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On Music for Intersecting Planes, Kali Malone and Leila Bordreuil braid organ, cello, sine waves and feedback into a candlelit nocturne of air and overtones, an austere yet tender ritual where space itself becomes a third instrument.

Sarah Davachi’s ‘All My Circles Run’ is a meditative journey through sustained drones and harmonic resonance, blending analog synths, strings, and organ into a deeply immersive ambient experience."

Davachi went back to the piano she had left behind as a student, recording at Fantasy Studios in Berkeley. The first side is a three-part suite in which the piano draws in a Hammond organ and a countertenor voice.

*50 copies limited edition* Even for a prolific artist such as Delphine Dora, 2026 is a very busy year with the release of three albums already before the end of April; the harmonium and vocal improvisations of ‘D’une nostalgie inconnue’ on Akti, the impressionistic piano and keyboard instrumentals of ‘L’ineluctable du temps’ on Marionette and the church organ explorations of ‘Vents d’aether’ made in collaboration with Jérôme Bouve for Hallow Ground. ‘La lune’ is another impressive addition to D…

On D'une nostalgie inconnue, Delphine Dora turns a three‑week Portuguese sojourn into an intimate cartography of feeling: piano, harmonium and field recordings tracing a dream‑folk geography where Atlantic waves, stray voices and solitary improvisations blur into one interior tide.

Two decades of French experimentalism meets Japanese spiritual practice in this haunting collaboration. Recorded around a 104-year-old harmonium, Dora and Suzuki channel otherworldly beauty through voice and electronics - music of prayer, magic, and genuine mystery.

Huge Tip! *300 copies limited edition* With Chênes, Roxane Métayer invites us into a world where the boundaries between the natural and the imagined dissolve, and every song becomes a living tableau. Composed over two to three years, the album gathers a suite of narrative pieces—each a vivid snapshot of life among forests, city corners, and mountain paths, but always told through the voices of animals and plants. Here, insects, amphibians, birds, and mammals are not just subjects but protagonist…

Lise Barkas and Jean-Baptiste Geoffroy’s Notions de Confort is a provocative dismantling of musical ease. Rooted in improvisation yet fractured by raw timbres and spatial instability, it turns comfort into an elusive mirage—challenging the listener to question habitual listening.

Karma is Pharoah Sanders' third recording as a leader, and is among a number of spiritually themed albums the Impulse! Record label released in the late 1960s/early 1970s. Although it is followed by the brief "Colors", the album's main piece is the 32-minute-long "The Creator Has a Master Plan", co-composed by Sanders with vocalist Leon Thomas. Some see this piece as a kind of sequel to Sanders' mentor John Coltrane's legendary 1964 recording A Love Supreme (whose opening it echoes in a muscular…

The long-awaited release of a fan favourite, Live in Keele 1977, is the latest in Can’s series of live albums, released on Mute and Future Days. Live in Keele 1977 is the newest release in a series of live albums that have been unearthed from the Spoon Records vaults and from fan recordings, then painstakingly assembled by founding member Irmin Schmidt and producer and engineer René Tinner. This album is a dynamic document of late-period CAN. Recorded in March 1977, the core line up of Irmin Sch…

A quietly stunning meditation on sound and space, Let Night Come On Bells End The Day sees Sarah Davachi sculpting slow, luminous improvisations for Mellotron and organ. Each piece unfolds with patient restraint, revealing rich overtone complexity and a dreamlike sense of presence-minimalism at its most intimate and immersive

The new double album from artist Sarah Davachi is an 80 minute, 17 track meditation on impermanence and endings, framed by minimalistic organ études and careful harmonic layering, with two tracks featuring the artist’s own vocals for the first time.I spent a lot of time while working on this album thinking about impermanence and endings, which led me to change my understanding of “vanitas” and “memento mori.” These concepts arise allegorically across classical antiquity and Buddhist thought, amo…

