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Edition of 300 copies. Mesías Maiguashca is a relevant figure on the map of contemporary avant-garde composers. Born in Ecuador but currently based in Germany, he has been a composer who, since the 60s, would constantly expand his possibilities in fields such as electronic music (where he stands out as a pioneer), mixed works, expanded interdisciplinary pieces and the creation of unconventional instruments, where the encounter between his country of origin’s popular folkloric tradition and the n…

Tip! This compilation offers a first overview of the early works of electronic and tape music created by Peruvians between 1964 and 1984. This period marks a technical and aesthetic evolution that allows us to understand the development of electronic music in the Peruvian context, from an initially internationalist model to a more situaded one. The first phase occurs in the 1960s, when many composers migrated outside Peru in search of advanced training and access to knowledge and infrastructure …

The Destructive Character by the Dutch composer, multimedia artist and theorist Dick Raaijmakers (1930) treats of a subject which, when considered from the aspect of the constant media coverage on destruction -- whether ecological, military, or economical -- should still be our very present and pressing concern. The Destructive Character is a commentary on an essay form 1931 by Walter Benjamin bearing the same title and included in this publication. In his reaction, Raaijmakers focuses on the fa…

Pioneers of live electronics, found sound and urban environment-as-instrument, Musica Elettronica Viva created suites that were as imaginary as imaginative.

Mega Tip! 300 copies only. Alga Marghen proudly presents the previously unreleased “Collage 2” and “Collage 3 (Dies irae)” for magnetic tape, both realised at the Studio di Fonologia Musicale RAI in Milan with the technical collaboration of Marino Zuccheri. These pieces are precious testimonials to Aldo Clementi’s intense and ongoing interest in electronic music in the 1960s. “Collage”, presents some of the most extreme musics ever issued by the label, at the same level as Robert Ashley's “Wolfm…

**2020 stock** Chance combinations, accidental themes, chaos in general—these are the musical modes that Tod Dockstader uses in composing electronic pieces. Blending oscillating electronic sounds with natural sounds is like being "confronted with a potential orchestra of thousands of instruments," he says, and the task becomes one of "improvising." This CD is a custom made copy from Smithsonian Folkways collection. Every effort has been made to preserve its historical and aural integrity. The or…

Comes with 16 page booklet. Daphne Oram is best-known for the design of her Oramics system, and also for co-founding the BBC Radiophonic Workshop in 1957, but until the release of this material, the only easily-available piece of music by her on CD was the 8-minute long "Four Aspects." There was also a 7" EP from 1962 on HMV, released as part of the Listen, Move and Dance series that was specifically designed to help children dance. Although the short pieces on this record are very basic, it cou…

Alga Marghen presents a reissue of Intersystems' Number One Intersystems (1967). Intersystems' works evoke the heightened awareness, intermittent psychosis, intellectual over-stimulation and giddy nihilism of an acid expedition. "Orange Juice and Velvet Underwear" may indeed be the most typically "Psychedelic" cut of Intersystems entire catalog. Its saturated crypto-Indian drone and bent acoustic guitar notes, are upstaged by Parker's lurid-sounding declamations and Mills-Cockell's fierce …

Recorded on December 1, 2009 at the Instants Chavirés in Montreuil. Marteau Rouge, legendary band composed of Jean-Marc Foussat (VCS3 synthesizer, toy voices), Jean François Pauvros (guitars, voices) and Makoto Sato (percussions). And the tenor saxophonist and soprano Evan Parker with whom Marteau Rouge had already recorded a CD, “ LIVE”, the year before, released by In Situ in 2009.Hammer Rouge is a trio focused in the tellurical, electric noise with Pauvros’s saturated and electrocuted guitar …

Over the past decade Helsinki has quietly become one of Europe's busiest cities for young jazz players, and few labels have done more to document that activity than Jazzaggression. Uusi Jazzi Klubi - the loose collective that bills itself as the city's underground jazz club - return with their second album, recorded across two days in the spring of 2024 at the label's own Pelto Studio. Nothing here was written in advance. Drummer Aleksi Tanhuala gathered the players, set the tape rolling, and le…

Eye of the Universe" is the latest offering from Finnish sax player and composer Markus Holkko. Grounded in his musical heritage, the album explores a range of influences, from straight to Latin and spiritual jazz, with subtle hints of west coast cool and psychedelia.

Small combo beat laden jazz experimentations, drawing influences across the rare groove spectre in this unique funky mashup.The group consists of Finnish players including Aleksi Heinola on drums, Temu Åkerblom on bass and Markus Holkko on reeds & flute. Second album in our New Library Series, recorded and produced at Jazzaggression’s own PELTO studio!”

