Back in stock
Deformation
**2006 release, long out of print, very few copies available** OK, if obscure and hard to track down Japanese avant-garde and free jazz is your thing then look no further. This disc, released in 1969 is a hard nut to come by since due to extremely poor sales only a handful of copies and some promo copies are known to have hit the streets, making it now one of the hardest free jazz documents to track down. This one comes on bloody red wax. But all this idle talk aside, it's the music that really …
Synanthesia
Long awaited CD reissue of extinct & much sought after Uk 1970 folk rock masterpiece. Exquisite use of echo-flutes, acoustic guitars, bongos, violin. Melodic and sensitive wispy voices blend magical and hauntingly with instruments to give you beautiful songs like 'Minerva', Morpheus", 'Tale of spider' & 'the fly'..... special remastered for CD. Never officially issued on CD. Features comprehensive liner notes by the group's leader. Booklet features many rare photographs. Contains rare bonus mate…
Maru Sankaku Shikaku - Circle Triangle Square
Reissue of this Japanese early '70s performance group. The group's name is literally the icons for a "circle," "triangle" and "square," with "Maru Sankaku Shikaku" substituting as a translation for those images. Circle Triangle Square were a painted bunch of commune rockers and percussion tribe second to none, whose random bells, flute and remedial tea-tray flailings were still more like the Godz or Nihilist Spasm Band than the deep theta-space obliterations of Taj Mahal Travellers. Led by futur…
San Francisco Earthquake
A treasure trove of previously unreleased West Coast guitar psychedelia, 1966-1975
Issue 82: The Genius of Tom Tom Club (Magazine + 7")
It’s been 40 years since the debut Tom Tom Club album brightened up the early 1980s, so we thought it would be a good time to chat with Tina Weymouth and Chris Frantz about the making of this much-loved record and the circumstances that led to it.
They don't hold back – particularly when talking about their former Talking Heads bandmate David Byrne – and they've got some great tales to tell. Along the way, Chris reveals that the pair recently played a secret gig and are now getting ready to star…
Issue 81: Faust - Freakatronica 1971-74
Viva freaktronica! For this edition of Electronic Sound cover stars are the legendary Faust, the wildest and weirdest of the 1970s krautrock outfits.
Issue 78: Spiritualized - The Spaceman Reissue Program (Magazine + 7")
We've had Jason Pierce in our sights since the announcement of the Spaceman Reissue Program, which sees the re-release of VIP editions of Spiritualized's first four albums, including 'Pure Phase' and 'Ladies And Gentlemen We Are Floating In Space'. Jason has always been a high quality interviewee and we found him in terrific form, happy to chat about whatever we threw at him and serving up a cracking Kraftwerk tale along the way.
We're nothing without great stories, which is handy because we hav…
Natural Sonic
*Tip! First vinyl reissue of Yoshiaki Ochi's "Natural Sonic" from 1990 from one of the Japanese leading environmental music label "Newsic". Magical sound & ensemble of the mother nature, perfectly melting in with the electronics. Remastered for vinyl by Kuniyuki Takahashi * Released on Wacoal Art Center’s Newsic label, Yoshiaki Ochi’s Natural Sonic shares some of the same magic heard in the music of fellow roster mates Yoshio Ojima, Motohiko Hamase, and Mich Live. This time the aural trick would…
Images
Tip! *200 copies limited edition* Colin Andrew Sheffield's "Images" was entirely constructed from heavily edited and manipulated samples from jazz records. These eight electroacoustic mosaics range in style from lush ambient loops to jarring tones like the wails of the damned. Chopped drum solos appear and retreat along with spiraling piano fragments; saxophone and trumpet scraps clash or fall in time with disfigured bass rumblings, etcetera. These song-length explorations are detailed, atmosphe…
On Jupiter
Originally issued as El Saturn 101679, recorded on 10/16/79, this incredible album is a mixture of live recording and studio post-production: 'On Jupiter' sounds unique to any other album Sun Ra made. The arkestra reflects a disco pulse right back on itself, and delivers one of the most cohesive albums of their career. The title track is a masterpiece of gentle atonal harmony, while 'Ufo' pushes along at a cracking disco-ish pace with fierce brass and spacey dub effects. On Jupiter uses more tha…
Why Don't You Listen? - Live at LACMA, 1998
