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Next To The Entire All
Next to the entire All is an astonishing work by Danish experimental sound quartet We like We, consisting of Katrine Grarup Elbo (violin), Josefine Opsahl (cello), Sara Nigard Rosendal (percussion) and Katinka Fogh Vindelev (voice). Although classically trained, all four share a desire for exploring, experimenting and shaping a sound of their own, something which is truly present on this album. Both instrumentation and composition feel glued together with an abundant sense of playfulness and vis…
Herman de Vries and the Eschenau Chaos Band
Herman de Vries, born 1931 in Alkmaar, is a Dutch visual artist who has been living in Eschenau in the Steigerwald region (Franconia, Germany) since 1970. Having started out as an Art Informel painter in the 1950s, his interests shifted in the ensuing years, and in the 1970s, he became focused on found objects from nature and their artistic-philosophical qualities and implications. He has made paintings, collages, texts, sculptures, installations, a.o., and has dealt with plants, earth, a…
Falten
** Edition of 300 with photos of Falten scores and liner notes by Dagmara Genda. ** After "Today, the organ has played beautifully again" and "32 bpm" from 2019, Edition Telemark presents three new LPs by Dutch sound artist William Engelen, released on the occasion of his exhibition "Klinkt goed" at Kunstmuseum Den Haag. All three LPs are released separately but may be listened to as a whole because they portray three work groups that are representative of Engelen's compositional methods: Falten…
The Days Within
Vert is back. And it’s as if his last album for sonig just came out. The eleven songs on The Days Within don’t have much to do with ragtime, but they have plenty to do with songwriting. A kind of songwriting that is so typical of Vert, who has meanwhile relocated to Berlin, that it can hardly be mistaken for anyone else’s. The tracks on The Days Within all have such a well-defined profile that it is difficult to describe them in terms of one specific style. Butler doesn’t like to use the same id…
Hans Rudolf Zeller
Hans Rudolf Zeller (b. 1934 in Berlin) is best-known for being a music theorist, essayist and writer on contemporary music. His essays on Dieter Schnebel, Iannis Xenakis, microtonality etc., often published in the German journal "Musik-Konzepte", are deemed being among the best ever written on new music. Apart from that, he has since the 1960s maintained his own artistic work, most of which has not been published or only seen the light of day in private micro-editions. Zeller's work often involv…
The Lost Tape & The Three Required Musics
Edition of 300. When future Fluxus artist Ben Patterson (1934–2016) traveled to Germany in 1960 in order to study with Karlheinz Stockhausen, he brought along a tape piece that he had produced in Hugh Le Caine's electronic studio in Canada and that he wanted to show to Stockhausen. They met briefly in the context of the World Music Days of the International Society for Contemporary Music (ISCM) in Cologne, but Patterson immediately sensed that their aesthetic ambitions and viewpoints differed to…
Streichquartette 3 + 4
After the orchestral piece KlangWerk 11 in 2022, Edition Telemark is proud to present the second LP by Berlin-based composer Erhard Grosskopf (b. 1934), featuring his two string quartets nos. 3 and 4 in previously unreleased recordings by the renowned Pellegrini Quartet, and pressed on multi-coloured Quadratic Mirage vinyl.
Like all of his seminal pieces, these quartets – written after one another in 1998 – exhibit Grosskopf's principle of composing in a space instead of on a timescale, thereby …
M_Sessions
M_Sessions is offering a contemporary version of Mania D., Malaria and Matador’s music for the 40th anniversary plus the rare originals. Bringing the past into the now and into the future. Monika Werkstatt seemed the perfect choice for new interpretations. Founded in 2015, comprising female electronic musicians and producers from the entourage of Monika Enterprise and Moabit Musik. The loose collective played dozens of improvised concerts around Europe and released a studio album and live record…
Verstrijken
* 300 copies * After "Today, the organ has played beautifully again" and "32 bpm" from 2019, Edition Telemark presents three new LPs by Dutch sound artist William Engelen, released on the occasion of his exhibition "Klinkt goed" at Kunstmuseum Den Haag. All three LPs are released separately but may be listened to as a whole because they portray three work groups that are representative of Engelen's compositional methods: Falten, Verstrijken and Gebrauchsspuren. The Dutch word "verstrijken" mean…
Words of Paradise
**Edition of 300. LP picture disc replicating the multi-colored circular scores; housed in a black die-cut sleeve with liner notes on the rear side** Robin Hayward (b. 1969 in Brighton, England) is a tuba player and composer based in Berlin. Since the 1990s, he has been concerning himself with experimental and radical playing techniques on brass instruments, initially through the discovery of the "noise-valve", later through development of the first fully microtonal tuba in 2009. In 2012, he inv…
Am Grabe (At the Grave)
