We use cookies on our website to provide you with the best experience.Most of these are essential and already present. We do require your explicit consent to save your cart and browsing history between visits.Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.
Fourth part in the rerelease series of all early vinyl albums by Asmus Tietchens on CD. This is the third of the SKY albums from 1982 incl. three bonus tracks of unreleased material not included on the original LP. Comes with a poster booklet feat. the original cover artwork. Edition of 1000 copies.Asmus Tietchens »In die Nacht« (Sky Records 077) 1982 To my surprise, SKY ordered a third album from me. For distribution reasons the album had to be finished rather quickly. This presented me with an…
*300 copies limited edition. In process of stocking* Cybotron was one of the first, if not the first, electronic rock bands in Australia. Cybotron released their self- titled debut in 1976. The group draws heavily on synthesisers (as would be expected), electronic and acoustic percussion, plus saxophone and played minimalist, repetitive progressive-style electronica in a style that emulated the direction of the 1970's German cosmic sounds.
This release, Bremen to Bridgewater, contains two albums worth of previously unreleased live recordings made in Germany and England during two very different periods of the band’s career. The German radio recordings were made on June 20th, 1971 at Lila Eule (Lilac Owl), a well known jazz club in Bremen. The English recordings were made at the Bridgewater Arts Center, during two tours that the band made with different lineups in February and November of 1975, and feature some of the very last rec…
Rhizosphere, originally released in 1976, was Pinhas' first solo album. It consists of four solo pieces for synthesizer, plus a extended fifth synthesizer piece which is a duet with Heldon drummer Francois Auguer. I have always found it to be a mesmerizing work, on par with its influences of Terry Riley and Philip Glass, but completely different from them due to the usage of only Moog and ARP synthesizers. For this CD release, an additional 38' was added of a previously unheard, professio…
Mere words can’t describe the impact of an album where the only instrument is the voice of Demetrio Stratos (actually, there are few synthesizer inserts played by Paolo Tofani). Originally released in 1976: a unique work where Demetrio Stratos makes any kind of experiments and sounds with his voice, reaching and going over the limit of human capabilities. Beautiful digipack
The music of Arthur Russell defies classification. From his pioneering compositions as part of New York's vibrant avant-garde scene (alongside artists including Philip Glass, David Byrne, Laurie Anderson, John Cage, and Allen Ginsberg) to his genre-expanding disco productions, from his new wave and art pop to his posthumously released folk songs, Russell crafted timeless and foundationally influential work until his premature death in 1992 from AIDS-related illnesses.
Now, in a landmark publicat…
2024 stock. This early (1982) project from Arizona “Audio Artist” Richard Lerman presents musical composition performed with bicycles. Lerman explains: “A gamelan orchestra is a large group of percussive instruments, usually metallic, from SE Asia. In fact, the sound of such a group is not unlike the timbre of amplified bicycles.” With such an idea, he embarks on a project that captures the amplified sounds of moving bicycles in harmonious rhythms creating songs. Liner notes include detailed inf…
**2020 stock** This 1976 Folkways release by David Cope presents modern music based on Cope’s intensive research into—and respect for—Navajo ceremonies, and Navajo music in particular. Ranging from pieces for large chamber ensemble to a work scored for a single performer, the four compositions are unique interpretations of Native American Indian myths and culture. The liner notes include detailed explanations of the inspiration, organization, and arrangement of each of these complex works.
This …
**2020 stock** Turkish-born musician and composer Ilhan Mimaroglu worked extensively with electronic (tape) music. The two programmatic pieces paired here are "To Kill a Sunrise," a dirge subtitled "Requiem for Those Shot in the Back" with words borrowed from a poem by Guatemalan guerilla poet Marco Antonio Flores, composed in Columbia-Princeton Electronic Music Center (New-York, N.Y., 1974). And "La Ruche" composed at Groupe de Recherches Musicales (Paris, France, 1968) an experiment of reminis…
**2020 stock** This 1979 record is a five-movement composition for large chamber orchestra by David Cope. First presented by the Santa Cruz Chamber Symphony in 1978, the work attempts to demonstrate the relationships between sound and physical space and to translate them to recorded sound as well as performance. The tapes in the piece were composed at Stanford’s Artificial Intelligence Laboratory and were “spliced” digitally rather than physically. Liner notes contain drawings of the way that Co…
**2020 stock** This 1974 recording by electro-acoustic music composer Jon Appleton is designed to take the listener to different musical landscapes. Appleton notes differences in context that will make the music more and less effective (“not everything I intended will be heard by the listener because no two listeners share the same aural experiences…because we are continually expanding our aural vocabulary, the sounds used assume a different significance as time passes”). Liner notes contain a b…
**2020 stock** Chance combinations, accidental themes, chaos in general—these are the musical modes that Tod Dockstader uses in composing electronic pieces. Blending oscillating electronic sounds with natural sounds is like being "confronted with a potential orchestra of thousands of instruments," he says, and the task becomes one of "improvising."
