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Fifth part in the ongoing re-release series of all early vinyl albums by Tietchens on CD. This one from 1983 marks the end of his Sky 'phase' and was the last to feature his very own version of 'Synthesizer Pop Music' for some time (he'd only return to this music with the release of his Hematic Sunsets albums in the late 1990's). The CD also feat. the rare 'Rattenheu' 10 only release plus one unreleased archive track and comes in a transparent jewel-case with full colour poster booklet feat. a r…
**2019 stock** Act-Up Trio play free music based on improvisation. Their live performances are therefore an opportunity to enter their research laboratory, where - more than just improvising - they build instant compositions, giving birth to soundscapes and enabling the atmosphere to pass through a whole range of emotions. Giotis Damianidis: guitarPetros Damianidis: double bassChristos Yermenoglou: drumsRecorded live at the Royal Alzheimer Hall, 22 January 2013
As "Sleep" begins there is a suggestion made, a hypnotic motion meant only to seduce the mind into the belief that Darren Tate and Colin Potter are intent on relaxing muscle and slowing brain activity to a crawl. The hum of electronics blows easily until random sounds—coughing, restlessness, twisting and turning—bolt through the still waters of the track. Slowly developing melodic themes, almost too distant to piece together, stretch from their slumber and begin a slow crawl through the lamp-lit…
"German experimental electronic composer Asmus Tietchens isn't exactly the first person most people think of when they discuss synth pop. In fact, even among hardcore electronic music fans, he's more known for his longstanding dedication to academic electronic music in the spirit of Stockhausen and Pierre Henry, and in fact holds a position at the University of Hamburg. However, having also worked with Tangerine Dream's Peter Baumann, Conny Plank, Cluster, and Thomas Köner, he's had more than a …
Compiling the results of what was originally intended to be a compositional collaboration between John Duncan and renowned sound artist Asmus Tietchens, Da Sich Die Machtgier… transcends its tumultuous creation to stand as a distinctive addition to the catalogue of both artists "Asmus Tietchens proposed that he and I work together years ago — many years ago. For a variety of reasons it didn't happen , and at this point I don't remember any of them. Finally we agreed to start: I asked him to send…
Beautiful free form vibraphone music with articulated drumming, underrated and very little know, highly recommended! In 1971-72, English vibraphonist Robert Wood was a member of French band Lard Free, the band Gilbert Artman led before Urban Sax. Wood later asked Artman to play drums on his own second LP, ‘Sonanbular’, while Artman included vibraphone on the first Lard Free official LP (1973), as well as the Clear Light Symphony LP (1975) and Urban Sax. The ‘Sonanbular’ front cover (the industri…
The title to this album from Tarab (nee Eamon Sprod) is striking enough in its allusions of damnation, with a watery grave a potential outcome from human activity impacting the earth. So, it may be stating the obvious that the corroded locations where mankind has scarred the surface of the earth feature prominently in the work of this Melbourne based sound artist. The residual elements of these sites become the agents for metaphor and allegory in Tarab's work, documented through field recording …
**Edition of 500** RV Paintings were born in California. Humboldt County, to be exact. It is nearly impossible to imagine their origins being elsewhere since the brothers Brian and Jon Pyle, who currently pilot RV Paintings, constantly mine the metaphysical properties of their homeland through a heavy-lidded psychedelia. The redwood trees that majestically rise from the rugged terrain may have been one of the endemic objects that inspired RV Paintings to “jam nature”; but Humboldt County’s other…
Edition of 300 copies. Comes with 16 page booklet. First release of Gerhard Rühm's Radio-Play 'Masoch'. A ritual recitation of Leopold von Sacher-Masoch and Ignatius von Loyola for one female and one male speaker, a chorus of speakers, and tape. "When the sexual pathologist Richard von Krafft-Ebing coined the term »masochism« in 1890, he was referring to the preferred literary topic and the lived obsessions of the Austrian writer Leopold von Sacher-Masoch. With the help of biographical highlight…
2000 release - Nostalgic, utopian, future distance\", the title of this piece investigates the possibilities of violin playing, the intimate, physical quality of the sound and the historical dimensions inherent to this instrument.
Big master of tape manipulation, Howard Stelzer builds a few pieces around a feeling of sound deterioration and some falling aprt landscapes.
