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Two Days at Cafe OTO
Drummer, visual artist and one of the original European free jazz players, Sven-Åke Johansson was never willing to settle for a single route of exploration. As a musician and composer he appeared on key recordings for the legendary FMP, delivered marine weather reports for Edition Telemark, crooned love songs for Ultra Eczema and was at the heart of the recent free music revival in Berlin via Umlaut alongside Joel Grip and Axel Dörner. “My work is not actually jazz, but rather the exploration of…
Vaulted visions filmworks, synth pop, demos 1978-85
A founding figure of New York's early electronic music underground, finally excavated in full. Richard Bone began his journey in the early 1970s, studying drama at the New York Academy of Theatrical Arts while obsessively collecting reel-to-reel tape recorders and rewiring their circuits to create his own primitive electronic compositions. This fascination with sound design led him to create scores for experimental off-Broadway theater, and by the late 1970s he had emerged as one of the key figu…
Tapes 1981-89
One of the cornerstones of Belgian minimal wave and EBM, finally given the comprehensive vinyl treatment. Absolute Body Control was formed in 1980 by Dirk Ivens - a figure who would go on to become one of the most influential architects of European electronic body music through his subsequent work with The Klinik, Dive, and Sonar. But it all started here, in basements and small clubs across Belgium, with cheap synthesizers and an unwavering devotion to the cold, minimal pulse of Suicide and DAF.…
Tape Works 1981-85
The finest German Minimal Synth from the early 80s NDW underground, finally given the deluxe treatment it deserves. Jürgen Schweighart, working under the Bowie-inspired moniker V2 Schneider, was one of the true hidden figures of the Neue Deutsche Welle era - not quite punk, not quite goth, but something altogether more singular and strange. Operating out of basements and towers in the south of Germany with his band Blindgänger, Schweighart created a body of work that sits comfortably alongside t…
Freak-out Electrolyze
Reissue of the long out of print 1997 album. All performed, recorded and edited at Acty Hanazono, Summer 1997. Used Instruments: Microphone, Colorsound Pedals, Romero Theremin, 60'sFuzz, Expj Ring Modulator, Arion & Guyatone Digital Delay, Evans Super Echo and Noise Canister.
Red Magnesia Pink
First released by Extreme in the massive, infamous 'Merzbox,' "Red Magnesia Pink" is extracted and recontextualized as a standalone release for the first time. Recorded in 1995, "Red Magnesia Pink" sees Merzbow in peak form. A psychedelic whirlwind of synthetic transmissions; harsh, wet, screeching sounds that could only be produced by Masami Akita. Featuring two previously unreleased bonus tracks from the same era.
Bio-Mechanik. Aural tribute to the art of H.R. Giger
Few artists have captured the unsettling beauty of the fusion between flesh and machine as hauntingly as Hans Ruedi Giger. His biomechanical visions, cathedrals of bone and chrome, embryonic nightmares suspended in steel wombs, eroticism bound in cold circuitry, have etched themselves into the collective unconscious. Giger unveiled a world that feels eerily familiar, as if drawn from the depths of a shared ancestral dream or a post-human future already unfolding.
