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Corona
1995 release ** "Main were a British band formed in 1991 by guitarists Robert Hampson and Scott Dowson, both formerly of the English rock band Loop. Drawing on that group's experimentation with drones and guitar texture, the duo moved further into ambient sound, eventually abandoning traditional percussion and rhythm altogether. They released a number of albums and EPs to critical praise in the 1990s. Dawson left the group in 1996."
Life Is Complex
2017 release ** "Building beats and sounds with electronics is a huge part on the record. The drums and the electronics prime the whole album without being reduced to a straight beat. Patrick Schimanski moves from abstract sounds to micro rhythms to straight beats (saturated by any background you can think of) and back again. The drum sound has a percussive tone to it as well: There are bells and congas and more like it. Patrick Schimanski is working a lot with different theaters around Germany …
Solemn
2007 release ** "I've rarely heard anything this slow avoid being repetitive this successfully and, in fact, it wouldn't be too difficult for other bands to take a leaf out of Solemn's book and try a similar approach. One of the ways in which this does well is down to the structuring of the album. The two opening songs are both colossal slabs of slow doom that include lots of subtle keyboards and soundscapes, as well as an outstanding vocal performance, more on which later. They pack in just abo…
Frieda Bertelsohn Martholdy: Streichquartette – Entschlummern Sollst Du, Sollst Entschlummern
2024 stock. The album Entschlummern sollst du, sollst entschlummern (engl.: Thou shall slumber, slumber, shall thou) brings us the first ever released recordings of four string quartets by Frieda Bertelsohn Martholdy (1878 -1907), a composer yet unknown to most of us. The first listening makes undoubtedly clear what an original voice as a composer and what an astonishing achievement from the performers we are witnessing here. Frieda Bertelsohn Martholdys thoroughly modern sounding music fluently…
Cone Of Confusion
"A fantastic record, filled with curves and swerves. The trio has a driving frictious nature that is fairly indelible." - TJ Norris, Toneshift
Perspectives And Echoes / Tautologos III
-bRt- group for music creationGaudenz Badrutt, live electronics / Estelle Beiner, violin / Jacques Demierre, piano / Jonas Kocher, accordion (Tautologos III) / Stephen Menotti, trombone / Manon Pierrehumbert, harp / Christian Wolfarth, percussion
Artistic direction: Gaudenz Badrutt & Jonas Kocher
Liner notes by Lê Quan Ninh:Free improvisation is defined, among other things, by its practioners' refusal to rely on a form composed by others. Partially, perhaps, from pride, but above all from playfu…
Premonitions: Underground Cassette Network 1989-90
Infinite Expanse follows up their first two LPs with a return to the cassette format, diving deep into the world of the underground cassette network with a focus on SoundImage, a label founded by Martin Franklin and active in Slough between 1989-91. Presented is a compilation of two compilations – Premonitions (1989) and Spiritual (1990) – featuring stalwarts from the scene, including The Vitamin B12, M.Nomized, Konrad Kraft and Hybryds, as well as a host of ungoogleable artists, such as The Hap…
Goebbels/Glass/Radigue
*2024 stock* Erwan Keravec's 4th opus devoted to contemporary music, Goebbels/Glass/Radigue features a trio of contemporary music maestros. Evocative, minimal or sensitive, 3 very different ways of imagining music. Heiner Goebbels places the bagpipes in the mountains, then abruptly in an industrial landscape, all the while quoting Bach, while Philip Glass' music uses the repetition of 5 notes served by continuous breathing. Finally, Eliane Radigue brings the instrument closer to intimacy.
Éthiopiques 3: Golden Years Of Modern Ethiopian Music 1969-1975
*2024 stock* The Amha Records label issued approx 250 tracks in six years (1969-1975). 8 songs on this "Ethiopiques 3" CD are accompanied by bands affiliated with the Police. Indeed, until the very end of the 1960s, Ethiopia had no independant modern bands. Musical life was wholly dominated by the institutional bands attachd to either the Imperial Body Guard, the Police, the Army, the ciry of Addis Ababa, Agher Feqer Mahber or the Hayle Sellasie Theatre. Each of these institutions developed seve…
Éthiopiques 4: Ethio Jazz & Musique Instrumentale 1969-1974)
*2024 stock* In the Ethiopian musical world, Mulatu Astatqé is a typical, totaly unique personality, a legend unto himself. For 30 years, he has been an inescapabe presence, a virtual statue casting a long shadow over the Ethiopian scene. His true singularity resides in his efforts in instrumental music in a country where musical culture and tradition are strangers to it. Note: Jim Jarmush put some of these hypnotic instrumentals to great use in the soundtrack of his film Broken Flowers
Éthiopiques 5: Tigrigna Music (Tigra / Eritrea 1970-1975)
*2024 stock* "Tigrigna music" refers to music of Tigray and Eritrea. The majorities in each of these territories share the same language, Tigrigna. Tigrigna music, dominant in Tigray and Eritrea, is quite distinct, both rhythmically and melodically, from 'Ethiopian' music, though both share the pentatonic scale. However, the instrument and traditional musical practices are similar, while their names may vary. Aside from the Tigrean Bèzuayènè Zègèyè, most of the artists featured on this album are…
Éthiopiques 6: Almaz
*2024 stock* For many years everything we knew about Mahmoud Ahmed (and Ethiopian music in general) was limited to the cult album Erè Mèla Mèla (Ethiopiques 7 CD 829802), recorded in 1975 but released for the first time in Europe in 1986. Mahmoud's first LP, Almas ("Almaz men eda nèw"), recorded two years before Erè Mèla Mèla, now bears new witness to the talent of one of the greatest Ethiopian artists of the past 35 years.
