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** Edition of 250 copies, remastered from the original master tapes ** Real Time is an extraordinary example of interaction between musicians coming from different worlds of new music. I had the chance to perform with those two great musicians on other occasions: in duo with Alvin Curran and in duo, trio and sextet with Evan Parker. Alvin came from the American school, full of minimalist references, melodic structures and open to all kinds of contamination. Evan had left jazz to accomplish his o…
Includes an 8-page booklet with lyrics in English and Arabic. Nancy Mounir’s debut album, Nozhet El Nofous, is a remarkable communion with ghosts. Moody, hypnotic, and sneakily catchy, the album - whose title means “Promenade of the Souls'' in Arabic - explores microtonality, non-metered rhythms, and bold vulnerability through a musical dialogue between Mounir’s own arrangements and the sounds of archival recordings of once-famed singers from Egypt at the turn of the 20th century. Adding her own…
Huge Tip! * Limited edition of 300 copies, Embossed cover, comes with insert and postcard * Killer record here! Three Italian heavyweights doing what they do best - radical improvisation that sits somewhere between electronics, silence, and pure Mediterranean mystery. This is the real deal. Nicola Ratti, Alessandra Novaga, and Enrico Malatesta - three names you need to know if you're serious about contemporary improvised music.
The sound? Imagine if AMM had been born in Southern Europe with lapt…
Holidays Records is on fire! Hot on the heels of their recent incredible vinyl releases of the Italian sound artist and musician Ezio Piermattei’s “Gran trotto” and the duo Acchiappashpirt’s “Ninulla”, they return with one of their most important and captivating releases to date: Hartmut Geerken’s “Requiem for the Snake of Maidan”, a mind-blowing body of archival recordings from the 1970s, made on a stony ridge in the Hindukush mountains of Afghanistan, encountering the artist locked in a sprawl…
* 300 copies, deluxe edition with two booklets, perfect replica of the original. * Joining their rapidly growing catalog of radical gestures of creative sound, Holidays Records returns with one of their most important releases to date, the first ever vinyl reissue of Pygmy Unit’s “Signals From Earth”, a towering private press obscurity, originally released by the band in 1974. Blending Native American references into a body of sonority that draws on free improvisation, experimental electronic mu…
** Edition of 150 copies ** Pak Yan Lau: dismantled toy pianos, wind up toys, popping candy, bow, toy spring reverb, Buddha Machine, Tamayura bell, Japanese iron wind chimes, electronics, voice. Recorded and mixed at Outlau’d Studio, Brussels, in August 2020. Mastered by Giuseppe Ielasi. Cover illustration by Eleusi.
It’s not often that Aerophonic Records has put out recordings by bands that are first-time groupings. There are a few notable ones, including AR024 and 026 – Of Things Beyond Thule Volume 1 and 2 featuring Joe McPhee, Tomeka Reid, Brandon Lopez, and Paal Nilssen-Love. Another one was AR029 Stringers and Struts with Jeff Parker, Ingebrigt Håker Flaten, and Jeremy Cunningham. Those lineups and performances were just too stellar to let them pass without being documented (and those records are all l…
"I started Blink in the summer of 2024, aiming to create a band sound where collective improvisations and responses take precedence over individual solos. The compositions are inspired by group behavioral patterns such as insect swarms and bird flocks, with their organic swells in dynamics and density. Gabe and Nate’s instruments are tuned a quarter tone sharp, giving the band a distinctive, off-balance feel – one inspired by classic African High Life bands, Indonesian Gamelan ensembles, and Del…
*2025 stock* Driff Records proudly announces the release of PorchBone, the latest project from Dutch saxophonist and composer Jorrit Dijkstra, leading an adventurous ensemble that brings new colors and textures to contemporary improvised music.
