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*Released in 8-panel Digipak. Includes a 20-page booklet in German and English.* The eighth part of "La Vie Electronique" contains a selection of titles that were created in the years from 1977 onwards, outside of the productions for the albums "Mirage", "Dune" or "Dig It". These showed a significant change in Klaus Schulze's way of playing and composing. This was not least due to the renewal and expansion of his instrument pool. This gave Schulze the opportunity to play and record his music wit…
Toronto’s infamous psychedelic multimedia collective, Intersystems, make a surprise return with a new release, #IV. Coming via Waveshaper Media, #IV is Intersystems’ first new material since 1968! Intersystems’ pioneering avant/electronic music sounded positively alien in the 1960s, and more than 50 years later, this latest body of work sounds just as otherworldly. When they arrived on the scene in the late 1960s, Intersystems stood out from their peers. Comprised of architect Dik Zander, light …
Union Editions presentes Notte di giorno by Balance. Written and performed by Luciano Lamanna & Davide Ricci. Mastered by Luciano Lamanna at Subsound Studio, Roma.
*In process of stocking* Colectivo Casa Amarela, Combustão Lenta Records and Favela Discos present & Fantasmas by Sã Bernardo. Recorded live in Damas by Raphael Soares & Leonardo Bindilatti.
*300 copies limited edition* In 2001 Artur Żmijewski created the first part of the project "Singing Lesson" in the Augsburg Evangelical Holy Trinity church in Warsaw. Accompanied by an organ a choir of 'deaf-mute' children sang the "Kyrie" from the "Polish Mass" by Jan Maklakiewicz (1899-1954). Among the cacophony of sounds uttered by them you can hear the words of the confession of faith: "In this holy place, in this holiest place, our voice rises to you and erupts as the sea roars from the dee…
Milan Knizak and Opening Performance Orchestra revisit Knizak's 1979 Broken Music (SR 400LP) in Berlin, 2014. "In 2008-9 we transferred the original recording from vinyl records into digital form. As we did so, we weren't interested in the precise, clean fidelity offered by the digital world, which fundamentally causes the fine structure of natural sound to be lost. Instead we were seeking the opposite: the world of errors and distortion, which remains hidden when digital audio is manipulated to…
Reissue of the third album by the German band Wallenstein, originally released in 1973. Recorded at the Dierks Studios by Dieter Dierks, the group consisted of bandleader Jürgen Dollase, Harald Grosskopf (drums), Dieter Meier (bass), Bill Barone (guitar), and Joachim Reiser (violin). In 2022 the original analog masters were newly remastered. An elaborate work, which has led to a very good result.
*Released in 6-panel Digipak. Includes a 24-page booklet.* This re-release has some little differences from the formerly available CD version. The former CD of "X." was altered in sound and some tracks were a bit shorter as on the original vinyl album. The music used for this re-release was carefully transferred from original old analog mastertapes to digital format. There is a version of "Ludwig", played and recorded live in concert in September 1978 during a show by Klaus Schulze who was accom…
*The CD re-release includes the 33-minute bonus track "C'est Pas La Meme Chose" as well as a 16-page booklet.* "Picture Music" is Klaus Schulze's fourth studio album. It contains two tracks, "Totem" and "Mental Door", which were recorded towards the end of 1974. The LP was released in January 1975 on the legendary Brain label. A British journalist attested to the publication's "hypnotic quality" at the time. In addition to the strong rhythm emphasis, the chirping, rising and falling synthesizer …
With "Big Moog" and Harald Grosskopf on drums: The cult album from 1976. For many fans of cosmic music from Germany, Schulze's sixth album "Moondawn", originally released in 1976, is considered a highlight in the musician's oeuvre, which is not exactly lacking in showpieces. Its cult status was due in particular to the use of a "Big Moog" for the first time, which draws attention to itself with a particularly fat sound. Furthermore, "Moondawn" was the first Klaus Schulze production to be made as…
