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2016 repress; 140-gram LP. Cluster's self-titled debut was originally released by Philips in 1971; this edition is the first reissue to restore the track running order of the original Philips release. Includes liner notes by electronic avant-garde pioneer Asmus Tietchens. In 1998, The Wire listed Cluster's self-titled debut as one of "100 Records That Set The World On Fire (When No One Was Listening)." Very few albums from Germany can lay claim to this honor. Cluster is a monster; it cont…
scenes from the lab of German electronic music composer Asmus Tietchens are just a few skewed demonstrations of his distant mastery of highbrow composition guised in synth-pop's veneer
**2020 stock** "Old Europa Cafe, Elettronica Radicale Edizioni and Lake Shark Harsh Noise are glad to announce the 2015 reiussue of Iugula-Thor’s classic Opera. Originally published on tape in 1996 by Old Europa Cafe, Opera was a notable personal piece that blended noise and power electronics by mixing piercing high frequencies, a subtle and threatening vocal presence and classical music, buried under layers of violent harsh noise. Alongside Dead Body Love's classic Low-Fi Power Carnage, Iugula …
Finally reissued, the debut album by this psychedelic band mixing etnic and african influences with the colors of the desert. Deluxe Edition, Gatefold Cover on Tobacco's Paper, 180 gramms in transparent vinyl splashed in black, postcard, numbered 600 copies"Equally stirring and equally necessary for mental health are those spectacular cave recordings contained within the grooved wares of Al Doum & the Faryds’ self-titled debut LP. Released on the Italian El Guscio Records (elguscio.it), this…
**Small repress. White Vinyl** Since the very beginning, there’s always been tension between what experimental electronic music sets out to do and what it does. Conceived as a revolutionary language for democratic sonic creativity and communication, attempting to liberate creators and listeners alike - pushing them into the unknown, it never fully took root in the popular mind. It was, for a time, too wild for all but most adventurous minds. These days, however, it can often feel like that great…
**Transparent blue vinyl edition** Issued on Liberty in 1970, the debut LP by Popol Vuh features Florian Fricke's Moog synthesizer experiments at its most spirited wild. One of the earliest experimental Moog LPs, with Fricke's electronic explorations supported at times by Holger Trülszch's percussion, flying free at others, the result has been labeled as a dark, unmelodic, unprecedented sound and it settled the path for many Kraut adventurers to follow.Blending electronics with traditional percu…
The first five tracks on this Can release of dubious authenticity were taken from the famous Can free concert in Cologne, Germany, on February 3, 1972. This is the audio from the same concert documented by the video item of the out of print Can Box set, and the audio quality is quite good and the performances are outstanding. On these tracks, the group locks into one long, propulsive groove after another, blending minimalism with improvisation. Whereas "Spoon" and "Paperhouse" diverge quite a bi…
Since they first emerged on FMP in 1971, a series of recordings - often referred to as the Berlin Trilogy, have represented an axis point in the history of Jazz. Made earlier the same year by Peter Brötzmann, Fred Van Hove, Han Bennink, and Albert Mangelsdorff - Elements, Couscouss de la Mauresque, and The End quickly became legendary for their towering artistry and worth, but their larger contextual concern - with how they came to be, was an answer to a quite multilayered war being waged in th…
** Killer. Released in 1977 on Horo Records, first time available again after 40 years** New York-born alto saxophonist Steve Lacy became associated with the avant-garde jazz movement from the mid-1950s, playing on free jazz pianist Cecil Taylor’s influential debut LP and early work by the Canadian pianist Gil Evans, before serving a long tenure with the idiosyncratic improv pianist Theolonius Monk, whose work he would continue to reference throughout his career. Visiting Europe from the md-1960…
**1.000 copies, 2019 stock** Born in Brooklyn, Alan Vega was reared on the rock'n'roll sound of Elvis Presley and Roy Orbison, but originally struck out on a career as a visual artist and light sculptor, making pieces out of electronic debris. Seeing Iggy Pop fronting the Stooges at the New York State Pavilion in 1969 was an epiphany for him: "It showed me you didn't have to do static artworks, you could create situations. That show was the first time in my life when the audience and the stage m…
**1.000 copies, 2019 stock** Born in Brooklyn, Alan Vega was reared on the rock'n'roll sound of Elvis Presley and Roy Orbison, but