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Fractal Hair Geometry
The Dekorder label's boss Marc Richter is at the creative heart of Black To Comm, and he's certainly putting himself about a bit these days: there are new albums in the works for Digitalis, and in collaboration with Boomkat barnacle, John Xela, but before all that, we've got Fractal Hair Geometry to contend with, and it's a mightily entertaining three-quarter hours of adventurous and unusual drone studies. Richter combines wordless vocals and miscellaneous electronics with Casio and Farfisa orga…
Punani Rubberist
First edition of 300 copies. 'Punani Rubberist is a new composition for computer, bass clarinet and gas horn. The CD includes remixes by Kazumoto Endo, eRikm, and Joe Gilmore, and an additional unreleased solo computer composition (Excelsior Punani) from 2003. He plucked a hair from his body, chewed it up, spat it out, made the magic with his fist, said the words of the spell, and shouted 'Change!'. It turned into hundreds and thousands of little monkeys, who rushed wildly about grabbing weapons…
Or
After the pruitt igoe e.p, kangding ray returns with his third album for raster-noton, pushing further his explorations on the edge of digital and analog sounds. With or, kangding ray continues to blur the borders between experimental and bass music, and brings his signature sound to another level, somewhere at the darkest fringe of club culture. With the massive metallic beats of « athem », the frightening distorded waves of « mojave », the elevated groove of « odd sympathy », the modulated gui…
From The Kitchen Archives No.3: Amplified: New Music Meets Rock
From the Kitchen Archives Vol. 3. Amplified: New Music Meets Rock, 1981-1986 is the third release in a series of CDs compiled from The Kitchen's archive that documents historic concert recordings at The Kitchen from the early 1970s to the mid-1980s. While the first two releases, New Music, New York 1979 and Steve Reich and Musicians, Live 1977 focused on major figures of new and experimental music from The Kitchen's first decade, Amplified moves into the early 1980s, representing a vocabulary th…
AURORA / THRENOS IV / PIRKEI TEHILLIM / MEMORARE
Titles often occur to Reinhard David Flender only after he has completed a composition. When listening to Aurora, for example, "a visual association is evoked. The piece starts with a long double bass tone. Then a high pitched tone played by oboe and harp comes in, briefly at first, repeated at intervals; as the piece proceeds it is joined by other tones, until a short melody emerges. Thus the title Aurora, the first rays of sun at the crack of dawn, which then give way to a shape: the dome of t…
Gene packs
Hirotomo Hasegawa : ichiriki, voice, loops. Shizuo Uchida : bass, ichigen, loops. Debut album by a new improvisation group consisting of Hirotomo Hasegawa and Shizuo Uchida. Both have a leather-bound folder full of underground back-story. Hasegawa was the lead singer of seminal early eighties Japanese punk hardcore group Aburadako (Greasy Octopus), while Uchida was a long-term member of Haino's Nijiumu medieval dream-drone unit. The group's instrumentation is highly unorthodox, placing Uchida's …
Ins Offene... / sphere
Enclosing the listener in sonic space: This is what Beat Furrer carried to extremes in his FAMA (col legno 20612), about 15 years after Rihm, by actually placing his audience in a “building of sound”. For Wolfgang Rihm, a sonic space was something less concrete and more indirect: “Organically sprawling strings of sound should be woven around the listener, circling her from different directions. In this way, the listener is not left to her own devices while opening up to it; the piece itself come…
Deluge & Sunder
Edition of 350 numbered and signed copies packaged in deluxe gatefold sleeves. A CD edition of what every DANIEL MENCHE fan considers his finest work to date. Remastered and expanded with a bonus album Sunder, a follow up to Deluge. Deluge & Sunder is actually a surprising departure from previous explorations by Mr. Menche as the tones are generated by real live instruments (bass guitar, accordion, piano and melodica) as played by a real live Menche. The rumbly counterpoint that so well defines …
Endokraniosis
This is probably one of the most clinical releases of Maurizio Bianchi's current discography. Together with Siegmar Fricke from Germany four very complex soundscapes have been produced that on the one hand show similarities and relations in sound to Maurizio’s early releases and on the other hand enter new territorities of clinical sound-excursions. The four long tracks contain metallurgic ambiences, painful postoperative distortions, quiet endoscopic sections and pulsating, radiant elect…
Ribbons Of Dust
In La Monte Young's formulation, drone music is built on the idea of vertical composition, moving away from developmental form towards "Vertical Hearing". The danger, of course, is that layers will be substituted for composition, resulting in dissonant monolithic roars. These have their place, but tread an easy route to some ambiguous transcendence. On the four extended meditations for guitar and electronics here, Alex Cobb chooses no such route. Instead, patience and focus help him build up vas…
And: The feast is in full progress
The second cello concerto, entitled: Y: la fiesta está en pleno apogeo – And: The feast is in full progress (1993), is based on a poem by the Chuvash poet Gennadi Aigi. The vision of a raging mass of people awaiting the last Judgment is transformed into music by the composer with gripping, immediate, expressive force, free of graphic patterns. A moment of glory not for Gubaidulina only, but for David Geringas on cello, too. And as a bonus on this CD: Diez Preludios –Ten Preludes for Cello, in Vl…
Archival Series - Musique Concréte Soundtracks To Experimental S
Second volume, focusing on the soundtracks to walerian borowczyk's early short films. One gem each by bernard parmegiani (a 10 minute hiss-noise extravaganza) and wlodzimierz kotonski (brilliant piano-themes and raw tones).
