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The burgeoning Finnish free-folk movement has been garnering much praise & attention over the past year. First CD release by Avarus who play a left-field blend of noise, folk & free jazz. From the same circle of psychos who bring us Kemialliset Ystav…
Second one in the guitarimproseries (first one was Shifts). This Finish guy is pretty young but has a distinctive feel towards his guitarplay. Excerpts from his talents could be found on the Killa 7\\"s but here he is operating alone on his selfbuild…
This group was founded over 25 yrs ago by Mingiedi, a virtuoso of the likembé ('thumb piano'). The band's line-up includes 3 electric likembés, equipped w/ hand-made microphones built from magnets salvaged from old car parts, & plugged into amplifier…
Heavly influenced by the seventies, this band is able as no one to pick those elements and build them in a fresh and modern kraut-psychedlic shape. Playing together since 1995, the four members of Bron y Aur , attracted soon attention thanks to …
The title Ausklang (Final Notes, or Fading Away) is intended to be understood literally. Lachenmann's Musik für Klavier und Or-chester is centrally concerned with final notes and sounds fading away. In particular, it is concerned with piano sounds cr…
Airforms was first presented at the Scottsdale Museum of Contemporary Art [Scottsdale, Arizona] in April of 2004. The work was inspired by a group of experimental houses designed by Wallace Neff in the 1940s using a process he called airform construc…
Including Notturno volgare, for clarinet; Playtime No.1; Alex in Mongolia, for two guitars; Rite in progress, for piano; Notturno, for double bass; Playtime No.4; Dietro l'orologio, for soprano & tenor saxophones; Sei danze, for violin.
“Z is about infinity and the double dimension we all live in yet don't fully understand. Z is the sound of that feeling you get when you think you're being watched or followed by the omnipotent one. Z is for believers and followers of the "Ecstatic T…
The Soirée Vian, a kind of meta-cabaret created in 1991 based on a commission by the WDR, develops along the narrative red thread of Boris Vian's novel The red grass and turns into a dizzying journey through the absurdly crazy worlds of Vian's univer…
Now, which are the points of contact between these two composing gentlemen? "In both composers, a childlike quality shows in their indifference (or impartiality) towards the utilizable musical material: 'sophisticated' and 'lesser' styles, ragtime an…
“Art can give us a sense of the infinity of existence, the singular unity of all beings and phenomena as the apparent dualism between the inner and the outer is dissolved. Art can allow us to experience what it means to be alive. It can lead us back …
RESTOCKED, reduced price - Having recorded a significant body of work under various guises including A Broken Consort and Clouwbeck, Richard Skelton returns with a brand new and long anticipated album under his own name. Following on from 'Markin…
Eccentric, prolific British singer/songwriter Roy Harper is a legend on the U.K. folk-rock scene. He began recording in the late 1960s, as something of a cross between Bob Dylan's troubadourism and Syd Barrett's freewheeling, wild-eyed visions. Thoug…
Steve Reich, one of the foremost composers of our time and an important 'first generation' minimalist composer has performed at The Kitchen Center for the Arts many times during his career. The Kitchen, an interdisciplinary organization known for its…
Released just days after his death on January 14, 1999, this CD ranks as one of his best and most memorable, with groovy non-stop percussion sharing space with smooth backgrounds.
The great creator of musical novelties hardly ever departed from the melodic harmonious basis, though: his major achievements included not least the development of new techniques for piano playing, which he also integrated in his book New Musical Res…
Apart from a large orchestra, Kraanerg, composed in 1968/69, requires audio feeds of recorded parts played by the orchestra and of the results of the manipulation of electro-acoustical phenomena. “I do not work with basic building blocks. I start afr…
This enterprising programme of 20th century music, recorded in England by the distinguished Japanese guitarist Azusa Shimizu, contains first recordings of pieces by Højsgaard and Mamiya, as well as offering a rare opportunity to hear the sonata by An…