originally struck out on a career as a visual artist and light sculptor, making pieces out of electronic debris. Seeing Iggy Pop fronting the Stooges at the New York State Pavilion in 1969 was an epiphany for him: "It showed me you didn't have to do static artworks, you could create situations. That show was the first time in my life when the audience and the stage m…
**1.000 copies, 2019 stock** Born in Brooklyn, Alan Vega was reared on the rock'n'roll sound of Elvis Presley and Roy Orbison, but originally struck out on a career as a visual artist and light sculptor, making pieces out of electronic debris. Seeing Iggy Pop fronting the Stooges at the New York State Pavilion in 1969 was an epiphany for him: "It showed me you didn't have to do static artworks, you could create situations. That show was the first time in my life when the audience and the stage m…
**1.000 copies, 2019 stock** Born in Brooklyn, Alan Vega was reared on the rock'n'roll sound of Elvis Presley and Roy Orbison, but originally struck out on a career as a visual artist and light sculptor, making pieces out of electronic debris. Seeing Iggy Pop fronting the Stooges at the New York State Pavilion in 1969 was an epiphany for him: "It showed me you didn't have to do static artworks, you could create situations. That show was the first time in my life when the audience and the stage m…
**1.000 copies, 2019 stock** Born in Brooklyn, Alan Vega was reared on the rock'n'roll sound of Elvis Presley and Roy Orbison, but originally struck out on a career as a visual artist and light sculptor, making pieces out of electronic debris. Seeing Iggy Pop fronting the Stooges at the New York State Pavilion in 1969 was an epiphany for him: "It showed me you didn't have to do static artworks, you could create situations. That show was the first time in my life when the audience and the stage m…
** In process of restock** Recorded between 1979 - 1981 on a Mechlabor STM-610 reel-to-reel analog recorder at Gusztáv’s home in Budapest. Occult synthwave dressed with ritual, avant-garde/psych elements, merged in an absolute mystical masterpiece! For the first time after 36 years Mutant Embryo Records is proud to announce the official release of Gusztáv Fekete cryptic material. Recorded on reel tapes between 1979-1981 with true analogue sound, this album constitutes the Holy Grail of late 70's…
**Small repress available, with new cover** Reissue with unreleased tracks from the only one tour of this super group assembled in 1975 by Franco Battiato, Lino Capra Vaccina, Juri Camisasca, Mino Di Martino, Roberto Mazza, Terra Di Benedetto. Presenting a remarkable range of his country’s visionary musical minds. The album encounters Battiato at the height of his powers and in the midst of crucial juncture in his career - the transition between his early experimental rock efforts from the firs…
Edition of 25 copies, 14 CDs, book-bound, with 14 original collages by Hartmut Geerken (on each of the 14 CD sleeves). Archive edition of Geerkens' talk pieces in a period of twenty years with Klaus Ramm, Pierre Garnier, Robert Lax, Jochen Gerz, Herbert Achternbusch, Grace Yoon, Sainkho Namtchylak, Jörg Drews, and others. Hartmut Geerken is a German musician, composer, writer, journalist, playwright and filmmaker. Geerken studied orientalism, philosophy, German studies and comparative religion i…
"Usually, only particular circumstances trigger our awareness of the sounds that surround us. To most of us sound functions as a backdrop for visual experience. Sound artists on the other hand shift our attention to the immense possibilities for acoustic variety. The Museum of Contemporary Art celebrates a special occasion, focusing on sound. In April we will present works by the graduating students from the Nordic Sound Art programme a cross-nordic collaboration between several art academies in…
As Stupid As A Fish is an album/art book documenting Sean McCann's performance, recorded at the Berkeley Art Museum in the Spring of 2019. 166 color pages, 8.5″ x 10″ perfect bound, scented with “Stupid Fish” perfume. Comes with 30-minute cassette of music made for the book. Limited edition of 50 copies, signed and numbered. A monograph made in the Winter of 2018, with a microscopic camera, paints, pens, and ultra-marine powder. Texts are hung throughout the book; revering dreams of night, sea…
Deluxe edition on sirio black 140gr, silver and black printing, 166 pages. Throughout the heady years of Italy’s 1970s and ’80s avant-garde and jazz music scenes, Roberto Masotti was on hand to observe and photograph some of the most significant bands, musicians and concerts of the twentieth century. Serving as staff photographer for Gong magazine, as well as Ecm and Cramps labels since 1973, Masotti photographed such musicians as John Cage, Morton Feldman, Sun Ra, Arvo Pärt, Julius Eastman, Ar…