Born in Chur, Switzerland, in 1…
Mectpyo Bakterium
Edition of 100. Eighth Tower Records and Interitvs Nvmen unite to resurrect one of the most vital documents from Italy's industrial underground. In the suffocating heat of 1981's experimental underground, Maurizio Bianchi unleashed Mectpyo Bakterium, a work so clinically disturbing and sonically corrosive that it stands among the most unsettling audio documents of the early industrial era. Now, over four decades later, this pivotal cassette transmission receives its first proper CD treatment thr…
Subdivisions
*200 copies limited edition.* What sets 400 Lonely Things apart is its ability to turn seemingly mundane or discarded sonic artifacts into evocative, almost cinematic experiences. The project’s work resonates with fans of dark ambient, hauntology, and experimental sound design, offering a gateway into worlds where time has fractured and memories linger like spectral echoes. Subdivisions, the latest album from 400 Lonely Things, marks a departure from the project's conceptual and thematic approac…
Ubikuitous - Music inspired by Philip K. Dick's dystopias
*200 copies limited edition.* Philip K. Dick's narratives are a cornerstone of dystopian literature, delving into complex and unsettling visions of the future where the boundaries of reality blur, personal autonomy is undermined, and humanity is redefined. His worlds are characterized by an intricate exploration of societal control, the fragility of identity, the consequences of drug use, and the implications of virtual reality. These themes, often presented with a prophetic tone, resonate with …
Witchcraft
*200 copies limited edition* The track Witchcraft was originally released by SSS Production on a C25 cassette in 1989. Eighth Tower Records brings to light, re-releasing on CD, this esoteric industrial gem by Capricorni Pneumatici, along with three entirely unreleased tracks. Witchcraft was largely inspired by reading the Compendium Maleficarum by Francesco Maria Guazzo from 1608, in a copy of the famous 1929 Rodker edition edited by Montague Summers. The track was created using the DX7 synth, t…
IX TAB
*100 copies limited edition* Ix Tab is an album dedicated to the mysterious Mayan deity, goddess of ropes and snares, and patroness of those who hang themselves. Originally released on cassette, the album was influenced not only by Mayan mysteries but also by Western and medieval esotericism (I.A.O., The Inquisition, etc.) and vampirism (Akhkharu). The artwork features glyphs and images of demons taken from the Dresden Codex, and the cover image specifically is a representation of Ix Tab, likely…
Love letters via Echelon
Love letters via Echelon by Nerthus is a spectral descent into coded romanticism and surveillance. Electronic textures, cryptic samples, and cinematic atmospheres evoke the tension between intimacy and secrecy—a sonic correspondence unfolding in digital shadow and memory.
Hemlock Stone
Persistence of Sound celebrates the composer Richard Orton (1940–2013) with a selection of electroacoustic and computer music from across his career.
Toxic Colour
This collection of pieces originates from environmental sounds recorded using 3D ambisonic microphones. The recordings have been deconstructed, processed, and composed into abstract musical journeys that no longer transport the listener to the original recording locations. Instead, they tell stories— partly of human-made dystopias and partly in search of a melancholic beauty in what the future may hold.“Natasha Barrett’s insightful attention to the spatial and durational character of real-world …
Six Hands At An Open Door
Persistence of Sound celebrates the composer Richard Orton (1940–2013) with a selection of electroacoustic and computer music from across his career.
Midsummer, London
“Midsummer, London was composed with recordings taken on the Summer Solstice June 21, 2023, as I attempted to journey from one side of the city to the other along the Thames on this longest of days. The journey began in Loughborough Junction with stops at Clapham Junction, Staines, Shepperton, Hampton, Twickenham, Ravenscourt Park, Blackfriars, Deptford, Woolwich Dockyard and Slade Green.” - Kate Carr, 2024
Then Through Now
Henry Dagg and Evan Parker improvised together for the first time as part of the Free Range series in Canterbury, Kent, on December 2, 2021. For the performance, Evan played soprano saxophone, and Henry developed a new electronic instrument called the Stage Cage, to both process Evan’s live sound as well as generate its own sounds. The Stage Cage includes four valve test-oscillators, a pair of ring modulators, frequency shifter, chromatic zither, and a variable tape delay system (consisting of t…
Sound Mind Sound Body
Sound Mind Sound Body was inspired in part by the working principles of Fripp & Eno, extrapolated by Rafael Toral via a unique signal path leading out of his guitar. He paid notice to the massive impact of discreet gestures, creating slow-moving tones and spacious orchestral resonances, drifting and droning with glacial majesty, hardly recognizable as guitar much of the time. The first pieces were recorded in 1987; in 1994, a collection was released on Portugal's AnAnAnA, producing an hour’s wor…