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DINTE's partnership with Philadelphia store/distro World Gone Mad yields three more essential cassette-only mixtapes exploring the global proliferation of the punk spirit - this time exploring 1980s French language post-punk and new wave in France, Belgium and Switzerland across the decade. This is part 1 of 3, focusing on 1980 to 1983.
Tip Our next release with Gary Sullivan's Bodega Pop project - rooted in a passion for digging for music in bodegas and cell-phone stores across NYC's boroughs. This edition focuses in on early recordings found in Russian neighborhoods in Brooklyn & Queens. "At the turn of the last century, the Russian Empire stood at a crossroads, caught between the weight of its imperial past and the promise of a radically altered future. Recorded during a period of profound cultural transformation and unrest,…
A record that's every bit as great as you'd guess from the three artists billed on the cover -- raw guitar from Terrie Ex, offbeat alto sax from Brodie West, and some amazing percussion from the legendary Han Bennink! The record feels very free and improvised -- very much in the best spirit of other Ex/Bennink collaborations, but really taken to the next level with West's contributions -- played with a raw tone that really holds the whole thing together, and sends it back to almost ESP-l…
*In process of stocking.* A collection of lo-fi ambient work by Danish artist Franciska. Forventning released as a double cassette on the label Forlaget Kornmod, a collective label based in Odense and Copenhagen introducing New Danish heartfelt sounds.
** Special mirroring/olographic cover. Edition of 300 copies ** After his participation in a masterpiece such as Popol Vuh’s Hosianna Mantra, in the early 1980s Klaus Wiese produced a series of seminal works in the field of ambient-drone and healing music. The first of these, Baraka, was released on tape by Acquamarin in 1981, and already contained all the aspects of his future research into the mysticism of sound. Wiese shares the path with other German explorers such as Michael Peter Hamel, …
Super Tip! “Il Serpente” (Night Flight from Moscow) is a 1973 spy and thriller film directed by Henri Verneuil, starring among others Yul Brinner, Henry Fonda and Philippe Noiret. It’s one of the French director’s six movies that feature a soundtrack composed by Ennio Morricone, who here managed to describe the thrilling atmosphere of this high-voltage espionage, alternating dramatic and mysterious passages ("Assassinio sul Lago", "Il Serpente") and experimental ones ("Astrazione con Ritmo", "Es…
* Black vinyl edition. Gatefold cover * Dario Argento’s opera prima ‘L’uccello dalle piume di cristallo’ was premiered in 1970 and marked an historical and revolutionary debut, being a truly original and innovative thriller. The stylistic choices of Argento mark a clear step forward from the thrillers of that era and even the soundtrack was something utterly special.Argento assigned the score to Ennio Morricone, composer of the soundtracks for ‘Comandamenti per un gangster’, ‘C’era una volta il …
Released in October 1967, We Are Ever So Clean was the wonderful debut album by Blossom Toes, one of Britain’s most imaginative bands of the late 1960s. Originally known as The Ingoes, the band featured Brian Gooding (guitar, vocals, keyboards), Jim Cregan (guitar, vocals), Brian Belshaw (bass, vocals) and Kevin Westlake (drums, percussion). Signing to Giorgio Gomelsky’s newly formed Marmalade Records in 1967, the band recorded their debut masterpiece throughout the Summer of that year.
