We use cookies on our website to provide you with the best experience.Most of these are essential and already present. We do require your explicit consent to save your cart and browsing history between visits.Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.
For the dance film essay - The Body as Archive Gregor Schwellenbach chose a simple yet radical approach: he created a kind of catalog of sounds, clearly structured, presented with sobriety and boldness. The sounds are not embedded in the familiar frame of rhythm-harmony-melody, rather, they are introduced smoothly, presented one after the other, sometimes going together, then standing alone. It is a sensual approach, at the same time executed strictly systematically. Or vice versa: Schwellenbach…
*200 copies limited edition. Comes in a high-quality screen-printed cover! Hand-numbered and signed by Sebastian Fritzsch* Coinciding the cinema release of ‘Der Wald in mir’, the soundtrack by Gregor Schwellenbach is being released in an exclusive edition of five records with covers that have been individually drawn and signed by director and artist Sebastian Fritzsch. A further 195 copies will be released in high-quality screen-printed covers.
Microtonal strings in dialogue with electronic soun…
With Solo for Tamburium, Hennix plays and manipulates recordings of her precisely tuned and continuously sustained tamburas through a keyboard interface, fusing tones into psychoacoustic textures in the style of her early modal works
Evan Parker and Matthew Wright’s Trance Map project has included improvised live events across Europe and the US, involving other invited guest performers, with various Trance Map+ recordings released on Intakt and FMR Records. Since 2020, Trance Map+ have undertaken ambitious streamed and networked performances, connecting with musicians around the world from The Hot Tin venue in Faversham, Kent, UK. In 2022, this resulted in Transatlantic Trance Map, a simultaneous performance between seven mu…
* 2 LPS, gatefold cover, cut at 45rpm. With 3 bonus tracks exclusive for this vinyl edition * “Larme secrète” is the result of an astonishing encounter between a minimal and discreet musician attracted as much by Erik Satie as he is by various pop classics, and a poet/performer who has worked with Lydia Lunch, Genesis P-Orridge , Michael Gira as well as Alan Vega. Pascal Comelade et Marc Hurtado (Étant Donnés) are two important figures of a french underground and alternative music scene which h…
LP pressed at RTI. Tip-on jacket printed at Stoughton Printing Co. Atrás del Cosmos have been called Mexico’s first free jazz ensemble. Founded in 1975 by pianist Ana Ruiz, saxophonist Henry West, and percussionist Evry Mann, the trio soon became a central force in Mexico City’s creative arts community, mentoring a generation of improvisers, incorporating a revolving cast of artists into their immersive happenings, and sustaining a scene through their legendary weekly performances at El Galeón t…
** 140g 2xLP pressed at RTI. Gatefold tip-on jacket printed at Stoughton Printing Co. Mastered by Stephan Mathieu. ** “All of humanity's problems stem from man's inability to sit quietly in a room alone.” —Pascal Graham Lambkin (of Shadow Ring fame) returns with a long awaited epic double LP, Aphorisms, his first major solo outing since Community (Kye, 2016). Recorded mostly during the early winter months of 2022, in post-pandemic New York and post-Brexit London, Aphorisms assembles the sonic d…
Transparent red vinyl format / 180 grams, limited edition numbered to 500 copies. The soundtrack for “Non si Sevizia un Paperino” (1972), composed by Riz Ortolani for Lucio Fulci’s giallo masterpiece, is a work of extraordinary intensity and contrast. Ortolani, a master at balancing melodic beauty with unsettling atmospheres, perfectly captures the essence of a film that blends mystery and violence with the innocence of a small Southern Italian village. The film, one of Lucio Fulci’s most acclai…
Tip! Black vinyl, with silkscreen and insert. In the spring of 1999, Charles Curtis, Alan Licht, and Dean Roberts brought an unconventional mix of drone, improvisation, and experimental rock on an eleven-stop tour of Europe. The concept was straightforward, yet novel: each night, they would improvise a single piece while sustained sine waves played for the duration of the concert. May 99, culled from three shorter pieces recorded for a radio program at Amsterdam’s VPRO near the end of the tour, …
Audion 40 (11/1998) 44 pages. Cover article: 30 Years of Krautrock with Guru Guru, Mani Neumeier, Uli Trepteplus: Igor Wakhevitch "Donc...", Krautrock Reissues, RIO - Revisions And Additions: Bruniferd + Octavo, Gazul Records, Repertoire's Krautrock Archive, Rescued Relics, Hans-Joachim Roedelius - 30 Years On (interview), Brainville - Physio & Firkin, Leicester 19/6/98, Helmut Wenske - The Visionary Art Of, Cuneiform Records, Graham Bowers - Eternal Ghosts, articles & interviews, RIO - The Aft…
Tip! First vinyl re-issue of Evan Parker’s duo with George Lewis. Transferred from the original masters, we discovered that the original Incus LP was cut at the wrong speed - and so, we present the first vinyl issue of the correct masters, or ‘mastas’ as Adam Skeaping, legendary engineer who is also responsible for Six of One and Compatibles, fondly calls them.