This CD is a custom made copy from Smithsonian Folkways collection. Every effort has been made to preserve its historical and aural integrity. The or…
**2020 stock** Recorded on the night of July 21/22, 1956 by V.P. & R. Gordon Wasson, these are rough and ready field recordings featuring the voice of Maria Sabina (1894-1985) a Mexican curandera who would perform healing vigils known as veladas in Huautla de Jimenez, Oaxaca where all participants would ingest psilocybin mushrooms (Maria's holy children), as a sacrament to open the gates of the mind and communicate with the sacred. María Sabina (July 22, 1894, Huautla de Jiménez, Oaxaca, Mexico …
**2020 stock** Gamelan in the New World: Vol. 2, released in 1982, is a teaching album, providing the listener with lyrics, scales, and a history of Indonesian music culture. Gamelan Son of Lion play keyed instruments that are constructed in the Javanese style. The group uses both the pelog and slendro tuning systems, sometimes in conjunction with one another within a single composition. The group is composed of ethnomusicologists and instrumentalists who are dedicated to playing and preserving …
*2024 stock* Contrabass (double bass) solo virtuoso Bertram Turetzky performs seven solos on the contrabass in this 1981 release. Using bow, plucking strings, tapping on the instrument’s wood body, and employing a little audio technology, Turetzky demonstrates the full range of musical sounds that can be produced on the contrabass. His repertoire on this recording includes a piece dedicated to him (“The Last Contrabass in Las Vegas”), two of his own compositions, and the Lennon-McCartney ballad …
*2024 stock* Computer Music serves as the official musical documentation of the November 1981 International Computer Music Conference, held at North Texas State University in Denton, Texas. The album features five compositions with music that ranges from electronic sounds to female vocals, flute and horns, stringed instruments, and percussion. The composers include Larry Austin, whose early works were recorded with the help of Leonard Bernstein; Bruce Pennycook, who now teaches music at the Butl…
2024 stock. This compilation, originally released in 2008, explores the French vaults of French post-punk, electro-pop and French no wave. Between the late '70s and mid-'80s, in the wake of the punk wave and in parallel to other types of music like disco, funk, ska and reggae, a prolific and chaotic music scene began to develop in France, combining the energy of rock and the nihilism of punk with electronic experimentation. The period was not, on the whole, one of optimism and joy, played out as…
BOXED deluxe version. and i mean deluxe. a thick lp boxed-set box with a hand-etched coated-metal “badge” contains the regular edition lp/sleeve (below) plus two cd-rs of interviews & audio by mr. bösmann and a veritable king’s random in leaflets, posters, flyers, dossiers, dockets, etc - 100 copies only scalating drone sounds like a mixture of cluster/kluster and ktl or sunn o))) with vocal parts in the style of tazartes or tibetan monks. the 20 minutes long title track sounds like a swelling v…
2024 stock. LP version. The best-ever French '77 punk band, next to Metal Urbain. Killer and cult and a true must-have. This is an official reissue, with a lot of unissued tracks. "In a particularly raw moment captured on the disk you are holding, the singer (whose name escapes me) shouts derisively at the audience, 'Vivement que je sois vieux, tout sec et tout rugueux?" (trans. 'I can't wait to be old, dried out and bumpy'). And indeed, it required not only the passage of three decades, with th…
Solar noon is the time when the Sun appears to contact the local celestial meridian. This is when the Sun reaches its apparent highest point in the sky, at 12 noon apparent solar time. *However the local or clock time of solar noon depends on the longitude and date. The summer solstice is the day with the longest period of daylight of the year. The winter solstice is the day with the shortest period of daylight of the year. Time and Space, UTC and JST, North and South, East and West, Left and R…