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**A 4+ hours labyrinthine work, previously unreleased** Jim O’Rourke is among the great voices of his generation - a true musical polymath, whose diverse efforts, since his emergence within the Chicago scene during the late 1980s, have continuously altered the creative landscape. Without him - from his relentless support of the careers of neglected artists, to contributions made within the vast and radical diversity of his output - now tracing across hundreds of releases - so much of what is, co…
On Every Color Moving (1988–2003), Steve Roden’s first 15 years unfold across six discs: from noisy, searching experiments to the hushed, “lowercase” worlds that would define his quietly radical, object‑based approach to sound and space.
In a stunning effort, Pica Disk takes a deep dive into the depths of the New Zealand underground with a much needed repress of the towering 5CD box set, “Enclosures 2011-2016”, dedicated to the incredible output of Omit. Described as one of the greatest outsider artists currently working in the field of experimental electronic music, this immersive collection gathers 30 strikingly abstract gestures; sprawling ambient pieces; the broodingly musical, flirting with the melodic and rhythmic; and com…
The history of the Blorp Esette, which chronicles the output of the Los Angeles Free Music Society and other entities in its orbit, dates back to 1977, with the release of Blorp Esette Volume One LP (soon to be reissued by Superior Viaduct) and Volume 2 2LP in 1980. Volumes 3 and 4 emerged in 1999, packaged in a boxset with the previous volumes. The Blorp Esette Gazette first appeared with Volume 1 & 2 in 2013. Intended to be an on-going series, it was paused after the passing of Transparency la…
Debut album of this band led by skilled master-guitarist Peter Bursch, which went to record this magical piece of psychedelic folk for the Pilz label in 1971. Guitars, flute, mellotron, congas, tabla, sitar & the magical voice of Jenni Schaecker make the ingredients for a very special record, recorded & mixed by Dieter Dierks in his unique fashion. Full of Eastern promise, this is regarded by many as the best German folk-rock album ever! 'The ideal companion to Emtidi's Saat and Hoelderlin's Tra…
** 2CD version is housed in foil digipak** Strut present the definitive edition of Sun Ra’s classic ‘Lanquidity’ album from 1978 . Recorded overnight at Bob Bank’s Blank Tapes on 17th July 1978 after the Arkestra had appeared on Saturday Night Live, the album is unique in the Ra catalogue. “Most critics felt that it was more of a fusion-inspired record,” explains Michael Ray. “As the name suggests, the album is liquid and languid.” Bob Blank continues, “Musically, it was very ad hoc and freeform…
Francisco Meirino is a sound artist based in Switzerland. His music explores the tension between programmable material and the potential for its failure. His interest lies primarily in what is not supposed to be recorded : the end of life of electronic devices, electrostatic noise, magnetic fields and the unconventional use of music hardware and sound systems and how to exploit these sonic failures in radically different ways in his sound pieces. His music combines intricate textures, sonic prec…
Born April 1966, in Marseille, Jérôme Noetinger discovered experimental music under the influence of the Déficit Des Années Antérieures in Caen. He is a composer/improviser/sound artist working with electroacoustic devices. Composing sometimes musique concrete in the studio, and performing improvised music using electroacoustic devices such as: the reel to reel tape recorder Revox B77 and magnetic tape, analogue synthesizers, mixing desks, speakers, microphones, various electronic household obje…
Within the expanding territories of electroacoustic investigation and field recording archaeology, Éric La Casa and Jérôme Noetinger present Off Tracks, a profound meditation on absence, decay, and the spectral traces left behind in emptied architectural spaces via Erstwhile Records. This collaboration between two masters of contemporary sound art unfolds as "an exploration of buildings emptied of their activities, a crossing of spaces abandoned by their occupants, a drift through the ghostly tr…
180 gram LP version with free download code. "Antworten (meaning: answer) is the third installment in a trilogy of Qluster music, following on from the Fragen (BB 076CD/LP) (meaning: question) and Rufen (BB 075CD/LP) (meaning: call) studio albums. The fact that the music on Antworten was created before Rufen and Fragen were recorded is less of a paradox than it might at first appear. For the expansive piano fantasies of their 2007 recordings had already provided a clear answer to the two musicia…
On War Pur War, Frieder Butzmann and Thomas Kapielski distill West‑Berlin’s 1980s absurdism into a Dada‑charged clash of electro‑pop and sonic collage. Minimal synth patterns, spoken fragments and everyday noises tangle into a wry, musique‑concrète‑like diary of a city thinking against meaning.
