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Before the internet collapsed distances and democratized distribution, the international noise underground operated through an intricate web of mail-order catalogs, hand-dubbed cassettes, and photocopied fanzines. Labels emerged from bedrooms and bas…
The next book on Korm Plastics contains no photographs of the artists, no list of released records, no pictures of record sleeves, and no footnotes. It is not a hardcover, not on glossy paper and is not expensive. It’s… ‘America’s Greatest Noise’ tel…
On BBC Jazz Club Session April 1965, Don Rendell and Ian Carr capture a historic broadcast moment where British modern jazz finds its new voice. The debut of pianist Michael Garrick within the quintet injects modal colour and compositional bite into …
** High Quality reissue. Remastered using pure analogue components only, from the master tapes through to the cutting head ** On The Blue Yusef Lateef (1968), listeners get an amazing chapter from the late '60s, an amazing period when everything in t…
"Hideto Kanai's first album is fairly hit-or-miss free jazz, but here he's in full-blown Black Saint and the Sinner Lady mode. There are twenty three musicians on this album (twenty three!), and while the undercurrent of free jazz is still running th…
"Tee" in Tee and Company is the nickname of Three Blind Mice's founder and producer Takeshi Fujii, who formed the all-star group of eight top Japanese jazz musicians in 1977 for a series of concerts and seven days of studio recording that produced th…
2026 Repress. Sublime release from Masaru Imada Trio. Imada's got a way of letting a tune really find its way organically – almost as if the songs here are little flowers opening up in his fingers on the keyboard of the piano – although never in a st…
Bassist Isao Suzuki's popularity shot up to stratosphere with the release of Blow Up from the Three Blind Mice label. By the time he recorded this, fourth album for the label, he was actually the winner of the Swing Journal Readers' Poll. And this ra…
A piano-bass duo session cut in a single day at Tokyo's Onkio Haus on 24 October 1977, during one of the bassist George Mraz's rare passages through Japan. The format leaves nowhere to hide and the two players treat that exposure as the point of the …
A fantastic electric album from one of the most unique bassists of the 70s – Blow Up is one of the most sough-after titles from the acclaimed Three Blind Mice catalog. Isao Suzuki's Blow-Up is virtuosity and class all rolled up into one. A great comb…
2026 Repress. Recorded over three December days in 1979 at Epicurus Studio in Tokyo and issued the following year, Cool Jojo documents a side of Masayuki "Jojo" Takayanagi that sits at considerable remove from the noise-as-method work he was simultan…
Imada's second outing for Three Blind Mice, recorded across two January days in 1973 at Tokyo's Aoi Studio under Takeshi "Tee" Fujii's production. The record's structure follows from a negotiation between artist and producer: Masaru Imada had propose…
Stunning duo comprised of two of the most important musicians of the Japanese underground/avant-garde, Otomo Yoshihide in a duo with the great Japanese drummer, Hiroshi Yamazaki – who has Kaoru Abe among his extensive list of past collaborators, and …
Feelings marks Jake Henry’s long-awaited return as a leader, more than a decade after his debut with Sweet Talk Glitterbomb. This album is a deeply personal exploration of the intricate harmonic language and angular counterpoint Henry developed durin…
**300 copies, 2019 stock** "Dirk Serries and his wife, double bass player Martina Verhoeven, meet British tenor sax player Colin Webster, who also participated in the Dead Neanderthals’ Endless Voids, for a live improvisation, recorded at the DIY clu…
Originally released in 1967, Mama Too Tight stands as one of the most daring and structurally innovative albums from Archie Shepp, a pivotal figure in the free jazz movement and African-American cultural protest of the 1960s. Distinct from his more e…
"The CD surprised me because it could be listened to with many ears. At first I felt I could not separate it from contemporary composed music, soon after that I could still place it in the context of contemporary improvised music, and finally the fan…
The work of JJJJJerome Ellis lives comfortably in the gaps between silence and possibility. The Black disabled Grenadian-Jamaican-American artist creates atmospheric soundscapes with saxophone, organ, hammered dulcimer, electronics, and their voice. …
On a perfectly smooth surface of silence, three hurled stones create their patterns of waves. The lines intersect, unite, cancel out, or reinforce each other. Sometimes, they form together a harmonious pattern. At other times, they express the beauty…
"There are many illusive or ephemeral descriptions that are often part of how words seek to elucidate the listening experience. In the music we have on this recording from Florestan and the trio he has formed to venture his musical initiatives, words…