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Jürgen Karg began his music career in the 1960s as a bassist for German jazz legend Wolfgang Dauner. It was not until the 1970s that he switched his attention to electronic music, launching himself wholeheartedly into exploring the genre and building up an extensive collection of synthesizers over a five-year period. His efforts culminated in the 1977 Elektronische Mythen LP, a mighty opus of experimental music that reveals new aspects every time it is played. This is its first reissue. The tech…
Originally released as a limited tape in 2015. This vinyl reissue of O Morto's (aka Mestre André) immersive electronic tryptic piece dedicated to the Ba'Aka people and its spirits is remastered here on green vinyl . Albeit, his music is now closer to a soundscape composition approach, O Morto actually started as a free improv/noise project in 2012. However, after releasing his debut Memento Mori (2012), O Morto slowly began to drift away from the harshest soundscapes to seek a new directi…
Into the Light Records continue to shine light on the undiscovered heritage of Greek electronic music, highlighting the work of prolific Greek composer George Theodorakis on the label's third archival release. "The Rules of the Game" features mostly unreleased studio recordings Theodorakis made between 1978 and 1996, with the addition of selected material taken from his sought-after 'Margo' and 'Sima' LPs.. George Theodorakis is the son of legendary Greek composer Mikis Theodorakis. Unlike…
"All of two exceptional Worcester (Massachusetts) and Los Angeles concerts: clarinet and cornet duos and solos in improvisations on original compositions. Even those who know Carter and Bradford's work in larger groups will be astounded. The original CDs were the first (non-video) release of this duo performing unaccompanied, and the sound has been cleaned up considerably for this double CD set."-Emanem
Paul Hubweber, trombone. Philip Zoubek, prepared piano. The whole of a duo concert on trombone and prepared piano, recorded at L'Archiduc in Brussels - a bar whose art deco interior is featured on the cover. This is the second CD by this duo following on from the highly acclaimed Nobody's matter but our own on NurNichtNur. Both musicians are now amongst the freshest exponents of their respective instruments, and they interact with each other superbly.
Edition of 50 copie, in handmade sleeves. Sidestepping all normal expectations on this album, Ju Suk Reet Meate (founding member of Smegma) directly goes about casting musical spells, utilizing primitive "inner mind" techniques on hammered dulcimer, tape loops, thrift store records, a homemade synthesizer, electric guitar, saxophone, mouth sounds, and manipulated christian radio broadcasts. Recorded in Portland, Oregon, these previously unreleased recordings reflect a similar "inner-mind o…
Restocked. In the late 1970s and through the 1980s there was a lot happening on the German "post Krautrock underground" that few people knew about, lots of independent artists doing their own thing, either via small labels or doing it themselves. Circles were one of these bands. Based on the Frankfurt suburbs, they consisted of the multi-instrumental duo of Dierk Leitert (synthesizer, sequencer, drums, bass, guitar, voice, saxophone, flute) and Mike Bohrmann (guitars, bass, synthesizer) plus a f…
Each of the piano pieces assembled here is a gemstone in its own right; even so, it is their arrangement side by side that makes this album a unique experience. ...The outstanding pianist Marino Formenti begins his journey with Beat Furrer's Voicelessness – The Snow has no Voice (1986), a piece reminiscent of Debussy's Des pas sur la neige and depicting the same profound hopelessness. John Cage's Music Walk (1958), "for one or more pianists who also play radios and produce auxiliary sounds by si…
John Wall and Mark Durgan return after a lengthy absence with Contrapt. On Contrapt, they've created a fractured sound world woven together from improvisations that took place in the Utterpsalm Studio in London between 2012-15. The seven tracks on Contrapt are an attempt at imposing order, structure, and "expression" without meaning or intention, onto a huge amount of heavily edited sonic material.
Country singer and disc jockey Slim Willet’s ode to tool-pushin’! Texas Oil Patch Songs was issued in 1959 by the artist on his own Winston label, and now is an impossibly-rare LP to dig up—and this Modern Harmonic edition is faithful to the original, including all twelve tracks, liner notes, and restored artwork! And on petro-blue vinyl!
