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Nature Hath Painted the Body
Clean Feed presents Nature Hath Painted the Body by Jonas Cambien Trio. André Roligheten soprano and tenor saxophone, bass clarinet | Andreas Wildhagen drums | Jonas Cambien piano (soprano saxophone on track 4, organ on tracks 6, 11). Belgian-born, Oslo-based pianist Jonas Cambien couldn’t have chosen better partners than Andreas Wildhagen and André Roligheten to perform his cleverly constructed compositions. On its third studio album, his trio shows itself as a tightly interacting ensemble, …
Remedies For a Foggy Day
*2021 Stock * Formed in 2016 Daimon is the trio of Nicola Quiriconi (VipCancro, Lisca Records), Paolo Monti (The Star Pillow) and Simon Balestrazzi (T.A.C., Dream Weapon Ritual, Hidden Reverse, A Sphere Of Simple Green, Candor Chasma, Kirlian Camera, etc.).
Devoted to a vibrant and majestic personal form of drone music, Daimon are exploring new depths as well as highly dynamic soundscapes that will surround you with their overwhelming sense of fluttering memories.
In 2017 they toured across Euro…
Under A Single Banner
It's been a busy couple of years for the producer behind the Shifted project. On top of an extremely well-received album for the Mote Evolver label, the producer has edged further out into the fringes of electronic music under a number of aliases, taking in noise/ambient variants as Covered In Sand, as well as more distorted, technofied productions under the Alexander Lewis moniker, a sound described by the Blackest Ever Black label as "S-M techno." His new album as Shifted, Under a Single Ba…
A Path Through Haze
CD reissue of this ultra-rare 70s Japanese rock album. Kimo Mizutani was the guitarist in the excellent Japanese Freak-out group, Love Live Life + 1 and this reissue is of his first solo album from 1971. Mizutani plays electric and "folk" guitar and leads a largish ensemble (bass, drums, organ, Moog and vocals) through what is widely regarded as one of the true psychedelic masterpieces of the 70s Japanese scene. Sensitive interludes (accompanied by the Toyama String Quartet and the Etoh Wood Qua…
Neu! 75
Gronland's recent re-release of three completely remastered (Tim Young, Metropolis Studios, London) classic works: NEU!, NEU! 2, and NEU! 75 has been met enthusiastically, with prominent musicians weighing in on the influence of NEU! Massive press throughout the world (in Rolling Stone, US, SPIN Magazine, Entertainment Weekly, MoJo, WIRE and others) accompanied the long-awaited May 2001 release date, and recent quotes from the likes of Blur, David Bowie, Placebo, Radiohead, Sonic Youth and Stere…
More Gloom - More Light
2003 ** "This collaboration hardly needs explanation - Mueller's gorgeous, eerie sound fields are a perfect playground for nmperign's irreverent cooperation. Two extended trio tracks creep between beauty and menace and lend evidence to the rumor that nmperign can be real bullies. Mueller accepts this behavior with aplomb and puts forth a solo track that is as eyebrow-raising as it is understated. nmperign, refusing to be upstaged, finishes the CD with an ante-upping duo track."
Neu! 2
NEU! was/is/will be a big deal in the history of 20th century music. They laid the foundation for scores of musicians who followed them. But why were Neu! so great? Part of their appeal lies in the fact that their music was so simple, so natural and so easy to listen to and absorb. Each of their pieces draws you in with its own unique mood. The music is emotive in so many different ways: the icy melancholy of Weissensee and Leb'wohl, the tranquil yet sinister brooding of Im Glück, the rage and s…
Squenun
“We somehow tried to use sounds as idioms. Turning them upside down and back again, make them collide with each other’s distorted mirror image, let them mean everything one would usually not think them to mean. “Careta” meaning someone who acts like someone they are not. A sound, in music, usually one would say doesn’t mean anything, but the sound of the word “word” does (if you have learned English). But, a collaboration allows to pretend it would mean something else and language is but a colla…
Slay Me in My Sleep
The Preservation label presents Slay Me in My Sleep, the sixth album from Melbourne's Grand Salvo. Under the guise of Grand Salvo, Paddy Mann has established himself as a songwriter of unique heart and soul with a depth of lyricism matched by warm but widescreen musical vision. 2009's Soil Creatures sealed his reputation, being his most stark and concise statement yet. With Slay Me in My Sleep, Mann has returned to familiar territory, writing a parable as song cycle similar to his epic fairytale…
Le Martien / Allo maman
Charles Pennequin is an unconventional poet who tells us here the sidereal aggression of a Martian who has not yet cut the cord. On the CD contained in the book, he interprets his text three times: twice in the company of the guitarist Jean-François Pauvros, and another time alone, but with a megaphone.
Charles Pennequin (born 1965 in Cambrai, France) is a writer and performer, an essential figure in French contemporary poetry.