On PorchBone, Dijkstra assembles a singular front line that sets alto saxophone and lyricon alongside the rich, brassy voice of the trombone. This unusual pairing creates a wide palette of timbres—by turns muscular, playful, and surprisingly intimate. Th…
As students in the late 1980s, Julia Werntz and Pandelis Karayorgis both enrolled in Joe Maneri’s Microtonal Composition and Performance class at the New England Conservatory, beginning a formative period of mentorship and collaborations with musicians in the scene surrounding that course. During those years a special mindset was cultivated regarding rhythm and musical form, as well as the rich world of microtonal melody and harmony. We also were married during that period, but our musical paths…
Pogus is absolutely delighted to offer this new release by Alvin Lucier, three of which are previously unrecorded. The overwhelming feeling that comes from Still and Moving Lines, a new Pogus disc featuring four compositions by Alvin Lucier performed by the Australian new music ensemble Decibel, is that it is an exercise in listening. It invites you to explore the world sonically beyond the immediate aural experiences normally presented to you. By challenging and subverting listening conventions…
*Limited edition of 300 copies* Previously unreleased in any form, the seven tracks comprising "Brengenging Sala" (with a running time of more than 73 minutes) offer a true overview of Matt Shoemaker's genius as a master sculptor of potent and affecting sound art. His trademark haptic tones and scraping feedback build tension; his elegant electronics provide guidance; and his scrupulously curated field recordings articulate the sense of place requisite for full immersion in this sound world. Per…
Burn the Night / Bruciare la Notte: Original Recordings, 1983–1989 is the first archival collection of music by the Italian minimalist composer Tiziano Popoli. In his music, Popoli framed the Italian avant-garde and New Wave of the 1980s through an architectural aesthetic distinctly detailed by a Yamaha DX7 synthesizer, Roland TR-909 drum machine, and early sampling technology.
Sister Irene O'Connor’s Fire of God's Love, reissued by Freedom To Spend, is a visionary 1976 private-press recording from Australia, blending devotional song with experimental electronics and echo-drenched vocals. The album’s raw spirituality, home studio inventiveness, and tape manipulations grant it a unique place in outsider pop, now made newly available to contemporary listeners in beautifully restored form.
Sunergy brings together synthesists Kaitlyn Aurelia Smith and Suzanne Ciani for the thirteenth installment of FRKWYS, RVNG Intl.’s intergenerational collaboration series. For this edition, a panorama of the Pacific Coast provides the place and head space for a musical appreciation and consideration of a life-giving form vast and volatile with change.
Fortuitously (as is the freaky way), Smith and Ciani were discovered to be neighbors in the small coastal community of Bolinas, California. T…
An astonishing album, Lion's Eye for Gamelan was commissioned in 1985 by Barbara Benary for Gamelan Son of Lion. Lion's Eye for Synthesizer was commissioned concurrently by Neil Rolnick for iEAR Presents at Rensselaer Polytechnic Institute. Both versions were performed in 1985. The intention to combine both pieces in order to expand the tempo range of the Gamelan was first realized in May of 1989 in performances by the Berkeley Gamelan in Oakland and San Francisco, California under the direction…
splendid double CD set documenting César Bolaños - one of the leading artists of the Latin American avant-garde of the mid 20th century - amazing early electronic work. The recordings bring together for the first time a definitive edition of his work on a double CD, the music have been digitalised directly from the original tapes and really have a fabulous clarity. So much music these days is labelled as experimental but I often I ask myself if it's creators are genuinely experimenting. That ce…
A participant in the National Science Foundation’s Antarctic Artists and Writers Program, Leonard lived and worked at Palmer Research Station for five weeks in 2009. At this remote outpost on the Antarctic Peninsula, the composer made pristine field recordings of ice, water, wind, and wildlife. During this time she also gathered (with the proper permits) rocks, shells, and penguin bones which she later fashioned into the penguin bone idiophones, and sculptural percussion instruments featured on …
“Composition 429” is the first piece using a new writing method that Braxton calls “Lorraine.” The composer’s notes to the piece describe Lorraine as “a music system that governs the ‘sonic winds’ of breath.” Saxophonist and longtime collaborator James Fei contributes an essay detailing the Lorraine system, which uses a combination of traditional notation and color-coded symbols of the composer’s design to indicate “specific sound types or performance techniques,” drawing from Braxton’s long his…