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* 180g, double LP on Black Vinyl. Includes all assets of the original boxset: with cards of the participating artists, explanatory text and the tarot cards, which are treated musically in the album* Remastered by Dierks/Flüchter. Walter Wegmüller (19…
A dream come true! *2024 stock* ** 6LP - Strictly Limited Vinyl Box Set with 20 Page Booklet. Original Broadcasts by Barry Bermange, Delia Derbyshire, and the BBC Radiophonic Workshop. Only 500 copies worldwide ** A long standing ‘Holy Grail’ releas…
The first album by the most extreme noise project to ever come out of Osaka, now in a second deluxe edition that borders on insanity: natural birch wooden box, hand-numbered to 99 copies, color print lid reproducing the iconic cover art by manga mast…
Super Tip! *Cover design A* Tribe’s inaugural release in 1972 would see three editions released in as many years. 1972’s first edition featured a photo of the ocean on the front, the following year’s second edition had a drawing of the Earth, while 1…
Confusional Quartet was one of the most original and unique bands to ever come out of Italy, and one of the few bands able to switch from the prog rock era to dislocated art forms, painting their music with traces of early electronica and a post-punk…
25th anniversary deluxe reissue of To Live and Shave in L.A.'s "The Wigmaker in Eighteenth- Century Williamsburg." in an expanded 4LP box set. The four LPs contain all 27 tracks from the original “Wigmaker” double CD remastered for vinyl, including c…
** Lucky restock, few copies available. Limited Collector Edition of 200 copies. Box with vinyl LP in polylined inner sleeve, a 60-page LP-sized book in English and a large poster. ** In the world of theatrical archives, there are the known, the unkn…
*200 copies limited edition* blickwinkel warmly welcomes Brussels-based composer Roxane Métayer to the label with her new album Vies Sylvestres, out on November 21 on vinyl and digital formats. The album was conceived and developed during performance…
On Serenade & Blues, Von Freeman eases his Chicago tenor into an after‑hours glow, trading the swagger of Have No Fear for late‑night ballads and slow blues that stretch time without ever losing their bite.
On Have No Fear, Von Freeman turns a 1975 marathon session into a fiercely personal manifesto, his elastic Chicago tenor pouring blues, bravado and vulnerability into performances that sound both off‑the‑cuff and obsessively shaped.
On Ride The Wind, Roscoe Mitchell scales up the chamber‑like intensity of his Conversations work, setting it inside a 20‑piece Montreal–Toronto ensemble that treats his textures as weather systems to move through, reshape and suddenly ignite.
On Signaling, Nick Mazzarella and Tomeka Reid compress a wide slice of Chicago’s creative music history into intimate alto–cello dialogues, tracing a clear line from Hemphill/Wadud’s 1970s duets to a present tense that feels urgent and newly carved.
On 6 Duos (Wesleyan) 2006, Anthony Braxton and John McDonough turn a teacher–student bond into a finely wired brass–reeds colloquy, shuttling between Braxton systems, McDonough themes, open improvisation and Sousa with disarming clarity and wit.
On Indian Summer, Eddie Johnson lets his late‑era Chicago tenor glow with undimmed warmth, spinning swing‑era lyricism and speech‑like nuance over a veteran quartet that treats time as something to lean into, not chase.
Recorded in Chicago in 1976, All Music catches Warne Marsh in lucid, late-middle form: a cool-toned tenor moving with dry wit and quiet daring through Tristano-school material, buoyed by Lou Levy, Fred Atwood and Jake Hanna’s alert swing.
On Snurdy McGur dy and Her Dancin’ Shoes, Roscoe Mitchell launches the Sound Ensemble with a volatile mix of abstraction and groove, folding AACM rigor into slyly funky frameworks that keep tilting from tight forms into open risk.
On their 1981 debut, NRG Ensemble, Hal Russell and his much younger bandmates detonate a joyous, combustible mix of free jazz, skewed swing and dada humour, turning multi-instrumental chaos into a sharply etched group identity.
On Generation, Hal Russell’s NRG Ensemble collides with Charles Tyler to turbo‑charge its already volatile chemistry, turning multi‑author charts into a raucous, shape‑shifting suite of free‑jazz blowouts, sly grooves and side‑eyed melody.