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The pioneering electronic sounds of Daphne Oram reimagined by Taahliah, Cosey Fanni Tutti, Marta Salogni, Arushi Jain and others using tapes from Oram's archive. To mark the centenary of overlooked electronic pioneer Daphne Oram, Nonclassical - toget…
Sarah Davachi’s ‘All My Circles Run’ is a meditative journey through sustained drones and harmonic resonance, blending analog synths, strings, and organ into a deeply immersive ambient experience."
FRKWYS Vol. 18: Extended Field witnesses Horse Lords and Arnold Dreyblatt in deep collaboration, melting minimal composition and polyrhythmic invention into a sprawling sound experiment. The album pulses and stretches, dissolving genre boundaries and…
Davachi went back to the piano she had left behind as a student, recording at Fantasy Studios in Berkeley. The first side is a three-part suite in which the piano draws in a Hammond organ and a countertenor voice.
Eleven pieces built on Prophet and Oberheim synthesizers tuned to an eighteenth century temperament of Rameau's, with Julia Holter singing. Wada grew up in the Fluxus co-op building in Soho, with Simone Forti next door and Nam June Paik one floor up,…
2026 Repress. In Muto Infinitas, Catherine Lamb extends her distinctive approach to microtonality and just intonation, crafting a forty-minute dialogue for quartertone bass flute and double bass performed by Rebecca Lane and Jon Heilbron. The recordi…
Few contemporary composers have created instruments as singular as Ellen Fullman's Long String Instrument, and fewer still have explored its possibilities with the depth and invention documented on Elemental View. This six-movement work, performed in…
Two pieces from 2015, both made for light as much as for sound. In the first, Forsberg leaves the violin hanging on stage listening to itself while she plays only electronics, and the audience stays audible: bodies shifting, someone dropping somethin…
Recorded in a single day in 2022 at McDowall's Brooklyn studio, then mixed and remixed across three years and three cities. There is no organ anywhere on it: the sound is Karplus-Strong synthesis, a filtered delay line modelling a plucked string, tun…
Harold Budd is a one of a kind modern neo-classical artist creating high-callibre and complex music with unique and subtle tension and abstraction, and simultaneous almost-pastoral but as-often otherworldly mood.
Six pieces from a concert at Het Apollohuis in December 1987, unearthed by Black Truffle. Guitars and bass tuned by Dreyblatt and played with E-Bows and Panhuysen's motorised plectrums, plus a Mattel toy drum machine, pedal steel harmonics and a bird…
anabasis (1) is a composition in 72 parts for five musicians, based on four kinds of materials: Sand, Wind, Tone and Wave; these materials are arranged and intertwined with a fifth ‘Interludes’ strand that interacts with the four materials. All of th…
In May, composer, musician, and producer Kara-Lis Coverdale released her first new album in eight years, From Where You Came. It was followed by her second album of 2025, A Series of Actions in a Sphere of Forever, in September. Today, Coverdale deta…
How does music inhabit the space between two worlds? Jürg Frey confronts this question directly in Je laisse à la nuit son poids d'ombre, a composition for ten musicians that exists in deliberate suspension, refusing the security of solid ground. Com…
Big tip! Sarah Davachi returns with “Music for a Bellowing Room”, the first ever release of her audio / visual collaboration with the artists and filmmaker Dicky Bahto, originally commissioned by the Museum of Modern Art in New York. Sprawling to an …
This CD has pieces with an auctioneer, a Kentucky farm with birds & clover, a jazz dancer, a quivering, vibrating, sexually tinged piece full of women saying supplication, a saint dying in flames, a drum piece about frustration, mother/daughter misco…
New double-LP edition of a selection from Saltern's acclaimed collection of recordings surveying the career of renowned, American cellist, Charles Curtis. Features the music of Guillaume de Machaut, Tobias Hume, Silvestro di Ganassi, Terry Jennings, …
On Simoom we hear three of Lois V. Vierk's works for "big instruments," that is, multiples of the same instrument, treated more like single entities than like groups of voices: Go Guitars for five electric guitars tuned microtonally around "E," Cirru…
Tip! If there is a single feature that makes the context of experimental music so exciting, it is arguably the willingness of artists to freely converse and collaborate. This is made all that much more thrilling when it transpires across the generati…
2015 release **
"Even if the disc's title wasn't known, the attentive listener would be very conscious of air, both as a surrounding factor and with regard to its passage through wooden tubes and pipes. The "flutes" in question are recorders, played …