2015 repress and remastered. Remastered CD edition of Une éclipse totale de soleil, Ghédalia Tazartès' third LP, originally released in 1984. Far away from contemporary music intellectualisms and the works of synthetic noise purists, this album features a new form of musical expression and is certainly one of the most original and creative records of the '80s. The value of this work was at the time underestimated and only a few people had a chance to listen to this beautiful music. The rec…

2005 release. Milk From Cheltenham is the first in a series of Alga Marghen editions documenting the activities of the It's War Boys underground label, founded by Amos (of The Homosexuals fame) in the late 1970s. The original LP was issued in an edition limited to 300 copies. The material was recorded from 1979 to 1981 but wasn't released until 1983 due to problems with the silkscreened sleeve. The band only put out this record, a real hidden gem. Lepke said that he wanted it to sound like …

2001 release. The compact disc by Anton Bruhin issued by Alga Marghen is titled r o t o m o t o r and covers two different areas of the artist's research. The first one is represented by a group of works including the short and mysterious environmental recording "ORAX" as well as "Lange Tone," "VERSUCHPILZ 6," and "Paul Is 35," three excerpts from the epic "MC-10 zyklus" created between 1976 and 1977, recording various layers of sound sources on two cassette recorders with loudspeakers.The compl…

"'On tape from the Judson days. Remember? When you made these things at home, on the best equipment you or your other poor friends could find? Electronic music from the 1960s. And you had that Japanese taperecorder with built-in mike; indeed that was the only piece of furniture on your tatami floor on the Lower East Side that summer of 1961.' This compact disc presents tape music recorded between 1962 and 1963 for the friends meeting once a week in a loft in NYC. The first track, 'Lucinda Pastim…

2014 repress, originally released in 2000. First issued on the Broken Flag label in the UK in an edition of 500 in 1983. A different style, providing some distance from all his previous works; a more expansive experimentation with multiple layers of synthesizer sounds. Still very intense. M.B.'s recordings come closest to classical electronics, but always with a very personal style. This CD edition also features an interview on Radio Popolare in Milan from 1/1/83. An English translation i…

Beautiful edition! Takis was born in 1925 in Athens. Preferring, as a matter of principle, to teach himself rather study in a institution, he left Greece in 1954 and lived as a citizen of the world, traveling through Europe and the USA. Some of his earliest manifestations in the 1940s consisted of explosions carried out in open places. His first Signals date from 1954: they were rods consisting of piano wires which created musical vibrations as they stuck against each other in the wind. In fact …

German composer ex-member of Kraftwerk.

A shimmering exploration of processed guitar and electronics, Kristallisationen by Klaus Roeder (Kraftwerk) channels the avant-garde spirit of Stockhausen and the sonic curiosity of Cluster.

** Edition limited to 250 copies. ** Giuseppe Ielasi and Nicola Ratti, two musicians from Italy with an extensive solo activity, started the Bellows project together in 2006 and released their first CD in 2007. Their second release, an LP available now on PLANAM, was recorded in november 2009 in Tübingen, Germany. Quite different from the first, this new project was developed around the simple technique of cutting/destroying and amplifying vinyl records with contact microphones, creating new gro…

A rare collaboration, Visitation unites French turntablist eRikm and electroacoustic pioneer Luc Ferrari for a masterclass in musique concrète and sonic collage, echoing the legacy of Pierre Schaeffer.

** Edition of 300 **  War Extension announces the vinyl re-issue of Rok Y Roll by Vic Serf & The Villains, originally released by It's War Boys on cassette in 1982. Musicians on the album comprised Vic Serf (alias of Jim "Amos" Welton), Cathy Spermwrecker, Rita Chulo, and Larry O'Houlihan, along with guest appearances from Ron Dealo, Lepke B., and Sara Fancy. The recording is situated in a particularly fervent and inventive period of 1980s independent and experimental music-making, in which musi…

A quintessentially sinister masterpiece reissued for the first time in an edition limited to 365 copies. A mysterious 1982 cassette masterpiece by Amos & Crew from the It's War Boys catalogue remastered from the original tapes by Amos himself. Sailored, Dutchwifed, and highly-refinedly laid-out by Studio Shitless. Art by Err o'. Large four-page full-color insert with an essay by Ed Baxter and a text translated by Derek Bentley from the original Japanese (1982). "Recorded in Tokyo, Japan …

Composed Nature / Yokomono Pro documents the collaboration between Dutch collective Staalplaat Sound System and Lola Landscape Architects, merging site-specific sound art and environmental composition in the lineage of Christina Kubisch and Bill Fontana.

Wild Protest pairs J-noise legend Junko (Hijokaidan) with French field recordist Thomas Tilly for a radical collision of human scream and natural sound, recalling the spirit of Merzbow and Francisco López.

Teopatia is a mystical suite for electronic instruments and synthetic voices by Papiro, merging sacred atmospheres and uncanny harmonies in a ritualistic journey reminiscent of Eliane Radigue and Mort Garson.

Alga Marghen returns with an absolute stunner, the LP “Underground Altena”, comprising a never before heard or released series of recordings capturing Anima - the duo of Limpe Fuchs and Paul Fuchs - in 1973. Largely rendered on a striking array of instruments, invented and played by the couple, its otherworldly, visionary sounds upend nearly every perception held about underground music transpiring in Germany during this period. Wild, wonderful, truly free, and inspiring as records come.