"Ahh… the “Concept Album”…Critics write of Sinatra’s In The Wee Small Hours…or of groundbreaking 60’s rock opera opuses…but while the big studios set the …
Release Date on May 5th. Bert Jansch's freewheeling fifth album, Birthday Blues, occupies a unique place in his solo discography. Released in 1969, the same year Basket of Light propelled Pentangle into the UK pop charts, Birthday Blues almost sounds like a Pentangle LP missing John Renbourn and Jacqui McShee. Backed-up by bandmates Danny Thompson and Terry Cox, Jansch neither holds back his characteristic moodiness nor takes himself too seriously. What's more, Jansch is in love. Heather Rosem…
*Limited edition of 150 copies.* First ever official vinyl re-issue of this absolutely essential TNB recordings! Seinsart : Live At Morden Tower includes two legendary full live performances recorded in 1983. Originally Seinsart : Live At Morden Tower was self released by TNB in an edition of 100 copies on cassette. The original tape edition is very hard to find and ridiculously expensive nowadays. Black vinyl LP with printed labels. Paste on cover. It includes replicas of the original performa…
Eagerly anticipated full-length on RVNG Intl. from Christelle Gualdi's Stellar Om Source, marking a significant departure from the no-age synthcraft she's long been known for and has showcased on numerous self-released CDRs and sides for the likes of Olde English Spelling Bee and Big Love. Joy One Mile began life when Gualdi acquired a mint Roland TB-303 and began experimenting with it; over the course of a year's gigging, she perfected seven compositions which she then laid down live, without o…
Sangeetha Kalanidhi Sri Nedunuri Krishnamurthy, is with his 80+ age one of the very few remaining great vocalists from the golden period of Karnatic music. In 1968 he was at the height of his powers and we managed to capture a full evening concert that lasted nearly four hours in Nagercoil in Tamil Nadu. We are extremely proud to release the complete concert in a 3-cd set. Soundwise this is a high quality release, a unique document from nearly 50 years ago with music that will delight the…
Track 1: City of Vorticity (with soloists): Al Margolis, violin; Alan Zimmerman, percussion, prepared hammer dulcimer; Peter Zummo, trombone, didgeridoo; Tom Hamilton, electronic sound environment.Track 2: City of Vorticity (electronic sound environment): for listening alone or as an accompaniment.The Wire has described Hamilton’s music as “colourful and seductive,” and Gramophone has noted that “the results bubble with energy, a veritable counterpoint of indeterminacy.” These brief descriptions…
CD version. "How many can get a personal sound out of a fucking piano?!" - Lee Konitz. Thomas Brinkmann takes his seductive reductionism to the next level with A 1000 Keys, a harsh meditation on the expressive qualities of digital sound production. In translating the timbre of a grand piano into binary codes, thus rebuilding its corpus with "0 and 1s", Brinkmann subverts the sensual qualities of this proto-romantic instrument in a sardonic way. Replacing the musician with a mathematically p…
This new cd by Brazilian composer Jorge Antunes, one of the pioneers of electronic music in South America consists of 7 works for instruments and tape, composed between 1965 and 2003. Canção da Paz was composed in 1965, and is one of the first pieces in Brazilian music history to use a traditional instrument accompanied by pre-recorded electronic sounds. Insubstituível 2ª was written for the cellist Iberê Gomes Grosso (1905-1983). Antunes was an early pioneer in electronic music. The piece, alm…
"In 1996, at the end of a two year residency, Fred organised an event at L'Ecole Nationale de Musique de Villeurbanne in France. He roped in as many of the students as he could, grouped according to their departments (early music, rock, African drumming, classical &c), and set them up in all the rooms in the building. The public wandered around creating their own mix, or sat in the courtyard listening to the sound drifting out through the open windows.
For their part, each group of musici…
Essentially a pretty great concert by a large 19 strong ensemble with Fred conducting as well as playing. Lots of rhythm, harmony, rock noise, exotic instrumentation, power, complexity and melodic writing, with stretches of chaos, eccentricity and theatre. Totally different, then, from Impur Part I which was a deconstructed, spatialised simultaneity of musical events heard through open windows or by wandering through rooms; Impur Part II was an unannounced performance upon which audience …
This is Frith's sixth CD of music for dance, featuring three commissions by three different choreographers each sharing, as Fred says ' a certain obsession with melodic deconstruction.' Two of them feature - and were especially written for - the remarkable violinist Carla Kihlstedt.
Fred and Carla perform one of them (Fred playing a huge array of instruments here as on all pieces), are joined by Fred Guiliano, (samples) and Gail Brand (trombone) on another, while the third features Fred, …