Edition of 300 copies, comes with riso printed insert featuring an interview with bloom offering. Bloom Offering is the synth-wave / blighted electronic project of seattle’s Nicole Carr. having released a handful of well-received cassettes through clan destine, aught void, and sinneslöschen, bloom offering presents her debut lp episodes through the helen scarsdale agency.In her development as an artist and technician, Carr has steadily honed her abilities in sculpting sharply cold electronics an…
Tip! * Edition of 250. In process of stocking * Obstacle #79: Memory Is Current offers a sequence of works for player piano, a device which captured Rick Myers’ imagination in 2017. Divining a method from mathematical measurements and intuitive drawing systems, Myers obstructed piano rolls using adhesive tape. Performed in this altered state on a player piano in the hallway of Easthampton Machine and Tool in Easthampton, Massachusetts, the music embedded in the rolls was extricated from its hist…
Polish composer Olga Wojciechowska and veteran electronic producer Robin Rimbaud aka Scanner, combine on A Strangely Isolated Place to revisit a beloved Strië album - Olga’s more electronic and experimental alias.With previous releases on Serein and Time Released Sound as Strië, Olga Wojciechowska’s ‘Struktura’ was released in 2015 to a limited audience due to its physical-only format. As Olga’s work becomes increasingly more coveted, through her more recent releases on A Strangely Isolated Plac…
Tony Rolando's debut "Breakin' Is A Memory" could be your soundtrack. This worldbuilding album of electronic music leaves room for the listener to make big personal connections through subtly complex music resembling a sonic mobile which, as it spins, reveals new forms and colors......
* 150 copies * Celer's ‘Being Below’ is a collaborative release between Past Inside the Present (US) and Two Acorns (JP). This is a mini-album of short songs created with digital and analogue instruments. Written with a structure that reflects shifting states, overlooking the past and future as a split pathway with the present endlessly fluctuating between. The pangs of rumination.
An exercise in loop-less writing.
**Limited edition of 300 copies. ClearVinyl** Pages torn from an imaginary sketchbook. Beneath the waves of noise, within the swarm on the senses, visions held in absence presence. Despite decades of magical acoustic evenings performed across the globe, this is the first release of this kind from The Telescopes. A rare document of the songs behind the noise. A penetrating glimpse into the eye of an all embracing maelstrom. The Telescopes house has many rooms. Absence Presence opens another doorw…
*In process of stocking* Originally released in 1976, Ubok Aka Inua is the fifth album by legendary Nigerian saxophonist and band leader, Etubom Rex Williams. The album features Psychedelic Shoes and One Woman Is Enough Trouble, both heard on countless funk and soul compilations. The album was restored from the original tapes by Noah Mintz and artwork restored and recreated by Steve Lewin.
"Etubom Rex Williams occupies the genuine space of legend of Nigerian Highlife. His incredible professional…
The third in Klaus Schulze's series of three-disc compilations of live and rare material (all of it previously released in his 50-disc Ultimate Edition box from 2000) is pure bliss for fans of early-'70s analog synthesizer music. The melodies swoop and whoosh like comets passing by a slowly drifting space station manned by dudes and ladies in unisex jumpsuits with long, perfectly coiffed hair, and beards on the men. Close your eyes and you're there. Many of these tracks are grouped into half-hou…
In 2009, Klaus D. Mueller and Schulze began releasing La Vie Electronique ("The Electronic Life"), a series of three-CD sets that reissued all the material previously released in these long-deleted box sets, plus a few unreleased tracks, with all the material put back in chronological sequence (the Edition sets mixed things up, time line-wise). Volume 1 covers the years 1968-1972 and is mainly very interesting. One highlight is "I Was Dreaming I Was Awake and Then I Woke Up and Found Myself Asle…
The sixth part of the out-of-print series offers recordings from the second half of the 70s. La Vie Electronique Vol. 6 contains three CDs. The first disc features numbers that Klaus Schulze played at a concert in Oberhausen in 1976, including "Schwanensee". The whole thing is supplemented by two solo pieces that Klaus Schulze recorded in the same year in the then newly established studio in Hambühren. The finale is the title “Fear At Madame Tussaud’s”, recorded in April 1977 in the London Plane…