Furthering their explorations to the astoundingly singular creative sound world of Anima - the duo of Limpe and Paul Fuchs - Alga Marghen returns with “Anima Trip: Baummusik”, a never before released body of archival recordings made by the pair in the municipal gallery in the Bavarian city of Rosenheim. Joining a body of work that comprises some of the most incredible creations to emerge from Germany between the late 1960 and the 1980s, this much needed addition to Anima’s catalog is a rigorous …

Homemade noise made by, among others, Philip Corner, Max Neuhaus, Steve Reich, James Tenney, Malcolm Goldstein, Jackson Mac Low, Dick Higgins, Alison Knowles, Carolee Schneemann, Jerome Rothenberg... the Technicians of the Sacred. Gift Event III: A Celebration for poets, musicians, and dancers, based on the orders of the Seneca Indian Eagle Dance and performed at the Judson Dance Theatre, Judson Memorial Church, New York City, March 21 and 22, 1967. A part of the Spring Happenings. The legandary…

Alga Marghen presents a reissue of Intersystems' Peachy (1967). The sound work of Intersystems cannibalized stray bits of McLuhanism, psychedelia, Cagean experimentalism, and even the modernist gestural strains of nascent electronic music, yet it was all couched within a very particular DIY ethos. Peachy pushes the meticulousness of Number One Intersystems (NMN 093-1LP) even further and, as such, represents a more balanced amalgam of Intersystems' various disparate stylistic and emotional elemen…

The “Concerto for the left hand in one movement”, for piano, is the last unpublished composition of Walter Marchetti to be performed in public before the death of the author on May 12, 2015. Composed in 1994, the “Concerto for the left hand” belongs to an ongoing series of works written between 1994 and 1997: “Con vista sui suoni”, “Eight or Nine Movements for String Quartet” and “La perdita del tempo” which develop from a preceding composition titled “Canonic Variations for Orchestra on Prolaps…

Edition of 300. Comes with a 8-page booklet. In 1969, while American minimalism was consolidating into its most recognizable forms, Charlemagne Palestine was conducting solitary experiments with oscillators and sine waves that only now reveal their visionary scope. This was the New York of lofts and abandoned industrial spaces, of artists pushing sound toward its physical limits - a city where the boundaries between music, performance art, and bodily endurance were dissolving. Battling the Invis…

This compilation brings together for the first time the best songs by Los Zheros, one of the most renowned cumbia bands to emerge in the early 1970s in Iquitos—alongside groups like Los Rogers and Los Wemblers—in the heart of Peru's Amazon capital. The unique Amazonian sound blended fast, percussive cumbia rhythms with electric guitars in a surf style—a distinctive fusion that came to define Peruvian-recorded cumbia, markedly different from the  traditional cumbia styles that developed in other …

2nd Edition. Black vinyl. Somewhere in America, early 1960s. A tape recorder captures what no congregation was meant to hear. The voices of women possessed - or believed to be possessed - struggling against demons real or imagined while priests perform the ancient rite of exorcism. Screams. Prayers. Commands in Latin. The grinding friction between the sacred and the profane, committed to magnetic tape and then buried for decades. Before The Exorcist made demonic possession a cultural phenomenon,…

New edition 2022 Before I’m gone I’d like to see us turn the corner and give up being spoilers of the land . . . In 1975 Wallace ‘Wally’ Smith Broecker published a paper that popularised the term ‘global warming’ and against a backdrop of change and environmental uncertainty, a musical concept album was commissioned. ‘Wilderness America / A Celebration of the Land’ - is a musical exploration of our place within the cycle of living things. All compositions were specially commissioned for the albu…

**2025 Stock** After the groundbreaking new edition of the legendary and iconic compilation "My Pussy Belongs To Daddy" from 1957, Ebalunga!!! presents the exquisite solo album "Girlesque" by the incomparable Faye Richmonde. Originally released in 1959, "Girlesque" once again captures the attention of the audience with its unique blend of genres and provocative song titles. Without succumbing to vulgarity, Faye Richmonde maintains sophistication, ease and witty humor, playing with memorable melo…

**2025 Stock** Ebalunga!!! presents a joyful reissue of the legendary compilation album "My Pussy Belongs To Daddy"!  Released in 1957 on the Beacon label run by the legendary producer Joe Davis - it was one of the first albums which captured the audience’s attention by means of double entendres in the songs. The release became one of the most eccentric and scandalous albums of its time and remains one of the most sought-after gems in the history of discography. It was unusual at the time for wo…

Death Is Not The End presents a collection of haunted, brooding flamenco recordings taken from the early 1900s through to the late 1930s.

Tip Our next release with Gary Sullivan's Bodega Pop project - rooted in a passion for digging for music in bodegas and cell-phone stores across NYC's boroughs. This edition focuses in on early recordings found in Russian neighborhoods in Brooklyn & Queens. "At the turn of the last century, the Russian Empire stood at a crossroads, caught between the weight of its imperial past and the promise of a radically altered future. Recorded during a period of profound cultural transformation and unrest,…