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Catenary Oath
**300 copies** NoBusiness Records delivers the latest Anthony Coleman solo piano album recorded on February 14th 2018 at Jordan Hall, Boston by Jeremy Sarna. Coleman is an avant-garde jazz pianist; during the 1980s and 1990s he worked with John Zorn on Cobra, Kristallnacht, The Big Gundown, Archery, and Spillane and helped push modern Jewish music into the 21st century.Recording session produced by Ted Reichman. Music by Anthony Coleman, except Something To Live For by Billy Strayhorn, Just Frie…
III Hymne
First time LP reissue from the original 1985 master tapes on 180gr vinyl. Including liner notes. On 'III Hymne' Jean Hoyoux further explores the electronic instruments he also used on 'Planètes' which results in a marvelous album that in some way connects the dots between ambient, library, cosmic and spiritual music. Two years after his debut double LP 'Planètes' Jean Hoyoux recorded three new compositions in the home build studio, Madame Bois. In his later published book 'Noos, la naissance à l…
Central Unit
Back together a few years ago, after a silence that lasted about 20 years, Central Unit were a unique case in the Italian scene of the ‘80s. Coming from Bologna and active during the years of the so-called 'post-new wave', the group did not take long to get noticed by the press and television, due to the release of the EP debut "Loving Machinery" and a self-titled LP. Since the beginning it was clear that Central Unit would not settle on the small Italian scene, given the internatio…
A Venezia Un Dicembre Rosso Shocking
Pino Donaggio is one of the great Italian composers often forgotten or obscured by more high-sounding names. Yet, along with names such as Umiliani, Piccioni, Rota, Rustichelli, he deserves a place of honor alongside the Master that the whole world envies us: Ennio Morricone.
A singer-songwriter of a notable fame in the ‘60s, he becames a soundtracks composer by pure chance when, at the beginning of the ’70s, while walking in front of the Venice station one morning he was noticed by a pr…
Sotto
‘Sotto’ is Andrew Oda’s attempt at world building in sound. Meshing method, mind, metaphysical and mundane into massive murals, its triptych of vivid compositions seem to wield electronic sound like a magic paintbrush. Inspired by the paintings of Otto Marseus van Schrieck, Ljubomir Popović, and Nicole Duennebier, ‘Sotto’’s three parts inhabit environments bursting with explosive internal ecologies of synthesized pulsations, yawning drones, tinkling imaginary chimes, and abstract noisy rumblings…
A Safe Substitute
Storm Bugs are an English post punk band formed in 1978 in Deptford, London, by Philip Sanderson and Steven Ball who had met in the Medway Towns, England. The band have been linked to a number of genres including: cassette culture, industrial music and DIY. Storm Bugs were initially active between 1978 and 1982 and reformed in 2001. Sanderson had experimented with tape recorders whilst still at school, after moving to London in 1978 he began to get out of hours access to the electronic music stu…
L'homme à la Caméra / La Glace à Trois Faces
"Un Drame Musical Instantané were founded in 1976, featuring Jean-Jacques Birgé, Bernard Vitet and Francis Gorgé. Their aim was to promote collective musical creation, co-signing their albums, which they consider as artworks in themselves, or their live shows which they tried to renew every time they played. Their sound was created with many influences: they borrowed their sources from rock (synthesizer player Birgé and guitarist Gorgé, both authors of the album, Défense de); jazz (trumpeter Vit…
Oddities 2013-2015
Hardy Fox was the primary composer of The Residents. He created an incredible body of work, using all kinds of names other than The Residents, amongst them Combo De Mechanico, Sonidas De La Noche, Dead Eye Dick, Charles Bobuck or Black Tar And The Cry Babies. The Tar projects were generally created to help raise money for needy projects for poverty, mass destruction in fire, and to fight the evil of Trump uprising. Before Hardy died, he sent us several albums to be released after his passing. On…
A Pugni Nudi
Special price. "A pugni Nudi" (With bare fists) - presented with a more than explicit subtitle "For a sad experience in a juvenile detention center" - is a 1974 film directed by Marcello Zeani; it can be associated to the Italian police genre, but it stands on its own due to its being set in the world of boxing. It's a drama movie too, with a non-optimistic nor hopeful ending at all, accompanied by the music of Franco Bixio, with a distinctive jazz-rock imprint, a strong presence of symphonic ar…
Mechanical Fantasy Box
"Patrick Cowley (1950–82) was one of the most revolutionary and influential figures in electronic dance music. Born in Buffalo, Cowley moved to San Francisco in 1971 to study music at the City College of San Francisco. By the mid '70s, his synthesizer techniques landed him a job composing and producing songs for disco diva Sylvester, including hits such as "You Make Me Feel (Mighty Real)." Cowley created his own brand of peak-time party music known as Hi-NRG, dubbed "the San Francisco Sound." Hi…
