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Veriti Plastici, the third part of the first works of Vivenza, recorded and completed in 1983, represents a fundamental step in the definitive formalisation of the bruitist sonorous views. Made of very objective industrial atmospheres, this recording will be the bridge between the pure experimental approach, and the rigorous structuring of the works that will be produced later (Fondements Bruitistes - 1984, Réalités Servomécaniques - 1985, Machines - 1985, etc.).
The release of …
*In process of stocking* 'As a musician, I've been curious for many years of how collective musical practices can provide a sense of weightlessness, as well as how a focused interplay can blur the lines between musicians and sound sources and create reconfigurations of the relations between the two. I have also tried to explore these observations in depth in some of my composed music: during 2015-2017 I experimented with ways to surprise and destabilise myself in the solo format within the compo…
*300 copies limited edition* Conjuring Gloria Swanson’s role as former-silent film actress Norma Desmond in the 1950 Hollywood classic "Sunset Boulevard," Julia Scher’s "Filzengraben Boulevard" weaves autobiography with melodramatic fiction. Delivered over Zoom from her bed in Cologne, Germany, Scher recalls pivotal memories that have influenced her work. Recollections of her father as a mattress salesman in Burbank, California. Casualties of the film industry. Encounters with art. Warhol’s Bril…
The Wrocław band Ślina returns with their third studio album, this time recorded with Mikołaj Trzaska. This is not the album of Trzaska + Ślina or Ślina + Trzaska. This is Ślina Trzaska (a kind of wordplay in polish, means: The saliva cracks). A kind of full, new band that was created in the outstanding Sudeten studio Monochrom and is sometimes continued live.
Free improvisations and Krautrock motility are still the hallmark of Ślina, but the organic, radical sound of Mikołaj Trzaska's saxophone…
Quartet Records and Paramount Pictures present the world premiere release of the highly requested score by Ennio Morricone and Bruno Nicolai for Alberto de Martino’s gangster film Bandits In Rome (aka Roma Come Chicago). The film stars John Cassavetes as professional hold-up man Corda, who teams up with hot-headed Enrico to carry out his heists. Corda has principles – as a family man, he refuses to kill anyone – but when he is arrested after their latest heist, his uncontrolled companion starts …
CD edition The holy grail of all the drum-breaks library LP, a true "cult" among DJ and producers, is available again in a faithful replica of the original gatefold sleeve and remastered from the original master tapes. Tullio De Piscopo is a drummer extraordinaire, a constant in Italian music, moving effortlessly between pop, jazz, rock and progressive modes. This record from 1974 could be thought of as the ultimate promulgation of his talent and versatility as a musician, though maybe not quit…
*200 copies limited edition.* At the same time, together with "News From Wormland" another, tenth part of the GT Archive Series is being relesed. As next chapter is a recording of the "White Nights" session, originally released on CDR by Die Schöne Blumen Musik Werk in 2003. It is considered by many to be one of the best albums in the Genetic Transmission discography. Dynamic, electrifying and strong material in the spirit of musique concrète. It is based largely on electroacoustic preparations …
Langlais is a composer and trained piano tuner, and this is reflected in the close attention to acoustics and tone has fed into the creation of these exquisite pieces for two prepared and alternately tuned pianos, with the results then treated to further edits and digital processing.Beautiful spectrums of sound, presented in silk-screened art sleeve by artist Damien Tran.