Éthiopiques 8: Swinging Addis
*2024 stock* In the 1960s there was a Swinging Addis just as there was a Swinging London. In Ethiopia, as in Europe bor the USA, the first generation born after the war made their noisy, colourful breakthrough onto the scene. A veritable cultural revolution rather than a simple generational conflict. With music as its detonator and its common denominator. This volume aims to collect the clearest examples of soul, R'n'B and even twist in the recordings of the Ethiopian 'sixties'. The quintessence…
Éthiopiques 9 (1969-1974)
*2024 stock* The Alèmayèhu songs already presented in Ethiopiques 3 and 8 have given a foretaste of this outstanding stylist of Ethiopian pop, a singer as remarkable for his frenetic rock numbers as for his heartrending ballads. By dint of rampant Americanism, he earned himsef such nicknames as The Ethiopian James Brown or the Abyssinian Elvis. With his dazzling stage presence, nimble voicebox and wicked pompadour, he is a strutting show-off, straight out of American Graffiti or Saturday Night F…
Éthiopiques 10: Tezeta - Ethiopian Blues & Ballads
*2024 stock* Emptiness, melancholy, nostalgia; doom and gloom, morbid musings; heartache or homesickness: such is the stock in trade of the misery and mournful memories expressed by the song Tezeta - Ethiopia's majestic hymn to the blues. Etymologically, the word itself means memory, nostalgia, and several Ethiopian authors have used Tezeta as the title for their memoirs. For Ethiopians, it is the Tezeta genre that seems to capture the essence of the blues.
Éthiopiques 14: Negus Of Ethiopian Sax
*2024 stock* Probably the most revered veteran of Ethiopian saxophone, Gétatchèw Mèkurya is the 'inventor' of an extremely distinctive musical style. Amongst Ethiopia's numerous vocal genres, there exists a form of singing that is purely warlik: epic and declamatory, harsh and hoarse-voiced, it is known as 'shellela'. This bellicose thunderbolt, quite strictly vocal, was improvised before each attack. Gétatchèw Mèkurya had the brilliant idea of transposing the genre to his saxophone, and here we…
Éthiopiques 18: Asguèbba!
*2024 stock* «Asguèbba!» is the Azmari’s cry urging listeners to enter into the dance, an invitation carrying the same sexual innuendo as Latino’s ¡Va dentro! The recordings on this CD are intended as a continuation of those in Tètchawèt! (Ethiopiques 2) and feature most of the artists from the first edition.The songs are accompanied on the mèessenqo (one string fiddle), the krar lyre, the kebero drum and the accordion.
Éthiopiques 19: Alèmyé
*2024 stock* «An authentic legend in Ethiopia, Mahmoud Ahmed has laid down the basis of a music style which is resolutely original in the way it synthesizes the most diverse influences into a language both typical and universal. With his haunting, serpentine voice, at the same time raucous and velvety, Mahmoud Ahmed has invented a world of uncertain borders, an improbable mix of Eastern-African rhythmic lines, mysterious laments with refined ornamentation and melodies of unexpected Indian modula…
Éthiopiques 20: Live In Addis
*2024 stock* Russ Gershon and his Grammy-nominated Either/Orchestra have included many Ethiopian pieces into their repertoire in recent years. In January 2004, the Boston big band travelled to Addis for a dream-come-true concert featuring prestigious Ethiopian guests, among them Mulatu Astatqè (Ethiopiques 4, «Broken Flowers») and Gétatchèw Mekurya (Ethiopiques 14). This recording perfectly renders the energy and emotion of this gathering, with beautiful arrangements remarkably performed by exce…
Éthiopiques 21: Piano Solo
*2024 stock* An outstanding pianist and a remarkable composer, Emahoy Tsegué-Maryam Guébrou, now a Christian nun in a Jerusalem monastery, recorded her own piano solo works, seeped in Ethiopian culture. Their rich, personal poetry brings to mind Carlos d’Alessio’s «India Song». A rare curiosity indeed, with beautiful melodies and a charming interpretation.