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Developed over a four year period, and entirely funded by a part time job working as a SAT university entrance exam mathematics tutor, Nº2 was composed using synthesizers and a variety of unidentified samples that were manipulated beyond recognition. Christina Vantzou then collaborated with Minna Choi of the San Francisco based Magik Magik Orchestra. Vantzou and Choi worked on the notation and arrangements and recorded the compositions with a 15-piece ensemble at Tiny Telephone studios in San Fr…
*2024 stock* Barre Phillips was the first musician to record an album of solo double bass, back in 1968, and he has always been an absolute master of the solo idiom. In March 2017, Barre recorded what he says will be his last solo album, the final chapter of his “Journal Violone”: it is a beautiful and moving musical statement. All the qualities we associate with Barre’s playing are here in abundance – questing adventurousness, melodic invention, textural richness, developmental logic, and dee…
Pyramid was an underground / homemade label created by Toby Robinson and his friend Robin Page (the Fluxus artist) while they were living in Cologne, Germany, in the ‘70s. Toby - aka The Mad Twiddler, aka Genius P. Orridge – is well-known to Krautrock collectors as one of a number of engineers working at Stockhausen’s WDR and Dierks Studio in Cologne in the mid-1970's, where he assisted on recordings by many famous Kraut bands such as Can, Birth Control, Mythos or Dzyan.Pyramid was home to a ser…
"Ruins was made in Aljezur, Portugal in 2011 on a residency set up by Galeria Zé dos Bois. I recorded everything there except the last song, which I did at mother's house in 2004. Iʼm still surprised by what I wound up with. It was the first time I'd sat still for a few years; processed a lot of political anger and emotional garbage. Recorded pretty simply, with a portable 4-track, Sony stereo mic and an upright piano. When I wasnʼt recording songs I was hiking several miles to the beac…
2025 stock The third full-length release for Portland, Oregon-based Liz Harris. Harris might have achieved a significant fan base thanks to the whispering, near-ambient vocal crusades of her debut album Way Their Crept and its follow-up Wide, but those with a careful ear would have heard slightly more trapped beneath her fuzzy chain of effects. Dragging A Dead Deer Up A Hill marks a departure of sorts for Liz, which sees her turn down the fuzz boxes which caged (and to some degree defined) her s…
Tractus emphasizes Arvo Pärt compositions that blend the timbres of choir and string orchestra. New versions predominate, with focused performances from the Tallinn Chamber Orchestra and the Estonian Philharmonic Chamber Choir under Tõnu Kaljuste’s direction that invite alert and concentrated listening. From the opening composition Littlemore Tractus, which takes as its starting point consoling reflections from a sermon by John Henry Newman, the idea of change, transfiguration and renewal resona…
Electronic music visionary Pye Corner Audio, a master of blending nostalgia with forward-thinking production, has carved out a unique niche in the electronic music landscape. Drawing inspiration from 1970s and 80s synthesizer music, and cinematic soundtracks, his work often evokes a sense of eerie futurism. Lapsus Records is proud to present Where Things Are Hollow: No Tomorrow, a comprehensive box set revisiting and expanding his acclaimed Where Things Are Hollow series. This release includes t…
Mental Experience present an expanded reissue and the first ever vinyl reissue of The Momes' Spiralling, originally released in 1989 on the Woof label. Featuring Tim Hodgkinson (Henry Cow, The Work) on Hawaiian laptop noisy guitar and keyboards, Mick Hobbs (Family Fodder, The Work, Officer!) on bass, and Andy Wake (Unrest, Work & Play) on drums, The Momes were a unique power trio with an abrasive sound channeling post-punk, psych-prog, and avant-rock. Spiralling is their sole album, recorded at …
2025 stock Tim Hecker's latest work approaches a form of secular musical transcendentalism from within the battered temple of spirituality. Recorded in a church in Reykjavik, Iceland and using a pipe organ as the primary sound source, this new piece is essentially a live recording. In reality, it exists in a nether world between captured live performance and meticulous studio work, melding the two approaches to sonic artifice as a unity. It is in parts a document of air circulating within a wood…
On My Prophet, Oded Tzur together with his quartet of pianist Nitai Hershkovits, bassist Petros Klampanis and the new group member Cyrano Almeida on drums, continues on the idiosyncratic musical path he has carved out for himself – a flowing jazz idiom that seamlessly combines multiple forms of expression –, while delving deeper into the meditative and highly concentrated realm of improvisation. In the process, the saxophonist presents some of his fiercest playing yet.
