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Opus Caementicium
"The Mafioso expression 'cement shoes' describes a method of execution or body disposal – wrapping the victim or body in concrete and pushing into deep water. This expression has become a tongue-in-cheek death threat by criminals, despite no real evidence of using this method of execution. Now this American expression also graces the name of a new pan-European trio, featuring Italian, Brussels-based Fender Rhodes and electronics player Giovanni di Domenico, Portuguese, Rotterdam-based electric b…
Deva Ovel
* Edition of 200 * This self-titled LP is the first batch of tracks delivered by the polymorphous sounding entity identifying themself as Deva Ovel. Emerging from the Adriatic coast, the sound of Deva Ovel manifests in a captivating layering of vocal fragments, where text and voice are filtered, altered and stretched through digital and analog processing and melted with intense, yet slowly evolving textures of tape loops and ambient tropes. As a result, these seven mesmerizing tracks compose an …
Beats
The work of LA based music-maker John Krausbauer has so much to do with minimalism as with trance music as with soundart experimentation and "performance based" sound forms. And where, as he himself states, the "Trance-Psychedelia is the aim and goal". Firmly rooted in the 60s/70s Minimalist movement of LaMonte Young and The Theater of Eternal Music, as well as the trajectory out of that...(with the likes of Conrad, Flynt, Wada, Palestine, Chatham; Oliveros, Radigue etc etc), "beats" also touch …
Organ Eye
Born out of both creative empathy and chance, Organ Eye were formed in the wake of a live concert of David Maranha (Osso Exotico) and Minit (Jasmine Guffond & Torben Tilly), which took place at the ZDB Gallery in Lisbon, Portugal at the end of February 2005. With the addition of Patricia Machás (also a member of Osso Exotico), the quartet that now forms Organ Eye was completed and in March and December of 2006, they recorded their eponymous debut album.The two raga-like tracks that comprise this…
N-Est
Great Italian trio feat. Marco Colonna this time not only on clarinet but also bass clarinet, alto saxophone and flute and marvelous rhythm section Dario Miranda on bass and Fabrizio Spera on drums on his debut
Morning Patches
There’s a question once posed by John Cage that seems to invite an expanding variety of answers, something about what’s more musical, a truck driving by a factory or a truck driving by a music school. Percussionist Zlatko Kaučič’s quintet adds another environment to the mix, a church, and has musicians standing in for other elements: bassist Silvia Bolognesi and three reed players: Michael Moore on alto saxophone and clarinet; Michael Colonna on clarinet and bass clarinet; and Albert Cirera on …
Italia: Ultimo Atto?
In 1977, in the midst of a period of political turmoil and social unrest that went down in Italian history as “years of lead”, screenwriter and director Massimo Pirri made a film no one else had the courage to make: Italia: ultimo atto? (Could It Happen Here?). Here, Pirri explores the controversial (and, in the 70s, very current) topic of left-wing armed struggle. He does so through a storyline that is almost prophetic: in the film, a mysterious ultra-leftwing armed group plans and executes the…
Concert 1975
Yasumi No Kuni, long-running Japanese folk group, originally formed in 1969 by the members of Jacks & Teruyuki Takahashi, recorded live just after Fy Fan second album.