A landmark debut reissued: Barons Court finds Sarah Davachi crafting mesmerizing electroacoustic landscapes that invite deep listening and contemplation. Blending vintage synths and acoustic timbres with patient, immersive composition, Davachi’s singular vision reshapes the boundaries of minimalism and ambient music

** Limited Edition Dark Green Vinyl 2LP Gatefold with a 20 page booklet. Comes with an exclusive coil bound 52 page A4 landscape score book to full album ** The new album from Sarah Davachi on her own Late Music imprint is a collection of nine extended compositions for chamber ensemble and solo pipe organ.  "The expanded instrumentation on this album includes carillon (a keyboard instrument comprised of very large cast-iron bells), choir, string quartet, low woodwinds, and trombone quartet, alon…

The most ambitious work of Sarah Davachi's career to date. Spanning more than two hours of music across three LPs, The Will of Tongues arrives on the composer's own Late Music imprint as a vast, deeply considered statement - a meditation on the act of listening itself, and on the mental spaces that sound, given duration and reduction, continually opens. Over the last decade, Davachi has emerged as one of the most singular voices working at the intersection of minimalism, early music, and electro…

** Remastered from the Original Tapes. Deluxe Edition Reissue Sanctioned by John Cale Himself. Includes Previously Unreleased Outtakes & a Brand-New Recording** John Cale was never very kind to his solo debut, Vintage Violence. When it was released in early 1970, Cale had been out of The Velvet Underground for less than two years. He wanted to prove he could be the songwriter, the person penning the words and melodies behind which a band could work. “I was masked on Vintage Violence,” he wrote m…

Emmanuelle Parrenin's 1977 album, recorded in a farm studio in Normandy: traditional songs she collected in the countryside, arranged and recorded by Bruno Menny, a student of Xenakis.

2024 Repress. Masahiko Togashi was a pivotal figure in the development of the Japanese free jazz scene in late 60s. Percussionist and composer, he lost the use of the legs in an accident which nevertheless didn’t not prevent him from continuing an astonishing career that includes long and established collaborations with figures of the likes of Steve Lacy, Charlie Haden, Mal Waldron and Paul Bley. This session, recorded in Paris at the Ramèse Studio Du Village in 1979, sees an explosive collabor…

Recorded over two December days in Copenhagen and shelved for nearly three years, Bjerge, Strand gathers Jakob Bro with Charles Lloyd, Larry Grenadier and Jorge Rossy, and arrives on Loveland Music on CD, alongside a limited double vinyl edition, with artwork by the painter Tal R. Bro invited Lloyd to The Village Recording in Vanløse in December 2023, bringing along the rhythm section he had formed in 2019 with Grenadier and Rossy, the two players who spent two decades refining the piano trio al…

The astounding second outing from the duo of Midori Takada & Jakob Bro, arriving on Copenhagen's Loveland Records just under a year after 'Until I Met You'. Across six tracks, subtle abstraction amongst sprawling ambiences, "Fourth-World" sensibilities, and pulsing minimalism. CD edition.

Loveland Music presents 8, a studio recording featuring an all-star ensemble of Jakob Bro, Brian Blade, Craig Taborn, Chris Cheek, Jesper Zeuthen, Anders Christensen, Larry Grenadier & Marcus Gilmore, playing compositions by Paul Motian and Jakob Bro. The album was recorded in a single session at New York's Power Station with engineer James Farber, following a week-long residency at the Village Vanguard.  "Danish guitarist and composer Jakob Bro is celebrated for his pure reflective expression a…

Loveland Music proudly announces the release of Live at The Village Vanguard, a remarkable new recording that brings together seven of the most distinctive voices in modern jazz. Recorded in the legendary New York room that has defined generations of improvised music, this album captures the raw immediacy and atmospheric depth of a once‑in‑a‑lifetime gathering. Subtle, deeply melodic, and unhurried, Live at The Village Vanguard reveals Bro’s unique gift for creating spacious musical landscapes w…