Am Grabe (At the Grave) is an ongoing audio ritual executed by Stefan Fricke and Alper Maral. Since 2015, they have been visiting the graves and burial grounds of composers from various eras in order to record the sounds and noises present. Each sequence is a pure field recording, serving as a memento of a bit more than 4 minutes in length. After having been compiled for a series of radio programmes, selections from Am Grabe here appear on audio media for the first time. This edition commemorate…
Twenty-Three Carillon Sudokus
"Carillon Sudokus" is the sonic counterpart to "Oog & Oor" (Eye & Ear), the last work that Dutch sound and visual artist Paul Panhuysen (1934–2015) realized. Oog & Oor was a design made with his daughter Sappho Panhuysen for a temporary installation in the lighted column of the Rietveld bus shelter next to the town hall of Eindhoven. It is a further development from "Eight Double Sudokus", a series of large-scale prints exhibited at Museum De Pont in Tilburg in 2012. Both designs were created us…
Space Music
*300 copies limited edition* After "Spontaneous Music" in 2018, Edition Telemark presents "Space Music" by Japanese Fluxus artist Takako Saito (b. 1929) who has been living in Düsseldorf, Germany, since 1979. Similarly to the previous LP, the recordings featured here deal with everyday things and actions which Saito transforms through unique and deliberately crafted artistic interventions. For "Space Music", pieces were selected whose acoustic outcomes involve the characteristics of the spaces i…
Deutsche Bundesbahn
**Edition of 300. In process of stocking** Two previously unreleased recordings from Philip Corner's "Gong/Ear" series of works. Side A was recorded on a South German night train ride in 1990, side B in the Alps in 1994. "Riding the rails. Down the Rhine at-night alone in a compartment making music for my-self with those Korean-shaman-cymbals given as a gift from Ho-Sun Cheon (husband of Hong-Hee Kim who later will organize the festival 'The SeOUL of Fluxus' and invite-me come-and-participate) …
Unfamiliar Home
*200 copies limited edition* Daniela Fromberg and Stefan Roigk are multidisciplinary artists working at the borders between acousmatic sound collages, sculptures, installations and graphical scores, often combining different types of media into one single composition. Many of their works deal with fragments of everyday life that are presented in narrative stage-like installations.One such work is "Unfamiliar Home" which began life in 2012 when the house the artists live in got renovated as part …
Live At Zwingli-Kirche
*300 copies limited edition* The Feedbackorchester (Feedback Orchestra / FBO) consists of 8 electric guitarists who play exclusively feedback on their instruments. Situated at the intersection of rock music and sound art, the group was founded in Berlin in 1999 and has since been performing mainly in unusual locations with unique acoustic or architectural features, such as churches, stairwells, water reservoirs, ruins, barns, etc. After a number of self-released CD-Rs, this is their first vinyl …
Adulterio All'Italiana
Directed by Pasquale Festa Campanile, Adulterio all’italiana (Adultery Italian Style) is a biting comedy that targets bourgeois hypocrisy and the paradoxes of marriage in 1960s Italian society. Starring Ugo Tognazzi and Catherine Spaak, the film follows a couple in the midst of a full-blown marital crisis, navigating infidelity, subtle acts of revenge, and a battle of the sexes portrayed with intelligence and irony. Adding rhythm and color to this emotional battleground is Armando Trovajoli, who…
Vedo Nudo / Dove Vai Tutta Nuda? (Original Motion Picture Soundtrack)
“Vedo Nudo” is a comedy in episodes that explores the many facets of desire and Italian society in the 1960s. Starring the brilliant Nino Manfredi, the film ranges from irony to social critique, addressing themes of sexuality, taboos, and cultural changes with a light touch. The soundtrack adapts seamlessly to each episode, modulating its tone to suit the narrative and the characters. Armando Trovajoli demonstrates an extraordinary ability to create music that complements and enhances the mood o…
Dramma Della Gelosia (Tutti I Particolari In Cronaca) Colonna Sonora Originale Del Film
The soundtrack for “Dramma della Gelosia: Tutti i Particolari in Cronaca”, composed by Armando Trovajoli in 1970 for Ettore Scola's film, is a brilliant fusion of irony and emotion, perfectly aligning with the tragicomic tone of the movie. Trovajoli, a master of Italian film music, captures the film’s essence with a score that oscillates between lightheartedness and pathos, reflecting the emotional contradictions of the characters. Ettore Scola’s film, starring a stellar cast including Monica Vi…
Solo For Tamburium
With Solo for Tamburium, Hennix plays and manipulates recordings of her precisely tuned and continuously sustained tamburas through a keyboard interface, fusing tones into psychoacoustic textures in the style of her early modal works