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A composed piece for small ensemble of instruments and live electronics. ÔRadi d'Or' uses shifting sinetones alongside sustained sounds from the acoustic instruments to create a shimmering music that unfolds slowly with gracefully. Composed in 2010, this recording is of the first public performance by the Ferran Fages Ensemble, which took place in Barcelona in February 2011: Olga Abalos (flute and alto saxophone), Lali Barrière (sinetones), Tom Chant (soprano and tenor saxophones), Ferran Fages …
The place could be an empty room; a quiet street corner; a fountain or waterfall; a huge echoey space. The sounds: reverberant cracks, lush organ drone, quiet whoosh of distant traffic, tapping and banging, whistles and squeaks, accordion chords, low, rough gurgling, high-pitched whining, fast chirruping, guitar and clarinet notes, footsteps and voices, ringing like an old telephone, ringing like a fire alarm. The durations: from three seconds to around 12 minutes. The volume: mostly quie…
John Cage’s 1957 composition in a visceral realisation for four pianos, played by John Tilbury, Philip Thomas, Mark Knoop and Catherine Laws.
“Chance procedures were used to assign each of the pianists five of the twenty pages of the score. The pianists agreed an overall duration of 40 minutes and prepared their parts independently. At the recording there was no rehearsal and the piece was played once only.” Winter Music was written in 1957 at a time when Cage was exploring different ways …
Electroacoustic and minimal studio composition for guitar and percussion performed by Clara de Asis. Six beautiful solo pieces developed over the course of 2017. “It’s the way I work now. To me, one of the differences between improvisation and composition is how I think about and experience time. Meaning the time within the piece itself, but also the time of my life in which I develop the piece, and how I live through that time. I believe that, as with any other activity, music is very mu…
Apartment House give new life to Julius Eastman’s irrepressible ensemble piece from 1974. Unbounded energy and clarity of sound. Unmissable. Read the following interview with the Apartment House's director, cellist cellist Anton LukoszeviezeWhen did you first play Julius Eastman's music, and when had you become aware of it?I first performed Eastman's music in 2016, which was a revelation for me, as the extant scores are rather fragmentary and incomplete, some are even just transcriptions from ar…
A series of six beautiful works for piano and instruments, realised by Apartment House and pianist Siwan Rhys, with great cover artwork by Maxwell Doig
Eight collaborative compositions for organ and percussion by the longstanding Canadian duo, who also appeared on Isaiah’s previous, and now sold out, CD ‘Bow’.
An extended duo for violin and reed organ, developed by Biliana and Sarah which extends a series of short gestures from Ernstalbrecht Stiebler’s composition ‘Für Biliana’ into slowly expanding harmonic suspensions, highlighting the simple beauty and fragility of the intervals and chords.
Reissue of these now o/p albums (originally released as CDs on Fourth Dimension Records in 2014 and 2016, respectively) as a limited edition 2LP set. A similar set collecting the Down But Defiant Yet and Acceptance Is Not Respect albums will follow later. Each album in this series will be featured in its entirety. 200 of each set will be made available for retail via direct orders and selected stockists. This is strictly limited and will not be repressed. The latest album from Gary Mundy (Ramleh…
This is the complete remastered edition of the soundtrack of Damiano Damiani's 1979 film "La moglie più bella" starring a very young Ornella Muti. For the soundtrack of this film, set in a peasant Sicily where the Mafia rules, Morricone composed an extremely sad central theme to which he alternated instrumental parts made with percussion instruments and characterized by the sound of a Jew's harp.
*2022 stock* "Mark il poliziotto" (Blood, Sweat and Fear) is a 1975 movie directed by Stelvio Massi, the first of a successful trilogy featuring Franco Gasparri as main character in the role of drug squad commissioner Mark; the actor had been borrowed from the world of photonovels, typical Italian photographic stories published on several magazines that saw him as protagonist for several years. The film is one of the most successful examples of the 'Italo-crime' genre under many points of view:…
In 1973 Aldo Lado directs the movie “La cosa buffa” , inspired by the eponymous book by Giuseppe Berto and starring Gianni Morandi and Ottavia Piccolo. The soundtrack is composed by Ennio Morricone, who uses Edda Dell’Orso’s marvellous voice to create an unforgettable theme, both sweet and sensual. The soundtrack was originally released on vinyl and included nine tracks. More than 20 tracks, mostly alternative versions of the main theme, were recovered during the digitization of Cinevox master …
*2022 stock* “Patrick” is an Australian thriller/horror movie made in 1978; at the beginning of the following year, Goblin were asked by the Italian distributor of the film, De Laurentis, to write a new soundtrack – originally composed by an Australian musician called… Brian May! – for the Italian movie market. The result is a mix of old songs chosen added by the Cinevox Record label and new selections, strongly influenced by Alan Parsons Project.
*2022 stock* First of a trilogy of films directed by Luigi Magni dedicated to the papal Rome of the Risorgimento period, Nell'anno del Signore (In the Year of the Lord) depicts a Rome subjected and accustomed to the temporal power of the church.After this feature film will follow: In the Name of the Pope King (1977) and In the Name of the Sovereign People (1990), which will have the same stylistic line. In the first two feature films, the scores were written by Armando Trovajoli, while for the l…
We're heading for the dark side of the krautrock kaleidoscope with this month's Electronic Sound cover stars, the inimitable Can. Prompted by the release of 'Live In Stuttgart 1975', the first in a series of archive Can gig recordings, we speak to Irmin Schmidt about the band he created with Michael Karoli, Holger Czukay and Jaki Liebezeit towards the end of the 1960s. As we try to deconstruct their wholly unique brand of sonic voodoo, Schmidt reveals the inner workings of Can, together with his…
We're celebrating the return of Cabaret Voltaire in this edition of Electronic Sound.Our cover star is Richard H Kirk, who is now the sole member of Cabaret Voltaire.
Do you feel lucky? Well, do you, punk?
We're taking to the streets of 1970s New York with Suicide for this month's Electronic Sound cover story and our bundle edition includes a superb red vinyl seven-inch featuring two tracks by the synthpunk visionaries.
*In process of stocking* A glorious mix of intoxicating pop tunes, slick and funky rhythms, head-swirling strings and super-smart lyrics, ‘The Lexicon Of Love’ still sounds great to this day. No wonder the album entered the UK charts at Number One and stayed in the Top 100 for an entire year. Our cover feature tells the inside story of the record, with Martin Fry taking us back to ABC's roots in the underground synth group Vice Versa. His memories of the early 1980s, a period he describes as "a …
*2022 stock.* You know you're into something good when you open the album you just bought and find a lyrics sheet, then play it and quickly realise the record is actually instrumental. The unruliness that defined Costa Blanca's short-lived career resulted in such nonsensical contradictions, and helps understand why one of Spain's best jazz-rock bands of the 70s never had a proper breakthrough. Hailing from sun-bathed Alicante in the Spanish Levantine coast, Costa Blanca shared the stage with som…
Mainly known to DJs for the funk groover "Te Queria", Rota-Mar is the first solo album by the charismatic Zéca do Trombone. During a vertiginous career which started in the late 60s, Zéca was a permanent member of Wilson Simonal's band, toured with Luiz Eça's Sagrada Família (alongside Joyce, Naná Vasconcelos, Nelson Angelo and others), recorded the seminal Brazilian funk "Coluna do Meio" for his joint effort with Roberto Sax, and played and recorded for some of the big names of Brazilian music …