Howard Stelzer (b. 1974, New York) is a composer of electro-acoustic music. Beginning in 1991 while still a high school student in Boca Raton, Florida, Stelzer has always based his music around cassette tapes. Almost all of his sounds are generated by, processed by, recorded onto and played back out of cassettes and consumer-grade tape players. He ran the…
First CD collaboration of these two artists. ‘Shapes’ refers perhaps to the sculptural aspect of their work, to its connections to the visual arts, or to the immediate, tactile processing of the records. But it also refers to the ‘outlines’, the idioms of the music from which they quote. ‘Signs’ refers to a process in which physical notes, produced live, enter into a dialogue with pre-produced notes; it also refers to the signals of musical interaction that the players give each other, and to ‘s…
**Edition of 400** Edge Of Nothing was first released in a cassette edition of 5 (!) copies on David Jackman’s Aeroplane imprint, and then included on the legendary “The Elephant Table Album” DLP in 1983 (feat. Coil, Nurse With Wound, SPK, Lustmord etc). Both tracks presented here are the January 2003 mixes of the original material, which was derived from variously stimulating a cymbal with bows, knuckles, loops etc. An extremely dense piece of experimental noise where (allegedly) the B side is …
**Edition of 600** A four track mini CD combining the never released two 10 inch's Maus (DS57) and Die Hennen Zähne (DS66). Die Hennen Zähne opens with Die Kralle actually a David Jackman track from his archive recorded in the early 1980's. Next is the title track Die Hennen Zähne, a joyful noise not unlike some of the TNB/Organum material incl. the sound of broken glass and tibetan horns, best to be experienced loud. Maus is the centre piece of this mini album and typical old school Organum. Th…
**Edition of 400** 'Flak' is an excellent 10" release offering two diverse pieces. Side A is a heavy, densely layered drone piece comprised of harsh, grating sounds all over the sound field, but sliding from start to finish with remarkable constancy. It's a truly beautiful noise, rather like some of David Jackman's earlier work as Organum. Side B is a field recording, untreated, unfiltered, recorded outdoors, with a great hiss that is very much present in the mix. This second track seems to comm…
Emblematic of the anxiety that the group manages to build, sound on sound, with meticulous cruelty, is the first album, More Violence And Geography (Complacency, 1988 - Die Stadt, 2002), contemporary to the cassette Fifteen (Complacency, 1988). Since 1983 Illusion Of Safety has been the ongoing project of Daniel Burke, working alone and with various collaborators. They have released over 20 CDs on labels such as Complacency, Die Stadt, Experimedia, Odd Size, Silent, Soleilmoon, Staalplaat, Tesco…
A new album by Michael Prime who is another prolific sound composer for many years. Being an active member of Morphogenesis he also collaborated with among others: David Jackman/Organum, Jim O'Rourke, Eddie Prevost, David Toop, Adam Bohman. He's also one half of Negative Entropy a collaborational project with G. Feyton (Noise Makers Five). Recorded between December 1998 and December 2000 Requiem is one of his most intense works so far and quite different from his more inviromental studies. Dedic…
Leaving the rigid beats behind this time, Richard H. Kirk introduces a new alias through a new (for him) label. The first Orchestra Terrestrial release comes from Die Stadt and is packaged exquisitely with a fold-out CD case and six prints of digital artwork representing six of the eight songs here (three by Naked Art, three by Designers Republic). While Kirk has has contrasted his usual style by creating an atmospheric soundbath with lengthy delays heavily absent of drum machines and thumping b…
In Opposition to Our Acceleration mostly consists of soft, atmospheric sound art pieces, as usual fusing electronics, computer treatments, and improvisation on amplified objects. The characteristic mood swings of Illusion of Safety are nowhere to be found on this CD. Things develop slowly, softly, luring the listener into a catatonic state, an "illusion of safety" that endures throughout the disc's 74 minutes. The album has been put together from various live recordings ranging from quartet perf…
Those readers familiar with the world of experimental music will know the name David Jackman, primarily from his work under the name Organum. As Organum, Jackman has created some of the finest, most haunting drone recordings of the last decade. This CD is a reissue of a 1996 cassette-only release that appeared in an edition of only 61 copies. Perhaps slightly similar to the sampling work of John Wall, here Jackman has taken found recordings of orchestras, and overlaid them to create two eerie co…