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Aachen Konzert, July 25th, 1966
This CD presents a concert from July 25th, 1966 in the Theatersaal in Aachen, Germany. In addition to the New York concert on September 12th, 1964, the recordings of this European concert well represent the kind of performances that Charlotte Moorman and Nam June Paik presented in Europe in the second stage of their historical "duo" exhibitions. This Aachen event, in fact, is testimony to the progressive and always more pronounced emergence of meta-musical elements deliberately turned toward the…
Musicdesign
2010 release. "Monofonicorchestra is not a disc recorded in mono / is not ambient music / is not funky / is not experimental music / is not funny / Monofonicorchestra is not avant-garde / is not pop / is not op / is not Dada / Monofonicorchestra is not fashion / is not hard-core / is not horror / is not Frigidaire." --Maurizio Marsico, at 10h20 on Wednesday, December 23rd, 1981. A country: Italy. Several countries: Italies. Late '70ss, early '80s. The ether of punk is in everyone's nose and disc…
Will Make You Ill
Alga Marghen presents Modern Shit, a very singular chapter in the Amos/It's War Boys / Milk From Cheltenham / Homosexuals history. Directly taken from the original It's War Boys catalog, here is one of the most obscure sonic works of the early 1980s, Modern Shit! First "issued" on tape, this work circulated only privately among the close friends of the label and was never officially distributed. Actually, it represents one of the most intense and experimental outputs of this creative London…
Triptych of poisoners
2005 release. Milk From Cheltenham is the first in a series of Alga Marghen editions documenting the activities of the It's War Boys underground label, founded by Amos (of The Homosexuals fame) in the late 1970s. The original LP was issued in an edition limited to 300 copies. The material was recorded from 1979 to 1981 but wasn't released until 1983 due to problems with the silkscreened sleeve. The band only put out this record, a real hidden gem. Lepke said that he wanted it to sound like …
De musicorum infelicitate
2001 release. As Walter Marchetti told to the producers of De Musicorum infelicitate, i.e., The Unhappiness of Music, this will probably be his last music work, but this is not the only point making this edition a very special one. After two CDs previously issued for Alga Marghen (Antibarbarus in 1998 and Nei Mari del Sud in 1999) these "Ten Pieces in the Form of Painful Variations" dispose in their unceasing and implacable sequence the landing at an anaphorical finis terrae, the extreme and imp…
Utopia andata e ritorno
2006 release. Music: the foundation of that presence in which we find ourselves shows itself as pure negative. Everything is founded on a demonstration of its own negativity: as awareness of its being negative, and does not look for an escape into a future presence that is an objective future, but, accepting its negativity, makes of this self-negation the real act, the true reality -- the true foundation, the real and actual continuity: this is music's sense. Utopia Andata e Ritorno is the…
The Thousand Symphonies
2010 release. Alga Marghen presents the first edition ever issued of Dick Higgins' music. Fluxus founding member, in 1958 Dick Higgins studied Composition and Experimental Music with John Cage in his class at the New School for Social Research in New York together with, among others, La Monte Young, Richard Maxfield, Toshi Ichiyanagi, George Brecht, Allan Kaprow, Al Hansen, and Jackson Mac Low. In the Spring of 1968, Geoffrey Hendricks and Robert Watts told Dick Higgins of a project that was afo…
More from the Judson years Vol. 1
2004 release. "Yet not to forget that extraordinary place where so much of the new and exciting performances at that most interesting time in New York, took place. There was a Theater there; and a place for the first Happenings. An Art Gallery... and later the famous Judson Dance Theater -- the site of Philip Corner's first performance. The concert was in early 1962, January 2nd, to be exact. Excerpts from the liner notes of volume one of More from the Judson Years, Early 60s, written by Philip …
More from the Judson years Vol. 2
2004 release. Excerpts from the liner notes of More from the Judson Years (Early 60s) Instrumental-Vocal Works Vol. 2, written by Philip Corner: "Everything Max Has" (1964), Max Neuhaus solo, recorded at the ONCE Festival, 1965. "A performance of Max's taking down all of his stuff; tons of equipment filling entire stages." "Big Trombone" (1963), Jim Fulkerson improvisation over tape collage. "Homage to Revere" (1962) for ensemble of copper-bottom kitchen utensils. "Punkt" (1961) for ensemble of …
Concerto Per La Mano Sinistra In Un Solo Movimento
The Concerto For The Left Hand In One Movement, for piano, is the last unpublished composition of Walter Marchetti to be performed in public before the death of the author on May 12, 2015. This performance by Reinier van Houdt was recorded on April 29, 2015, at Onder De Linden in Valthermond, Netherlands, and is presented with liner notes by Gabriele Bonomo, translated from the Italian by Philip Corner. Composed in 1994, the Concerto For The Left Hand belongs to an ongoing series of works writte…
