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Triple Point is an improvising trio whose core instrumentation is soprano saxophone, greis/electronics and V-accordion. The name refers to the point of equilibrium on a phase plot, which acts as metaphor for our improvisational dialogue. Their musical interaction is centered around an interplay between acoustics, physically-modeled acoustics (v-accordion) and electronics. Van Nort captures the sound of the other performers on-the-fly, either transforming these in the moment to create blended tex…
Rezas Populares do Brasil, Anamak, Amkéa and Annazone, are vocal works. All the sounds on this disc originate with the Brazilian singer Anna Maria Kieffer. Two works, Anamak and Amkéa, have an "orchestral accompaniment", composed of tropical bird songs. Making use of elements of electroacoustic music and sound poetry, the music expresses wonder at Brazil's tropical beauty and, ultimately, an intense love of the abstraction of words and musical forms.
This recording consists of 8 electro-acoustic compositions - 2 pieces by each of the 4 composers. The works span a vast sonic terrain, challenging listener and performer alike through a seamless blend of Deep Listening and Absolute Noise, moving between ever-fluid improvisation and carefully controlled sound manipulation. The quartet convened for two improvisational sessions between February and May of 2010, with López sitting in on a Triple Point (Oliveros/Van Nort/Braasch) recording session an…
Electroacoustic music. Active in electronic composition since 1971, Noah Creshevsky delights in presenting extreme and unpredictable juxtapositions in which the integration of electronic and acoustic sources and processes creates virtual "superperformers" by using the sounds of traditional instruments pushed past human capacities. Creshevsky uses the term Hyperrealism to describe his electroacoustic language constructed from found sounds, handled in ways that are exaggerated or intense. Creshevs…
Five of BCO's greatest performed by dAS, Robo, Daevid Allen, Brook Hinton, Mic Gendreau. Four test tones specially mixed by John Duncan, Monte Cazazza, G. X. Jupitter-Larsen.Tracks 1, 3, 5, 7, 9 comprise the "Greatest Hits" portion:"The greatest hits selections were derived by asking participants to pick from a list of previously issued BCO pop songs. No one played on the pieces they picked."Tracks 2, 4, 6, 8 are the "Test Tones":"While T-Bone takes recording classes at Mills College, das seizes…
*250 copies limited edition* A site-specific recording sporting a straightforward approach that i’ve grown to love in the works of Gonçalo Cardoso. An album of modern day exotica, a genre i usually pretty much dislike, yet Cardoso steers his vehicle easily aside the trapdoors and potholes. Combining found sounds, sparse playing and field recordings he creates a world that both invokes Treasure Island, and An Essay On Exoticism. Indeed questions are raised. But especially certain emotions are sha…
*150 hand-numbered copies limited edition* After releases on Eilean rec., Dinzu Artefacts and IIKKI, the fourth album by Masaya Ozaki, "Mizukara", is presented by Laaps. A beautiful immersion in the variety of his sounds imprints, using some field-recordings, electro-acoustic and textures to give his excellence to the ambient range. Masaya Ozaki is a New York/Iceland-based composer born in Niigata, Japan. His work examines the idea of space as a transient entity, the subtleties behind small mome…
Italian composer Lorenzo Senni unleashes his first album on the world, and it's a minor masterpiece in ear-searing digital manipulation and exuberant sound design. There's something very much reminiscent of the golden age of Mego about all this, and in addition to the more commonplace Fennesz influences evident on 'pool5' and the like, you'll hear wild and inventive takes on the sort of material explored by Pita, General Magic and Farmers Manual. 'spckrft' is a vicious piece of sonic demolition,…
Quartet Records, in collaboration with Paramount Pictures, presents the premiere vinyl edition of Jerry Goldsmith’s marvelous score for John Frankenheimer’s sci-fi-horror-drama cult classic Seconds (1966). Seconds starred Rock Hudson – in an astonishing change of pace, as the film campaign ads said – as an unhappy middle-aged banker who agrees to a procedure that will fake his death and give him a completely new look and identity. But it comes with its own price.
