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It has been a couple of years (that felt like a lifetime) since we released lloyd Thayer’s last album, Duets, which he recorded with the drummer Jerome Deupree. The intervening time has been weird as hell, but Thayer (master of every string that’s ever been strung) has made the decision to create a fantastic, sprawling solo suite for himself. And now it is time to share the beauty with you.
Unlike the music on Duets, the piece here was played entirely on double-necked Weissenborn guitar, althou…
With 20 years passing since his first foray into recorded jazz, Nat Birchall now ranks as one of the premier saxophonists of his generation. With several highly acclaimed albums in the locker, he now returns with his most ambitious project yet: a tribute to the legend that is Yusef Lateef titled, The Storyteller - A Musical Tribute to Yusef Lateef.
Nat Birchall on the project: "When Jazzman Gerald first mentioned to me the idea of doing an album as a tribute to the jazz giant Dr Yusef A. Lateef,…
On January 11, 2010, I received a message from a woman who introduced herself as a friend of my good buddy Aki Onda. She was going to be part of a music night at a space in Williamsburg, Brooklyn, called Death by Audio. She asked if I’d be willing to do a solo set there as well. That’s how I came to be leaning against a doorframe, after having played my own set, listening to Margarida Garcia on her electric double bass. Her music was original, soulful, thoughtful, and laden with mystery. Upon …
Having listened to this disk 20 or so times over the past week, I have been struck time and again by the gently naif quality of Dan Beckman-Moon's songwriting. I keep thinking of Neil Young's earliest solo tunes, particularly 'Sugar Mountain,' as a sort of spiritual touchstone, although truthfully the music doesn't really sound anything like that. Still, the emotional core of the material has a similar sweetness and simplicity, while managing to steer clear of mawkishness with a nimble delicacy …
The mixtape has long been a central facet of Seth Price’s practice, from his compilations of New Jack Swing, industrial, and early video game music contextualized with essays as part of his Title Variable project to his soundtracks for fashion shows. Assembled in the spirit of the eclectic mixes he regularly posts on his SoundCloud page, Casual Holiday is a genre-trotting bricolage of music by Amancio D’Silva, Roy Montgomery, Nancy Dupree with a group of Rochester, NY youngsters, and more. Price…
A year and a half has passed since Slovak-Hungarian artist Adela Mede self-released her debut album 'Szabadság'. Its liner notes described it as "a navigation", a search through "the personal, familial, cultural, folkloric and geographic of her past and present." Her second album, 'Ne Lépj a Virágra' no longer searches; here, she puts down roots and delves deeper into the earthy reality of her home, Central Europe. Mede sings in three languages with newfound conviction and grace – this is an alb…
Patrick Shiroishi returns to his brutal prog roots for an album of 60 saxophone exercises, equally punishing and rewarding. Executed during the plague years and delivered in two halves, one featuring pieces composed strictly with programmed drum accompaniment, the second with additional metal/wood sound sources, Inoue truly stands out in an extensive and captivating discography.
Those looking for a comprehensive overview of Sun Ra’s celestial magic could do far worse than acquire a copy of ‘Artyard in a Box’, a collection of nine classic long players from the Sun Ra archive set across seven CDs. ‘Disco 3000’, ‘Sleeping Beauty’, ‘On Jupiter’, ‘Beyond the Purple Star Zone’, ‘Oblique Parallax’, ‘Horizon’, ‘Nidhamu’, ‘Dark Myth Equation Visitation’ and ‘The Antique Blacks’ all appear, spanning the more soulful and spiritual manifestations of his work such as on ‘The Antique…
Seven Memories / Human Meat brings Himukalt and Subklinik together in a collaboration that feels less like a split and more like a shared autopsy table. Across its two halves, the record traces a tight arc from psychic excavation to corporeal desecration, turning the body and memory into raw material for a language of diseased electronics, guttural atmospheres and suffocating space. It is an album that treats industrial and death‑ambient not as fixed styles but as solvents, slowly stripping away…
Tip! 2025 Stock. In the early 1960s, while Robert Moog was still perfecting his voltage-controlled synthesizers in upstate New York, a young Finnish physicist named Erkki Kurenniemi was building an entirely different future in a basement studio at the University of Helsinki. Working with digital control technology years before the rest of the world caught on, Kurenniemi created instruments that seemed to arrive from a parallel timeline - synthesizers played with electronic pens, machines that tr…
The trip of Steel Mammoth has truly been long and strange. On this album they've finally come to an end, sort of. This is true post-post-apocalyptic electro-acoustic noise, culled from metal percussion, gongs and electronics by Jussi Lehtisalo (Circle, Pharaoh Overlord), Ilkka Vekka (Gatha, Haare etc.) and Ville Pirinen (Seremonia, VPCS). Imagine a lost INA-GRM session, dug up from radioactive black sand in the year 3019. Circuit funeral march, ritual music for androids. A joint release between …
*2025 stock* Mahti are a Finnish four-piece group presenting a unique mixture of ambient-rock, electronic music and traditional Finnish-Karelian music.
