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Moon Child
*2022 stock* Pharoah Sanders’ Moon Child from 1990, which bookended a decade of musical soul searching for Sanders. The acclaimed free jazz player is known to have a raw and abrasive sound, but reinvented himself on this album as a more traditional improviser capable of thoughtful deliberations. Moon Child is a grand old time throughout, and Sanders has never been more eminently sing-along-able as he is on its title track.
The record was co-written with Horace Silver, George Gershwin and Abdulla…
Ray Draper Quintet featuring John Coltrane
Recorded in 1957 by Rudy Van Gelder and released in the same year on the New Jazz label, this was a major statement from Ray Draper, who besides working with the likes of Max Roach, Jackie Mclean and Donald Byrd, he has been one of the few tuba players who have made a name as band leader. In particular this quintet date was a courageous step with Draper sharing the frontline with John Coltrane. In fact the two gave voice to a very unusual combination of tuba and tenor sax. An unprecedented instr…
Se Ci Fosse La Luce Sarebbe Bellissimo
If you could paint the world black, rediscover it with a flashlight illuminating every single detail and turn each finding into an obsession while gliding across the murk then you might stumble into Blak Saagan’s new magniloquent quest ‘Se Ci Fosse La Luce Sarebbe Bellissimo’ (If there were light it would be beautiful), a monstrous work of dedication and sound architecture that investigates and soundtracks one of the saddest and most obscure pages of Italian history: the 1978 kidnapping of forme…
I Want the Beatles to Play at my Art Center
Music From the Henie Onstad Kunstsenter Archives 1968-2011. This 2LP presents seminal works of music from the nearly 50-year history of Henie Onstad Kunstsenter (HOK). When HOK founder Sonja Henie exclaimed that she wanted The Beatles to play at her art center, in essence she expressed its founding ambition to produce and stage a lively cross-artistic program that captured the contemporary spirit of the day in live form. This release is filled with previously-unreleased material recorded at H…
Angular mass
Koto virtuoso Michiyo Yagi joins the longstanding Norwegian duo of drummer Paal-Nilssen-Love and electronics wizard Lasse Marhaug for a session of extended improvisations. Galvanized by Nilssen-Love’s arsenal of sounds and textures, Yagi drives the most traditional of Japanese instruments to non-idiomatic and percussive extremes while Marhaug's abstractions reach heights of surprising lyricism. A veritable atlas of strange and wonderful sonic terrain, “Angular Mass” invites the listener to an un…
Pole Für 2 (Integrale Version)
*2022 Stock.* 'The Stockhausen Edition no. 103 contains the first complete recording of Pole (Poles, 1969-70) for 2 soloists with shortwave radio (and small instruments). Vocalists Natascha Nikeprelevic and Michael Vetter are featured here. The score for Pole includes directions for spatial placement of sound sources, which were realized through panning and digital reverb. An earlier recording of this piece with Péter Eötvös & Harald Bojé can be found on The Stockhausen Edition no. 15.' - Stockh…
Synthi-Fou / Dienstags-Abschied
*2022 Stock.* Karlheinz Stockhausen – “Synthi-Fou / Dienstags-Abschied ” "A double –CD like this one falls right into that crystal clarity, giving yet more insight into how his art is achieved, piece by piece, structurally – but as it is with human beings or a flower or an Earth sun rise, the result is much more and something else altogether than the sum of all the parts… and somewhere in that realm lies the real mystery; that elusive, vibrant core of beauty and truth which can’t be accounted fo…
Donnerstag Aus Licht
Karlheinz Stockhausen – “Donnerstag aus Licht” (“Thursday from Light”); opera in three acts, a greeting and a farewell for 15 musical interpreters (4 solo voices, 8 instrumental soloists, 3 solo dancers), chorus, orchestra and magnetic tapes (1978 – 1980) " It arises in a silvery, calm motion of wind instruments – obviously preparing us for something of importance and vast durations. It is “Donnerstag-Gruss” (“Thursday Greeting”); the start of “Donnerstag aus Licht” (“Thursday from Light”); the …
Red One
After the last If, Bwana (Al Margolis) release on Pogus the large-scale double cd E (and Sometimes Why), this brand new If, Bwana recording is a little more intimate. This release consists of six smaller works for one or at most two instruments - with the instruments all being multi-tracked for a denser, deeper sound. Red One features performances by stalwart experimental/avant musician/composers such as Nate Wooley, trumpet, on Toys for Al (with Al Margolis on toy trumpet); Ellen Band's vocals …
Primeval Man Born of the Cosmic Egg
In Chinese mythology, Pan Gu is the primeval man, born of the cosmic egg. One day the egg split open. The top half became the sky and the bottom half the earth. Pan Gu, who emerged from the broken egg, grew ten feet taller every day, just as the sky became ten feet higher and the earth ten feet thicker. After 18,000 years Pan Gu died. Then, like the cosmic egg, he split into a number of parts. His head formed the sun and moon, his blood the rivers and seas, his hair the forests, his sweat the ra…