The Still Life
The Still Life is Karla Borecky's long-awaited second album following 2011's Still In Your Pocket. In between her work with Idea Fire Company,
Karla has been slowly building a new repertoire of solo pieces. She
threads together simple, whirling piano numbers. Lines of blue sadness,
red memories, and green dreams, stitched with charm and care, The Still Life is an approachable album in the best way possible. Whatever your hobby may be, The Still Life
will set the mood. This album also fea…
Extruder
Extruder is the second unreleased album from the 1987 collaboration between Conrad Schnitzler and Siegmar Fricke who composed and made several tapes of session-material during their musical meetings in Berlin. All recordings produced, arranged and mastered by Siegmar Fricke at Pharmakustik studio. The album contains high doses of hydraulically driven energy generated by the complex analogue equipment. Microformed soundpools of cold extrusion collide with voltage-controlled pulsations, tape-echoe…
Travaux Inattendus & Systemes Aleatoires
Travaux inattendus, systèmes aléatoires" (rotor0064 | Rotorelief) is the first and unreleased album ofLa Division Technique recorded from 1983 to 1987 sounds like electronic oldschool, soundscapes, minimal synth, industrial-ambient, with analog synthezisers, filters, voices & space sounds recordings which could be (un)defined with words like minimal synth, experimental, coldwave, noisy ambient, with an industrial approach
Die Form - Hurt
Edition of 100 copies, clear vinyl. This Die Form side-project was recorded in a few days in 1984 under the name of Hurt, and initially released in 1985 on Bain Total at the same period as 'Some Experiences With Shock'.All the tracks of the cassette, and other titles from Die Form, close in the spirit have been added. This is a reissue with different artwork on a new series called 'Collection Des Musiques Industrielles Et Post-Industrielles De France'. It originally appeared in 2016 in the 'Arch…
Étant Donnés
A six-track album based almost entirely on samples (from Curtis Mayfield to John Carpenter). "The really striking thing, though, is the kinship between Pisaro’s approach here and his other music. Many of his previous compositions have taken simple, granular sounds as raw materials, building blocks to be arranged into larger constructions through a combination of the composer’s parameters and the performer’s choices. On this album’s sister work, Shades of Eternal Night, piano chords played by Rei…
Closed categories in cartesian worlds
We are very happy to announce the release of GW 010, a 72-minute CD version of Closed Categories in Cartesian Worlds, for crotales and sine tones (composed by Michael Pisaro, performed by Greg Stuart, mastered by Michael Pisaro and Joe Panzner). Those interested in more info and sound examples can look below. The disc also comes with extensive notes and a reproduction of a page of the score. From the notes: 'This record consists of four crotales, each bowed for 16 minutes. Against each crotale I…
The punishment of the tribe by its elders'
Pisaro's fascinating composition created with guitar, bass, percussion, radio, electronics, and field recordings, using long gaps of silence resolved through a dynamic set of rich audio sections."The most convincing way to avoid reality is to lose yourself in the prickle of the field recording, as if it were bubble wrap. Here, technology chafes against a world of waves, pulses, and impacts, leaving to the ear and the imagination the task of estimating reality from scratch (at 12:35, a storm defi…
Fields Have Ears (6)
A 56-minute piece for guitar and electronics. It has had a long composition history, starting from a solo for classical guitar and sine tones (premiered in Munich in July of 2010). It was subsequently performed in Seattle (August, 2010), A Coruña, Galicia (May, 2011) and New York (September, 2011). For each performance a new version was created, incorporating recordings from the previous locations (including parts of previous performances), and other sounds that I began to associate with the his…
Hearing metal 3'
In contrast to the melange of its ‘successor,’ Hearing Metal 3 has moments of separation wherein Stuart and Pisaro can be discretely heard. For this piece, Stuart revisits the textures of ricefall (2), delicately and not-so-delicately pouring grains onto surfaces. When combined with Pisaro’s tones, the resonances explore a full territory uncharted by ricefall (2). However, there are still moments of Pisaro/Stuart mixing, like when Stuart’s “sixteen suspended cymbals” bow against Pisaro’s s…
Asleep, street, pipes, tones (2009)
“Asleep, street, pipes, tones (2009) is an investigation of the sounding properties of pipes and streets interspersed with a duo for bass clarinet and electric guitar. The investigations form ten three-minute episodes, assembled in studio by Pisaro from samples—mostly organ, but also tiny snippets of vocal music and a single piano chord—and field recordings. The instrumental parts, arranged in nine sections, also three minutes each, develop over the course of the 63’40” duration of the pi…