Loveland Music is proud to announce the release of The Montclair Session, a rare meeting of four titans of contemporary jazz: trumpeter Wadada Leo Smith, guitarist Jakob Bro, pianist Marilyn Crispell, and drummer Andrew Cyrille. Recorded in Montclair, New Jersey, this album captures the essence of improvisation at its most searching, delicate, and alive.   Each of the four musicians brings a lifetime of artistry to the music. Wadada Leo Smith, a pioneer of creative music and recipient of numerou…

A powerful intergenerational trio emerges on Murasaki, featuring Wadada Leo Smith on trumpet, Marcus Gilmore on drums, and Jakob Bro on guitar. Recorded at Power Station (formerly Avatar Studios) in New York, this exploratory session unfolded spontaneously—no retakes, no discussions, just a shared musical language rooted in intuition and trust. “It felt as though this music already existed before we started playing,” Bro reflects. Murasaki captures the creative summit of three visionary artists,…

*200 copies limited edition* "Maurizio Bianchi, referred to as the father of Italian electronic music, rarely looks backward. When asked where to start exploring his extensive discography, he recommends an album from his early period in the 1980s and whatever release is his latest. This relentless push for novelty has been at the core of his experimentalism for almost five decades. Despite his long career, he remains in the vanguard. Bianchi’s early work is a departure from traditional musical f…

*150 copies limited edition* Italian 'industrial music' overlord Maurizio Bianchi returns to Grubenwehr Freiburg for another release in tandem with our partner label Attenuation circuit. For this collaborative album with Fallen Sun which is the industrial / noise project from Malaysia and U.S. sound artist and writer Thomas Bey William Bailey, he has reactivated his early project name Sacher Pelz. Acousmatomisation is a programmatic title, as are all the track titles with their references to phy…

At long last, after decades out of print, the Milan based imprint, Dialogo, dives into the legendary catalog of Cramps, bringing forth the first ever vinyl reissue of David Tudor’s legendary LP, "Microphone", part of an ongoing initiative dedicated to bring the imprint’s seminal output back into the light. Still mind-blowing nearly half a century after it was first released, now complete with a new English translation of the album’s original liner notes, this is just about as exciting as reissue…

Souffle Continu Records present the first time vinyl reissue of Perception's Mestari, originally released in 1973. To finally become oneself: that was the lesson, in the 1960-1970s, that European musicians attracted to improvisation had learned from American free-jazz. Following this idea, the musicians of Perception, whilst individually accompanying Mal Waldron, Slide Hampton, Johnny Griffin, or Hank Mobley when they played in Paris, decided early on to break free from what was going on across …

Diriaou (“Thursday” in Breton) captures the singular collaboration between Kristen Noguès-pioneering Celtic harpist and explorer of Breton tradition-and legendary British saxophonist John Surman, renowned for his atmospheric jazz on ECM. Recorded live in 1998 at the Dre Ar Wenojenn festival, this album presents the duo weaving together original compositions and traditional melodies into a tapestry of free folk, modal improvisation, and ambient soundscapes. Noguès, deeply rooted in Breton music y…

Tip! To abandon animals for music – and avant-garde jazz at that –, could seeming shocking to some people. However, it is exactly what Manuel Villarroel did, as he was a vet for three years before leaving his native Chili for Europe and a career in music. And though the animals may have suffered, the world of music can be grateful. Born in 1944, Manuel Villarroel lent an ear to the best pianists from North America: Oscar Peterson and Erroll Garner then Herbie Hancock, McCoy Tyner and Cecil Taylo…

If the jazz of François Tusques is “free”, his spirit is even more so: having recorded Free Jazz with other like-minded Frenchmen (Michel Portal, François Jeanneau, Bernard Vitet, Beb Guérin and Charles Saudrais), the pianist had covered a lot of ground, with Barney Wilen (Le Nouveau Jazz) or even solo (Piano Dazibao and Dazibao N°2), so as not to repeat himself… In 1971 he founded the Inter Communal Free Dance Music Orchestra which, as the notes the this album stated, “is an interpretation of a…