Issue 465, November 2022, Tyshawn Sorey (Magazine + CD)
*The latest Wire Tapper CD, free to all readers with The Wire 465 November 2022 issue.* On the cover... Tyshawn Sorey: The genre straddling polymath unifies improvisation and composition into his own rigorous and powerful sense of expression. Plus: Black Composers: After a century of racist and Eurocentric marginalisation, the AACM and others forged new strategies for creative experimentation. Horse Lords: The Baltimore noise rock quartet gallop through a panoply of tunings and philosophical ide…
Issue 464, October 2022, Lucrecia Dalt (Magazine)
On the cover... Lucrecia Dalt: The Colombian experimental musician and now sought after soundtrack composer explores heritage and diaspora through rhythmic rearrangements of South American music on new album ¡Ay!; Inside the issue... Anthony Moore: The former Slapp Happy and Henry Cow player has forged a unique career taking in stadium rock, experimental film, modern composition and his own solo works; Carl Stone: The electronic music and sampling pioneer gets music history dancing to a new tune…
Maggot Brain #8 (Mar/Apr/May 2021) (Magazine)
The cover feature is an epic, really long timeline of images and interview with the modern king of arts portrait photography, Michael Lavine; Amazing archival images by Gail Butensky and reflections on Pavement + what we think is the band's first new interview in a decade in anticipation of their reunion shows and events later this year. Tom Scharpling talks about prog rock with Matt Berry; A lengthy interview with the SF-based dreamy pop band Cindy by editor Mike McGonigal; Reuben Radding's kil…
Maggot Brain #6 (Sep/Oct/Nov 2021) (Magazine)
"On The Cover: Amazing unseen image of Bikini Kill live at CBGB in 1990, by Mike Galinsky, with accompanying lengthy photo essay exploring indie-rock in the early 1990s, including behind-the-scenes, unpublished black-and-white film images of Sonic Youth, Unwound, Mary Timony, Sleepyhead, Half Japanese, and more. Columns: Luc Sante's ridiculously good 'Pinakothek' column where he goes off on one image; John Colpits AKA Kid Millions on Miles Cooper Seaton (RIP); The forgotten brilliance of bluesy …
Superscience
901 Editions is proud to announce the latest release by Japan’s Minamo, the duo formed by Tetsuro Yasunaga and Keiichi Sugimoto. "Superscience" follows their recent collaboration with Moskitoo "Superstition", released by 12k in April, 2020. The work was recorded at Ochiai Soup in Tokyo on May 11th of 2019 as part of the label’s showcase 9+1=0. This live format, which embodies the notion of imperfection, irony riddled in its name, has been presented in Rome, Milan, and London. These showcases com…
MLMC Live At Punctum
“MLMC Live at Punctum” marks the return of media artist, performer and experimental musician Aloïs Yang to 901 Editions after his immersive sound explorations on “Micro Loop Macro Cycle” (2018). “Micro Loop Macro Cycle” is made up of installation, performance, video, and digital releases that investigate environmental cycles through the studies of various states of water. It invites participants to consider their profound relationship to the element of water through technology, and the combined …
Un Fiocco di Neve
“Un Fiocco Di Neve” (Italian word for snowflake) is one of the possible crystallisations of an ongoing project called Nucleazione (Nucleation), started in 2017 and consisting of the accumulation of over 200 sound files and silences pulled together and randomly overlapped with no control. The five compositions of this album originate from a series of auto-generative methods, which I found brought me to new listening experiences in the process of composing. I trace my steps back to a decentered, l…
Leaving
**Glass mastered CD • 6-panel digisleeve (coated 350gms cardboard)** Operating between Italy in Japan, since its founding in 2018, 901 Editions has carved a singular path through the landscape of experimental sound. Like its predecessor, Farmacia901, the label is founded around principles of minimal beauty, music as design, and sound as malleable material, issuing stunning works by Akio Suzuki, Steve Roden, Minamo, Yann Novak, Giovanni Di Domenico, Asmus Tietchens, and numerous others. Their lat…
La Disparition
** Glass mastered CD. 6-panel digisleeve (coated 350gms cardboard). Matte finish. Text by Xavier Veilhan. Designed by Mote Studio ** Inspired by Georges Perec's lipogrammatic novel “La Disparition”, written without the use of the letter e. The music score and its interpretation reflect constraint as a process. The score is dedicated to Reinier Van Houdt. — Score and photography by Bruno Duplant. Renato Grieco plays double bass and baroque double bass. Recorded by Renato Grieco.
Up In Air
"After a near decade of solo and collaborative projects, Up in Air is Ben Pritchard's most confident foray into songwriting yet, nestling lopsided experimentation into a bed of lowslung blues and reflective folk." Featuring collaborators Sholto Dobie on self-built organs, and bassist Otto Willberg.