Jean-François Pauvros (born 1947 in Hautmont, France) is a French mu…
Situazioni del Terzo Mondo
** Edition of 100 Colored LP ** The world of Italian Library music surprises us again with an extremely evocative record. Released in 1972 with the name of Maria Teresa Luciani but really produced and composed by her brother Maestro Antonino Riccardo Luciani, Situazioni del Terzo Mondo ranks among the most important abstract soundscape records. Spontaneous tribalisms tainted with concrete sounds support the looming psychedelic vein, with different solutions from track to track.
Dazwischen
Sebastian Lexer piano +. Recorded at the Electronic Music Studios, Goldsmiths, University of London on 16th November 2008. Max/MSP programming, recording and mastering by Sebastian Lexer. Notes by Eddie Prévost, Ian Stonehouse and John Tilbuy. Design by Myah Chun. I am impressed by the varying degrees of intentionality and the spatial deployment of sounds (isolated, remote, etc.) which enrich Lexer's music. Shades of Cardew and Wolff. For example, in an ensemble the piano sound can be effectivel…
Bershukor: A Retrospective of Hits by a Malaysian Pop Yeh Yeh Le
The legendary Adnan Othman has long been a driving force in the Malaysian rock scene. As early as the 1960s his groundbreaking songs in the style known as "pop yeh yeh" (rock and roll sung in Malay) were attracting fans across Malaysia and Singapore. He has since gained many fans around the globe due to a renewed interest in rock music from Southeast Asia. Othman made his first recordings in Singapore in the early 1960s, when he was invited to record with highly popular backing band The Rhythm B…
Exterior Lux
** 2021 Stock ** Jac Berrocal is a 1946-born musician (trumpet player), poet and sometime film actor who came of age in the ‘70s Paris improv scene, where the boundaries between music, art and theatre were porous and begging to be breached. Inspired by bebop, chanson, free jazz, beat poetry, early rock ‘n roll and myriad Eastern influences, and with an iconoclastic, anything-goes approach to instrumentation and technique that would later align him with post-punk sensibilities, Berrocal blazed an…
E3
**edition of 250 copies, red vinyl, comes with insert** Eeeee was the name of a periodic journal Marshall Reese co-edited and co-published with composer Gene Carl. The name was taken from the vowel from cognate words in Indo-European languages – meaning to go, to fly, to be in transition and the publication was an attempt to unite the worlds of poetry and music.
This LP It is the third number of E magazine and has taken over 40 years to be published and documents forces and influences from the 7…
Overtone Ensemble
Tim Catlin formed the Overtone Ensemble in 2012 in order to perform works using his self-made "vibrissa" instruments. Each instrument consists of 12 vertically mounted aluminum rods that are longitudinally stroked by hand to produce ethereal singing tones. The long sustaining nature of the rods' sound and microtonal tunings allow players a sonic palette of complex textures and harmonic complexity. Other instruments used include massed hand-bells, quarter-tone bells, EBowed acoustic guitars, re-t…
Sixty strings
Sixty Strings is an album of two epic duets by Eric Carbonara (22-string upright Chaturangui guitar) and Jesse Sparhawk (38-string lever harp). While Carbonara has studied Chaturangui extensively with Pandit Debashish Bhattacharya in Kolkata, and Sparhawk was classically trained by major figures of the harp world in his formative years, the music here is their own—not a mashup of quasi-orientalism and conservatory bloodlessness. Both side-long tracks lay out a spacious framework, with the two pl…
Bethnal Greener
Rekem Records presents the latest release by label producer Kostis Kilymis. Living in London since 2012, Bethnal Greener perfectly documents life in the capital, “this Roman shell”. The possibilities and the impossible, the dirt and the light, the highs and the lows.
‘Bethnal Greener’ showcases his most varied work to date, combing the delicacy and form of his lowercase improvised electronics with the full bodied sonic noise palette found on the 2012 Entr'acte release, More Noise Ahead. ‘…
Si Può Fare... Amigo
At the time of the film's release only a 45rpm single of this original soundtrack was issued which contained the song "Can Be Done", with lyrics by Sergio Bardotti and sung by Rocky Roberts (in 1966, Luis Bacalov had already collaborated with Roberts, performer of the main theme from the highly successful 2012 western movie Django). Only in 1995, Point Records released a CD which contained the instrumental score coupled with the OST from Il Grande Duello. For this issue, Digitmovies' new digital…
Milk Thistle
"During the period I worked the most on these, summer 2018, I was reading the Daoist Zhuangzi and some Stoics. That material is likely why this CD has to do with detachment and inaction, as well as unspecifiable emotions. The synthetic/concrete sound relationship seems post facto to engage with the above. Inside and outside interpenetrate and relate in tension – openness, suffering, trouvailles and surprises of sound and feeling. The composition involved many layers of mixes, seemingly to do wit…