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City of vorticity
Track 1: City of Vorticity (with soloists): Al Margolis, violin; Alan Zimmerman, percussion, prepared hammer dulcimer; Peter Zummo, trombone, didgeridoo; Tom Hamilton, electronic sound environment.Track 2: City of Vorticity (electronic sound environment): for listening alone or as an accompaniment.The Wire has described Hamilton’s music as “colourful and seductive,” and Gramophone has noted that “the results bubble with energy, a veritable counterpoint of indeterminacy.” These brief descriptions…
Savage songs
Jorge Antunes (b. 1942, Rio de Janeiro) studied violin, composition and conducting at the University of Rio de Janeiro, as well as studying physics at the same institution. He further studied composition with Alberto Ginastera and Luis de Pablo. From 1970-71 he attended the University of Utrecht (Gotfried M. Koenig). From 1972-73 he worked with Groupe de Recherches Musicales in Paris. In 1962 he began his research in electronic music thus becoming a pioneer in the development of this field in Br…
Rounded With A Sleep
Electroacoustic music. Active in electronic composition since 1971, Noah Creshevsky delights in presenting extreme and unpredictable juxtapositions in which the integration of electronic and acoustic sources and processes creates virtual "superperformers" by using the sounds of traditional instruments pushed past human capacities. Creshevsky uses the term Hyperrealism to describe his electroacoustic language constructed from found sounds, handled in ways that are exaggerated or intense. Creshevs…
In the Library of Dreams
'I was going to write about how this is an absolutely beautiful and disturbing record, but I think quoting from the liner notes of James Pritchett really does sum it up. 'Frances White invites us to take a walk through her Resonant Landscape. Where are we going? We are walking through the woods, marshes, and streams of New Jersey. She points out the birds and frogs that make their home there, the water that flows through it and the wind that shakes the trees. But then we turn and there is…
Fame
This new CD, Fame, the first all sound poetry release on Pogus, consists of 20 new polypoems produced by noted Italian sound poet, scholar, and sound poetry archivist Enzo Minarelli between 2008 and 2010. Since the early 1970s, Enzo Minarelli has been developing his multiple activities, starting from the written word, which will become related to orality, visuality, performance and television. He has been active in the field of linear and visual poetry, creating several one-man shows and a…
Tensions at the Vanguard: New Music from Peru (1948-1979)
This new Pogus 2CD compilation, curated by Luis Alvarado (writer, journalist, sound poet), presents some of the most important pieces of the Peruvian musical vanguard of the 1960s and '70s, offering a representative sample of works and composers from this important period in Peruvian music. This release also includes a 24-page booklet in both Spanish and English with an essay giving an overview of the works, the composers, and a brief musical and social history of Peru during this time. T…
phase/transitions
Triple Point is an improvising trio whose core instrumentation is soprano saxophone, greis/electronics and V-accordion. The name refers to the point of equilibrium on a phase plot, which acts as metaphor for our improvisational dialogue. Their musical interaction is centered around an interplay between acoustics, physically-modeled acoustics (v-accordion) and electronics. Van Nort captures the sound of the other performers on-the-fly, either transforming these in the moment to create blended tex…
Lingua II: Maledetto / Antiphony VIII
The work and thought of the American composer Kenneth Gaburo (1926-1993) exhibited many striking changes during his lifetime. In fact, while the world of commercial endeavor still insists that artists develop a recognizable personal "style," Gaburo's life-work can be seen as one of continual change and exploration, rather than one of codification and promotion. Some of these changes are beautifully illustrated by the two works on this CD, Maledetto, for seven speaking voices, from 1967-68, and A…
Birds + Machines
Co-founder of Pogus with Al Margolis, Gen Ken Montgomery is often unfairly disregarded when assessing the history of radical music in the last half-century. This collection – another clarification of a unendingly probing creativity – examines works from the decade in which the American composer’s terminology was first met by yours truly, at that time seriously hooked in the unearthing of entrancing materials of post-industrial derivation. But don’t let this piece of news mislead you: Montgomery’…
Peruvian electroacoustic and experimental music (1964-1970)
