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Curva Triangulus
'Curva Triangulus' is a superb composition from 2021 by Catherine Lamb, written for and played by Ensemble Proton, who are based in Bern, and have access to some of the unusual instruments used in piece, including arciorgano, baroque triple harp, lupophone and contraforte. More details about the piece can be found in Catherine Lamb's and Richard Haynes's sleevenotes, which are included as bonus items with the music.
Petropolis
2018 release ** The volume/CD Petropolis, a publication of the Department of Education and Learning of the University of Applied Sciences and Arts of Southern Switzerland, was born from a project by Xabier Erkizia (sound artist E) with the collaboration of Monica Fantini (radio author, F), Michele Mainardi (psychopedagogist, CH) and with the scientific coordination of Eliana Rela (historian, BR) and Lorena Rocca (geographer, IT). The fieldwork was carried out in October 2017 in the Petropolis ne…
Un'Estate Senza Pioggia
2006 release ** "Un'estate senza piogga is a charming, poetical and intuitive electronic rock album released by Matteo Uggeri with a few guest musicians and friends such as Andrea Marutti or Giuseppe Verticchio. The poetical operation explores memory traces and micro-events of the past that find a serene peace in the interior-nostalgic experiences of the self. The concrete-natural noisy sequences taken from the "cinema" of everyday life is manipulated by the imagination to create a sort of visio…
Tryptykh
2002 release ** "The Belgian group Hybryds is one of the most unusual phenomena on the underground music scene. They have been around since the late 80s and combine the powerful primordial energy of prehistoric times with the post-industrial aesthetics of modern times. This is a dark ritual music performed mainly on acoustic and homemade instruments (gasoline drums, wooden armature, other various percussion, voice, field recordings made in different parts of the world) with limited use of synthe…
A Score For Iron Blues
2011 release ** Limited edition of 150 copies. ""A Score for Iron Blues" is already the eighth full-length album of the project Hypnoz - a brainchild of Dmitry Zuboff (Zuboff Sex Shop, Circle Of Iron Tape, BRZB) coming from Moscow region. This music will primarily appeal to the fans of old school industrial - the raw and moderately rough sound of the album is based on the use of overdriven and otherwise processed bass guitar and voice samples. With the help of these simple means comrade Zuboff m…
Iris
2005 release ** "During the seven-million years of the Cyclops' sleep, the rutile mountain became a flower. The ocean-cloud has crossed the Pangaea, transformed to the rainbow dewdrop of a petal. Spiracle: An aperture for breathing, such as a whale's blowhole, the opening behind the eye of sharks, rays, and skates, or the tracheal openings on the sides of the bodies of certain insects and spiders."
Jeringas Compilation: Play To BN Chora. Jugement
2008 release ** Featuring: Gianluca Becuzzi & Luigi Turra, Sil Muir, Anna Maria Giordano. "Play to BN Chora. Jugement is the soundtrack written by several italian artists to support the video installation / exhibition released by Massimo Indellicati and Progetto Sperimentale Chora for the Alexander Gallery Cafe (August 2008). The concept of this inter-media performance was based on several ideas delivered by the french writer and global artist Antonin Artaud in the ultimate "Pour en finir avec …
Bogotá
2019 release ** "The “Elder Statesmen of Neo-Krautrock”: Electro-duo Klangwart was thought-provokingly labelled as such by an inventive music journalist when presenting their previous album “Transit” (named, among others, Record of the Year in the “Avant-Rock” section of The Wire’s 2016 Critics Poll). The tag responds to an understandable attempt at finding a category for one of the most singular phenomena of the electronic music scene. It might be more passing to call them the “Under-Statesmen”…
Tibet
Grey-area LP reissue, originally released as Eternal Now on Sonet Records in 1973. Don was living in Sweden at the time and made 2 great spaced-out records (in the freeform "Universal Music" style) for Sonet (Live Ankara being the other) -- the prior CD reissue of this material has seemingly disappeared into the wind. If this album had been made by some Vietnam vet living in a windowless cove in Northern California -- with a picture of leaves on the cover, no less -- it would have made the NWW l…
Plum And Cherry
Following the April 2022 reissue of the album Shrimp Boats, We Are Busy Bodies presents companion titles Plum and Cherry and Deeper in Black to round out a Lionel Pillay and Basil Mannenberg Coetzee “trilogy” as part of the label’s As-Shams South African jazz archive series. The connection between these three albums is tight as the 1987 release Shrimp Boats compiled unreleased recordings from both the 1979 session for Plum and Cherry and the 1980 session for Deeper in Black. These two rare recor…
Music Is the Healing Force of the Universe