Luc Houtkamp in Chicago
** 2021 Stock ** This disc represents the first American release for Dutch saxophonist Luc Houtkamp. Here, he appears with Chicago stalwarts Kent Kessler (double bass) and Michael Zerang (drums) in a 1997 studio date. Liner notes by Ken Vandermark, and artwork by Northwoods' Mike Johnston. "Houtkamp often showcases an aural dictionary of multiphonics complete with echoing tongue slaps, colored hissing and speedy key pops, adding the coagulated vibrato of every bar-walking saxophonist's nightmare…
Elektronische Musik 1987-2018
From early beginnings to the present: The composer Bruno Strobl began his studies in composition comparatively late. First came his degree as a classroom teacher, the profession in which he worked until retirement, guiding countless pupils towards music, including contemporary art mu-sic. His own interest in electroacoustic music was triggered during his studies in the 1980s, and one of his early pieces for tape, Hiatus, can be heard on this CD. The Latin “hiatus” means gap, and the basis of thi…
Electroacoustic Music, Vol. 2
Bruno Strobl has a soft spot for sounds – for decades, he has been tinkering with them, changing them, playing with them. In the past by means of analog sound processing machines, for a long time by computer software and electronic instruments. Mostly, however, it is an analog sound that he takes as a starting point. Three sound generators are the core of his interest for the pieces collected on this CD. Three working tools moreover: a circular saw of the craftsman, four old water mills of the L…
Spectre
Improvisers Xavier Charles and Bertrand Gauguet have been playing duets since 2013. They produce frequency landscapes that change slowly and thus move the listener towards a contemplative listening. With the multiple sounds of the clarinet and the saxophone, other inflated spaces based on breaths arise... Spectre, which was released on CD in early May 2020 at Akousis Records, contains six pieces exploring multi-phonic spaces on the clarinet and alto saxophone (Phonomnèse 1, Phonomnèse 2 and Pho…
The Sense of Hearing
**400 copies** Penultimate Press is proud to present the debut full length from Komare, a UK outfit based somewhere between south-eastern edges of London borough and the Swale. Komare is Dominic Goodman and Peter Blundell who also make up two thirds of Mosquitoes. Somewhat of an estranged cousin to Mosquitoes take on re-ruffled rock, Komare resides more as a dub influenced exploration of the outer fringes, creating a thick vibrational delusion.
Somehow like Zweistein mixing a Robert Ashley reco…
Temps Espace
Temps Espace consists of two pieces of DIY “musique concrète”. DIY because it was made outside of any academecism and done with the equipment that I owned at the time of the recordings, appropriate or not. Two tracks Inter…, in-between : one composition, intermezzo, was done 14 years ago and the other one, interfluve, 2 years ago. The connection between those tracks is the original sound material which was recorded at about the same time (early 2000s). Time and/or space are the central in the t…
Hall ov Fame
“I have movies in my head” describes Tobias Freund the source that inspired his new album to fill it with a fantastic life of its very own. Consequently, each of the eight tracks represents a scene out of a fictitious short film, some of them with a claustrophobic and tense atmosphere while others appear light and hopeful on the screen of imagination. What they have in common is an adventurous spirit that is inherent in and played out by three main characters: repetitive electronic and acoustic …
Accident In Heaven
Accident In Heaven was originally released in 1987 as a hand-made micro-edition of about 40 cassette tapes. It was only the third ever release on the short-lived now near legendary SDV label which had been established that same year by Konrad Kraft, Bernd Sevens and Dino Oon in Düsseldorf.Finally finding a more substantial and appreciative audience on vinyl over 30 years after its original limited release, Accident In Heaven is a strong testament to the explorative experiments of Detlef Funder a…
Wet Robots
"Few vocalists have the sheer boldness – the outright fearlessness – of Fay Victor as an improviser. The New York native has long been a creative force on the avant-jazz scene, as a singer, bandleader, composer, arranger, and teacher. She has worked on both sides of the Atlantic with the likes of Misha Mengelberg, Roswell Rudd, and Anthony Braxton, along with recording several distinctive albums as a leader. Reviewing her recent disc Absinthe & Vermouth, NPR declared evocatively that Fay’s origi…
USA
USA was recorded towards the end of King Crimson's final US tour of the 70's in June 1974. It was issued as an epitaph for the band in Spring 1975 as a single album – at a time when doubles or even triple live albums were more considered the norm for live releases. The reputation of the 1972/1974 King Crimson line-up is now revered by critics and fans alike with the material very sought after.
In common with much of Crimson's output, it was not well received at the time by critics, thoug…
Dinky Diamond
Modell Doo resurrected! The Austrian cult group who was responsible for the soundtracks for "I was a teenage Zabbadoing" and "Mondo Weirdo" are back. "Dinky Diamond" is an album of half old and half new material. All the classic songs have been re-arranged and re- recorded to fit the 21st century. All the new material is presented here for the very first time. Wonderfully produced and mixed, this is a great comeback for a great band that has been off the scene for far too long. Check out also ou…