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Factitious Airs
On Factitious Airs (Electronic Music), Robert Worby sculpts tiny recorded fragments into teeming electroacoustic architectures, where hiss, wobble and incidental detail become the main event - a poised, radiophonic hallucination that feels both mid‑century and sharply contemporary.
Apollo: Atmospheres & Soundtracks (Extended Edition)
Marking the 50th anniversary of the Apollo 11 moon landing, Brian Eno’s classic ambient excursion with his brother Roger Eno, and studio whizkind, Daniel Lanois, re-enters the vinyl orbit for the first time since 1983, bolstered with booster pack of previously unreleased material. Conceived as a soundtrack to Al Reinert’s 1983 documentary, For All Mankind, the wide-eyed wonder of Apollo has taken on a life of its own as one of Eno's best loved and most influential ambient trips, especially for t…
Berlin 1964 - Live
Following on from last year’s acclaimed Vrindavan 1982 by rudra veena master Z.M. Dagar, Black Truffle is thrilled to present a pair of archival releases from the Dagar Brothers, among the most revered 20th century exponents of the ancient North Indian dhrupad tradition. The vocal duo of Moinuddin and Aminuddin Dagar (sometimes referred to as the ‘senior’ Dagar Brothers to distinguish them from their younger siblings, Zahiruddin and Faiyazuddin Dagar), belonged to the nineteenth generation of a …
Destino Scifosi
Power trio brought together by Yann Gourdon on hurdy gurdy, Jérémie Sauvage on bass and Mathieu Tilly on drums, France take drone and minimalism at their most ecstatic and massive
Static Disposal
Legendary 1976 Private Press Rarity Documents Oklahoma's most uncompromising Proto-Punk visionaries, this trio produced art-damaged outsider rock influenced by Stooges, Beefheart, and Velvet Underground
Herbie Nichols Trio
** Special Time-Limited Offer ** Herbie Nichols was one of the most original pianists and composers in Jazz history. Blue Note founder Alfred Lion considered him to be as unique and important a voice as Thelonious Monk, another singular talent who Lion was the first to record a few years before he signed Nichols in 1955. Little-known during his lifetime, recognition has begun to grow in recent decades for Nichols’ incredibly hip, angular compositions, each of which were miniature marvels built w…
Collapsing Tape: Experiments in Rupture and Repair
"Collapsing Drums tells the stories that matter in a post-pandemic world" - The Wire Collapsing Tape is a sprawling 23 track compilation which celebrates 5 years of the Collapsing Drums label via a diverse pool of artists working across experimental music. It’s really hard to condense the amount of sounds going on in the 90 minutes — but here’s a brief attempt: there’s abstract vocal play (Elaine Mitchener), warm squishy electronics (Luke Sanger), frenetic turntablism (Mariam Rezaei and Dali de …
Soil Leaf Root
"As a concoction of whirring, electronics-strewn field recordings, this over fifty minute piece is intoxicating in its intimacy, like drifting half asleep through various conversations, rituals, prayers. As a piece which considers the “complex entanglements of migrant stories, memory, identity, otherness”, it feels urgently, cacophonously important, a sonic insight into our shared humanity" — Spenser Tomson In this project, Paul and Masimba capture almost five years of conversation as they stood…
Aboyer au mauvais arbre
ARBORE is the collaborative project of French-born, Berlin-based artists Diane Barbé and Laure Boer, navigating the wide spectrum of electroacoustics, instrument building and radical improvisation. "Genuinely loose-limbed and exquisitely zonked, Diane Barbé and Laure Boer's ARBORE debut marries electroacoustic sound design to basement psych-folk, where homemade Vietnamese zither, flutes and whistles float around gloopy analog synths like some lost Nate Young plays Folkways record, or the deepest…
New Assumptions...
Ex Agent’s debut EP New Assumptions… is a collision of no-wave beauty, improv-adjacent disorder, and spoken-word poetics that teeter on the edge of collapse. Within this exquisitely precise disarray lie carefully constructed moments of fragility, repeatedly unsettled by bursts of sudden, free-jazz chaos. Across five tracks, the Bristol-based five-piece explore queer and neurodivergent identity through sonic themes of refuge, instability, and resistance.