Reissue of François Tusques's Dazibao n°2, originally released in 1971. This was of course not the first time that François Tusques was a "headline act". In 1965, he recorded, with other like-minded Frenchmen (François Jeanneau, Michel Portal, Bernard Vitet, Beb Guérin, and Charles Saudrais), the first album of free jazz in France, named... Free Jazz. In 1967, Tusques again served up Le Nouveau Jazz, in the company of Barney Wilen (and Beb Guérin, Jean-François Jenny-Clark, and Aldo Romano). Thr…

To avoid the “Quésaco?” on the sleeve of Piano Dazibao, François Tusques explains everything: A wall mural on which the Red Guard expressed their opinions during the Chinese proletarian cultural revolution. So much for the “Dazibao”, very good; but the piano in all that? The piano, François Tusques was self-taught and his work was influenced by Jelly Roll Morton and Earl Hines before discovering Thelonious Monk, Bud Powell and then… free jazz. In Paris in 1965, Tusques mixed with Michel Portal, …

Tip! Have you heard of the Nurse With Wound List? If you are a fan of creative-experimental-unlikely music, certainly. You would therefore be aware that amongst the recommendations that Steven Stapleton slipped into the first album of his group Nurse With Wound, were to be found a few restless frogs: Jef Gilson, Luc Ferrari, Jacques Thollot, Urban Sax, Horde Catalytique and last… but not least Jean-Jacques Birgé and Francis Gorgé. Stapleton admired their album Défense de. The two Frenchmen just …

Souffle Continu Records present the first ever vinyl reissue of Perception's self-titled album, originally released in 1971. The story of Perception takes root in a series of chance meetings, which seem at first glance unlikely, between musicians from differing horizons, be they geographic or esthetic. Jazz Magazine was spot on with an article from the period entitled, "Perception, four conceptions", before detailing the origins of the musicians (Hungarian for saxophonist Yochk'O Seffer, German …

Previously unreleased, the three tracks on Pays Noir come from recording sessions held at the same time as those for the cult album No Man's Land (FFL 026LP), produced by Jef Gilson in 1976, and published on vinyl by Souffle Continu Records in 2017. Singled out at the time of its release by Actuel, Rock & Folk, and Melody Maker, the tabula rasa of No Man's Land is the result of free-flowing experiments born of chance, if the two musicians are to be believed. Indeed, their approach to free im…

*2026 repress* Souffle Continu records is thrilled to present Byard Lancaster – Exactement, one of his 4 legendary albums released on Jef Gilson’s Palm Records in the 1970s. At the beginning of the 1960s, at the Berklee College of Music, Byard Lancaster met some feisty friends: Sonny Sharrock, Dave Burrell and Ted Daniel. It is easy to see why he rapidly became involved in free jazz. Once he was settled in New York, he appeared on Sunny Murray Quintet, recorded under the leadership of the drum c…

Us by Byard Lancaster is a vibrant suite of improvisations driven by searching melodic motifs and propulsive rhythms. In a compact yet dynamic trio format, Lancaster’s alto saxophone and flute navigate territory mapped equally by jazz tradition and the pursuit of abstraction, making the album a crucial benchmark for fans of adventurous 1970s jazz.​

Mother Africa by Byard Lancaster radiates with spiritual energy and improvisational daring, weaving together free jazz, blues, and soulful overtones. The album’s exploratory language and deep sense of groove reflect Lancaster’s boundary-pushing ethos, resulting in a vivid listening experience that braids together African themes, fluid ensemble interplay, and Lancaster’s distinctive melodic sensibility.​

LP version. First vinyl reissue. Souffle Continu Records present a reissue Le Théâtre du Chêne Noir's Aurora, originally released in 1971. In 1972, Steve Lacy recorded Solo, one of the gems in his discography, in the Théâtre du Chêne Noir in Avignon. The previous year (which was also the year in which Aurora appeared), the eponymous group of actors led by Gérard Gelas, took up residence in what was a 12th century chapel. The Théâtre du Chêne Noir is therefore not just the name of a space open to…