with psychedelic touch. Their only LP was released in the summer of 1978 as a very small edition of only 200 copies, on the sought-after Brutkasten label. Label owner Peter Klimek regards the LP as the best record released on his label. It is reminiscent of the early 1970s rather than 1978. The LP is in such great demand that it is meanwhile traded at € 2,000 – 3,000 …
Live in Keele 1977
The long-awaited release of a fan favourite, Live in Keele 1977, is the latest in Can’s series of live albums, released on Mute and Future Days. Live in Keele 1977 is the newest release in a series of live albums that have been unearthed from the Spoon Records vaults and from fan recordings, then painstakingly assembled by founding member Irmin Schmidt and producer and engineer René Tinner. This album is a dynamic document of late-period CAN. Recorded in March 1977, the core line up of Irmin Sch…
Downtown Castles Can Never Block The Sun
Ben LaMar Gay’s de facto debut album, 'Downtown Castles Can Never Block The Sun', was our attempt to introduce the legendary Chicago composer / improviser / renaissance man to the rest of the world with a compilation of tracks from 7 albums he made over 7 years (though he hadn’t yet made the effort to actually release). The material showcases Gay’s penchant for genre-hopping – from Steve Reich-ian soundscape voyages to Don Cherry-esque polyrhythm treks to Jorge Ben-style vocal-and-string earworm…
In The Moment
Makaya McCraven’s International Anthem debut 'In The Moment' is the album that properly introduced the then-burgeoning drummer/producer to the world. In many ways, it also laid the groundwork for a working method that both McCraven and the label have returned to again and again over the years: nearly 48 hours of live improvised performance recorded by IARC house engineer Dave Vettraino at 1 venue over 12 months and 28 shows - culled, cut, rendered, and remixed into 19 potent pieces of organic be…
Alternate Moon Cycles
Rob Mazurek’s 'Alternate Moon Cycles' was International Anthem's first release. The incredibly spare single-note-centered cornet, bass and organ chant was recorded to tape at pint-sized Chicago bar Curio as part of a performance series that predates any notion of our label’s existence. Documenting this performance – highly unique even within the depths of Mazurek’s vast catalog – stirred those notions, and soon talks began of releasing the recording on a fresh imprint. Performed by Mazurek with …
Uhlmann Johnson Wilkes
'Uhlmann Johnson Wilkes' is the debut album from Gregory Uhlmann (SML, Anna Butterss, Duffy x Uhlmann, Perfume Genius), Josh Johnson (SML, Jeff Parker ETA IVtet & New Breed, Meshell Ndegeocello, Anna Butterss, Leon Bridges), and Sam Wilkes (Sam Gendel, Louis Cole, Chaka Khan). The three improviser/arranger/producers’ impressive individual credits encompass such a wide stylistic pendulum swing that a collection of group music from the trio could mine any number of musical territories with masterf…
Skyllumina
Skyllumina represents a new evolution of London-based, Italian-born composer, bassist, and vocalist Ruth Goller. Goller is known for her bass and vocal work with Alabaster DePlume, whose music she elevates in live contexts with her genre-less improvisational intuition. She's also known for work with Bex Burch's Vula Viel, whose DIY label released Goller's solo debut Skylla in 2021. And she is known to creative musicians far and wide, with an incredibly diverse CV that includes performance and re…
The Fire Still Burns
45 years after his debut album Valley of Search (1975/India Navigation), jazz saxophonist Alan Braufman returns. The Fire Still Burns has that gritty, forthright sensibility we hope to hear in sonic collaborations borne out of beauty and struggle, but there’s a populist ease that comes with age and reflection. Put simply it’s natural music – complementary, individual, and full of the sweet, hot taste of celebration.
Valley of Search
The first ever reissue of the 1975 free jazz album originally released on India Navigation. What we know of Downtown New York comes from the countercultural and creative flowering that emerged in lower Manhattan in the 1960s, attributable to cheap live-work spaces called lofts. These were often abandoned and disused small manufacturing spaces and they became a nexus for artistic practice and life. From a jazz perspective, lofts were alternatives to the club scene, and they gained notoriety in th…
Live In New York City February 8, 1975
* Last copies, sold-out at source * Gatefold triple LP (5 sides of music). Limited pressing of 500 worldwide. Includes new liner notes from Susan Mannheimer, the host of the 1975 event * This recently unearthed recording captures Alan Braufman with his five-piece band in an early 1975 live radio session soon after recording his debut album Valley of Search for the India Navigation label. This was the first meeting for William Parker and Cooper-Moore, whose musical partnership has flourished ever…
Zagara
A killer bit of jazz rock from early 70s Germany – an album that should have been right at home on the MPS label, given the sorts of all-star talents in the group! The set was produced by mighty drummer Klaus Weiss – who's at his soulful best here, able to kick things when needed, but not with as jamming a sound as on his more over the top 70s efforts – which is perfect, as the album's got loads of sweet, subtle colors from Ferdinand Povel and Leszek Zadlo on flutes, plus great electric and acou…
Garden of Eden
*20 pages booklet edition. In proces of stocking* 'The band began in 1974 in Hagen but unfortunately this excelent album was emerged only in 1978, when progressive rock was not more in "fashion". Then this first work is sadly also the last. A similar problem that happened with Locanda delle Fate and his masterpiece "Forse Le Lucciole Non Si Amano Più". Since then Albatros is almost completely forgotten until Garden of Delights reintroduce this gem to prog fans in general and kraurock fans in par…
Alraunes Alptraum
Gäa from the German state of Saarland have become quite known in collectors’ circles thanks to their LP "Auf der Bahn zum Uranus" from 1974. In early 1975 they recorded three tracks for a, however, unfinished second album. They are simply brilliant and show how mature and inventive the band was at that time. The tracks have been rediscovered later and form the heart and major part of the LP, which also contains four minor bonus tracks from the 80s. Although these tracks are no longer progressive…