The quartet’s synergy is…
In its review of pianist Shai Maestro’s ECM leader debut The Dream Thief, All About Jazz spoke of “a searching lyrical atmosphere, emotional eloquence and communal virtuosity that serves the music.” All of which also applies to Human, where Maestro’s outgoing, highly-communicative band with fellow Israeli Ofri Nemya on drums and Peruvian bassist Jorge Roeder becomes a quartet with the inspired addition of US trumpeter Philip Dizack. Shai’s expansive pianism is well-matched by Dizack’s alert, …
The debut album of Joe Lovano’s Trio Tapestry was one of 2019’s most talked-about releases. The trio’s musical concept – the Boston Globe spoke of “utterances of hushed assurance, lyricism and suspense” – is taken to the next level on its second album, Garden of Expression, a recording distinguished by its intense focus. Lovano, a saxophonist whose reach extends across the history of modern jazz and beyond, plays with exceptional sensitivity in Trio Tapestry. And the music he writes for this …
On Lontano, Anja Lechner (cello) and François Couturier (piano) expand the expressive horizons of the duo format, weaving a tapestry of original compositions, improvisations, and deeply personal interpretations. Recorded at Sendesaal Bremen and produced by Manfred Eicher, the album draws inspiration from a remarkable array of sources-echoes of Bach, the folk laments of Argentina, the lyricism of Henri Dutilleux, the cinematic touch of Anouar Brahem, and the haunting minimalism of Giya Kancheli.
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The third album from Joe Lovano’s Trio Tapestry finds the group continuing to extend its spacious and lyrical approach, with deep listening and intense focus. “Our Daily Bread is fueled by the rhythm spirit of expression that projects the mysterious world of music that lies ahead,” says master saxophonist Lovano in his liner note, and these elegantly fluid pieces and free-floating ballads indeed feel like songs of the soul. “The intensity comes not from ferocity but from depth of feeling,” wrote…
Though short-lived, the New York Contemporary Five brought together NY free players Don Moore on bass, J.C. Moses on drums, Archie Shepp on tenor saxophone, and Don Cherry on trumpet with Danish alto saxophonist John Tchicai, in a remastered edition of their 1966 album "Consequences", expanded with Shepp's revisiting of the material in a sextet with Sunny Murray and Ted Curson.
The poetry of groundbreaking Greek artist Lena Platonos takes center stage in Piercing Red: Collected Poems and Lyrics 1984–2008. Best known for her radical electronic music compositions, her innovative work as a poet has been underacknowledged, in no small part due to writing and singing in her native Greek. This book was put together to rectify this lapse, to help encounter her song lyrics on their own as literary work. Collected here are all the poems Platonos put to music over four decades, …
Orcutt Shelley Miller is an avant-rock trio comprised of three highly celebrated figures of experimental music: Bill Orcutt (Harry Pussy), Steve Shelley (Sonic Youth) and Ethan Miller (Howlin Rain, Comets On Fire). Their debut self-titled album will be released September 5th on Silver Current Records.
*100 copies. Hand numbered double sided screen print* There are albums that slip through the cracks of time, becoming mythical objects that collectors whisper about in hushed tones. Grant Corum's Mercury Vineyard Surgeries was one such release - originally dispersed as cassettes during a 2018 tour, these tapes became talismanic objects that suggested an entirely different relationship between composer and listener, between healing and sound. Now, seven years later, Psychic Sounds has recognized …
Widely regarded as one of Pat Metheny's most inspired recordings and now considered a classic of instrumental and improvised music, *80/81* unveiled a bold new dimension of the then-26-year-old guitarist's sonic world. Released in 1980, this groundbreaking album marked Metheny's first collaboration with jazz luminaries from multiple generations, including bassist Charlie Haden, saxophonists Dewey Redman and Michael Brecker, and drummer Jack DeJohnette.
Drawing equally from the freewheeling spiri…