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Five years in the making and representing the twenty-year story of a pioneering British jazz-rock fusion band with strong Latinesque influences… whose alumni over that period included over thirty well-known British jazz musicians… but a band you might not have heard of… or have any of their eight albums… we have finally come up with ‘Variation and Creation: The Story of PAZ’. The album was produced in cooperation with the families of Dick Crouch and Geoff Castle, the heart of the of the band ove…
Trevor Watts has been at the forefront of the Jazz and Free Improvisation scene since the 1960s and is highly respected by his peers and quite rightly so. Much of the UK listening audience though, seem to be unaware of the amazing breadth of Trevor’s works on a global scale. With that in mind, Jazz in Britain have decided to try and address this issue with this release.In 2022 we issued The Art Is In The Rhythm which featured an improvised performance of Trevor in partnership with drummer, Liam …
*100 copies limited edition* Oxfordshire: The Black Horse Tails by The Grey Funz Derbyshire: The Drowned Village of Derwent Valley by Mark Vernon
- C-30 printed cassette housed in library case - 6x panel reseach note sleeve - Unique OS map cut-out piece - D/L code
Volume 13 in the 24x volume set of ceremonial county cassettes.
*100 copies limited edition* Merseyside by Benjamin D Duvall. Herefordshire by Sam McLoughlin
- C-30 printed cassette housed in library case- 6x panel reseach note sleeve- Unique OS map cut-out piece- D/L code
Volume 9 in the 24x volume set of ceremonial county cassettes.
*100 copies limited edition* Durham by Rob St John. Staffordshire by Powders
- C-30 printed cassette housed in library case- 8x panel reseach note sleeve- Unique OS map cut-out piece- D/L code
Volume 7 in the 24x volume set of ceremonial county cassettes.
*100 copies limited edition* Shropshire: Bridget Hayden - The Legend of Llynclys Pool Nottinghmashire: Daniel Weaver - Ghosts of the Meadows, Sneinton and Forest Fields
- C-30 printed cassette housed in library case - 6x panel reseach note sleeve - Unique OS map cut-out piece - D/L code
Volume 11 in the 24x volume set of ceremonial county cassettes.
*100 copies limited edition* West Midlands: The Paranormal Origins of Black Sabbath by dbh and the Dark PoolWarwickshire: Meon Hill by PPYO (The Primitive Youth Percussion Orchestra)
- C-30 printed cassette housed in library case- 6x panel reseach note sleeve- Unique OS map cut-out piece- D/L code
Volume 12 in the 24x volume set of ceremonial county cassettes.
Krautrock, what is it anyway? A genre, a derogative term, a song by Faust, … or: a welcome (and recurring) opportunity to talk about all of this. The music associated with the term in question has eagerly been canonized. From the enthusiastic and idiosyncratic ramblings of Julian Cope’s “Krautrocksampler” to encyclopaedic approaches like Alan and Stephen Freeman’s “Crack in the Cosmic Egg”, there are plenty of books to read and lists to discuss: Who’s in, who isn’t? The quarrels and disputes sur…
Edition of 500. CD and 8 page booklet in gatefold cardboard sleeve * Even though only being fully terminated 50 years after its conception, 'Azabu' can be regarded as the starting point of Michael Ranta’s creative self-discovery. The recordings that form the base of 'Azabu' were mostly made in the Tokyo district with the same name (Azabu-Juban). Next to abstracted field recordings 'Azabu' is also pervaded by a rich variety of percussion, string and wind instruments, all played by Ranta himself.
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1989 release ** 20th Century piano music by Nikolai Roslavetz, Arnold Schoenberg, Karlheinz Stockhausen, Luciano Berio, Brian Ferneyhough, Sylvano Bussotti, Salvatore Sciarrino.
1997 release ** "Excellent debut album by two mysterious musicians from Wales/UK. Their music sounds like they have adapted parts of 'Sternklang' by Karlheinz Stockhausen for ten distorted guitars. Their focus is upon pure noise with an intent to locate, draw out and revel in it's hitherto hidden harmonies. Using the rough sound of variegated tape-manipulations with some acoustic instruments such as flutes and woodblocks they enjoy to produce feedback drenched drone chaos that flutters and filte…
Australia's Chris Abrahams, widely known for his work with legendary trio The Necks, has amassed an impressive solo discography over the past three decades. With four electro-acoustic editions already published by Room40, the label announces Chris's first piano solo for the label. Appearance is two longform pieces for piano that weave and mesh to create a sense of flow and subtle shifting which unfolds into eternal variation.A note from Lawrence English: "I first met Chris Abrahams sometime in t…
1994 release ** "Everything about this album, from the artist's name and album title to the rather cheesy cover photo of a smiling tuxedo-clad man on a beach surrounded by congas, suggests to a cynical eye that Arriba! Con Montego Joe is kitschy exotica on par with Martin Denny or Les Baxter. And while that style of music has its fizzy charms, it turns out that Arriba! Con Montego Joe is something much meatier. Collecting the entirety of the two albums Montego Joe (born Joseph Sanders) made for …
2006 release ** "On this album, in 12 songs presents relaxed sort of dark folk rock from France. From first minutes, music full a melancholy and romanticism, will transfer you deeply, to the farthest, warm, and probably for a long time the lost memoirs. Where it will want to come back again and again... Guests musicant Eric Roger (ex-Sol Invictus, Gae Bolg)."
LP version. Chris Abrahams returns with Fluid To The Influence. Building upon the foundation of his previous three editions for Room40, Abrahams charts out a divergent course through lilting piano flows, distended organ passages, thunderous electronic eruptions, and focused concrète explorations. Fluid To The Influence spans a huge spectrum of sound, each movement calling forward to the next in a flowing motion that demonstrates Abrahams's commitment to and interest in the album as an artistic f…
Maybe these titles, torn as they are from cinema screens and the pages of literature and philosophy, give a feeling of romantic or sexual love or some dark pool of nostalgia but that’s not it, or it could be if you want it for yourself but not for me, not now; for me it’s about the teeming proliferation of complex events in the world, their vivid, hyperreal intensity as this human life steps closer to its end and their sense of fading, like a mist that thins out to leave not a clear bright day b…