*150 copies limited edition* A little over a year after the release of ”Leaving Hardly a Mark”, the LHAM project debut CD, Bruno De Angelis (Mana ERG) and Giuseppe Verticchio (Nimh, Hall of Mirrors, Twist of Fate) are back with “They Cast No Shadows”, continuing along the tracks of a strongly cinematic and evocative music, characterised by an alternation of melancholic and touching ambient atmospheres, more disquieting and obscure landscapes, and dynamic incursions into musical territories with …
The three years spent on MGM Records between 1966 and 1968 were golden ones for Lee Hazlewood. He spent them working with his muse, Suzi Jane Hokom, writing a still-unreleased book, The Quiet Revenge of Elmo Furback, competing with Phil Spector from their respective studios, and coming up with the formula for the "boy/girl” songs for which he’d become famous. In fact, the unflattering portrait on the cover of Something Special did little to hint at how hip this late-flowering talent (he was in h…
The mid-to-late ’60s were strange days for Lee Hazlewood. Having struck gold as songwriter and vocal foil for Nancy Sinatra, he signed up to MGM as an artist in his own right, and between 1966 and 1968, produced three ambitious solo albums that were eclectic, idiosyncratic, and most of all, unpredictable. It was a happy time for Lee; his music was hot on the charts, he was fully immersed in his collaboration with his muse, Suzi Jane Hokom.
The second of his MGM trilogy–1967’s peculiarly named Le…
Los Angeles Free Music Society (LAFMS) formed in the mid-1970s as a loose-knit experimental music collective and multimedia publishing vehicle. Founded by teenage Le Forte Four members Chip Chapman, Joe Potts and Rick Potts and soon joined by Tom Recchion of Doo-Dooettes, LAFMS incorporated free improvisation, modular synthesizers, tape music, sampling, musique concrète, homemade instruments, noise, mail art and avant-rock in permissive and anarchic sessions at the Raymond Building and Poo-Bah R…
Los Angeles Free Music Society (LAFMS) formed in the mid-1970s as a loose-knit experimental music collective and multimedia publishing vehicle. Founded by teenage Le Forte Four members Chip Chapman, Joe Potts and Rick Potts and soon joined by Tom Recchion of Doo-Dooettes, LAFMS incorporated free improvisation, modular synthesizers, tape music, sampling, musique concrète, homemade instruments, noise, mail art and avant-rock in permissive and anarchic sessions at the Raymond Building and Poo-Bah R…
*2022 stock* Oregon's fathers of freak-folk/folk psych pioneers The Tree People have, incredibly, made another album once again. Responsible for two awesome works in the late '70s and early '80s, here they are now with a new album and they sound exactly as they did 30 years ago. This could be their best work ever. Mellow, tender freak-folk with acoustic guitar, double bass, recorder, flute and percussion. Eleven new tracks, plus a new version of "Space Heater" from their 1979 debut. Includes a b…
The Pin Group went back into the studio in January 1982 to record their third and final classic release. Featuring an expanded five-piece lineup with Mary Heney on guitar/vocals and Peter Fryer on viola, Go To Town is a work of taut perfection. Showcasing the band's dramatic chiaroscuro textures and arresting lyrics, "Long Night" and "When I Tell You" make staggeringly clear how much sonic ground The Pin Group covered in their unfortunately short tenure.
*Limited edition of 400 copies in 4 colours numbered to 100 copies each.* Los Elementales- Fuerzas Magicas De La Naturaleza was composed and originally released in 1977, at the apex of Arco Iris’ prolific musical career. A well-deserved successor to Agitor Lucens, it is their most prog-oriented masterpiece, a veritable distillation of years of uniquely carved and meticulously executed psych/folk/jazz tunes that earned them their reputation among Argentina’s cultural pantheon’s finest. If nature …
*Limited edition of 305 copies, each copy is unique.* Environmental Meditation Music (EMM) is a collaborative project with the natural world. Developed by the artists Sam McLoughlin (N.Racker, Sam and the plants) and David Chatton Barker (Folklore Tapes) since 2017, the project has collected many hours of recorded material, which has been hewn into a long form digital edition and this two sided 46min long playing record.“Water and air dance and sing. a play of constant ecstasy. We are forever em…
Legendary composer/producer David Axelrod's album, Heavy Axe, is a jazz-rock opus that encapsulated the sound of the mid-70s.With help from iconic players Johnny "Guitar" Watson, Cannonball Adderley and George Duke, the album moves between lush funk sounds, full round low end, and majestic orchestral flourishes that made Axelrod's sonic realm a goldmine for sample-hungry hip-hop beatmakers from the '90s to today.180-gram LP remastered from the original tapes and packaged in a tip-on jacket.