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Karlheinz Stockhausen – “Kurzwellen” for six players (1968). Spiral for a soloist with a shortwave receiver together with Pole (Poles), for two performers with shortwave radio receivers and a sound projectionist, is one of a series of works dating fr…
Karlheinz Stockhausen – “Cosmic Pulses” is the last electronic composition by Karlheinz Stockhausen, and it is number 93 in his catalog of works. It is the 13th "hour" of Stockhausen's originally-planned 24-part cycle Klang ("Sound") which is based …
*2022 Stock.* Karlheinz Stockhausen – “Sirius” eight-channel electronic music and trumpet, soprano, bass clarinet, and bass is a music-theatre composition by Karlheinz Stockhausen, composed between 1975 and 1977. "It begins with a slowly emerging hum…
Program notes in German and English in 200-page booklet. Karlheinz Stockhausen personally mixed down and mastered these recordings from the original analogue tapes for this CD edition. Karlheinz Stockhausen –“Mikrophonie I” (1964) for tam-tam, 2 mic…
"Alveare, a collection of electroacoustic music by Italian percussionist / composer Andrea Belfi, is part of a collaborative multimedia project with photographer Matthias Heiderich. Inspired by Heiderich’s pictures of the modernist housing complexes …
This bundle includes the following releases on Valentina Magaletti's Permanent Draft label:- Valentina Magaletti "A Queer Anthology of Drums" LP- Valentina Magaletti "Lucha Libre" 12"- Fanny Chiarello "Basta Now: Women, Trans & Non-binary in Experime…
Following well-received releases on labels such as Satatuhatta, Krim Kram, and White Centipede Noise, Cyess Afxzs debuts a new series based on the novels of Philip K. Dick. It is tempting to describe this work as post-noise. But such verbiage is redu…
This is a cassette released by American noise artist Dead Door Unit from the country's experimental/noise label Tribe Tapes in April 2024. Contains two 2-minute Lo-Fi junk harsh noise songs using field recordings and tapes.
A sound lover's feast. The…
Tip! *2024 reprint* Dead Door Unit is the alias of Northeastern US artist Ken Geiger. The project follows in an exploratory vein of tape-recorded junk noise and field recordings. "Laugh At The Devil" is a work raucously out-of-time, bringing to mind …
"The weave of events rises and falls creating an undulating flow like a living river of aural dramas."
46-minute program, handmade packagingJohn Olson, Max Julian Eastman, Creighton Jenkins
*2024 stock. Custom CDr* This 1973 recording combines live performance and tape in order to “offer the best of both worlds, plus a dimension which neither live performer nor tape can reach alone.” There are four pieces on the album: “Terminus” and “A…
*2024 stock* This album recorded in 1967 by the Electronic Music Studio (EMS) of the University of Toronto exemplifies early experimentations in electronic music. It was the first studio of its kind in Canada (founded by Dr Arnold Walter) and the sec…
2024 stock. This 1960 release is a selection of compositions by Japanese experimental composer Michiko Toyama. The 12 compositions are drawn from traditional Japanese musical forms with additional influence from many of the experimental composers in …
2024 stock. Did you know that cancer crabs are great percussionists, as are catfish, snapping shrimp, drum fish and black croakers? Hear the noises of our underwater friends, recorded at depths of from five feet to two thousand fathoms below by the N…
*2024 stock. Custom CDr* East New York Ensemble de Music came out of the diverse community of Bed-Stuy, Brooklyn, where African, West Indian & black American cultures converged. First and foremost a deep Spiritual Jazz record, At The Helm also incorp…
*2024 stock. Custom CDr* This 1980 album features compositions by Barton McLean, Charles Gruber, Gene Menger, and Catherine Schieve that present “several highly individualistic approaches to the combination of cultures in sound.” Influences from elec…
*2024 stock. Custon CDr* From Milford Graves’ guttural experiments with percussion and the body to Mary Lou Williams’ jazz combo interrupted by atonal “fungus,” this compilation of new (1970s) music makes for an eclectic mix of musical sounds. Star i…
*2024 stock. Custon CDr* Noa Ain gives us a surreal portrait of violinist Yoko Matsua in “Used to Call Me Sadness,” Joel Chadabe encourages a solo percussionist to interact with an automated electronic system in “Echoes,” Ann McMillan manipulates ani…
*2024 stock. Custom CDr* Electronic Music from the Outside In presents the experimental musical sounds of Barton and Priscilla McLean (The McLean Mix), Reed Holmes, and Kevin Hanlon as they explain how they seek to explore the extremes of music and s…
*2024 stock* In this 1982 Folkways release, Jon Appleton plays four compositions written for the Synclavier, a digital synthesizer he helped to develop in the late 1970s. “The Sweet Dreams of Miss Pamela Beach” was recorded in a studio using a 24-tra…