Skeaping, always working with the latest in recording technology for the time, has a knack for gaining access to remarkable spaces. Goo…
Audion 75 (9/2023) 52 pages. Cover article: Tasavallan Presidentti - Scandinavian fusion legends 2 (including Jukka Tolonen page)plus: Poessitfous - Lost sounds from the French underground, Rock In Opposition - The Aftermath: global scene, 1: 1970s-90s, Tomokie's Cup - We prefer to exist on the periphery, Weird Garden at Leicester Gallery, new Italian prog & underground part 6, Choice British label classics: RCA Victor, The Avant-Garde Sector, Rescued Relics: Amon Düül, Annexus Quam, Volcano Th…
Audion 76 (12/2023) 44 pages. Cover article: Made In Sweden - Scandinavian fusion legends 3 (including Solar Plexus)plus: 20 questions with Mark Jenkins, Prog & psych from South America Part 5, Resounding: The Art Of Noises - 23/9/2023 at LCB Depot, New discs from Fou Records, Rock In Opposition - The Aftermath: global scene, 1: 1970s-90s part 2, Choice British label classics: Transatlantic, labels: Cuneiform Records, Merry-Go-Round, Seelie Court / Seelie Court Digital, more reviews: Datashock, …
“Though this German group started out as a the new wave band P.D., by the time of Kuhe in 1/2 Trauer, their first LP under the P16.D4 name from 1984, they had developed far beyond into extremely experimental music similar to other post-industrial artists working with abstract avant-garde soundscapes. There’s a bleak industrial feel to the gritty, lo-fi electronics and tape loops, while the group throws in enough curve balls to keep it interesting. On some pieces, strange, looped choirs bubble ou…
“On this, their second LP, P16.D4 solicited tapes from several artists from Europe, England, the U.S., Canada, and Japan, and mixed that with their own material. Though in the current digital age collaborations from artists thousands of miles apart is quite normal, this was a quite radical approach back in 1982, when work on this LP began – an interesting concept that actually works quite well, since these artists, which include Bladder Flask, DDAA, the Haters, Merzbow, Nocturnal Emissions, Nurs…
“Though this German group started out as a the new wave band P.D., by the time of Kuhe in 1/2 Trauer, their first LP under the P16.D4 name from 1984, they had developed far beyond into extremely experimental music similar to other post-industrial artists working with abstract avant-garde soundscapes. There’s a bleak industrial feel to the gritty, lo-fi electronics and tape loops, while the group throws in enough curve balls to keep it interesting. On some pieces, strange, looped choirs bubble ou…
Sheet Erosion is the third episode in a series of works based around ideas of audio archaeology and found sounds. The setting this time is the city of Brest in France.
It is composed of field recordings made in early 2020 during the storms Ciara and Desmond plus a batch of found open-reel tape recordings dating from the 70s and 80s. The tapes include domestic home recordings but mostly document the recordist, Michel's tastes in music and radio programmes of the time. Daily life bleeds into these…