Music Is the Healing Force of the Universe is a powerful and often ignored 1970 recording from the American avant-garde jazz saxophonist, singer and composer Albert Ayler. Apart from the posthumous album The Last Album, this was to be Ayler's last studio album, recorded and released before his death in November 1970. The album was initially judged as too difficult by Down Beat, then recognized by the most as “an important portrait of a man facing a life and death inner struggle beyond the bounda…
Unrest
*2025 warehouse found* Dating from 1974, and following on from the re-release of Legend, this is the second in our series of vinyl reissues of the original Virgin albums. Geoff Leigh had left the group and Lindsay Cooper joined on bassoon, oboe, flute, soprano sax. The mix was more 'live' than Legend, with the drums much more up front. The first half is highly composed material, with some of the Henry Cow's best loved tunes, like 'Half Asleep Half Awake' and 'Bittern Storm Over Ulm'. For the sec…
Western Culture
*2025 warehouse found* On vinyl, this is a reissue of the final Henry Cow record, originally released in 1979 after the group had officially disbanded. The LP features guest appearances by Irene Schweitzer and Anne-Marie Roeloffs. Following their split with Virgin, the group's history became complicated; bass player John Greaves left, and after a dispute in the recording studio, what was intended as the next Henry Cow album mutated into the Art Bears' much respected Hopes and Fears. In 1978 the …
Collines / Racines
Tip! Rarely has the term "soundscapes" seemed as appropriate as for 'Collines' and 'Racines,' these two long, captivating pieces for cello and Loopstation, respectively inspired by the landscapes of Gaume and the Forêt de Soignes. Gwen Sainte-Rose superimposes the sound layers of her compositions and sculpts the sound material. This CD nestled in a wooden box which, like a small cabinet of curiosities, also contains multiple photographic inserts by Beata Szparagowska and the graphic designer Cor…
The Electric Prunes
Formed in 1966, The Electric Prunes had a novel approach to being a band: deciding to be a recording unit rather than a live performance band. They discovered their signature sound -- reverb-drenched, beautifully chaotic garage pop -- and released one of the most fantastic, fuzzed-out singles of all time, 'I Had Too Much To Dream Last Night.' Guitar effects drip and splatter throughout (the band had landed an endorsement deal with Vox, who were the leaders in wild effects pedals at that time), a…
Mass In F Minor
In 1968, The Electric Prunes collaborated with classically-trained musician David Axelrod to create Mass in F Minor, a religious-based rock opera. Even though the album is a head-scratcher side by side with their previous records, this has become one of the era's most bizarre and hypnotic releases. Sung in Latin with the band hanging onto Axelrod's ambitious arrangements; you've never heard anything like it. It created enough of a cultural mark that the lead track 'Kyrie Eleison' was even used i…
Underground
Due to their successful debut, the band's producer was in demand, leaving little time to devote to the Prunes. The band took full advantage of the adults not being in the room and created an incredible follow-up of original material on 1968's Underground. Here is where the band really leaned heavily into their knack for challenging pop. This album came to define what later gravediggers of the garage genre came to devour: Iggy Pop, The Ramones, and Patti Smith all took a riff here; an attitude th…
Space Solo I
2025 stock Originally released on CD by Staubgold side-label Quecksilber in 2007, Space Solo 1 is Rafael Toral's second release in his ongoing Space Program, a venturesomely bold series of recordings. Internationally-acclaimed for his experimental drone and ambient guitar work, the Space Program is completely divergent from his past output. Equipped with handmade instruments, Toral's project is a performance-based discipline, which he calls "post-free jazz electronic music." Following the Space …
Space Elements Vol. I
2025 stock This is the third in Rafael Toral's Space Program series of releases -- his long-term research project launched in 2004, through which he has unearthed an innovative approach and a complete re-thinking of how electronic music is conceived and experienced. Using custom experimental instruments, Toral performs electronic music concerned with "phrasing and swing" and performing strange melodies with physicality, movement and gesture in flux. The result is something you're unlikely to hav…
Space Elements Vol. II
2025 stock Space Elements Vol. II is the fourth release in Rafael Toral's ongoing project, the Space Program. Following the first Elements release, this volume features a new set of collaborators: Evan Parker (soprano sax), Manuel Mota (guitar), Afonso Simões (drums), Stefano Tedesco (vibraphone), João Paulo Feliciano (Rhodes piano), and Ruben Costa (digital synthesizer), as well as returning guests Sei Miguel (trumpet), César Burago (percussion), Fala Mariam (trombone), and Rute Praça (cello). …