** 180-gram vinyl pressed by Pallas in Germany. Deluxe high-gloss flipback album jacket. 2-page insert with photos from the concert by Warren Berman, lyrics and credits.** This previously unreleased concert recording by the Pan Afrikan Peoples Arkestra of pianist-composer-bandleader Horace Tapscott and a chorus under the direction of vocalist Dwight Trible is a wonderful example of how Tapscott channeled the political and cultural aspirations of a community into music of deep beauty and lasting …
Screamers Demo Hollywood 1977
** small repress available ** Black vinyl version. "These songs were recorded a few months after the Los Angeles punk scene began. These five statements of intent transcend Punk and project forward into the future: to the analog synth wave of the late '70s and beyond, to the present day, four decades later, when they finally receive an official release. Sourced from the original reel-to-reels, they are a revelation compared to the countless copies that have been circulating by multiple generati…
What We Talk
All compositions by Scott Fields. Artists: Scott Fields, guitar; Stephan Rath, theorbo. "On this recording Scott Fields plays a 1999 Robert Ruck guitar and Stephan Rath plays a 1988 Hendrik Hasenfuss 14-string theorbo, after an instrument of Tieffenbrucker/Edlinger. Our duo was formed for the 2007 Cologne Music Triennial (MusikTriennale Köln) series 'Solos for duos, improvisation from yesterday and today' (Solo für Zwei, Improvisation gestern und heute). Festival yentas matched six early music s…
Afiadacampos
"Our emphasis on composition, and specifically composition for the relatively narrow dynamic range and timbral pallet of paired steel-string, acoustic guitars, directs us away from dependence on muscle memory and set phrases. These structures focus us on interactions that grow out of our immediate reactions to how each of us is, in the moment, interpreting the material." -- Scott Fields. "With Afiadacampos, I feel that Scott and I have deepened our ability to improvise together and to orchestrat…
Spectropia Suite
This film is a time travel/supernatural drama. The soundtrack is one part big band jazz, one part electronica and one part rock. The “Spectropia Suite” features a guest appearance from Blondiechanteuse Debbie Harry singing the future-noir ballad “This Time That Place”. No stranger to the Downtown avant-garde, Debbie has long had a connection to such artists as The Lounge Lizards.
Donaueschinger Musiktage 2007 - War Zones
Featured works: "Ripples From The Bang" (2007) composed by Elliott Sharp. "Paranoia" (2007) composed by Bernhard Lang. Performed by: LaTasha N. Nevada Diggs, text & vocals; mixmastertodd, electronics & vocals; Philip Jeck, turntables; Hans Koch, reeds; Bernhard Lang, keyboard/electronics; Elliott Sharp, 8-string guitarbass/electronics; Fredy Studer, drums/percussion. Bernhard Lang on "Paranoia": "'Paranoia' is a sequence of eight semi-improvised blocks that were extracted from the sketches to Ac…
Spring & Neap
In 1996 I went on a tour of Japan with Orchestra Carbon; a highlight was the Music Merge Festival in Tokyo. A colorful selection of wonderful musicians from the international scene met there for three days at the Shinjuku Pit Inn: Michiyo Yagi, Otomo Yoshihide, Sachiko M, Jim O'Rourke, Yumiko Tanaka, David Grubbs and others. In addition to performing with Orchestra Carbon and my solo Tectonics, I was allowed to develop a new algorithmic template for a small orchestra of festival soloists under m…
Rheo~Umbra
"'Flow of shadows' is how I would translate the composite neolog title of this 1997 work for Orchestra Carbon and how I might describe the musical gestures therein. In seven sections, 'Rheo~Umbra' layers through composed materials, algorithmic strategies for the ensemble, and improvisations by various soloists. The algorithmic approaches include the 'transient additive pulse' where a percussive hit and its reverberations morph into a pulsing groove. There are also hockets and phased looping/tran…
Larynx
"Larynx is an analogy; the orchestra as a throat. It follows as corollary to the throat as orchestra: throat singing as practiced by the Inuit of the Canadian Arctic and the hoomii singing of Mongolia, as well as by related jawharp techniques found throughout the world. The natural overtone series is the melodic core of much of these musics and of much of Larynx. Ratios derived from the Fibonacci Series are used to generate tunings and melodic/harmonic material for the strings, brass, slabs, pan…
Pourquoi
"Pourquoi" originally released in 1978 on French Crypto label. It sounds like a new side of Cortex: songs are mainly composed around the voice and the various keyboards of the band leader, Alain Mion, who also played bass lines on synthesizer. Besides, the band gave up the live recording to use the beloved Stevie Wonder or Quincy Jones' technique of "re-recording". But, in spite of these changes, their groove remains as spontaneous and as powerful. Also, the band collaborated with great backing…