American Landscapes 2
American Landscapes 2 ramps up the intensity slowly and with the clear objective to display power and a thorough sense of control. The first 13 minutes come at you sounding like a forest fire churning with stored energy. Underneath this unfurling force are composed parts that are revealed through close inspection. Once the energy breaks a trombone/saxophone duo stops the presses and summons a simple chamber horn interlude with other brass walking in. The piece wanders a bit into more open free p…
Soundtracks To A Color: Gold & Black
Soundtracks To A Color: Gold & Black was an installation at LA Municipal Art Gallery as part of the COLA (City of Los Angeles) Fellowship exhibition from 2004. The installation consisted of 2000 posters: 1000 Gold and 1000 Black. Two separate rooms were covered with these posters that were covered solid in their color with the name of the color printed rather large in dead center. At the bottom of each poster was listed the instrumentation for each particular soundtrack to the color. The GO…
AR5 - Autovision
From 1974. A.R.'s fifth excursion with echo-guitar, a collection of group and solo recordings, would be his last studio album in the mind-blowing style. Available again with improved packaging.
Der Abgrund
"Der Abgrund is the last act of an unsolved theorem which must remains the same. It's the arcane enchanter of a denied truth since mimesis of itself, as not manifested manifestation that nevertheless perseveres on its concept of form beyond the form. It's omnivalent hypostasis of a prismatic Maurizio Bianchi who is annulling himself and reinvents between a climate and the other without solution of continuity, today in symbiotic communion with Frequency In Cycles Per Second. "Der Abgrund" is an o…
Creak above 33
An interesting development in recent times has been the transAtlantic and trans-generational connections being made in the improvisation community. The Emanem recording by Steve Beresford with Okkyung Lee and Peter Evans, and George Lewis' collaboration with GIO are just two recent examples that come to mind. At the forefront of this trend is the duo of Nate Wooley (trumpet & amplifier) and Paul Lytton (percussion & live electronics) bringing two of the most questioning minds in improvised music…
Live At Blå
First live document and fourth album overall from a band that mixes free jazz ecstasy with garage rock intensity. Even with no electricity, they make a hell of a noise and the album is an explosion of energy. Recorded at the Bla in Oslo.
The First Born
The First Born is (quite aptly) the first collaboration between Fabio Orsi (more than a recurring name in the In A Silent Place catalogue) and Mamuthones - better known to friends and family as Alessio Gastaldello and founding member and drummer of Jennifer Gentle, the Italian psych band signed to Sub Pop Records. After six years with the Jennifers, Alessio split amicably in late 2006 and reinvented himself as Mamuthones, a one-man project delving into primitive percussive jamming and equally pr…
White Stone Black Lamp
'From Between Trio partners percussionist Tatsuya Nakatani and saxophonist Michel Doneda in a duo release of unusual improvisation, the first release on Tatsuya's new Kobo label. Doneda performs on soprano and sopranino, chirping and smearing upper register sounds and laying out long tones that play beautifully to Nakatani's gongs, bows, drums, and inexplicable sound sources. Their long association yields an impressive compatibility and almost telepathic power in discourse. Impressive, un…