splendid double CD set documenting César Bolaños - one of the leading artists of the Latin American avant-garde of the mid 20th century - amazing early electronic work. The recordings bring together for the first time a definitive edition of his work on a double CD, the music have been digitalised directly from the original tapes and really have a fabulous clarity. So much music these days is labelled as experimental but I often I ask myself if it's creators are genuinely experimenting. That ce…
Equus
Equus is a collaborative work of musique concrète recorded in 2001-02 on a commission from the INA GRM It is truly a delight for Pogus to add this title to our catalog. As Capparos notes: Equus guides us through human memory and history. It may sound a bit strange that sound & music would appear as a vehicle, or as we had cast a lead into a labyrinth. This brings us to the question of whether we are alive or not; travelling the path throughout these soundings would drive us down and up our consc…
Source: Music Of The Avant Garde - Source Records 1-6, 1968-1971
Astoundingly great collection of some of the classic pieces from the 60s avant-garde / live electronic music wave presented here as originally issued (in chronological order) by larry austin & stanley lunetta via their “source: music of the avant garde” magazine & 10” record series between 1967 and 1973 .... Source Records 1 and 2 with Robert Ashley: The Wolfman (1964). David Behrman: Wave Train (1966). Larry Austin: Accidents (1967). Allan Bryant: Pitch Out (1967). Source Records 3 and 4 with A…
Well I Fell in Love With the Eye at the Bottom of the Well
Pogus presents Well I Fell in Love With the Eye at the Bottom of the Well by id m theft able. Idm says: "The initial idea for "Well I Fell in Love with the Eye at the Bottom of the Well" was actually to attempt to make a doo wop song with that as the title. I kept adding more and more ideas and those ideas blossomed into other ideas to the extent that there's only the faintest hint of that initial doo wop impulse on the album but a whole other sort of garden grew up around it and through it. It …
The Complete Gramavision Session (1989)
Pogus Productions is proud to release The Complete Gramavision Session by The World Casio Quartet, composer David First’s 1980s microtonal group. The members of the group were David First, Esther Sandrof, and Brian Charles, all playing Casio CZ-1000’s and Kevin Sparke on a Casio CZ-101. I had the opportunity to see them perform once or twice back then, and it was indeed a magical and mind-bending thing to experience. Now, finally, with this release, everyone can have a listen as well.Here’s what…
Quartet For The End Of Space
This recording consists of 8 electro-acoustic compositions - 2 pieces by each of the 4 composers. The works span a vast sonic terrain, challenging listener and performer alike through a seamless blend of Deep Listening and Absolute Noise, moving between ever-fluid improvisation and carefully controlled sound manipulation. The quartet convened for two improvisational sessions between February and May of 2010, with López sitting in on a Triple Point (Oliveros/Van Nort/Braasch) recording session an…
The Almond
The Almond started as a short study for trumpet for the British website Compost and Height. Nate Wooley, a rising young composer known mostly for his radical recontextualization of the trumpet in improvisation and jazz music, was, at the time, feeling constricted by the sound based language he had been using up to that point in both his live solo playing and his earlier solo records. His goal was to make a true solo trumpet record, using only the trumpet as it was intended to be played with no e…
Pieces From The Past: By Philip Corner For The Violin of Malcolm
Five works spanning 30 years from composer Philip Corner written for violinst Malcolm Goldstein, early notated works and later graphic works, four of the pieces from live recordings. "It has been a while in the works, but finally Pogus can proudly announce the release of this wonderful disc. Five works spanning 30 plus years by experimental composer Philip Corner, interpreted by his friend and fellow composer and utterly amazing violinist Malcolm Goldstein. These works consist of early pieces w…
Almost New York
"Twonings" with Charles Curtis, cello and Joseph Kubera, piano. "Almost New York" with Robert Dick, flutes. "Broken Line" with Robert Dick, flute, Danny Tunick, vibraphone, and Joseph Kubera, piano. "Coda Variations" with Robin Hayward, tuba. Pogus is extremely delighted to release this 2 CD set of recordings of works by Alvin Lucier. He is one of the key experimental artists of the 20th and 21st centuries, and is one of my favorite composers. A unique and individual artist: No one sounds quite …