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The Haunt
Recorded April 21, 1976, Blue Rock Studio, NYC. This is a reissue of the rare album, ‘The Haunt’ (Otic 1005). Includes a nearly 7 minute bonus track not found on original LP. Featuring Bobby Naughton on vibes & compositions, (Wadada) Leo Smith on trumpet and Perry Robinson on clarinet. Recorded April 21, 1976, Blue Rock Studio, NYC. This is a reissue of the rare album, ‘The Haunt’ (Otic 1005). After attending dozen of jazz gigs at places like the Village Vanguard, the Village Gate and the Five S…
Rivbea Live! Series, Volume 1
Kalaparusha Maurice McIntyre - tenor saxophone, clarinetMalachi Thompson - trumpetMilton Suggs - electric bassAlvin Fielder - drums
Recorded July 12, 1975 at Studio Rivbea, 24 Bond Street, NYCRemastered by Arūnas Zujus at MAMAstudios, Vilnius, LithuaniaPhotos by Thierry TrombertCover art and design by Jeff DiPernaLiner notes by Ed Hazell
Rivbea Live! Series, Volume 2
An extraordinary, previously unheard session by alto saxophonist Arthur Blythe originally recorded on July 6, 1976 in New York City, and performed in the expansive, unconfined environment of the loft jazz movement, delivering remarkable extended solos on alto saxophone. The minimalist ensemble comprises Juni Booth on bass, Steve Reid on drums, and Muhammad Abdullah on conga, devoid of piano or additional horns, allowing Blythe ample opportunity to showcase his improvisational skills. The initial…
Frictions / Frictions Now
Awesome archival CD covering the entire production by The Free Jazz Group Wiesbaden, a quartet with the odd instrumentation of reeds (Dieter Scherf), trumpet (Michael Sell), guitar (Gerhard König, who also played flute) and percussion (Wolfgang Schlick). They released two appropriately schizoid LPs on Scherf’s LST label in 1969 and 1971 (Frictions and Frictions Now, here collected) before disbanding. This is a stunning copy of their first very rare private press side, 1969 Frictions, a spectacul…
Constant Change 1976-2016
This solo piano music has never been released before on disc. It covers a 40-year period stretching from 1976 to 2016 and contains both live concerts and studio sessions. "Paris / Debrecen are both Festival performances recorded at a period when I was concentrating on developing my own material / compositions, and before I had evolved my ‘with or without repertoire’ approach to solo playing, which explained in the ‘sleeve-note’ to Live With Repertoire on NoBusiness Records CD 58 (briefly: some p…
Melodic Art-Tet
**CD edition** 1974 recordings at WKCR in NYC from the quintet of Charles Brackeen (flute & sax), Ahmed Abdullah (trumpet), William Parker (bass), Roger Blank (drums) and Tony Waters (percussion), beautifully recorded and essential free improvisation. "The dominant influences at this time were John Coltrane and Albert Ayler (both of whom had passed away relatively recently); and Ornette Coleman (who had not yet gone Harmolodic). Although some musicians had sought to push the Fire Music of late C…
Live at Vilnius Jazz Festival
A demanding live duo performance from New York drummer William Hooker and Lithunian saxophonist Liudas Mockunas, performing at the 2013 Vilnius Jazz Festival. The playing is hard-edged, rugged and free playing, keeping a strong momentum from Hooker's unabating drive, maintaining a solid pulse without seeming to repeat himself. Mockunas has a thick confident approach to his playing, varying melodic riffs with trance-like playing. An album of edge-of the-seat and persuasive playing."Liudas Mockuna…
Live at Cafe Amores
Kang Tae Hwan plays alto sax with a rawness that's usually reserved for the tenor – a fantastic sound that really comes through beautifully here in this solo set of improvisations! The material was recorded around the same time as Kang's brilliant (and few) recordings for the Japanese market – and the long-overdue presentation of this performance comes as a much-needed accompaniment to his small catalog – the kind of record that boldly, brilliantly documents a completely unique talent – one whos…
Mole's Milk & Other Pieces
2012 release ** For many years now there is a strong connection between the three members of Kapotte Muziek – Frans de Waard, Roel Meelkop & Peter Duimelinks – and Rotterdam based visual artist Ben Schot. The first time they worked together was when Schot asked Kapotte Muziek to perform at a festival about Detroit/MC5/etc festival in 1998 (released on ‘Praag/Rotterdam’ CD by Kapotte Muziek) and since then there have been various collaborations and constellations. This CD, while technically a com…