Upo…
*2025 stock* The funky, atmospheric, evocative and sometimes downright weird output of companies such as DeWolfe, Cavendish, Burton, and the ubiquitous KPM have always been a guiding inspiration for ATA Records, as evidenced in the spooky soundtrack vision of The Sorcerers, the big band brass of The Yorkshire Film & Television Orchestra and even in the soul-jazz of The Lewis Express and Outer Worlds Jazz Ensemble. It only seemed natural for the team at ATA Records to scratch their own library it…
Sail Cabin Records are very proud to release the new album from SOL SOL, titled “What Year Is It?”! It will be available on CD and digital platforms on January 28. (Vinyl edition will be released later this year.) SOL SOL is a Swedish jazz group featuring some of Sweden’s top jazz musicians, playing their highly original music, written by Elin Forkelid and David Stackenäs. This is their second album as a group. (Their first album “Unaccustomed Soil” was released 2019 on Signal and Sound Records.…
Jordan Deal’s 2022 debut GOGO Underworld (Cor Ardens) hipped us to their multidisciplinary practice which shapeshifts across film, sculpture, sound & performance. Now we are proud to present the next chapter in Jordan’s recorded legacy. Seas of Triple Consciousness was recorded between monasteries & churches in rural France and Jordan’s home in Philadelphia. It takes cues from the gospel, blues and folk traditions as well as avant-garde composition techniques.
Essentially a song-suite centred ar…
Huge Tip! 200 copies. Mario de Vega engages with sound as a tangible medium to exasperate perception. For over 20 years, de Vega’s work has been exhibited as large scale commissioned interventions leaning towards liminal zones of aurality, ephemeral situations -often displayed as detritus of actions, prints, materials and publications-, sculpture, performative settings, and three-dimensional formats.
A M P H I B I A I B I H P M A (Amphibiaibomma) is a studio work composed between 2020 and 2024.…
Following on from the psychoacoustic concrète of Outside Ludlow/Desert Disco LP (BT 075LP, 2021), Sam Dunscombe returns to Black Truffle with Two Forests/Oceanic. Dunscombe has been active in recent years on multiple fronts, including as a key member of the Berlin community of Just Intonation researchers and practitioners; working with composers like Taku Sugimoto, Mary Jane Leach, and Anthony Pateras; and the release of Horatiu Radulescu - Plasmatic Music Vol. 1 (the result of many years perfor…
The compositional minimalism of Jewels of Thought is a major thread through Sanders albums of this period, setting up a sparse canvas for colorful tenor saxophone meditations. In one instance Sanders' playing may be soft, beckoning and glad, while elsewhere his saxophone becomes a crazed, outraged beast unleashing its fury on the world. Regardless of which way these compositions lead, listeners are made to feel more like sonic travelers than mere consumers.
*60 copies limited edition* “The ghost it is, who has come into possession of the Tao, reigns over gods and demons, and gives birth to heavens and earth. It kills the undying, and breathes life into the unborn. The sounds it creates, there is nothing it cannot still, nothing it cannot heave, nothing it cannot destroy, and nothing it cannot make.” In Chinese, “big ghost” is a phrase sometimes used to convey a sense of utter out-of-placeness. If you see a big ghost, you find someone who walks the …
*In process of stocking* The idea of a release by the founder of The Legendary Pink Dots on Lumberton Trading Company had been mooted for a number of years. In fact, we were close to issuing a 7" around 11 or 12 years ago, but this fell through due to the usual problems facing small labels. The idea of still doing something with this prolific stalwart of music cut from those many folds where avant-garde abstraction locks horns with molten psychedelia, kosmische sounds, electronica and an approac…
Special bundle. In the late 70’s the Italian music scene recorded a renewed interest in a sound research involved to a stimulating fusion of popular elements, jazz improvisation and suggestions of the middle-oriental classical heritage. Starting from the experience of Aktuala the idea of a common "Mediterranean air", that could compare and harmonize rhythms and timbres of various regions, enlivened a large number of musicians. In this context, it also placed the short history of Zeit and of his …
Huge Tip! *Limited edition of 400 copies.* Since 1983, Justin K. Broadrick (Godflesh, Jesu, Council Estate Electronics, The Sidewinder, etc.) has been producing largely solo, but sometimes collaborative, work under the Final moniker. Beginning as a more obviously power electronics-inspired project it has during the past two decades or so evolved into one which still retains that sonic intensity but has a more expansive sound. 'I Am the Dirt Under Your Fingernails' is the latest album, closely fo…