Formed in late 2021 in Bristol, the group …
A Grammar for Listening
2008. Paris and Glasgow. Eric La Casa recording sounds for Luke Fowler's 16mm triptych. Not compositions but investigations into the infra-ordinary - that space-time at low intensity where background noise meets the inaudible. How to create a meaningful dialogue between looking and listening? This question drove Fowler's film cycle. La Casa's answer: find a listening point in relation to everything taking place. The microphones amplify all living substances in motion - from the interior of the b…
Percussioni In Crescendo
Killer. Edition of 300 copies, black vinyl 180gr. At the end of the '60s in Italy - but also abroad, especially in France and England - a very particular trend began to spread, that one known as 'Library music' or 'sonorization': as suggested by its name, those were real music libraries intended for the accompaniment of audiovisual productions such as television programs, advertisements, documentaries and films. Since they were created in total artistic freedom condition, they are often difficul…
L'Uomo dagli Occhiali a Specchio
Sandro Brugnolini's soundtrack to “L'Uomo dagli Occhiali a Specchio” is an unbeatable mix of dark psychedelic themes with heavy jazz drums, exotic percussions, obsessive piano bits, creepy harpsichord, free jazz to wah-drenched psychedelia, stiff funk, and abstract avant-gardism with atonal sounds and tonal passages. Originally issued in 1975, it has long remained one of the most coveted and sought after artifacts of the fertile soil surrounding the 1970’s Italian library and soundtracks. For ma…
Defiant Jazz: a Joe McPhee Taster
From the viral Severance TV dance party to spiritual jazz explorations, this vinyl compilation spans five decades of the Poughkeepsie legend's most electrifying moments. Funky grooves, cosmic transcendence, and raw improvisation collide.
Ciels
It is our honor to present the seventh album by French composer Jean-Baptiste Favory, whose work we first encountered while reissuing a record with the Mexican art collective, Los Lichis. J-B made an annual trip to Mexico to participate in Los Lichis’s musical and visual anarchy (Dog 2LP FTR229, Savage Lichis Religion : El Ultimo Grito LP FTR354), and was considered a full member of this estimable outfit.
We soon discovered he was also the France’s long-running experimental radio show Epsilonia…
Flutterings
Jeffrey Alexander is one of those guys whose brain and hands are constantly in motion whether working with bands, doing solo stuff, installations, paintings, label shit…whatever. Anyway, he’s always a pleasure to work with, and we have done so on many occasions. That said, I sorta feel as though this new CD might be closer to taking a walk through Jeffrey’s head than anything else I’ve heard.
Flutterings was done using guitars, keys, percussion, electronics and gimcracks of all descriptions. The…
Twenty20
It has been a couple of years (that felt like a lifetime) since we released lloyd Thayer’s last album, Duets, which he recorded with the drummer Jerome Deupree. The intervening time has been weird as hell, but Thayer (master of every string that’s ever been strung) has made the decision to create a fantastic, sprawling solo suite for himself. And now it is time to share the beauty with you.
Unlike the music on Duets, the piece here was played entirely on double-necked Weissenborn guitar, althou…
The Storyteller - A Musical Tribute to Yusef Lateef
With 20 years passing since his first foray into recorded jazz, Nat Birchall now ranks as one of the premier saxophonists of his generation. With several highly acclaimed albums in the locker, he now returns with his most ambitious project yet: a tribute to the legend that is Yusef Lateef titled, The Storyteller - A Musical Tribute to Yusef Lateef.
Nat Birchall on the project: "When Jazzman Gerald first mentioned to me the idea of doing an album as a tribute to the jazz giant Dr Yusef A. Lateef,…
Good Night
On January 11, 2010, I received a message from a woman who introduced herself as a friend of my good buddy Aki Onda. She was going to be part of a music night at a space in Williamsburg, Brooklyn, called Death by Audio. She asked if I’d be willing to do a solo set there as well. That’s how I came to be leaning against a doorframe, after having played my own set, listening to Margarida Garcia on her electric double bass. Her music was original, soulful, thoughtful, and laden with mystery. Upon …
That's Understanding
Having listened to this disk 20 or so times over the past week, I have been struck time and again by the gently naif quality of Dan Beckman-Moon's songwriting. I keep thinking of Neil Young's earliest solo tunes, particularly 'Sugar Mountain,' as a sort of spiritual touchstone, although truthfully the music doesn't really sound anything like that. Still, the emotional core of the material has a similar sweetness and simplicity, while managing to steer clear of mawkishness with a nimble delicacy …