Lengthy semi-improvisational pieces are built on top of complex, hypnotic grooves which are layered with opaque guitars and strangely soothing noise elements. In the heart of it all there's kantele, an ancient Finnish string instrument played by Hannu Saha, who has studied Finnish folk music in theory and practice for nearly five decades.
The oth…
*2025 stock* Mahti are a Finnish four-piece group presenting a unique mixture of ambient-rock, electronic music and traditional Finnish-Karelian music.
Lengthy semi-improvisational pieces are built on top of complex, hypnotic grooves which are layered with opaque guitars and strangely soothing noise elements. In the heart of it all there's kantele, an ancient Finnish string instrument played by Hannu Saha, who has studied Finnish folk music in theory and practice for nearly five decades.
The oth…
6-track EP from the German experimental dark folk duo Brannten Schnüre. A shimmering, pastoral collage of acoustic instrumentation, electronics, field recordings and haunting, austere vocals, the songs on ‘Ei, Wir Tun Dir Nicths Zuleide!’ comes together to something quite astonishing and otherwordly. Luboš Fišer’s soundtrack to Valerie And Her Week Of Wonders comes to mind, as does the essence of Astrid Lindgren’s summer scenes with fragments of the ambience of something akin to Nico’s Desertsho…
Mega Tip! ** Incredible compilation assembled by, and including nonetheless than Brannten Schnüre. Gathering together unreleased tracks by Vox Populi! Limpe Fuchs, Läuten der Seele, Christoph Heeman and more, this is the most pleasant surprise we could get from Quirlschlängle. Still two months before Christmas, but the greatest gift is already here. ** "Nebengleis“ is one of those strange and rare German words that seem to be born both out of the dust of a bureaucratic, functional grammar and a …
The legendary electroacoustic composer presents her most intimate work yet, weaving five decades of sonic memories into a profound meditation on time, perception, and the treasures of lived experience
*Comes in a CD-sized papersleeve album replica (gatefold), with obi-strip and insert of notes mostly in Japanese..2024 repress* Debut album released in 1973 by Henry Cow, one of Canterbury's most important bands, formed around Fred Frith and Tim Hodgkinson, who were students at Cambridge University. It was signed to Virgin and recorded at Manor Studios. The songs had reached maturity in their earlier shows, and the studio work was highly accomplished, with intelligent, avant-garde songs produced…
*Comes in a CD-sized papersleeve album replica (gatefold), with obi-strip and insert of notes mostly in Japanese..2024 repress* Second release from 1974. The three tracks on the analogue A-side are all meticulously arranged, even the improvisation-style passages, and show that the sound of early Henry Cow had reached its peak. The B-side is an improvisation-driven piece that hints at the possibilities of Cow's later work. Long-awaited encore pressing in paper jacket, 7 bonus tracks, remastered i…
*Comes in a CD-sized papersleeve album replica (gatefold), with obi-strip and insert of notes mostly in Japanese..2024 repress* This album was recorded at about the same time as Desperate Straights, the album that combined with Slap Happy and was recorded under a joint name. With the addition of Dubmar, there are more vocal numbers and the ensemble is as brilliant as on the previous album. The album is a good blend of the interest in improvisation shown on the previous album. Long-awaited encore…