On Consequenz III, Conrad Schnitzler and Wolf Sequenza (Wolfgang Seidel) drive their most “pop‑adjacent” collaboration to a razor’s edge. Eleven short rhythmic études balance strict, serial electronics against near‑song structures, turning drum‑tight patterns and sequenced pulses into miniature, dance‑optional experiments in post‑Berlin‑school repetition.
LP version. Composer and conceptual artist Conrad Schnitzler (1937-2011) was one of the most influential figures of the electronic avant-garde in Germany. In 1967/68, the Joseph Beuys student founded the Zodiak Free Arts Lab, which became a playground for Berlin subculture. In addition to many other musical stations, bustling Schnitzler was a member of the kraut-electronic formations Tangerine Dream and Kluster. Numerous solo releases complete his extensive oeuvre. One of them is Con 84, probabl…
LP version. Composer and conceptual artist Conrad Schnitzler (1937-2011) was one of the most influential figures of the electronic avant-garde in Germany. In 1967/68, the Joseph Beuys student founded the Zodiak Free Arts Lab, which became a playground for Berlin subculture. In addition to numerous solo releases Schnitzler was also involved in various band formations not least Tangerine Dream and Kluster. Representing another of his musical landmarks are the Consequenz releases. Consequenz II eme…
LP version. Bureau B present a very special release: Kiosque Of Arrows 2 is Detlef Weinrich's (aka Tolouse Low Trax) first compilation for Bureau B. Echoing the spirit of the legendary samplers found on Les Disques Du Crépuscule or Made To Measure, this hybrid journal not only collates unusual pieces of music -- rare and undiscovered pearls from the experimental underground of the early 1980s through to contemporary unreleased recordings -- it also represents a reflective collage of cut-ups, obs…
"Kluster (1969) metamorphosed into Cluster (1971) and Cluster became Qluster (2011). In a period spanning over 40 years, Hans-Joachim Roedelius was a driving force behind this unique transformation. Now, as Qluster, he has recorded together with Onnen Bock in the latest incarnation. Three albums already released document the current status of their musical journey to pastures new. Lauschen is not a studio album, but a live recording of a performance for which Roedelius and Bock invited world mus…
Tip! Limited Edition! Purple Vinyyl LP version. After dipping into the archive to deliver a series of essential reissues, Bureau B continue to encourage the chaotic brilliance of Faust with an LP of brand-new music curated by originator Zappi Diermaier and a band of musical friends, including fellow founder Gunther Wüsthoff. Over the years Faust has become many things, each as separate as the fingers, but as together as the hand which makes up their eponymous fist. From 1971 to 1974 the Hamburg …
On Magazin Frivole, Serge Blenner pushes his cold, concise analogue synth instrumentals toward a subtly pop‑inflected edge. Dark harmonies and clipped electronic patterns intertwine with clearer song structures, yielding an early‑80s blueprint where minimal synth severity brushes against the nascent shadows of synth‑pop.
Having completed his military service as a naval radio operator, Gunther Wüsthoff was in the midst of his German and fine art studies when he encountered Rudolf Sosna and Jean-Hervé Peron. It was May 1969 and each of them had a guitar so they decided to make music together. Polydor International headhunter Uwe Nettelbeck tracked them down on February 23 1971, prompting them to form the legendary krautrock band Faust with three other Hamburg musicians a few days later. Wüsthoff stayed with the ba…
On La Vogue, Serge Blenner distills early-80s anxieties into dark, monotone synthesizer miniatures. Minimal Berlin‑school pulses and crystalline melodic “phrases” sketch an electronic soundtrack to Cold War Germany, where somber patterns, pop‑tinged harmonies and stark repetition feel like signals beamed from a haunted control room.