Field Reports
Tip! * 200 copies * Martijn Pieck and Philipp Bückle's Field Reports is a collage of found sounds, field recordings and heavily treated modular synths. It’s basically a musical rendering of a fictitious urban world that just lingers on the other side of your door. It is a curious soundwalk through an environment that doesn’t exist. You will come across landmarks, briefly meet people, hear the sounds of machines and glide through empty hallways mirroring the muffled sound of the outside world. Fi…
Additive Inverse
* Stunning collaborative work of field recordings and electronics by Jos Smolders and Jim O'Rourke * What if sounds were to fold in on themselves? Quite quickly after being 'born', even. Only to be released back into the 'normal' world of linear projection and moving waveforms from a resonant source to the ear drum to hearing and listening, some album length later? Through a looking glass of sorts, as if emerging from an anechoic chamber through the backdoor. From absolute silence into all heari…
String Quartet
"'String Quartet Describing The Motions of Large Real Bodies' was composed as the potential orchestra for a Robert Ashley opera based on the text of 'In Sara, Mencken, Christ and Beethoven There Were Men And Women'. When the work was composed, in 1972, it was clear that a huge change in electronic instrumentation was just beginning, a change that would involve computers and sound producing devices as yet undreamed of. The piece consists of an electronic orchestra of 42 sound producing modules. T…
Niente
** Edition of 500 copies ** Sequel to the mythical RCA LP “The Feed-back”, the legendary insane amalgam of avant-improvisation and motorik Krautrock-influenced beats that understandably has become one of the most collectable ‘Library Music’ related LPs ever issued. In 1971 ‘Il Gruppo di Improvvisazione Nuova Consonanza’ returned to the studio to record a sequel. This is that record. For reasons unknown Niente was never originally issued but one listen will convince that not only is it the sequel…
Los Bordes de Las Respuestas
**500 copies, hand-numbered, limited edition with 3 photo inserts** Combining the searching, raucous spirit of free improvisation, massive guitar textures and slowly shifting moods of the drone / doom-tradition the Saint Francis Duo proves there’s still a place for adventure and innovation in the world of improvised music.Four years after their debut recording as a duo, influential guitarist Stephen O’Malley (Sunn O))), KTL) and master percussionist Steve Noble (Rip, Rig & Panic, Brötzmann, Park…
Floating Weeds
Edition of 200. Japanese-born and London-based sound artist Ken Ikeda has previously appeared on the label’s project “Quark: How Does Invisible Sound?” (Q06). He now teams up with Rie Nakajima and Makoto Oshiro for a series of collaborations included in this CD alongside his solo opening track. The album title is borrowed from the 1959’s movie by Yasujirō Ozu called Ukikusa (Japanese word for Floating Weeds). Motors, sound objects, automated gestures, mixed materials as opposed to synthesizer-ge…
Circular Arguments
Israeli-born, Montreal-based sound artist, performer and composer Adam Basanta returns to 901 Editions after his contribution to the Quark: How Does the Invisible Sound? project in 2016, with a delicate and sublime album summarising his feedback works between 2014–2016."The following are recordings of sound installations created solely using live feedback techniques, varying choreographies between microphones, speakers, kinetic system, physical spaces, and custom software. These works exist - ta…
Ma 間
Fabio Perletta and Luigi Turra’s "Ma" marks their first collaboration. The project began with Turra inviting Perletta to re-work his piece "Texture.Vitra" (Koyuki, 2008), a sound study featuring recordings collected at various architectural spaces designed by Japanese architect Tadao Ando. The resulting three pieces were crafted in an attempt to perform an active dialogue between Tadao Ando’s aesthetic principles and sonic practice.
The album unfolds as a temporal, environmental experience of …
Hair Police
'Basement noise dirge death skuzz hell. Compiles the long out of print hospital cassette and mortuary servants ep while adding new exclusive mud-noise constructions from the drawn dead sessions.' Hospital Productions.
Für einen kleinen See
This album is for the downward gaze. Taken from leftover piano sounds of simple sound sequences which Aki Takahashi had recorded for him. There were these irregular noises to be found which makes the connection from ear to eye. At the exhibition the piece was played back under a sheet of glass. Over which black pigment was sprinkled through a sieve. whereas a simple. Open loudspeaker was installed underneath the glass... Rolf Julius' works are always catalyzers for increasing attention to the th…