Jerry Goldsmith’s fascinating sc…
*2024 stock* Daniele Cavallanti (sax) and Tiziano Tononi (drums), famous names in Italian jazz, in an unprecedented electro-acoustic quartet with two of the best names on the new scene, Michelangelo Flammia (electric bass) and Walter Donatiello (electric guitar). Music that combines Coltrane's jazz with the rock of Robert Fripp and Bill Bruford's King Crimson.
The unprecedented overlapping of sound layers that accommodate the happy melodies of Ermano Librasi's clarinet, between atmospheric intuitions and soft instrumental inlays, make this album a reflective and intense listen, colloquial and restless at the same time.
Stormy Waiter is the brand new album by Giancarlo Schiaffini (trombone, electronics) and Claudio Chianura (samples, electronics), an indefinable, intense, amusing work, eleven tracks of improvisation, electronics, jazz, ambient... To be listened to in one breath
*Italian Language Edition* Dall’Introspezione all’Interazione. Un compendio per tutti i musicisti, gli appassionati e gli ascoltatori che desiderino avvicinarsi al mondo dell’improvvisazione radicale. Un breve saggio per chiunque voglia comprendere come l’improvvisazione radicale possa affrontare e contribuire a risolvere problematiche di natura politica, economica, sociale.
** ** Deluxe 180gr. Black vinyl edition. Comes in a deluxe matte laminate gatefold sleeve. Original 1970 BYG album facsimile-edition. Mastered to vinyl from BYG tapes by Nick Robbins. Exclusive liner notes by author John Masouri ** ** Second chapter of Don Cherry’s "Mu" recordings for BYG - a landmark of free jazz improvisation. Don Cherry and drummer Ed Blackwell had both played with Ornette Coleman and contributed to the revolutionary free jazz movement of the late fifties and early sixties. …
'I was going to write about how this is an absolutely beautiful and disturbing record, but I think quoting from the liner notes of James Pritchett really does sum it up. 'Frances White invites us to take a walk through her Resonant Landscape. Where are we going? We are walking through the woods, marshes, and streams of New Jersey. She points out the birds and frogs that make their home there, the water that flows through it and the wind that shakes the trees. But then we turn and there is…
This new Pogus 2CD compilation, curated by Luis Alvarado (writer, journalist, sound poet), presents some of the most important pieces of the Peruvian musical vanguard of the 1960s and '70s, offering a representative sample of works and composers from this important period in Peruvian music. This release also includes a 24-page booklet in both Spanish and English with an essay giving an overview of the works, the composers, and a brief musical and social history of Peru during this time. T…
The tuba player and composer Robin Hayward has introduced revolutionary playing techniques to brass instruments, initially through the discovery of the 'noise-valve', and later through the development of the first fully microtonal tuba in 2009. In 2012 he invented the Hayward Tuning Vine, initially as a visualisation of the harmonic space implicit within the microtonal tuba. Collaborations include such musicians as Roberto Fabbriciani and Charles Curtis, along with composers such as Christian Wo…
Silentium is an electroacoustic piece based on sounds of bells and church organs that where recorded during a residency at gallery Školská 28 in Prague, in December 2015. The title was inspired by the “Silentium” signs that were regularly displayed in the churches where these recordings were made. Entering the temple requires the visitor to be quiet, to keep the noise down. This thoughtful silence is an intense and active condition essential for profound listening. It creates a liminal state bet…
Originally released as a 3 CDr set on Inyrdisk to commemorate 30 years of If, Bwana, and now available on manufactured CDs, this triple disc gracefully spans 3 and 1/4 hours of riveting musique concrète and refined experimentation from Al Margolis. These recent recordings come to you re-mastered and repackaged from the self-released tapes sold in a nearly invisible edition during a brief tour, sub-titled within Thirty as Blue Two, Green Three and Yellow Four. Thirty captures If, Bwana championi…
Marta Sainz: voice, dan bau; If, Bwana (Al Margolis): amplified detritus box, recorder, clarinet.Marta Sainz and Al Margolis (If, Bwana) met and performed together in Madrid, Spain for the first time in October 2014. That initial performance - she on voice performance and he on laptop, was such a joy, that they both determined that they would work together again as soon as possible. That opportunity arose again in June 2015, when the duo did a brief tour in Spain, as well as going into the studi…