Personalidade
1987 release ** "One of Brazilian PolyGram's anthologies of homegrown music, this volume offers a cross-section of Milton Nascimento's Brazilian output from 1980 to 1985, with a side trip way back to the unforgettable tune that launched him in 1967, "Travessia." From North American rock/funk -- a live rendition of a tune dedicated to the Beatles, "Para Lennon e McCartney" -- to smooth-textured pop, lush electronic backdrops, a mournful Villa-Lobos melody ("Cantiga"), and various Brazilian backgr…
Sea Shanties
2010 release ** "With the Misunderstood, Tony Hill co-wrote epochal psych-rock anthems like "Children of the Sun"; however, while High Tide's sound has roots in the peace-and-love era, the band was also in tune with the post-psychedelic comedown at the decade's darker end. On Sea Shanties, there's nothing fey and flowery in Hill's bleak lyrics or his doomy Jim Morrison-like delivery, and psychedelia's melodic whimsy is supplanted by a physicality more in line with the visceral heft of metal prog…
Katër i radës. Il naufragio
2015 release ** "The Albanian patrol boat Katër i Radës sank in the Strait of Otranto in 1997 after being rammed by an Italian corvette that was trying to repel it. Around 100 women, men and children died while fleeing the civil war. Almost twenty years after that tragedy, the Albanian composer Admir Shkurtaj, who has lived in Salento by adoption, has written a contemporary chamber opera for the 2014 Venice Biennale (which commissioned it), with a libretto by Alessandro Leogrande and staged by t…
In Veil
Refracted's "In Veil" materialises as the third emission in the Titrate series. A gradual unfolding across six passages, each step a study in the dissolution of boundaries. Here, time becomes elastic - synthetic textures breathe alongside captured moments of reality, neither demanding prominence nor seeking refuge in the background. Percussion appears as memory rather than rhythm, while drones hover like fog over unknown lands. Cut to 180g vinyl and embraced by 350gsm reverse board, "In Veil" do…
The Bloody Lady
Electroacoustic composer Claire Rousay (US) presents her new album, ‘The Bloody Lady’, featuring the reimagined score she wrote for Viktor Kubal's 1980 eponymous animated film. Kubal (1923-1997), a pioneering Slovak animator, is considered one of the most influential animation filmmakers of the 20th century. Known as a singular artist who challenges conventions in experimental and ambient music forms, rousay crafted the score in her home studio immediately after moving to LA over the course of 2…
Sidiroun Parapetasma
“Sidiroun Parapetasma” is MMMΔ’s 14th release to date. The band is leaving -temporarily- behind the slow hypnotic beat experimentation of Nomenklatura and releases a powerful, majestic album of four tracks, a “clin d'œil” at the bootlegging practices of copying music to analogue tape and discarded X-rays in the Soviet era.
The music is heavy, monolithic and massive, filled with rhythmic explosions, repetitive motifs, ethereal synths and harsh atmospheric vocals or hidden screams that harmonize…
The Fabulous Truth
The second full-length album by NYC composer and multi-instrumentalist Eve Essex, The Fabulous Truth is both an ecstatic paean to liberty and an intense look at the psychological prices paid for seeking independence in an unforgiving world.
Bahriye Ciftetellisi
2013 release ** "Music from the Istanbul hotspot, from the relatively unknown Dolapdere district, inhabited by the local Roma who emigrated from Thrace. The clarinet virtuoso and the musicians surrounding him play a modern version of classic Turkish Roma (Gypsy) music, as well as folk songs from Albania, Macedonia, Spain, etc., which they have adapted to their own particular style. Orchestrated by A Hawk and A Hacksaw and released on their label."
Vertical Language
Based in Tokyo, Keiko Higuchi is a vocalist and instrumentalist internationally renowned both for her solo performances and extensive collaborations in the world of underground improvisation, jazz and the avant garde. On Vertical Language, Higuchi has created an evocative and hauntingly beautiful album that unfurls in equal parts light and darkness, form and emptiness. On solo voice and piano as well as in duets with bassist Louis Inage, Higuchi performs a collection of songs and improvisations …